Saturday, December 20, 2025
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Exclusive: Al Pacino Says He Studied Videos of Joe Paterno for HBO, Says Coach Was Brilliant at Football, “Hope I Got Him Right”

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Al Pacino plays Penn State’s heralded football coach Joe Paterno in Barry Levinson’s very fine HBO film, “Paterno,” which premieres this Saturday. The movie is so sensitive on the subject of pedophilia and child abuse that on Monday night HBO feted Pacino with a small screening and no press.

But I caught up with the Oscar winner on Tuesday night at the first anniversary of Charles S. Cohen’s re-opening of the Quad Theater in Greenwich Village. The dazzling Quad is little movie palace now thanks to Cohen, a real estate magnate who owns the D&D Building here in New York and the Pacific Design Center in Los Angeles. He also captains a boutique film company that has one Oscar under its wing, for “The Salesman,” and a bevy of awards and citations for choosing quality films since his first release in 2008, “Frozen River.”

At the Quad celebration, Pacino — who was just the subject of a month long retrospective at the Quad — welcomed old friends like actresses Brenda Vaccaro and Lois Smith, and Peggy Siegal, as well as Oscar winning screenwriter of “Precious” Geoffrey Fletcher, actors Josh Charles, Aasif Mandvi, and Kevin Corrigan. Cindy Adams, Queen of Gossip for the NY Post, was taking notes fast and furiously for a column maybe we’ll see this week.

I asked Al about Paterno, complimenting him on the performance– but really. it’s Al Pacino, of course he nailed it. Pacino said, “Look what he’s doing” — Paterno, on the field, 409 wins– “he’s not playing around. I watched a lot of videos of him to get him right. I hope I got him right. I know a lot about it,” he added– oh yes, you may remember him in Oliver Stone’s “Any Given Sunday.”

“What’s your favorite?” Fletcher asked him.  I say “Serpico,” Pacino adds “Dog Day Afternoon, all that early stuff,” he shakes another hand. There are too many to mention.

I ask him, Did Al hear the voice over at the beginning of “Paterno” when someone calls him “The Godfather”? “I did, I did,” he said, big Pacino smile, eyes gleaming with mischief.

What’s next, I asked? “The Irishman! We finished The Irishman!” he said, still gleaming. This is Scorsese with DeNiro, Pesci, the most hotly anticipated movie of the year. And then, he’s off, back to magical Pacino land. He’s talked to everyone in the room, and now they’re all smiling, too.

 

 

Review: Shrill “Roseanne” Episode 3 Mocks ABC’s “Black and Asian Shows,” Endorses Physical Violence of Grandkids, Plus Dan May Be Dead After All

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RATINGS UPDATE: “Roseanne” scored 15.1 million viewers last night, down about 3 million from last week’s broadcast, and 10 million from the added in viewings. More to come…

Now that we’ve come back to Earth, let’s talk about “Roseanne” episode 3 called “Roseanne Gets the Chair” in which Dan– who may actually be dead after all — steals what looks like a brand new electric staircase chair from a neighbor’s house. Hilarious, no? No.

In this episode, Dan — John Goodman, looking unwell and very squeamish about his lines — mocks ABC’s “Blackish” and “Fresh Off the Boat” with a racist swipe. I wonder if those shows are going to retaliate. “Yeah, they’re just like us,” Roseanne snidely retorts. And we’re off.

Darlene’s teenage daughter Harris is acting up, hates living with the Conners, and is rude to Roseanne. So what does grandma do? She shoves Harris’s head under the kitchen sink faucet and douses with her water. She holds her by the neck. That’ll teach her! So funny, right? It’s abuse, and cringe-worthy at the least. And oh yeah: Roseanne calls Harris a bitch.

Oscar nominee and Tony winner Laurie Metcalf as Jackie has returned to looking like an electric shock patient in this episode, jettisoning all the strides she made an as actress since she left “Roseanne” in a two minute cameo. Movie star Goodman, so beloved in quirky films, has absolutely nothing to do but spout inane crap and pretend to be Dan, who he’s playing as a ghost.

“Roseanne” is shrill, but it was always shrill. The difference now is that it’s a set up for one liners for self-righteous one liners, there’s no story, it’s just as gross as “Married with Children” used to be. Ironically, “Modern Family” follows “Roseanne” (on abc.com) and it’s the anti-thesis– smart stuff, endearing people who make mistakes and figure them out without resorting to physical violence. And it’s always genuinely funny.

