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Joe Biden Says on “The View” Trump’s First 100 Days “Worst Any President’s Ever Had”: “Honesty is Not His Strong Point”

Keep refreshing for more from The View.

Joe Biden got a rousing standing ovation on The View this morning.

He immediately said he was writing a book “like 6,000 people are.” He said it was a presidential memoir, and that he’d been told he had to write it within a year of leaving office.

He turned to the ladies on The View and joked Will you help me?

Biden also said Donald Trump has had the worst 100 days of any president, “the worst any president’s first ever had.” He added; “Honesty is not his strong point.”

keep refreshing…

Brent Hocking, Creator of DeLeon Tequila, Launches a New Brand So Exclusive You Have to Apply for Consideration to Drink It

The Met Gala official after party the other night was at a private club inside a private club.

In New York, the very rich are running to places so “exclusive” that Soho House and Casa Cipriani are now for the hoi polloi.

The more unavailbe or hard to get is where it’s at it these days.

Brent Hocking knows that. One of the most successful purveyors of high end liquor, Hocking is the genius who invented DeLeon Tequila, then sold it for zillions to Diageo. (Sean Diddy Combs involvement came later.)

This week, Hocking is embarking on introducing a new Tequila that you have to know about to get. Purisima — which I had sip of last fall on my trip to Toronto — is about to become the drink everyone wants. The only problem is, it’s not in stores. It’s barely in bars. You have to apply to buy a $400 bottle at a stealth website.

I am not kidding.

My little taste of Purisima was so delicious, I was intrigued, so I got Hocking on the phone. (Don’t worry, he’s not sending me a bottle. I might get another taste, though!)

Anyway: four hundred dollars? Not only is the tequila smooth with three o’s, the bottle is a work of art.

So what’s going on here? One thing Hocking isn’t doing is having a celebrity spokesperson. He says that ship has sailed. Purisima is going to build the old fashioned way, by word of mouth, the way he did with original DeLeon. This has already worked for his cultish Virginia Black Whiskey. If you know you know.

So how do you get it? Hocking says he has a waiting list from the people who’ve found him. The website is called For Those Who Know Better. Even when you get there, there’s registration process. He says,”You just request consideration and then we send you a login and your allocation.”

Very few places even have Purisima available. A very high end Brazilian hotel chain called Fassano has been pouring the drink. They just added it to their — uh huh — exclusive Fifth Avenue private residence club. There have been private tastings in Venice Beach, and at a swish spot in Mexico called Nauka that makes the White Lotus look like the Holiday Inn.

The rumor is Purisima’s taste comes from the water Hocking uses, and I don’t mean Poland Spring or even Fuji. The water is sourced on Hocking’s own land in the town of Purisima Del Rincon with their own three spring wells 400 meters deep.

He says, “It means the purest of the corner.” He adds: “It was named after the Immaculate Conception.” (It was, I Googled it.)

Hocking explains:

“So what’s funny is I spent a lot of time with different versions and found a very unique yeast, which I will never say what it is. And, you know, my sugar content on my agave is the highest you can get, no one’s even willing to buy those. And I have my own agave vineyard, I have 70 acres of it. You can’t compromise.”

Can Hocking say anything about Combs aka Diddy? “The truth of the matter is he created that market (with Ciroc)…to his credit, once again, he worked his ass off on Ciroc.” Hocking and Diddy went their separate ways before the latter’s legal problems. Hocking was also involved with Drake on his Virginia Black, but that’s ended now.

As for Purisima, Hocking says: “We just launched, but we’re we’re just quietly out there right now, probably over a thousand bottles have gone already.”

He adds: “When [original DeLeon] fans hear I’m doing something new, it’s got to be the real deal. So we get people hunting it down for that factor, and the people that really loved the original De Leon, which had quite a cult following.”

Trump Trying to Upstage Bidens on “The View” This Morning with Anticlimactic UK Trade Announcement

President Joe Biden and First Lady Jill Biden will make their first joint appearance since the election this morning on “‘The View.”

The ABC show airs live at 11am.

As soon as that announcement was made, bitter and jealous Donald Trump started teasing his own showstopper for this morning at 10am.

