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Olivia Wilde Speaks Out On “Booksmart” Lesbian Sex Scene Edited by Delta Airlines: “They Didn’t Cut ANY Cursing. Every “F” Word is Heard Loud and Clear”

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Olivia Wilde, actress and director, is livid and rightly so that Delta Airlines heavily edited her much acclaimed movie, “Booksmart.” Isn’t it enough that this poor movie was botched in its release by Annapurna Pictures? Now Delta, the airline that once made me wait 6 hours in Salt Lake City so they could find an antenna for their plane, has scissored up a fine film for no reason except stupidity?

Wilde posted this to Twitter this afternoon:

“I finally had the chance to watch an edited version of Booksmart on a flight to see exactly what had been censored. Turns out some airlines work with a third party company that edits the movie based on what they deem inappropriate. Which, in our case, is … female sexuality?
🤔First of all, in order to select this movie from hundreds of options, you have to agree to a “parental advisory” that warns you that viewer discretion is advised. Once you click “proceed” it seems like you’ve agreed to watch the movie in its original form. Instead…— They muted or cut the word “vagina.” VAGINA.
— They removed Molly’s entire scissoring sequence. (No scissor emoji?! Thread for another time…)
— They Molly’s masturbating and UTI story (it didn’t end well).
— They cut the porn moment in the Lyft (our Oscar clip).
— They cut the second half of the animated doll sequence — because naked doll bodies – made for children – are too shocking even with no genitals. Speaking of which, they cut the word “genitals.”
— Most disappointingly, they cut most of Amy and Hope’s love scene in the bathroom, which involves zero nudity, but does involve an essential plot point for a lead character. Wtfffff.
By the way, they didn’t cut ANY cursing. Every “fuck” is heard loud and clear, sometimes in the same scene where they muted “vagina.”
🤯
. They showed George (elegantly) deep-throating a microphone but couldn’t stomach a consensual love scene between two women.
What message is this sending to viewers and especially to women? That their bodies are obscene? That their sexuality is shameful?
I urge every airline, especially those who pride themselves on inclusivity, to stop working with this third party company, and trust the parental advisory warning to allow viewers to opt out if they choose.”

Elvis Costello Offers Phenomenal Show in Port Chester, Playing Old, New Hits and “Games People Play” First Time Ever

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Elvis Costello’s first of two shows in Port Chester, New York (second is tonight, don’t miss it) was a phenomenal outing, combining old songs that hadn’t beenheard in a while, and newer ones from his terrific current album, “Look Now.”

But Elvis threw everyone a curve ball, including his band, when he segued from a 1981 song “Different Finger” to the famous Joe South classic 60s hit, “Games People Play.” He’s never played the latter before anywhere, and didn’t tell the band in advance that he was going to do it. When he finished the song, he got up from the piano, walked around the bench, and said, “I didn’t even know I was going do that.”

What does it mean? “Different Finger,” from Costello’s 1981 “Trust” album, is about cheating spouses. Costello hadn’t played it live until last night since 2013, and then only a couple of times. The medley of these two songs might raise questions about Costello’s home life, but he’s also a pretty good fiction writer so maybe he saw a juxtaposition. (He’s been married to singer Diana Krall for a long time.)

Otherwise, Elvis wasn’t terribly talkative during the show, but he and the Imposters– Steve Nieve, Pete Thomas, Davey Farragher– were on fire. This foursome makes a huge, beautiful noise, ferocious at times, gorgeously melodic at others. Together for well one 40 years, give or take, they are as supple as ever. These shows highlight songs from “Trust,” so including “Different Finger” wasn’t completely out of left field. But I– having been there in 1981– reveled in “Clubland,” “Watch Your Step,” and “Strict Time” and even wanted more. Those songs hold up, and EC and the Imposters play them with the same urgency as they did in ’81.

There were also a couple of songs– not enough — from “Look Now”: the Philly soul catchy “Suspect My Tears,” the angry “Unwanted Number,” and the lovely “Photographs Don’t Lie.” The “Look Now” album was released after Grammy eligibility last year so it’s eligible this year. It should be nominated in rock album, or traditional rock or pop, but I’m sure it won’t be. That’s the way it goes.