PS Missing from this episode: the black grand-daughter, the cross dressing grandson, Roseanne and Dan’s son who’s married to a black woman, and any mention of the baby surrogacy.

 

 

Review: Al Pacino’s Powerful, Intelligent Performance as Joe Paterno Doesn’t Let Famed Penn State Coach Off the Hook in HBO Drama

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Saturday brings to HBO Barry Levinson’s “Paterno,” the Oscar winning director’s much anticipated snapshot of famed Penn State coach Joe Paterno at the end of his life, mired in a terrible scandal. This movie was originally going to be called “Happy Valley,” directed by Brian DePalma, with a different screenwriter and source material but also with Pacino. The latter film was canned over budget issues.

Levinson has made the economic and economical choice of making a character study with an ensemble cast. So Pacino leads a very taut group of actors who are given their moments as real life people who played a part in the unraveling of the decades of pedophilia at the hands of assistant coach Jerry Sandusky and the coverups that took place around it.

“Paterno” highlights a young local journalist, Sarah Ganim, who led the charge along with her editor, Jonathan Newhouse. But this is not “Spotlight” redux. While Riley Keough is outstanding as Ganim, and her trajectory moves the story forward, Levinson was right to keep the reporters secondary this time. He was more interested in Paterno, considered a God at Penn State for 61 years, and his downfall. Other movies in the future could tell different views of the saga. This was Levinson’s choice and it was a smart one.

There is no hoo-hahing here for Pacino, who restrains himself from chewing the scenery (he does it well) often. This Pacino will remind you of Michael Corleone at the end of “The Godfather, Part 2,” when he realizes that it’s all been for naught. Indeed, right at the beginning of this film, voice overs are heard of people discussing Paterno. Someone actually calls him “The Godfather.”

Of course, Paterno didn’t have any one killed. But it’s pretty clear from this film that he began covering up Sandusky’s miscreant behavior as early as 1976. He looked the other way, rationalized it, permitted, enabled– why? All to win — four hundred and nine wins altogether, and to build his empire. This was without regard to Sandusky’s victims, who were mortally wounded.

Pacino’s performance is intelligent and sympathetic but don’t take that the wrong way. Levinson is wrestling with the discovery by people around Paterno how this all happened– and they had little time to do it. He died quickly of cancer two months after the scandal broke. Your sympathy is for those around him, not for Paterno. But Pacino, in keeping it dialed down, makes you invest in him just as his inner circle did, to get the answers. It’s a really canny performance.

Riley Keough is sensational as Ganim, and is joined in her efforts by Peter Jacobson as Newhouse. I really Annie Parisse as Paterno’s daughter, Kathy Baker as his wife, and Greg Grunberg as Paterno’s morbidly obese and faithful son. (I hope he was wearing a fat suit.)

The whole Penn State scandal is a mini-series yet to be made. “Paterno” simply stands as a snapshot of a moment when everything went to hell fast. It’s not a documentary. It’s a narrative film and very, very good.

The Beatles Get a 50th Anniversary Release of “Yellow Submarine” This July, All Hand-Restored with 5.1 Surround Sound Soundtrack

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“Yellow Submarine” is coming back and we’re all going to live in it this July 8th. The Beatles and Apple Corps have reached a deal to release a restored version of their 1968 classic to US theaters. The classic animated film has a shiny new 5.1 mix soundtrack that presumably will be released by Capitol. (This will be the second re-working of the Submarine soundtrack.)

from the press release: “Yellow Submarine was restored in 4K digital resolution by Paul Rutan Jr. and his team of specialists at Triage Motion Picture Services and Eque Inc. The film’s songs and score were remixed in 5.1 stereo surround sound at UMG’s Abbey Road Studios by music mix engineer Peter Cobbin. Due to the delicate nature of the hand-drawn original artwork, no automated software was used in the digital clean-up of the film’s restored photochemical elements. This was all done by hand, frame by frame.”

Funny– the press release mentions a few artists of the time that “Yellow Submarine” is supposed to be influenced by. But it’s all Peter Max. I think they don’t say it so he doesn’t sue them. But the whole movie is a tribute to Peter Max, whose timeless work WAS the Sixties.

Anyway, “Yellow Submarine” is wonderful. See it, bring the kids, bring the grandparents.

PS The Beatles are going to capitalize on all their 50th anniversaries since the “Sgt. Pepper” box set was such a hit. We are right now in the middle of the “Lady Madonna” 50th anniversary chart run. The Beatles then recorded “Hey Jude” on July 31 and August 1st. It was released August 26, 1968, spent 19 weeks on the charts, 9 of them at number 1.

