Friday, December 19, 2025
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Casting Call: John Oliver Needs Flying Penises for VDay Show, Tina Fey Film Seeks Seductive Priest

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John Oliver must be planning something very romantic for his HBO show this Sunday night. Given that it’s Valentine’s Day, Oliver has a put out a call for “Flying Men” — white and around five foot five inches  “These
men will be wearing large penis costumes and flying around set,” the casting call reads. “No previous flying experience is required.”

Meanwhile, the Paramount movie “Whiskey Tango Foxtrot” starring Tina Fey is going shoot some kind of non union promotional film next week. They need a “seductive ice cream eating priest.” The actor “must own own his own priest costume.” Three to five hours work pays $200 not including ice cream and dry cleaning of the priest outfit.

 

Grammy Memorials for Bowie, Frey , BB King, But Let’s Not Forget Natalie Cole, Ben E. King, Percy Sledge

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There’s a lot of bittersweet excitement about memorial tributes on Monday night’s Grammy telecast for David Bowie and Glenn Frey. Lady Gaga and the Eagles, respectively, will perform for them. B.B. King is getting a tribute from Bonnie Raitt and Gary Clark, Jr.

There’s also supposed to be a performance by Johnny Depp’s rock band in memory of Lemmy from the hard rock band Motorhead.

But I do hope there’s something more than a nod on a card to fallen R&B greats Natalie Cole, Ben E. King, and Percy Sledge, as well as Earth Wind & Fire’s Maurice White. While I’m sure that Lemmy has his fans, I doubt much of the Grammy audience could identify one of his songs.

But “This Will Be” by Natalie Cole, “Stand by Me” by Ben E. King, “When a Man Loves a Woman” by Percy Sledge, “September” by Earth Wind & Fire– I would guess the entire Staples Center could sing along to those songs and know every word.

Each of those artists has already stood the test of time, certainly equal to Bowie or Frey. I’m sure the Grammy producers will come up with something neat to honor them.

Deadpool: Ryan Reynolds Is Finally Going to Have a Well Reviewed, Commercial Hit Movie

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If you wait long enough, anything can happen. Ryan Reynolds is about to have his first actual hit, and a well-reviewed one. “Deadpool” has already taken in $14 million abroad, and is set to be the number 1 movie of the weekend. Plus, it’s got an 82 on Rotten Tomatoes. For Reynolds, that’s a 100.

It’s not like he hasn’t tried. “The Green Lantern” made over $100 million, but the reviews were terrible, no one liked it. “Woman in Gold” was an arty movie with Helen Mirren, but it made $33 million, and it wasn’t so popular.

Reynolds tried a series movie with “Buried,” and it was buried alive. A bad idea, the confining film took in one million dollars. And that may have been by accident.

Reynolds’ only real hit was “The Proposal” with Sandra Bullock in 2009. It wasn’t well reviewed, but it was better than you thought, and made over $300 million worldwide. But it was a Sandra Bullock movie.

“Deadpool,” which I haven’t seen, expands on his “X Men: Wolverine” character also from 2009. Reviews and the trailers and clips suggest that director Tim Miller, and writers Rhett Reese and Paul Wernick, have actually been able to capture Reynolds’ strong, sarcastic delivery and mix it with an action movie.  He’s glib, and facile with smart-mouth dialogue. Mix that with leading man good looks, and Ryan Reynolds may be on to something at last.

He’s worked hard enough.  He was even in a Julia Roberts movie no one’s ever heard of, called “Fireflies in the Garden.” This weekend belongs to Ryan Reynolds. Congrats.

Oscar Voting Begins Today: Spotlight (Substance) vs. Big Short (Style) vs. Beauty (Revenant)

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Friday morning, Academy voters can start their engines, er, ballots. Oscar prognosticators are running around like chickens without heads. Who’s in the lead? Who dropped out? Everyone is certain of nothing.

The BEST PICTURE race seems like it’s somewhere between “Spotlight,” “The Revenant,” and “The Big Short.” They are each terrific films. “The Revenant” is beautiful, and daring. It’s also a little pointless. I think it’s great that Leonardo DiCaprio will finally get an Oscar. He’s worked damn hard for it; he’s no slouch. Frankly, his “Wolf of Wall Street” performance was better. But in “The Revenant” Leo slept in a horse carcass and was mauled by a bear. What else can he do? Give it to him now.

