Friday, December 19, 2025
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“A Quiet Place” Wins Another Weekend as Amy Schumer’s “I Feel Pretty” Collapses, Christian Film Rakes It In

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This week’s box office looks a lot like last week’s. “A Quiet Place” is number 1 with $22 million, beating “Rampage,” held over from last week. The only difference there is that “Rampage” is slowing down while “A Quiet Place” is doing better than ever.

The new movies this week didn’t fare so well. Amy Schumer’s “I Feel Pretty” really collapsed after Friday. The total for the weekend is $16 million. The comedy brought in $6 million on Friday and Saturday each but couldn’t do an equal multiple for Sunday. Not good. No one knows what this movie is. Schumer’s “Trainwreck” had a $30 mil opening, “Snatched” with Goldie Hawn was at $19 mil, so the trend is not up. Au revoir.

“Super Troopers 2,” lucky to be made at all, did $14 million. Who knows if the total interest in this has been exhausted? The original “Super Troopers” made just under $19 million total in 2002.

The biggest news on the chart is that “I Can Only Imagine,” a Christian based movie that only cost $7 million and you’ve never heard of it, is up to $80 million. It’s based on a Christian pop song and stars Dennis Quaid, with a cameo from the legendary Cloris Leachman. Go figure. There are only 23 reviews on Rotten Tomatoes. Sixteen liked it, seven didn’t, the latter were all regular reviewers. Doesn’t matter.

Farewell to BB King’s in Times Square: Greedy Landlord Forces Out Yet Another Live Venue in NYC

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I am really sorry to see that BB King’s in Times Square will close at the end of the month. Isn’t this what the Times Square redevelopment was supposed to be about? Great places to see live music or theater? What will become of this space, which is below ground? Maybe the old Times Square will return, with sex dungeons. And, of course, Sephora.

The list of great shows I saw at BB Kings goes on and on: Sly Stone’s botched return (twice), Ronnie Spector’s Christmas show, Darlene Love’s Christmas show, Dionne Warwick, the Raspberries reunion,the Dave Clark 5 fundraiser for Mike Smith, Sam Moore, Isaac Hayes. Oh my god, Al Green, November 2006, let the audience sing, handed out roses, hit the high notes like they were clay pigeons. I even took a bunch of friends for a Chuck Berry New Year’s Eve (they still haven’t forgiven me).

Years ago– I don’t know when– some promoter convinced Aretha Franklin’s bookers to put her in there. It was much smaller than any place Aretha had played in eons, but the ticket price was high. The show sold out. I asked the publicist to put me at the lip of the stage so that when Aretha– who doesn’t do sound check or rehearsal– stepped out, she’d see a friendly face. Just as I thought, she was introduced, the band was playing, and Aretha came forward, looked down and saw me. She took in the size of the room and said, without missing a beat, “Well, well, we haven’t played a room this small in some time, have we?” The crowd went wild and she gave, of course, a historic show.

In the winter of 2002, Miramax took over BB Kings for the premiere a movie I worked on called “Only the Strong Survive.” It was some night, with performances by Sam Moore, Wilson Pickett, Mary Wilson, Ann Peebles, Carla Thomas, and so on. It was magic. Kurt Vonnegut was in the audience, which was surreal. So was May Pang.

The number of places in Manhattan where you can see classic soul or rock, jazz, or country, cool stuff, hip stuff, where you know musicians will show up to play or hang with their pals has fast dissipated. The Bottom Line is gone. Roseland, RIP. Tramps, too. (CBGB is also gone, but that was a different kind of place.) We still have relatively newer spots like City Winery or the High Line, but the golden era of nightclubs has faded to fuzzy memory.

Losing BB Kings on 42nd Street– that’s bad. The street is full of crap, all chain restaurants you could find in your mall in Omaha. BB Kings was the gem of the block (apart from the two or three Broadway theaters). This is where you went for the Harlem brunch, or Breakfast with the Beatles. Legendary acts that have no place in the world of crap Bieber pop– Dave Mason, Average White Band, Oleta Adams–could shine in this showcase.

But hey, this is DeBlasio’s New York– empty storefronts everywhere, streets choked with traffic from private car services and other impediments, homeless people beyond Ed Koch’s imagination, and a Times Square that looks like the setting for “Mad Max Thunderdome” part 2. You can always go to Brooklyn if you don’t like it!