Jim from “The Office” Makes Intense Masterwork Film, Scores a Rare 100 Among Critics, Draws Ryan Reynolds, Blake Lively, Justin Theroux to Premiere

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John Krasinski is in the hearts of many as likeable but snarky Jim Halpert from “The Office.” He’s playing Jack Ryan in the Amazon TV series starting this summer. He’s tried directing– I really like “The Hollars” with Margo Martindale- but hasn’t broken through in movies yet. But now Krasinski– who’s married to actress Emily Blunt– has thrown us a curve ball. He’s re-written, directed and stars in  a little masterpiece called “A Quiet Place” opening on Friday.

This is a tour de force. His friends must know because they turned out in droves last night for the New York premiere. Ryan Reynolds and Blake Lively walked the red carpet, then went to dinner with Krasinski and Blunt while we watched the 85 minute slice of perfection at AMC Lincoln Square. Justin Theroux stayed for the screening. So did Doug Liman, director of “Edge of Tomorrow” and “Made in America.”

The after party was over at Lincoln Restaurant, where Peggy Siegal holds her Oscar Q&A’s in the winter. Classy. Stanley Tucci was there because he co-starred with Emily in “The DEvil Wears Prada” and also he married her sister, Felicity. They’re expecting their second child but sat through the movie. Felicity said, “I know it was pretty brave.” They all loved it.

“A Quiet Place” has a 100 on Rotten Tomatoes, 47 positive reviews. The number will drop. Someone will be the spoiler. But there’s nothing not to like. “A Quiet Place” is one of those rare gems, masterwork that I think movie buffs will study. It’s an ode to Hitchcock, but it’s also totally original.

It’s not just luck. Krasinski has been working toward this writing screenplays (“The Promised Land”) and directing a character driven family story that pre-figures “This is Us” (“The Hollars”).  Like Jim, Krasinski was not not going to stick around the office selling paper. He had bigger things up his sleeve.

“A Quiet Place” doesn’t look like it came cheap. Krasinski used the best crayons in the box. All the below line stuff– cinematography, editing, production design, lighting– is top notch. Marco Beltrami wrote what should be an Oscar nominated score, which is most important since the music is a character. You see, there is barely any dialogue in this film. It’s basically a silent movie. A very noisy one. There’s an alien–Krasinski told me he designed it with ILM– that looks like several million bucks. It is very scary.

The story (based on a screenplay by Bryan Woods and Scott Beck) We meet a family on the run in the woods. We’re told they’re 89 days into something –some kind of alien invasion has wiped out their town and almost everyone in the world, we glean from headlines. These aliens use sound to kill their victims. So the family– unnamed but according to the credits their name is Abbott– must be silent. Any noise will bring their deaths. There’s a mother (Blunt), father (Krasinski), and three children. The daughter is deaf (Millicent Simmonds from “Wonderstruck,” outstanding) so think about that turn in the story– the aliens are hunting for sound, she hears no sound. There’s a reason for all this, I won’t give it away.

The plot: they want to survive. They’ve made it this far. Then something happens. We jump ahead a year. The mother is nine months pregnant. They’ve found asylum on an abandoned upstate NY farm. But the aliens are not far away.

But can you imagine being silent this whole time? Not a word. One false move and your life could be over. Krasinski instills that in us from the opening– I’ve never seen an audience stiffen up so quickly. Right away, you see the filmmakers are not playing games. The audience last night was itself silent for longer than I can remember in any movie. You could hear people breathing. Or chewing pop corn.

“A Quiet Place” is a horror film the way “Psycho” or “The Birds” is– it’s transcendent. It’s about family and loyalty as much as it’s running from the specter of death, and having some hope you’ll make it out alive. The family, that is. Not the audience.

 

 

Adele is Now an Ordained Minister, Married Two Of Her Best Pals in L.A. Backyard Last January

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Adele is keeping busy in Los Angeles, her new home. (She’s rented a mansion high above the Hollywood Hills.)

She’s just revealed that in January she became an ordained minister and married two pals in her backyard. The guys were British chat show host Alan Carr and long term partner Paul Drayton. It was a secret but apparently Carr talked about it on his show today.

Now that Adele has this outfit, maybe she can start recording new songs. Her mega hit album, “25,” is starting to gross moss. It’s time for some new music, Adele.