“The Big Short” is beautifully constructed, sage and prescient. Adam McKay managed to put a financial crisis into layman’s terms, and he made us care about a disparate group of people. Once again, Steve Carell surprised us. Christian Bale is remarkable. In a few months we may be looking at “The Big Short” ruefully as this economy craters. (Please god, no.) “The Big Short”is stylish and savvy.

But to me “Spotlight” is the Big Idea movie of 2016. The screenplay is a winner. The direction is superb. There’s a reason “Spotlight” won the SAG Award and Critics Choice: that ensemble swings like a big band. There isn’t a false note. And you just keep waiting for that moment when someone asks “Robbie” (Michael Keaton) why no one acted on the pedophilia story years ago. And we know the answer. Still, it’s just one of many little cherry bombs that reveals “Spotlight” as a human endeavor. No one is perfect. But at least they got it together at last. “Spotlight” is going to resonate for years to come.

So Leo is Best Actor. Brie Larson seems like she’s sweeping in for Best Actress from “Room.” None of the others have run a campaign. Jennifer Lawrence and Cate Blanchett have Oscars. Charlotte Rampling made some mistakes in her interviews. Saorise Ronan is alm0st-there but not quite. Brie was exceptional in an exquisite jewel box of a movie.

Sylvester Stallone– what can I say? Give it to him already. Mark Ruffalo’s chances were sort of blown because “Spotlight” needed a lead actor. Without it, there’s not as much momentum. Mark Rylance is just happy to be there. He’s the best stage actor in the world.  It’s Stallone’s year, after forty of them.

Best Supporting Actress is a hard category. Alicia Vikander is in the lead, from “The Danish Girl.” I thought Kate Winslet was so good in “Steve Jobs,” and Jennifer Jason Leigh had the comeback of the year in “The Hateful Eight.” I’m so glad Rachel McAdams finally got some acknowledgment, from “Spotlight.” She’s also worked really hard and is always top notch. Frankly, I thought Rooney Mara would be the winner. I still kind of think that now. This is the worst category. Can’t they all win?

Original screenplay– “Spotlight.” Adapted screenplay– “The Big Short.” My only caveat is that “Bridge of Spies” is a sleeper. It’s also got a Big Idea. And it may outlast all of these movies.

Direct0r– Seems like it’s George Miller vs. Alejandro Innaritu. The latter just won, Miller’s been waiting a long time. I would actually choose Steven Spielberg, who makes everything look easy. Ridley Scott should have been nominated, ditto F. Gary Gray. The winner? Hard to say. Innaritu may prevail simply because he went somewhere no one would go, and did a damn fine job. But Miller did, too, if you think about it.

Best Song– I’m crazy about Lady Gaga’s “Til It Happens to You.” Diane Warren wrote the song primarily, and this is her 8th nomination. I think the timing is good all the way around.

Let the voting begin, kids.

EXCLUSIVE: amFAR Wasted $1.5 Million on Research Company That Went Belly Up Last Year

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The amFARians partied hard last night in New York. They are one charity that loves a good celebrity get together with paparazzi, designer dresses, and no expense spared.

But in 2014 and the two years preceding, amFAR — the famous celebrity-based organization tasked with raising money to find a cure for HIV/AIDS– made a pretty rotten investment. According to amFAR’s Form 990 filings for 2012, 2013, and 2014 they gave just under $1.5 million to a research company called the Vaccine and Gene Therapy Institute of Florida, located in Port St. Lucie.

What isn’t generally known is that the Vaccine and Gene Therapy Institute of Florida was shut down in fall 2015 under a cloud of financial woes including debts to the city and state totaling around $130 million. It’s an ongoing scandal in the Florida city of Port St. Lucie.

Most of the amFAR donations were made in 2014. But almost simultaneous to VGTI’s very public collapse, amFAR was singing its praises.

It doesn’t seem possible amFAR didn’t know the company was collapsing as they were pouring money into it.

But VGTI is gone now. So, too, presumably is amFAR’s money. All that’s left is a huge empty modern building built with tax payer money, and headline after headline about the scandal in the Port St. Lucie local newspaper.

The ongoing battles over VGTI include this nugget: when the company finally went bankrupt it was reported locally that 16 boxes of their papers had been found dumped in a trash bin at a Publix supermarket.

And that’s just part of amFAR’s situation.