Of Costello’s older songs, there’s a really dramatic presentation of “Watching the Detectives” with a cool video of pulp paperback novels. Elvis is playing the title song from his upcoming Broadway show, “A Face in the Crowd,” based on the movie, which he says we’ll be seeing on stage next year. I was especially thrilled to hear “Crawling to the USA,” a favorite from his early career that has never lost its punch.

Elvis Costello is 65 years old, which is hard to believe since we knew him when he was 25. (I am three years younger, the whole thing is maddening.) He remains the great artist of my age group, the survivor, a force to be reckoned with, a unique, remarkable gift to popular music. And he was in a good mood last night, which is always nice.

Don’t miss this tour.

Hollywood: Why Quincy Jones Calls Eddie Murphy “Peas,” Al Pacino is Talking About Richard III, Greta Gerwig is Punk Rock and Shakespearean

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The Oscar Race is now in full swing-with a star-studded week of screenings, events and premieres.  Sony’s “Little Women” (which opens on Christmas Day) had its first screening last Wednesday night at the DGA. Hot ticket:  they had to turn people away.

Greta Gerwig, wrote the directed the film based on the iconic book, took the first of what will be many of her victory laps.  She commented before the film started that, “I am really nervous and really excited, and I couldn’t be more honored to share this with you. This really to me means so much. I grew up with this book. I know a lot of people did. They felt like my sisters. Their adventures felt like my family’s. In some ways when you grow up with literature like that, it becomes part of your internal life. It’s always been my dream to make this before I even had the option.”

Afterwards she was joined for a Q & A by cast members Meryl Streep, Laura Dern, Florence Pugh, Timothee Chalamet, Saoirse Ronan who all deserve awards buzz, as does Alexandre Desplat’s lovely score.  Amy Pascal is one of the producers who spearheaded the project. Pascal has described Gerwig’s take as “punk rock and Shakespearean.”  Gerwig pointed out that “so much of it is about money and women and money and women and art and money and how do you make art if you don’t have money,” to which Streep gave a true theatrical, “Amen!”

The premiere of Martin Scorsese’s  magnificent “The Irishman” followed the next night at the TCL in Hollywood with a star studded audience that included Justin Timberlake, Rosanna Arquette and Josh Gad.

The next day the Broadcast Film Critics Association, the BFCA, flown in by Netflix for a stay at the Four Seasons and a lavish premiere,  had their own press conference with Martin Scorsese, Robert DeNiro and Al Pacino.  Pacino was particularly animated, recounting stories of his playing Richard III, with a more subdued DeNiro looking on in bemusement.

The next day, more Netflix soirees: producer/actress Colleen Camp hosted, along with Quincy Jones no less, a reception and screening for Eddie Murphy’s “Dolemite” at the exclusive San Vicente Bungalows.  Longtime friends ‘Q’ and Eddie reflected on how they both “carried on in Cannes” and other musings.  Quincy noted, “I always like to say ‘I’m sorry I did, rather than I wish I had.”  That comment cracked Eddie up.

Quincy calls Eddie ‘peas’ to which Eddie explained, “that goes back to when I was in grammar school, and the kids teased me about my hair.  I told him that story once years ago and he’s never stopped calling me ‘peas.’  Quincy then congratulated Eddie for bringing this “funny brilliant and inspirational film to us.  I have no doubt we will be discussing your performance for a long time to come.  And let me just say that you and film absolutely deserve all the great responses you’re receiving. That’s a winning role man.”

Eddie replied, “We’re in the presence of greatness y’all.”

Colleen, beloved and tireless as she is, also hosted a screening and reception for “The Irishman” at the London Hotel. DeNiro and Pacino were accepting kudos and chatting with the voters and press. Another of Netflix’s buzzed about films, “Two Popes,” comes next. (They have four of the season’s top top top movies including “Marriage Story.”)  And so it goes.  Awards season is in full blast now!