“Avengers: Infinity Wars” Directors Post Letter Asking for Secrecy About Movie’s Spoilers

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The Russo Brothers have posted an unusual letter to Twitter. They’re asking fans to keep their secrets and not risk letting out spoilers about the upcoming “Avengers: Infinity Wars.” What spoilers? Captain America dies? Someone dies? Everyone dies? Well, we don’t know. But we’ll keep their secrets. It’s the least we can do.

Review: “A Quiet Place” Notches Up Hollywood Couple John Krasinski And Emily Blunt With a Sublime Gem of Horror

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To say that 38 year old actor/director/writer John Krasinski might have reached the pinnacle of his career with his latest “A Quiet Place,” at the outset might seem strange, but John himself admits it could be true as he said on CBS’s “Sunday Morning” yesterday. John noted,  “I know this might be the highlight of my career, and I’m okay with that.”

He later explained that the unabashed kudos he’s getting for his latest film, which he co-wrote (with Scott Beck and Bryan Woods) and directed and which also stars his wife the multi talented Emily Blunt, is unexpected and rattling to him.  But he’s earned all of it. 

“A Quiet Place” is truly a revelation.  A simple premise turns out to be an intense, exciting, poignant and ridiculously scary story.  In a post-apocalyptic world, monsters detect their prey by sound.  So whoever’s ieft has to be majorly quiet and in that quietness Krasinski shows how smart and adept he is.  He’s a thoughtful filmmaker, so his telling of the story wastes not one second, frame or even one word, which are few and far between in the film; the characters rely on sign language and gestures.  The sound /or lack of it is the major character here.  And the cast is perfect. He’s the unnamed Dad, Blunt is the fierce tiger mother, Noah Jupe and Millicent Simmonds are their brave kids.  Simmonds, who is a deaf in real life, is heartbreakingly affecting. 

From the get go with the Title Cards saying what day it is Day 89 the disaster, the suspense builds and the subtle, clever storytelling pulls you in.  Krasinski is right, Hollywood is tough and this kind of adulation might not every happen again for him. But for now, he’s earned it with “A Quiet Place.”

Paramount’s “A Quiet Place,” will be released this Friday, April 6th

Broadway Booms But Jimmy Buffett’s “Escape to Margaritaville” Won’t Make it to Last Call

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Broadway was booming this week, up $20 million since mid February when things looked bleak. Most every show is doing well, or well enough. “Chicago,” running since 1830, has a new lease on life thanks to Valerie Simpson’s guest shot.

This cannot be said of Jimmy Buffett’s “Escape to Margaritaville.” The jukebox musical was roundly panned when it open a couple of weeks ago. Since then, audiences — except for Buffett’s hardcore fans– have stayed away.

Last week “Margaritaville” made just $600,000 in a house that could yield $1,752 million if it sold out. Just 34% of the seats are filled. The show is playing at 60% of its financial capacity. You can hear the parrots crying in the balcony.

So many shows have died in the cold and forbidding Marquis theater in the Marriott Marquis Hotel. “Margaritaville” doesn’t belong there. It’s way too big even if it’s in a tourist hotel that should feed it some natural audience. Buffett’s musical should be scaled all the way down and playing over on West 50th St. off Broadway at New World Stages.

At this rate, the sun is going to set on “Margaritaville” well before the Tony Awards. In three weeks we’ll have a lot of different nominations announced from various groups. When this show strikes out, the closing notice will go up. And everyone can have one last stiff drink.

 

Live “Jesus Christ Superstar” Takes Sunday Night with Over 9 Million Viewers, Beats “American Idol,” Album is Number 1 on Amazon

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Jesus Christ Superstar was a superstar last night, beating “American Idol” with 9 million average viewers from 8pm through 10:30pm. “Idol” scored its usual 7.3 million last night, settling into familiar groove.

The NBC musical was live from Brooklyn with an ecstatic audience watching a hugely talented cast. John Legend, Brandon Victor Dixon and Sara Bareilles led the group, and they were all spectacular. This morning Legend’s people must be getting calls from Broadway producers who want him in their shows.

Dixon, as Judas, stole the show with the musical’s title number. He’s also getting calls today. He’s a rock star.

Meantime, the original soundtrack album for “JSC” from 1970 is sold out at amazon and on back order. Universal Music simply wasn’t ready for the demand. But it can be downloaded– and the album is number on iTunes. The soundtrack to the awful 1973 movie is number 12. But the one to get now is the new album with last night’s performers. That’s number 1 on amazon right now in pre-orders (avail April 27).

PS the “Roseanne” rerun scored just over 4 million viewers, bringing last week’s chaos back to Earth.