Let’s look at some other numbers from amFAR’s 2014 Form 990, shall we?
2014-133163817-0b89a553-9.pdf_-_2016-02-10_20.41.38
In 2014, their revenue increased by about $20 million from 2013. So their grants should have increased, too, right? They did, by just $2 million, or one-tenth of the dough that came in from all those crazy live auctions of trips to St. Barths and dinner dates with Sharon Stone.
2014-133163817-0b89a553-9.pdf_-_2016-02-10_20.42.10
In 2014, amFAR paid out $9.9 million in grants to organizations fighting AIDS. And they paid $9.6 million in salaries.
amfar salaries
No single grant in 2014 came close to the salary of CEO Kevin. Frost, who made $551,647 in 2014. The single biggest donation was to our friends at Vaccine and Gene Therapy, $392K.
2014-133163817-0b89a553-9.pdf_-_2016-02-10_20.43.36
In 2014, amFAR also paid $555,000 to their party organizer, and a total of over $800,000 to people who help them put on all their swell fundraisers. Like tonight’s. Party on!
amfar special payments

Shia LaBeouf On James Franco: “His output is admirable but his work has little meaning to me”

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Shia LaBeouf, troubled soul, good actor, philosopher, has given Art News an interesting interview about his work and ideas. ArtNews interviewed him with “collaborators” Nastja Säde Rönkkö, and Luke Turner. They answered by email, and Art News printed the responses verbatim. LaBeouf’s were typed out as shown below.

You’d think LaBeouf would feel closely aligned to James Franco, who also considers himself an artist and philosopher. Alas, Shia says of Franco: “His output is admirable but his work has little meaning to me.”

Here’s exactly what Shia wrote to ArtNet on the subject of Franco, exactly as it appears:

another word for “Hollywood actor” is “abstraction”
which is a way of making our work an “idea” or “suggestion”
rather than something of substance
proposing this question is the way the art world perpetuates the divide
you’re either a part of the refined art world
or you’re a part of its perpetual enemy “mass-culture”
but there is a realizable middle ground
our work is not bound by either the production rules of the mainstream industry
or the rules of the presentational logic maintained by the Art system
and I don’t see myself as an abstraction or –
“another hollywood actor with a penchant for contemporary art”
I think this is a way of assigning our work and others a lighter anatomic weight
and surmising that our sensibilities
could never accommodate your refined cultural outlook
–
(hollywood actor/ celebrity/ star/ famous person/ personality/ crazy man)
are all seen as un-virtuous titles by the art world
it’s a way to classify something as insufficient
& of alleviating the responsibility of having to
deal with the difficulty of the work)
–
Franco’s output is admirable
but his work has little meaning to me
–
I live and work as if there is meaning
though I know there isn’t
there is something incisive or instructive in living as if.

Shia was also asked if he worried that his art was becoming too kitsch. I like this answer so much.

art is about resonating with people
and with one’s soul
all good art is intimate to some degree
–
the way i see it we’re all lonely, all of us
not fitting in makes you lonely
makes you feel unloved
i think there is a very real relationship between loneliness & love
or sometimes we can’t recognize when we’re loved
i think the deal is you’re fully lonely
& the sooner we all embrace our loneliness
the healthier we are
it is about witnessing each other as individuals & saying:
“i’ll show you mine if you show me yours”
i think it’s our role in this practice to “show ours”
without demanding the “show yours” in return
our stuff is about un-aimed love
if it comes across as kitsch
or sentimental
that’s ok.

J.K. Rowling’s Harry Potter Biz Booming with New Book Planned for Sale in 4 Editions

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J.K. Rowling is already a wizard at making money, but now she’s becoming a true star. In July, “Harry Potter and the Cursed Child” will open in London’s West End, followed by a movie to Broadway, and then the world. It’s the sequel to the Harry Potter books, featuring the children of the main characters on new adventures.

Today Rowling announced on her Pottermore website– which sells ebook downloads and loads of merchandise including expensive jewelry–that a new book will accompany the play. I mean, of course it will. That can’t be all. I imagine the merch tie-ins with that play to be a whole business unto itself.

The whole thing is quite a phenomenon. And ka ching, ka ching for J.K.

Here’s the whole statement from Pottermore, which does sell everything except Quidditch brooms.

Big things are coming this year from the Wizarding World, including the Special Rehearsal Edition of the script book of new stage play ‘Harry Potter and the Cursed Child Parts I & II’.