 

Verne Troyer, aka Mini Me from “Austin Powers,” Dies at 49 After Long Fight with Depression, Alcoholism

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The actor Verne Troyer died today at age 49. He’d been battling depression and alcoholism. It’s unclear how he died, but the impression given by a post to Instagram is that suicide is involved.

The really terrible thing here is that’s how he’ll be remembered right now. I actually met Verne a few times, at Starkey Hearing events and other charity events. He was a lot of fun, a real pistol. Nothing– not his size, nothing– stopped him from having a good time. And let’s face it, his performances in the “Austin Powers” movies was iconic. He was beloved even if he didn’t know it all the time.

In the posting, his friends wrote:
“Verne was an extremely caring individual. He wanted to make everyone smile, be happy, and laugh. Anybody in need, he would help to any extent possible. Verne hoped he made a positive change with the platform he had and worked towards spreading that message everyday.”

It is with great sadness and incredibly heavy hearts to write that Verne passed away today. Verne was an extremely caring individual. He wanted to make everyone smile, be happy, and laugh. Anybody in need, he would help to any extent possible. Verne hoped he made a positive change with the platform he had and worked towards spreading that message everyday. He inspired people around the world with his drive, determination, and attitude. On film & television sets, commercial shoots, at comic-con’s & personal appearances, to his own YouTube videos, he was there to show everyone what he was capable of doing. Even though his stature was small and his parents often wondered if he’d be able to reach up and open doors on his own in his life, he went on to open more doors for himself and others than anyone could have imagined. He also touched more peoples hearts than he will ever know. Verne was also a fighter when it came to his own battles. Over the years he’s struggled and won, struggled and won, struggled and fought some more, but unfortunately this time was too much. During this recent time of adversity he was baptized while surrounded by his family. The family appreciates that they have this time to grieve privately. Depression and Suicide are very serious issues. You never know what kind of battle someone is going through inside. Be kind to one another. And always know, it’s never too late to reach out to someone for help. In lieu of flowers, please feel free to make a donation in Verne’s name to either of his two favorite charities; The Starkey Hearing Foundation and Best Buddies. Photo by @paulmobleystudio

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TV Throwback: “Bad Seed” Star Patty McCormack Filling in on “General Hospital” After Veteran Actress’s Accident

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When Patty McCormack was 11 years old, back in 1956, she was the sensation of the movie world. She played Rhoda Penmark, the “Bad Seed” and garnered an Oscar nomination for her work. McCormack’s Rhoda is iconic in film history. If you think all these little horror movies that come and go are scary, sit down and watch this whole movie.

McCormack never stopped working, although as time went by and she grew up her “Bad Seed” status faded. Now she’s 72 and next week she’s filling in for Leslie Charleson on “General Hospital” as Dr. Monica Quartermaine. It’s a good bit of stunt casting while Charleson, who’s been on the show since 1977, takes time off to heal from a fall that involved walking her dog. Monica was kind of a slut on “GH” in her younger days, but never a villain. If the soap can somehow bottle McCormack’s old persona and shift it to a soap character, General Hospital will be overrun in its ER!

By the way, Mervyn Leroy directed “The Bad Seed.” He was a prolific and successful director from the 1950s who steered 13 different actors to Oscar nominations. In New York his legacy came through his son, the late restaurant impresario Warner LeRoy who created Maxwell’s Plum and Tavern on the Green, and re-created the Russian Tea Room after its 1995 closing.

Watch Bebe Buell perform “By a Woman” Live on Nashville NBC TV

Watch: Bebe Buell’s “By a Woman” Is the “I Am Woman” of 2018, the Witty, Catchy Rallying Cry of #MeToo and #TimesUp

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What the world needs now is a strong, fun anthem for 2018 that echoes Helen Reddy’s 70s hit “I Am Woman.”

That would be “By a Woman,” hilarious, witty, and catchy, by Bebe Buell, one of the great female rockers of all time. It’s out today as part of her rocking new album, “Baring it All: Greetings from Nashbury Park.” Bebe recorded the album in Nashville and Asbury Park, New Jersey with some of the best musicians in the country.