 

Photos c2019 Showbiz411 by Leah Sydney

There Will Be Dragons: “Game of Thrones” Prequel Contest Winner is George R. R. Martin As His Show, “House of Dragons,” Beats the One Starring Naomi Watts

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Well, the “Game of Thrones” prequel contest is over, and should it have been called “Game of Prequels.”

Earlier yesterday came new that a prequel starring Naomi Watts, set thousands of years before the Emmy winning series, had been scrapped. HBO filmed the pilot, then said forget it.

But that show wasn’t from series creator and novelist George R. R. Martin. So now that series, called “House of Dragons,” has been approved and will go straight to series.

This had nothing to do with Naomi Watts or even the quality of that first show. It’s just about politics, and the fact that Martin is involved in “House of Dragons,” and HBO is in business with him. It was all about who would sit on the throne of Prequels.

It’s pretty obvious, though, why one show worked and the other didn’t: dragons. “House” will tell the story of Dany Targaryen’s family 300 years before “Game of Thrones.” Even though two of the three dragons died at the end of “Thrones,” back in this story there will be dragons. Lots of them. In the Naomi Watts series, there were none. And people want to see dragons.

What will Westeros look like 300 years before the story we already know? Those poor people didn’t have electricity or indoor plumbing when we met them. Can you imagine the primitive version? Yikes. No dry cleaning for all those costumes! And incest? Hah!

 

“Walking Dead” Hits Another Low Rating Milestone, Beaten This Time by “90 Day Fiance” Special

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Yes, it’s true. “The Walking Dead” has found a new low ratings milestone.

The once blockbuster tribute to zombies and the people who love them sank again on Sunday. Their total viewership was 3,305,000.

Negan and pals were not the most watched cable show in their time period, either. That distinction fell to a “90 Day Fiance” Special on TLC.

Maybe it’s time to fix Negan up with a new betrothed, definitely a zombie, and see if their families approve of the union. “90 Day Fiance” scored 3.340 million. It’s a just few more people, but they all heads and full dental work (which you can’t always say for people on reality shows).

Elsewhere at 9pm, the Kardashians had just 916,000 viewers on the E! channel, and most of them were actual zombies. HBO’s excellent “Watchmen” series at 9pm brought in 765,000 fans. But that series is just warming up. Whereas the others are over cooked.

 

 

Niccolo Paganini Turns 237 This Week, Gets a $50 Million Birthday Concert Tonight at Carnegie Hall

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Niccolo Paganini– maybe you knew him. The violin virtuoso turned 237 day before yesterday. His actual descendant, Maria Elena Paganini, who lives in Buenos Aires,  threw her relative a little birthday party at the Ascent Lounge in the Time Warner Center. Niccolo would have loved it. But she has more in store for him.

Tonight (Wednesday) at Carnegie Hall, Maria Elena is putting on a concert of Paganini’s work, with five violinists and two pianists. The violinists will play violins from Niccolo’s collection, each valued at $10 million. They are all on loan for the show. LDJ Capital is sponsoring the event.

On Monday we got a taste of the concert to come when a couple of the violinists– all top notch classical musicians– gave a little demonstration. It’s the best music the Ascent Lounge (formerly the Stone Rose) has ever heard.

The Carnegie Hall performance will feature one Stradivarius and four Guarnieri Del Ges violins – a favorite brand of

NEW YORK, NEW YORK – OCTOBER 28: Atmosphere at PAGANINI HONORS PAGANINI, A Tribute To Niccolo Paganini By Maria Elena Paganini on October 28, 2019 in New York City. (Photo by Sylvain Gaboury/Patrick McMullan via Getty Images)

Niccolo Paganini’s – courtesy of Florian Leonard, one of the sponsors of the concert and known to be a leading expert in fine violins.