A host of new print and digital publishing has been announced from J.K. Rowling’s Wizarding World, including a Special Rehearsal Edition of the script book of new stage play Harry Potter and the Cursed Child Parts I & II.

Print and digital editions will publish simultaneously after the play’s world premiere this summer, and will comprise of the version of the play script at the time of the play’s preview performances.

Theatre previews allow the creative team the chance to rehearse and explore scenes further before a production’s official opening night. Harry Potter and the Cursed Child opens for previews several weeks before its official first performance on Saturday 30 July and the Special Rehearsal Edition of the script book will later be replaced by a Definitive Collector’s Edition.

Pottermore will bring you further updates on the Definitive Collector’s Edition as we learn more.

Readers and moviegoers last saw Harry waving off his children at Platform Nine and Three-Quarters, 19 years after the Battle of Hogwarts, in the epilogue to Harry Potter and the Deathly Hallows. Harry Potter and the Cursed Child picks up after that moment and is staged in two parts, due to the ‘epic nature of the story’.

The play opens in London’s West End this summer, based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany. It is officially the eighth story in Harry Potter canon and a new play by Jack Thorne.

Interest in Harry Potter and the Cursed Child from Wizarding World fandom has been massive, and now Potter fans across the globe will be able to join Harry, Ron and Hermione on the next stage of their journey.

Jamie Parker, who originated the role of Scripps in The History Boys, has been cast as Harry. He is joined by Olivier Award-winning actress Noma Dumezweni as Hermione and theatre, film and TV actor Paul Thornley as Ron.

For J.K. Rowling’s devoted readers 2017 is also a momentous year, as it marks the twentieth anniversary of the UK publication of Harry Potter and the Philosopher’s Stone.

Next year will see the publication of four special editions of the first book in the UK, one for each of the four Hogwarts houses. There will also be a brand new edition of Fantastic Beasts and Where to Find Them in 2017, with new content by J.K. Rowling, as well as new formats and editions of the Hogwarts Library books – Fantastic Beasts and Where to Find Them, Quidditch Through the Ages and The Tales of Beedle the Bard.

Pottermore doesn’t play favourites, but we’re especially looking forward to nabbing a copy of Harry Potter and the Chamber of Secrets illustrated by Jim Kay. That’s coming a little sooner, in October 2016, and we’ll be prodding Jim for a look at his latest work soon because we’re nosy like that.

“Zoolander 2” Is a Bad Movie, But At Least Justin Bieber Is Killed in the First 10 Minutes

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SPOILER ALERT Justin Bieber is killed in the first few minutes of “Zoolander 2,” his body riddled with bullets. There was applause when this happened last night, at the premiere at Alice Tully Hall. Later in the movie, Will Ferrell mentions the killing of Bieber rhetorically and gets a good laugh.

Otherwise, the laughs are hard to find in “Zoolander 2,” as Ben Stiller said last night, “sequel to a movie that wasn’t a hit.” One “Zoolander” (2001) was more than enough. This one has no plot or story so Stiller and Justin Theroux et al. fill it up with celebrity cameos galore– so many that you lose count.

Bieber is only the beginning. Billy Zane from “Titanic” has a big part, Susan Sarandon is in there, Sting has a pretty sizeable part (and he’s funny), Benedict Cumberbatch also does (and he’s quite good as a zombie like transsexual), plus you’ll see Ariana Grande and a shrunken Fred Armisen and god knows who else (Katy Perry, Matt Lauer, a bunch of different TV correspondents).

Maybe that will be a selling point– like “Where’s Waldo?”– trying to spot all the celebs and quasi-celebs playing themselves. But what about the actual movie? How about finding the actual actors? Kristen Wiig is virtually unrecognizable. Ben Stiller, Owen Wilson and Will Ferrell are the only distinct people left over from the first movie. Penelope Cruz is so gorgeous that is doesn’t matter we have no idea what she’s doing.

Most of “Zoolander 2” is just mind-numbing as Owen Wilson’s Hansel negotiates orgies (funny bit with Kiefer Sutherland). Derek Zoolander, widowed, has had his fat 12 year old son taken away from him for some reason, and wants to get him back. Both Derek and Hansel are idiots, they know it, and we know it. They’ve learned nothing, and will learn nothing.

