Saturday, December 20, 2025
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President Obama Socks it To Donald Trump in Hilarious Speech (Video)

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http://www.youtube.com/watch?v=n9mzJhvC-8E&feature=player_embedded

Barack Obama socked it to Donald Trump Saturday night at the White House Correspondents Dinner. If you haven’t seen it, click on the link above. Whoever wrote this speech for Obama deserves an award. But his delivery and timing is excellent, too. Obama really goes after Trump very nicely, lampooning his position on “The Celebrity Apprentice.” making fun of “birthers,” and getting a lot of laughs from a very jaded crowd. Good for him! No one knows what Trump thought he’d achieve the last few weeks, but it certainly wasn’t this. He’s a smart guy, but he’s gone a long way down the wrong road. And I love Obama’s rebuke of Matt Damon– very funny.

On Trump: also poked fun at him over faked moon landings and the whereabouts of dead rappers Biggie and Tupac. Obama also showed a rebranded Trump White House as a hotel-spa.

Meantime, Vanity Fair and Bloomberg’s annual after party drew a lot of stars including Bradley Cooper, Scarlett Johannson, Kerry Washington, Salma Hayek, and director Joel Coen.

James Gandolfini On the Louds and “American Family” Director Craig Gilbert

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Do you remember the Loud family? They were the subjects of PBS’s wildly popular documentary series, “An American Family,” in 1973.The series followed the family’s total breakup and crack up. Think “The Real World” before anyone thought of it. The filmmakers were just flies on the wall, sort of. The parents, Bill and Pat, wound up getting a divorce. Lance Loud, the eldest son, was the first gay person anyone had ever seen on TV.  (He died of AIDS in 2001.)

Twelve hours were edited down from three hundred. Now HBO is airing “Cinema Verite,” a film about the series and the Louds and what happened to them. It’s a great film and makes for interesting closure. For example, Bill and Pat reunited after their divorce. Documentarian Craig Gilbert, who is credited with inventing the reality TV genre with this show, was so traumatized by the experience that he never worked again.

Our Leah Sydney went to the L.A. premiere recently, and got a bead on everyone. She talked to co-directors Robert Pulcini and Sheri Springer Berman (“American Splendor”): “This show when it aired , although it got 10 million viewers, was a scandal-and Craig had enough-he never worked again. He was a wealthy man before it but he was so upset about it all that he got out of the business.  It was a very difficult movie.  It was like Rashomon.  Everyone had a different perspective on what went down.   They were really burned by exposure.  Tonight was the first time I met them, and they were pleased with the way the way they were portrayed. I’ve never had an experience like this.  They’ve been living in my mind for years.”

James Gandolfini plays Craig Gilbert, the man who was behind the cameras for “An American Family.” He told Leah: “I’ve gone to lunch with him a few times in NYC. He’s a wonderful man, smart, honest incredibly intelligent.  Old fashioned way about  him, graduated from Harvard.  He was an  ambulance driver in World War 2- he’s old school.  I enjoy him immensely I love the guy. This experience really hurt him.  I think he was so astounded that the Loud family got so   destroyed and he got so destroyed by people.     They went after the Loud family so viciously.  All they were really were regular people and their family was not that much different than anybody elses.  He was just trying to document it and they went after both of them so viciously that he said the hell with this.”

Gandolfini says Gilbert didn’t realize what impact he would have on the Louds, the film world, or culture in general.  “He tried to do something that nobody else had ever done.  It ended up this exceptional thing.  Then they threw out all the rest of the footage, hours and hours they threw it all out-and he was incredibly  hurt by all of it.
I’m really pleased that they all seem to be ok with all of it. He’s more fascinating in person. He’s a bit of a freak-but a great guy.  He tells me what an asshole I am every time he sees me.  You’re an asshole Jim, you’re an idiot.    I say you’re absolutely right and I laugh-he’s a charming man. “