After three decades of making and inspiring music (a lot of classic rock songs by people like Elvis Costello are either about her or influenced by her) Bebe sat down with husband Jim Wallerstein to make her equivalent of Marianne Faithfull’s “Broken English.” The result is a breakthrough that mixes politics and personal history, much like the shows she’s been doing in Nashville and at New York’s Joe’s Pub.

“Baring it All” is one of the best produced rock albums I’ve heard in a long time. Wallerstein’s band is guitar driven and very melodic. They find all the rhythm and catch the waves of Buell’s vocal nuances. Several of the songs– “Invisible” is a stand out, so is “Coming to a Head” — and the lyrics will send fans back to Buell’s memoir, “Rebel Heart,” to figure out who’s who while your head is bopping to the music.

But “By a Woman” is right on for right now, and radio stations should get a kick out of it. My favorite lyrics:

Joan of Arc, made her mark, now that’s a woman/Golda Meir, walked without fear, what a woman/

When they tell you you can’t win/Don’t take it on the chin/You gotta dive right in/Cause you’re a woman

“Baring it All” is out today on all formats including Spotify.

WSMV News 4

 

 

Broadway: “Hello, Dolly!” Will Close August 25th After Bette Midler Makes a 6 Week Return at Top Dollar

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Well, what else can you do?

“Hello, Dolly!” has been playing to respectable houses since January when Bernadette Peters took over. Peters, many feel, is made a better Dolly Levi and a better show after Bette Midler played for months at hundreds and thousands of dollars a ticket for a show that was more like “Hello, Bette!”

But now, obviously, the returns are good enough. So producer Scott Rudin will close “Hello, Dolly!” on August 25th– but not before Midler returns for six weeks beginning July 17th. That should double the box office and give everyone involved one last big cash grab before they sing “So Long, Dearie.”

Peters and her cast deserve a standing ovation. After seeing Ethel Merman, Carol Channing, and Pearl Bailey at different times in my young life, Peters was just sensational. Bette Midler was, well, a superstar in the role. Interesting that Rudin is giving up before the fall season starts and “King Kong” and other fascinations come to town. Plus, he’s got “Carousel” running, “My Fair Lady” is up at Lincoln Center, and attention must be stretched for “classic” musicals. In the dead of summer, Midler will certainly draw business away from those shows.

 

Sting Sends Support to DACA Dreamers with “Dreaming in the USA” on New Album with Reggae Star Shaggy

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You get a lot when you’re a Sting fan– great rock and reggae, and then a potential private show at the Metropolitan Museum of Art.

Today Sting and reggae star Shaggy release their joint venture, “44/876,” a collection of songs that stick like the best earwigs in your head. I’m in love with one, “Dreaming in the USA,” that could be the DACA theme song. I hope news of it spreads quickly to immigrants everywhere as a clarion call of support. Sting, who has always reached out with a “One World” philosophy gets it — this is the anthem for a movement.

Two of the songs on “44/876have already appeared as singles– the bouncy “Don’t Make Me Wait” and “Morning is Coming” bring out Sting’s best singing with Shaggy’s rhythmic grooves seem effortless but listen to them–the” y’re clever collaborations.

One of the songs on “44/876” is listed as a bonus track. But “If You Can’t Find Love” sounds like such a hit I hope it finds a chart life fast. It’s what we used to call a “perfect single” and as good as anything from Sting’s solo greatest hits. I defy anyone not to fall in love with this song. I’m also in love with a number called “Gotta Get Back My Baby,” a delicious duet that, again, should lodge itself in your head for a long time.

At this point in his career Sting has nothing to prove. At a shocking 66 years old (he looks at least 20 years younger), he just keeps looking for ways to engage his talent. Hooking up with Shaggy is an intriguing idea because Sting’s original music with the Police was so reggae infused. On “44/876” he’s gone to the source– Shaggy is huge in the reggae world, we just knew him once for his pop hit, “It Wasn’t Me.” They make for a cool combo.

And they aren’t fooling around, that’s clear from the title track that opens this set. Shaggy sets the tone, making it abundantly clear that Sting is deferring to the expert. It’s the way Sting has always integrated international music, with a respectful bow. The listener wins because we learn a little while we’re dancing.

Following this DACA idea and being global, Sting is also doing something unusual next week– he’s performing at the Metropolitan Museum of Art in honor of the great Hudson River School painter Thomas Cole (1801-48). The Hudson River School painters were “dreamers” too– just look at their dreams in their stunning operas of nature on canvas.