Alas, it’s anticlimactic. It’s not a trade truce with China or Canada. It’s not an apology for tanking the stock market or insulting allies. It’s not a concession on violent and harsh immigration policies. He’s not backing off his idiotic tariff on foreign films. Or giving the Kennedy Center back to multicultural artists. No news on Gaza, the war he said he’d end on Day One.

No, he’s made a deal with the United Kingdom to pull back on tariffs. There will be some modifications with Britain, but a 10% tariff will remain in place.

The Trump news will no doubt take up an hour at 10am. But even if he starts late, I predict ABC will switch to “The View” by 11.

Trump is obsessed with Joe Biden. Every answer he gives is a vicious, schoolyard swipe at the former president. Trump is basically a child, a mean one who should be in detention every afternoon. His constant Biden attacks are pitiful. This is because he knows Biden left him a great economy that he’s destroyed. And still he blames three months of disaster on Biden.

We’ll be watching “The View.”

Broadway BO: Clooney Play and “Othello” Still Booming, But TV Inspired “Stranger Things” London Import Running Cold

It was good news and bad news last week on Broadway after Tony Awards nominations were announced.

George Clooney and his “Good Night and Good Luck” rose to its all time high, $4 million. That’s a record for plays. The $900 ticket is driving the huge numbers. Tony noms for Clooney and the play didn’t hurt.

Denzel Washington and Jake Gyllenhaal powered “Othello” to $3 million. That’s a little below its high from a month ago. Tickets there are also $900, but no Tony love maybe opened a fissure in the show’s strength. The show’s length — three hours — may be a slight turn off, too.

The revival of “Glengarry Glen Ross” stayed its course with $2.3 million. This is also a very expensive ticket. Not much love from the Tonys except for Bob Odenkirk as Featured Actor in a Play. The show is short, though, an hour and forty minutes, which keeps it aloft.

The bad news is, a lot of the new shows with mixed reviews saw drops last week even with a few Tony nods. The biggest shocks: “Gypsy” with Audra McDonald and “Sunset Blvd,” with Nicole Scherzinger, are not selling like it was imagined. Very surprising. They’re each at around 77% capacity.

The real shocker is “Stranger Things.” A prequel to the hit TV series, a hit in London, and full of dazzling special effects, the three hour spectacle was expected to be a monster. In fact, it features a must-see monster. Instead, “Stranger Things” is a bit in decline for the last two weeks. Last week it barely cleared $906,000. It’s also only playing to 77% capacity. Even with Tony voters getting free tickets, this is puzzling. It’s not doing any better than “Redwood,” which is closing this month.

The shows to keep an eye on: “Maybe Happy Ending” and “Purpose,” my two picks for Best Musical and Best Play. The two shows just received Drama Critics Circle awards, and “Purpose” scored the Pulitzer Prize. Also, “Operation Mincement,” nominated all over the place, is hilarious. I can’t wait to see them all again!

Prices are high, the big name shows notwithstanding. There is the $9 congestion fee. All of that didn’t seem to matter before Trump started pushing tariffs and recession. That accounts for the massive drop this past week. Out of town visitors may be staying away, especially Canadians.

Stay tuned…

Kennedy Center “Les Miz” Cast Refuses to Perform for Trump at Opening Night Fundraiser, Grenell Calls Them “Vapid and Intolerant”

Donald Trump and Richard Grenell have a problem. Most theater artists despise them.

CNN reports that around a dozen members of the touring cast of “Les Miserables” won’t perform on their opening night at the Kennedy Center on June 11th.

Trump and lackey Grenell are shocked. I don’t know why. Trump has made huge cuts to the National Endowment for the Arts, to theater programs, to programs that serve gay and minority communities.

The June 11th opening was planned as a big night for Trump, a fundraiser for his repellent ideas, and a tribute to him.

The “Les Miz” cast has the option of not being there. If CNN is correct, this could be half the cast, including the main players.

Ironically, “Les Miz” is all about resisting tyranny. Maybe Trump can play Javert. He’d been perfect for it.

Grenell, who is either clueless or doesn’t care how he’d be welcomed in the arts and culture community, issued a statement.

Grenell said: “Any performer who isn’t professional enough to perform for patrons of all backgrounds, regardless of political affiliation, won’t be welcomed. In fact, we think it would be important to out those vapid and intolerant artists to ensure producers know who they shouldn’t hire — and that the public knows which shows have political litmus tests to sit in the audience.”