http://tinyurl.com/64xp6vz

Mariah Carey, Nick Cannon Have Babies, Get Lost at the Hospital

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Congrats to Mariah Carey and Nick Cannon. Not only did they have their twins today at 9:07am pacific, they also got lost inside the hospital after arriving in their Rolls Royce Phantom. And it’s their wedding anniversary. As their rep Cindi Berger told me: “It was like something out of I Love Lucy.” No names yet, but they’re bound to be interesting. This has been a long haul for Mariah, who’s 41, and has been married to Nick for two years. You’ll recall her great career launch in 1989, followed by an unhappy marriage to her mentor, Tommy Mottola. When she tried to break free of Mottola and get into hip hop, critics and fans went crazy. Then she got in acting, and made “Glitter,” unintentionally hilarious. It looked like curtains for Mariah, but she came back strong first with the album “Charmbracelet” and then “The Emancipation of Mimi.” The latter was such an outsize enormous hit that it brought her back twice has big as before. And now the happy ending: twins. Plus she’ll have a new album before the end of year. After that. Carey will likely join L.A. Reid and return to Sony Music. Whew!

Mariah Carey, Nick Cannon Have Babies, Get Lost on Way to Hospital

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Congrats to Mariah Carey and Nick Cannon. Not only did they have their twins today at 9:07am pacific, they also got lost on the way to the hospital in their Rolls Royce Phantom. And it’s their wedding anniversary. As their rep Cindi Berger told me: “It was like something out of I Love Lucy.” No names yet, but they’re bound to be interesting.

Charlie Sheen Calls “Men” Producer “A Hole Pussy Loser” in Letter

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Charlie Sheen might still have had a way back to “Two and a Half Men.” But he’s probably set off his last career bomb with a letter he sent to the show’s producer, Chuck Lorre, his arch enemy. Of course, Sheen sent the letter to TMZ because that’s the way to make friends and influence people when a private matter concerning millions of dollars and your own future is at stake. Here’s the letter:

“Good Luck Chuck
MY fans may tune in for a minute, but at the end of the day, no one
cares about your feeble show without me. Shame on you. Not even a
phone call to the man that put you on the map. The man that put 500
million dollars in your pockets. You were on your way out of Warner
Bros. with a buy out and a cup of cold coffee in your shaky and
clammy hands. And then I walked into your office. And you created a
show BASED ON MY AWESOME LIFE. I busted my ass for 8 years to
support your vision. Your dream. In turn, it is my nightmare. You sad
silly fool. A-hole pussy loser. Put on the gloves you low rent, nut-less
sociopath; I’ll beat your chicken shit soul in a court room into a state of
gratitude. A state of surrender. Something you left at the door every
time you blundered into the pathetic AA loser lounge. Newsflash; they
are planning on voting you off the AA island. Even those clowns have
no room for you anymore. Wow, I’m sure your children are SO
PROUD of you. You can teach’em how to be a stupid bitch.
A narcissist. A coward. A loser. A spineless rat.
I’m out here with my fans every night. The message is crystal clear;
NO CHARLIE SHEEN. NO SHOW.
And that’s exactly what it will be for you and your desperate vanity
cards, every Monday night, a no-show. The ratings right now are not a
fluke. It’s a big fat mess. A 2.0 demo? That sucks. Almost as bad as
you. You’ve been warned. Reap the whirl-wind you cockroach, reap it.
— Charlie Sheen”

Has anyone ever noticed that Chuck’s real name is Charles, and Charlie’s real name is Carlos?

Anyway, it’s over. Sheen will not return to “Two and a Half Men” now. There were lots of theories that CBS would intervene, move Lorre off “Men” with a new deal, bring back Sheen, and try to get through two more seasons. Doesn’t seem remotely possible now, does it? I told you on April 15th that the show was moving ahead without Charlie, that Jon Cryer already knew a new character played by a new actor would be joining him on set. I do think Charlie is wrong. If CBS waits til January, they can bring in a new actor and finish out the show’s contracts.

Sheen, meantime, heckled and booed at every stop, finishes up his embarrassing tour next week in Vancouver, British Columbia.