Edmond Fokker van Crayestein, Elly Suh, Jochem Geene, Kevin Zhu, Sabrina Vivian Hpcker, and Stefan Milenkovich are the soloists performing onstage. Jochem Geene is a pianist while Crayestein, Suh, Zhu, Hpcker, and Milenkovich are violinists. Edmond Fokker van Crayestein, a good friend of Maria Elena, is the concert’s musical director and will be responsible for the program and the artists.

What have you done for your deceased relatives, eh?

At the cocktail party, I spoke with Hamburg-born Sabrina-Vivian Höpcker, already a renown young German musician with a great smile. I asked her what she’d be playing tonight. Some Led Zeppelin maybe? “Who?” she said. She was carrying one of the historic violins under her arm after giving the guests a preview of Paganini’s immortal compositions. “Are you nervous carrying that around?” I asked. “No,” she replied, “it has to be played, or it will die.”

 

HBO Cancels “Game of Thrones” Prequel with Naomi Watts One Day After Show’s Original Creators Leave “Star Wars”

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The much ballyhooed prequel to “Game of Thrones” at HBO isn’t happening. They made the pilot with Naomi Watts, among other, sets thousands of years in the fictional past of Westeros. But I guess it didn’t work, no liked it, and now it’s history.

I’m not surprised. This would have been costly, and the new owners of HBO aren’t taking chances. If the new show wasn’t obviously right, forget it.

There’s another spin off of “Thrones” being planned with George R.R. Martin involved. But who knows what shape that’s in, and Martin still owes us one more book he never finished. Everyone asks him about  it, and he kind of shrugs.

This new cancellation comes on the heels of “Thrones” producers DB Weiss and David Benioff getting out of their deal to make a “Star Wars” trilogy. It’s a coincidence, surely. But there are no coincidences. Studios are trying to cash in on brands known to the public. But it’s hard to catch lightning in a bottle a second time for anyone.

What might work is an actual “Thrones” spin off with characters everyone knows, an “AfterMASH,” so to speak. But Weiss and Benioff blew that when they killed Dany and sent Jon Snow into the woods. I guess we could have “Sansa Stark 2.0” with Tyrion Lannister running the general store. Or maybe breeding dragons. The problem with the cancelled pilot seems to be no dragons. And that’s a drag.

 

Shocker: No Lannisters in Space as “Game of Thrones” EPs Benioff and Weiss Leave “Star Wars” Trilogy in the Lurch

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“Star Wars” is safe from the Lannisters.

Big news tonight in Hollywood as “Game of Thrones” executive producers DB Weiss and David Benioff are outsky from developing the next “Star Wars” trilogy. Their excuse? They signed a huge deal with Netflix and haven’t, as Carly Simon sang, got time for the pain.

Weiss and Benioff aren’t the first creators to fall out with LucasFilm/Disney. Phil Lord and Chris Miller were pulled off the Han Solo solo movie, “Star Wars: A Han Solo Story” and were replaced with Ron Howard. Colin Trevorrow was yanked off “Star Wars 9,” which is now “Rise of the Skywalker,” directed by JJ Abrams.

The “GoT” pair said in a statement they met with George Lucas, loved it, and tossed around ideas. But maybe when they talked about replacing the Millennium Falcon with a dragon, all bets were off.

Really, there’s a Disney-Lucas Film way of constructing a story, and no other way. Weiss and Benioff were golden on “Thrones” while they followed George R.R. Martin’s books. But when they went off book in the final season, they were sharply criticized. They may be better at adapting material than creating it. (Which is no criticism. Adapting is a very fine skill.)

So now what? Well, Rian Johnson is developing his own trilogy, and I’m sure that will be in line with the conventional wisdom. Meanwhile, Disney is becoming like Johnson’s “Knives Out.”

 

Around NYC Monday Night: Denise Rich Raises Millions More for Cancer Research, Michael Lohan Shares Warm Stories About His Family

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Denise Rich has been throwing her Angel Ball for about 20 years, since her daughter Gabrielle died of leukemia. She renamed the charity Gabrielle’s Angels, and kept raising money. Rich’s charity has actually sent drugs into the market, and had successes battling leukemia. It wasn’t such Denise’s daughter who died of cancer, but her mother and sister, too.