He added: “The Kennedy Center wants to be a place where people of all political stripes sit next to each other and never ask who someone voted for but instead enjoys a performance together.”

The New York Times says the June 11th pre-show fundraiser offers a gold sponsorship level for $2 million, and a silver sponsorship for $100,000; each come with Trump photo ops. The cast, however, will be somewhere in Georgetown, carrying out their characters’ roles as resistors.

“The Last of Us” Holds Steady in Ratings Post-Pascal But Down Substantially from 1st Episode

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Season 2 of HBO’s “The Last of Us” started off with a bang in the ratings — 938,000 linear viewers.

We thought the only place to go from there was up. We were wrong.

Episode 2 told the story. Over 300,000 viewers were bored or busy, putting the total at 643,000.

By the end of that episode, Pedro Pascal, the show’s star was out. His character, Joel, had a violent exit.

Since then, “The Last of Us” has found its groove at around 770,000 viewers. That’s good for cable and HBO, but it’s not the breakout we expected.

Without Pascal, the show is rudderless. It would be like Don Draper getting killed off before “Mad Men” second season, or Noah Wyle getting it now in “The Pitt.”

The producers say they’re staying true to a video game, which is ridiculous. They should have kept Joel alive until the end.

There are only three more episodes in this mini season. This past Sunday, the show looked like an episode of “The Walking Dead,” and it was dull. It’s always good to see Jeffrey Wright, but that’s not what we bought in the first season. Also, I’m waiting for Catherine O’Hara to tilt her head and get back in comedy form.

“Yellowstone” Lives! CBS Spin Off Features Luke Grimes Returning as Kayce Dutton as a Montana Marshal on the Old Ranch

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“Yellowstone” lives!

The first sequel to the original show has turned up as a CBS series.

“Y: Marshals” is the worst title I can think for a show about Kayce Dutton and his family sticking around the Montana ranch.

CBS says Kayce, played again by Luke Grimes, combines his skills as “a cowboy and Navy SEAL to bring range justice to Montana, where he and his teammates must balance family, duty and the high psychological cost that comes with serving as the last line of defense in the region’s war on violence.”

Kayce gave away the Dutton Ranch at the end of “Yellowstone,” but apparently he kept an acre for himself and his family.

The show will air Sundays at 9pm on CBS, not Paramount. It’s not clear if Taylor Sheridan will be involved.

So what happens to Kayce’s sister, Beth, and her husband, Rip, played respectively by Kelly Reilly and Cole Hauser? Will they get their own spin off? Will there be cross over episodes? This can’t be the end of branding “Yellowstone.” I mean brand marketing, not branding the cows.

Don’t worry. Paramount and CBS haven’t even begun to wrangle all the life out of “Yellowstone.”

PS This is the show that “The Equalizer” was canceled for. Better be worth it!

Golden Globes Move Away from Movies, TV, Will Offer Best Podcast as New Category This Year

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The Golden Globes aren’t just going to be about movies and TV anymore.

Desperate for ratings and new fans, the Globes have announced they will offer Best Podcast as a new category.

Movies and TV involved acting, which the Globes have always celebrated. Even their recent Best Stand Up Comic meant a central person in a performative role.

But now Best Podcast? Sort of like a talk show? Or investigative reporting? Or recipes? Unclear what they mean.

By 2027 the Globes will have an award for Best Influencer, no doubt. And video games, absolutely.

The Globes say the “top 25 podcasts” will qualify for consideration, with a total of six final nominations for the category. Eligibility requirements for those rankings and other details will be announced in the coming weeks.

Will Joe Rogan be a presenter? Or a nominee?

But what top 25? From where? No information yet, but you know this is going to end in tears.

It’s also a further diminishing of Hollywood. Owned the same companies as Variety, the Hollywood Reporter, and Deadline.com, the Globes are going to become the equivalent of a modern book store — not just books, but greeting cards, video games, small toys, and other tchotchkes.

That’s entertainment!

Uncancelled: Simon & Schuster to Publish “Not Particularly Funny” Dramatic Novel by Comedian Louis CK

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Louis CK is publishing a novel. Simon & Schuster is publishing it.

The once cancelled comedian calls “Ingram” a “dramatic story” and “not particularly funny.”

The novel is coming on November 11th. Louis CK is reading the audio version but he says he hasn’t done it yet, and he’s nervous.