Vanity Fair Beats Time Mag in the Party Biz

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Which magazine had the best celeb party this week? I’ll let you decide. Vanity Fair‘s annual party for the Tribeca Film Festival was the usual success: Robert DeNiro, Graydon Carter, Ron Perelman, and Jane Rosenthal welcomed a plethora of stars from Jerry and Jessica Seinfeld to Christopher Walken, as well as Kyle MacLachlan, Diane von Furstenberg, Ron Howard, Ed Burns, Scott Glenn, Abigail Breslin, a weird looking Calvin Klein, Harry Belafonte–now that’s a Star!, Alessandro Nivola and Emily Mortimer, John McEnroe and Patty Smyth, Quincy Jones, Pharrell Williams, Brian Grazer, Lauren Hutton, Helena Christensen, Lee Daniels, Carey Lowell, filmmaker Alex Gibney, Charlie Rose and Amanda Burden, even NY Police Commish Ray Kelly. Graydon Carter and his crack staff know how to throw a party, kids. And that was with not one but two Broadway shows opening on the same night: “The Normal Heart” and “Baby It’s You.”

You kind of know a party is bad when pictures show up the next day–and publicists and hosts are photographed. It means the celebrity guests were not plentiful. A quick check of Wire Image and Getty Images tells a sad story: pictures of publicist Howard Rubenstein and of various Time editors and publishers. Ouch! Sting and Bruno Mars came, but they were also there to serenade the guests. (By the looks of things, Sting would rather have been at the dentist.) Patti Smith made it.

Movie stars were not abundant: Mark Wahlberg and Blake Lively were the top names. Anna Kendrick, from “Up in the Air,” was there although she wasn’t on the Time 100. Blake comes from TV really, and there were a lot of TV people: Darren Criss and Chris Colfer –not the main stars, even– from “Glee,” Amy Poehler and Seth Meyers from “SNL.”

Either there were a lot of stars there who didn’t take pictures, or it was a light night. Where were Mark Zuckerberg? Scott Rudin? (Irony: Harvey Weinstein is in the pics.) Colin Firth? Matt Damon?  Oprah? Our pal, and hers, Gayle King, filled in. And there are lots of people in the pics who weren’t even on the Time 100. Oh well, there’s always next year. And maybe Martha Stewart got some tips from Suze Orman. The New York Post says 42 of the 100 made it, but really, only about 20 were of much interest.

The winner: Vanity Fair. Quick–which of these groups looked like more fun anyway?

Sting Fan Show at the Famed Apollo: Fun Flubs and Triumphs

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Before Sting would take his “Symphonicities” tour to Eastern Europe this summer, he needed a tune-up. So he chose the world famous Apollo Theater for last night’s show — with an audience comprising fan club members, family and friends. Every seat was taken, and then some as the fans–some of whom traveled great distances–kept running up near the stage and staying there. They were almost all women, and they had their dancing shoes on.

The show — with nearly 40 musicians crammed onto the stage including virtuoso guitarist Dominic Miller and knock out vocalist Jo Lawry— pretty much reproduced the same set Sting did last summer at the Metropolitan Opera and on his CD, “Live in Berlin.” Thanks to producer Rob Mathes, the sound was deep and clear, with standouts including “Why Do I Cry for You?,” “”When You Dance,” “The End of the Game,” and “I Hung My Head.” There were a couple of flubs, proving the meticulous Sting is human–he flubbed a big vocal note twice — sort of a double lutz–before getting it right. The audience loved it. He also “went up” on his famous ballad, “Fragile.”

“Thanks for noticing,” he told me at the after party around the corner at the Red Rooster. A surprise highlight of the night: an acoustic solo version of “Message in the Bottle,” with the audience singing along. Also, his son, Joe Sumner, of the group Fiction Plane, got a wild ovation for his solo on “Two Sisters.”

And where was Mrs. Sting, Trudie Styler, who never misses a show? Why she was at Harvard University, on a human rights panel moderated by Rose Styron called ‘T Squares: from Tiananmen to Tahrir,” with director Michael Apted, plus Larry Cox and Josh Rubenstein of Amnesty International.