So there she was last night on stage at Cipriani Wall Street in front of a room filled with well heeled patrons. They donated millions more, and Denise gave them a decent meal plus Patti Labelle, Boy George, and Flo.Rida as musical guests. Other guests included Heidi Klum and her new husband, Nicky Hilton Rothschild, Coco Rocha, Lorraine Schwartz, and philanthropist Jean Shafiroff (in an amazing pink taffeta gown). Clive Davis brought Nikki Haskell, mourning Robert Evans, and famed actress Brenda Vaccaro.

Back in 2000, 1500 people showed up at the Sheraton ballroom on Seventh Avenue to support Denise. Bill Clinton, Michael Jackson, and Milton Berle were among the guests. There were lots of real stars. There was no seating plan, so Geraldo Rivera took the mic and told everyone to sit down wherever they were. Nineteen years later, the “papered”guests have been replaced by actual donors. Clive Davis takes a table every year. Star Jones is on the scene.

Denise began the night with a somber candle lighting ceremony for her grandson, Kai, who took his own life this year age 19. When she began to mention him from the stage, I thought, hmmm, how’s this going to go? It turned out to be such an honest moment, and not just a few people in the room could identify with this tragedy. It made the Angel Ball all the more human.

PS I found myself sitting next to Michael Lohan, father of the Lohan dynasty, tabloid subject extraordinaire. He was very nice. We chit chatted about Lindsay, who I always liked, and his wife Dina, who was thrust into the spotlight without warning or skills, and has survived. He gave me a recent photo of himself, Dina, Lindsay, and another daughter Ali, all happy at an event. He said I could share it with you.

Here it is: (c2019 Michael Lohan, all rights reserved)

 

Everyone Hates Apple TV and “The Morning Show”: Karma is a You Know What as Critics Pan the Whole Deal

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Well, I liked “The Morning Show.” Apparently, I was alone.

The Jennifer Aniston-Reese Witherspoon soap opera about network television has a 59 on Rotten Tomatoes. The Hollywood Reporter has a feature on how much critics don’t like it, and also why Apple TV doesn’t need to exist. That story was picked up by the Drudge Report. So now everyone knows.

Apple TV has no good will in the press. Whoever’s handling it has done such a great job that critics turned on them like a pack of wild dogs.

Still, last night, Apple threw themselves a gigantic, expensive party in Lincoln Center at what used to be Avery Fisher Hall. It’s on three or four levels, and is massive. I got pictures back from the lobbies of what one journo called “a thousand people.” They were pictures of people who I guess have iPhones. That’s how your entry was qualified.

I liked “The Morning Show.” Of course, we’ve only seen three episodes. Steve Carell is signed for all 10 episodes, and he plays a Matt Lauer- like anchor who gets fired for sexual harassment. But it does seem at the end of episode 3 that Carell’s Mitch Kessler will be redeemed, and that maybe his main accuser (Ahna O’Reilly) will turn out to be a nut. If that’s the case, then O-M-G for #metoo. That would be a twist, but not the Peppermint Twist.  It wouldn’t even be Oliver Twist saying “Please, sir, can I have some more?”

Rolling Stone’s Alan Sepinwall disagreed with me completely. He wrote: the show “feels like it could have aired on broadcast TV anytime in the last 15 to 20 years, so long as the profanity got cut,” and drew comparisons to HBO’s “The Newsroom,” observing “it’s Sorkin without Sorkin, lacking the snappy dialogue, the soaring rhetoric, or any attempt whatsoever to argue for why anyone should care about the future of this show-within-the-show.”

I, like many others, have no idea how to get Apple TV besides on the press site. Will it suddenly appear on Smart TVs? (Just as Amazon has left my 2013 Sony Bravia that cost a thousand dollars.) And will we ever know if anyone watches these new shows? No, we will not. And I guess it doesn’t matter. But Apple has committed $15 million each to 20 episodes. The price of that iPhone will be going up.

 

PS Name all the famous faces in the photo above at Apple’s Morning Show launch.