But instead of being a sly satire of fashion, “Zoolander 2” has been made into some of kind of “Avengers” movie– although I’m not sure if it’s supposed to be a parody or is straight on. Either way, there’s so much of it, heaped on more of it, with lots of special effects and filler, that there’s no way of knowing.

It doesn’t help that somehow Anna Wintour, the editor in real life of “Vogue,” shrewdly depicted in “The Devil Wears Prada,” actually has a speaking role as a fashion villain– along with Vogue advertisers Tommy Hilfiger, Marc Jacobs, Valentino, and so on. By the time they all show up, the movie is so inside and up its own derriere, that it doesn’t matter.

It’s not like I’m not a Ben Stiller fan– I loved “Tropic Thunder,” and I admire greatly his acting in Noach Baumbach’s movies “Greenberg” and “While We’re Young.” But his directing “The Secret Life of Walter Mitty” was a disaster in the same way that “Zoolander 2” capsizes under its own weight. He needs a script editor, badly, because his really good jokes and pungent satirical moments get lost in a sea of too many ideas.

The scene at Lincoln Center was rather priceless, by the way. MC Hammer and Neil deGrasse Tyson (each in the movie– don’t ask) were there, and met in the lobby, as were Molly Shannon (with her kids), Broadway director Diane Paulus, and TV actor-comic-scandal magnet Andy Dick, among others. Dick headed off to dinner with Ben Stiller’s sister, Amy. Many were not invited to the after party thrown by Anna Wintour and Valentino across the street at the Lincoln restaurant. (Anna chose the list– and she doesn’t really like anyone. How she can see anyone from behind those dark glasses is anyone’s guess.)

But I did see one of those tall Jenner girls, who arrived with a team of stylists and assistants. She’s like a giraffe. Then came her mother, Kris, in a huge fur coat. It’s very instructive how Anna Wintour has embraced low culture as a way of selling Vogue in a time when magazines are just about dead. Her most famous predecessor, Diana Vreeland, would be completely horrified. But it’s just the way Donald Trump has skillfully cultivated rednecks and the working class, convincing them he’s their friend. Harvard should study how they’ve done this.

There were several children in the audience. This movie was not for them, so be warned. They didn’t like it.

Lionel Richie Plans Grammy Surprise with John Legend, Meghan Trainor, Demi Lovato, Luke Bryan… and Adele?

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The Grammys are planning a Lionel Richie surprise for Monday night, following Lionel’s big Saturday night MusiCares Person of the Year dinner.

They’ve drafted Meghan Trainer, Demi Lovato, Luke Bryan and John Legend from the MusiCares show to perform a tribute to Lionel on the Grammys. They say the quartet will do a mini history medley of Richie’s many hits from the Commodores right through his solo career. I wish they’d ask Kenny Rogers to sing “Lady,” but no one asked me.

Then the big news: Lionel will perform a “surprise version” of one of his hits. Knowing Ken Ehrlich’s penchant for putting together unusual duos, I’d wager that Lionel and Adele sing “Hello” to each other. That would stop the show and cause mayhem. Otherwise, it’s possible the big surprise is a “We Are the World” with all the artists on the show joining in.

Either way, it should be good TV.

“Twilight” Time? “Divergent” Part 4 Director Quits Amid Lions Gate Stock Collapse

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Lions Gate Films is already in enough trouble; their stock has been in a nosedive for months. Right now it’s at $18.79. Two weeks ago it was up around $29.

Lions Gate’s main problem is that they appear to have no plans and no big films to replace the “Twilight” and “Hunger Games” series. Their last serial is “Divergent,” the short of lowly cousin of the others.

Now the director of “Divergent” chapters 2 and 3, Robert Schwentke, has decided not to finish the series with number 4. (Neil Burger directed chapter 1.) Schwentke, they say, is exhausted from making two movies back to back.

The first “Divergent” made $150 million, not a huge amount for a Young Adult romance/slash/dystopian fantasy. The second one took in $130 million. The third one, coming March 18th, is a question mark. If it falls another $20 million, Lions Gate will be looking for something spectacular and new to attract viewers to a fourth film. They’ll have to hurry, too, to find a new director with a great vision. “Ascendant” is supposed to open on June 9th next year.

These serials are tricky. By the time you reach the last film, the original audience is four or five years older and has moved on to more interesting stuff. Witness the final “Hunger Games.” Teens had already read the last book and graduated the class. “Ascendant” may be “Decedent” by then.