Details for “Sting: Atlantic Crossing” are here. One of the perks, besides hearing Sting perform in an intimate setting and seeing the Cole paintings (they are magnificent) is seeing a mini-show of a stunning forthcoming art book pairing by Sting and modern Hudson River-type landscape artist Stephen Hannock called “The Last Ship from the River of the Northern City.”

 

Spineless Ted Cruz Writes Tribute to Donald Trump Who Attacked His Wife During Presidential Campaign, Implied His Father Involved in JFK Assassination

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Ted Cruz– it’s hard to believe to he’s still functioning as an independent adult and not tied up in a strait jacket somewhere.

For the new Time 100 — yes, they still have it — Cruz has written a tribute to Donald Trump. Let’s not forget that Trump threatened to “spill the beans” on Cruz’s wife, and implied that Cruz’s father had something to do with the assassination of JFK.

Cruz writes, really, I am not kidding:

President Trump is a flash-bang grenade thrown into Washington by the forgotten men and women of America. The fact that his first year as Commander in Chief disoriented and distressed members of the media and political establishment is not a bug but a feature.

The same cultural safe spaces that blinkered coastal elites to candidate Trump’s popularity have rendered them blind to President Trump’s achievements on behalf of ordinary Americans. While pundits obsessed over tweets, he worked with Congress to cut taxes for struggling families. While wealthy celebrities announced that they would flee the country, he fought to bring back jobs and industries to our shores. While talking heads predicted Armageddon, President Trump’s strong stand against North Korea put Kim Jong Un back on his heels.

President Trump is doing what he was elected to do: disrupt the status quo. That scares the heck out of those who have controlled Washington for decades, but for millions of Americans, their confusion is great fun to watch.

So sad to watch Ted Cruz, who was just plain crazy before Trump now completely crazy with the fruit mixed in. It’s just as sad to watch Marco Rubio, whom Trump belittled into the ground, showing up for event after event like a mistreated dog at the pound.

Amy Schumer Heading for a Real Trainwreck with Poorly Reviewed, Unfocused “I Feel Pretty”

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Remember the really fun comedy “Trainwreck”? Judd Apatow directed Amy Schumer to a blockbuster three years ago. The hit film made over $100 million and put Schumer on the map so brilliantly that she just canceled her own TV show and took for stardom.

Well, times have changed. Schumer’s new movie, “I Feel Pretty,” opens on Friday and it looks like it’s going to be an actual train wreck (or a figurative one, really). Rotten Tomatoes has it at 35% — very rotten — and only 72% of those asked want to see it.

I can’t even figure out what “I Feel Pretty” is supposed to be from the commercials, and there’s no buzz whatsoever. This follows up Amy’s really terrible movie with Goldie Hawn from last year, “Snatched,” which had a 36% on RT and made $45 million — mostly for the novelty of having Hawn back in a movie.

“Trainwreck” was a lot of fun but it was also shaped and guided by Apatow. “I Feel Pretty” comes from what we’d call B or C level directors Abby Kohn and Mark Silverstein. It’s also a bad sign that Universal, the studio that gave us “Trainwreck,” didn’t want this one.

Back to the drawing board!

Cannes Adds Lars von Trier Film Out of Competition, Closing Night Goes to Terry Gilliam’s Long Awaited “Don Quixote”

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The Cannes Film Festival just added a couple of films to the line up.

Lars von Trier has been invited back, but out of competition, for his “The House That Jack Built” starring Riley Keough, Uma Thurman and Matt Dillon. von Trier was expelled from Cannes several years after making anti-Semitic, pro Nazi comments, and observing that he’d like “to make a porno” with his female stars of the movie “Melancholia.”

I’m told there was quite a brouhaha in allowing him back, and that there was no way he’d be allowed to return in competition. “Jack” is all about a serial killer. Sounds like fun!

Cannes also announced the closing night film would be Terry Gilliam’s long awaited “The Man Who Killed Don Quixote.” starring Adam Driver and Jonathan Pryce. The film was begun in 1998, started shooting and then collapsed. By 2000, it was thought to be a dead project. But Gilliam persisted, and picked it up again last year. Now finally we see the movie that inspired the documentary “Lost in La Mancha.”