He jokes: “The price for Ingram will be $1 million per copy. I know that sounds like a lot, but my thinking is that this way, we only need to sell one book to have great success.  Okay—that’s a joke. The price is a normal book price.” 

From Louis’s description, the novel doesn’t seem autobiographical. He was born to people of means in Washington DC. They moved to his father’s home in Mexico until Louis was 7. His bio says he only spoke Spanish until they moved to tony Newton, Mass, where Louis went to high school.

During the first wave of #MeToo, several women accused Louis of sexual harassment. His thriving career was destroyed, although he’s made a comeback selling out theaters for his stand up routine. He’s still considered somewhat of a pariah.

Here’s what he says, in full:

Ingram is literary fiction (I just learned that). It’s a very dramatic story. And I better confess to you this book is not particularly funny. I’m not saying you will never laugh while reading it. You will probably laugh a few times. You might even laugh a lot. If you are insane. 

But essentially, Ingram is not a comedy book. It’s a literary novel. It is literally a literary novel.  

Ingram is the story of a boy who lives in a very nowhere place with no one to talk to and nothing to do and very little to eat. He is forced to leave that place and go out into a chaotic, cruel, confusing, and fascinating world. He commences to do the only things left to him as options. He survives, he suffers, he learns, he wonders, cries, laughs, and he grows just as anything that doesn’t die continues to grow.

Over the last few years, I’ve been writing a lot of fiction. Mostly short stories. I don’t know if I’ll publish any of them, but I love writing them.

So, one day I got this voice of a simple but eloquent country boy in my head and I sat down to write his story. I had no idea it was going to be a book, and I had no idea what would happen to him. For many months I sat down almost every day and I would ask Ingram what happens next, and he would tell me. 

And then just like that, one day, as suddenly as he had shown up, it was over. That’s Ingram

I’m writing another novel now, by the way.  It’s completely different from Ingram. Maybe I’ll publish that someday.

The experience of working with BenBella and making the book has been wonderful and educational. If I can, I’d love to keep doing it.

Well, that’s about it. I hope you buy the book. Go here if you want to preorder it. I hope you read it. I hope you like it.  

This Year’s Emmy Awards Host Never Watched “Succession,” Prefers Shows That Aren’t Art, Won’t Get Nominated

Stand up comic Nate Bergatze — nice guy, I’ve met him — is hosting the Emmy Awards this fall.

Cutting edge comic? Not so much. Man of the people, that’s his calling card.

Bergatze — who’s hosted “SNL” twice recently to meh ratings — is hosting the Emmy Awards this fall. He tells Esquire magazine in a cover story that he doesn’t watch TV shows that are “art.” For example, he never watched the very popular, raved about Emmy winning HBO drama, “Succession.”

“I did not watch Succession,” he says. “I know it’s the greatest show ever to exist. I’m not a moron. Everybody understands it’s the greatest show in the world. I want to watch it. This has nothing to do with the show. But no one watched it in the grand scheme of things.”

“You know what?” he continues. “Maybe the Successions are a little bit easier to make because you’re making it for such a specific audience. You get the runway to make it for five, six years because it’s cool. What if no one watches? It doesn’t matter.”

We can draw the conclusion that he’s never seen “The Sopranos” or “Veep” or “Curb Your Enthusiasm,” and definitely not “The Crown.”

The shows and movies that everyone watches, Esquire asks? King of Queens, plus Everybody Loves Raymond, Home Alone, Planes, Trains and Automobiles. “Those are the ones you go back to,” he says. “Those are the ones that are hard to make.”

Lucky for Bergatze, “Succession” has wrapped up its run. But network shows do not get Emmy Awards. “Abbott Elementary” is the lone entry from the big four networks. It doesn’t win (it’s fun but it’s “The Office” set in a grade school).

The only shot for an actor in any of the main categories this year is Kathy Bates in “Matlock.” She’s a shoo-in.

Everything else will be from Hulu, Netflix, HBO, FX, Apple, and Amazon. Bergatze has all summer to bone up on the shows he obviously doesn’t watch.

“Why did they pick me to do it?” he says rhetorically to writer Michael Sebastian. “Well, the election probably helped.” It got Hollywood executives asking: “Who doesn’t live in L.A.? Who’s available?”

PS I always loved Esquire. Glad to see they’re still making waves.