PS Check out the grim pictures of Sting taken at the Time 100 dinner on Tuesday night. He was toasted by Christiane Amanpour, and played a set. But the pictures tell a lot of stories. http://tinyurl.com/642nc8j

“Baby It’s You” New Broadway Musical: Carole King Says No

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I’ve been watching director and creator Floyd Mutrux put together his musical, “Baby It’s You,” for a few years now in Los Angeles. The story of Florence Greenberg, who created Scepter Records in the 1960s, and her hit group, The Shirelles, finally opened on Broadway last night. The show got middling reviews, but it’s a crowd pleaser. For fans of late doo wop, girl groups, and early R&B pop, the show is a singalong hit. Beth Leavel, playing Florence, a New Jersey housewife who was a pioneer in rock, is sensational.

The Shirelles had lots of hits, as did Dionne Warwick, on Scepter. But you won’t be hearing their biggest hit, “Will You Still Love Me Tomorrow?” Carole King, hoping to do her own musical one day, refused to grant permission. It’s a tribute to the show that you don’t miss that song. Burt Bacharach and Hal David gave permission for their songs, so the title number becomes the centerpiece.

Famed record producer Richard Perry handled the show’s music and sound, and is recording the score album right now. (It will be released next month.) Perry was accompanied to the premiere by Jane Fonda and by Clive Davis, for whom Perry makes all those best selling Rod Stewart albums. Lots of folks from the record biz turned up, too, including Barry Weiss, now the head of DefJam Records. Mutrux was also thrilled to see friends from LA, Valerie Harper and Tony Cacciotti, plus producers Fred Rappoport and Judy Gordon.

And this premiere was like a Warner Bros. reunion: Richard Parsons, former Time Warner CEO, mixed and mingled with departing Warner Bros. studio chief Alan Horn, as well as former New Line co-chairmen Michael Lynne and Bob Shaye.

PS You may have heard that the Shirelles, Warwick and Chuck Jackson are suing the producers over use of their likenesses. They used the opening day to get publicity–even thought they’ve known about the show for at least four years, waited through all its performances in different Los Angeles area theaters without saying a word. I’m told they all turned down chances to be at the opening night, too.

Kelly Ripa’s Kids Don’t Watch TV, One of Them Has a Job

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This is the reason I like Kelly Ripa: she told me last night at the Broadway premiere of “The Normal Heart” that her kids don’t watch TV, share a family computer, don’t play video games. Her eldest, Michael, who’s 13, has a part time job in a local shop doing re-stocking. “Michael says, Mom, I’m a dork, and I tell him: one day you will thank me for this.” She’s right, and more parents should follow this example. Kelly was with husband Mark Consuelos; they got their in-laws to babysit. You rarely see them out at night.

Kelly is not at all sure what’s she going to do when Regis Philbin leaves their show next November 18th. Anderson Cooper is out because he has his own syndicated show. And Mark? “That would be like talking to myself,” Kelly said. “He ignores me already.” So it does seem like the affable Consuelos will remain a pinch hitter. I also asked Kelly about the demise of her alma mater, “All My Children.” She gasped with grief. So you get the idea.

Most of “The Normal Heart” party at the Supper Club was concentrated on Ellen Barkin, who received the best reviews of her life in this performance. She’s also received a special award from the Outer Critics Circle. “It’s an easy play to do,” Barkin told me. “I can muster that rage on this issue,” she said, meaning AIDS. She and her agent, Kevin Huvane, did tell me that Ellen had to be forced to take this part. “I cried, too,” she said. Believe it or not, it’s her Broadway debut. But after last night Barkin can write her own ticket on Broadway. So it was a good move.

Besides Huvane, Barkin brought her kids and her pal, young director Sam Levinson, whose Sundance film “Another Happy Day” she produced. Does this eccentric family drama with Barkin, Demi Moore and Thomas Haden Church have a distributor, I asked Levinson? “It does,” he said, but didn’t elaborate.

Lots of other celebs at “The Normal Heart,” including Sarah Jessica Parker and Matthew Broderick, who came to support their pal, actor John Benjamin Hickey. Patty Clarkson turned up with BFF Amy Ryan, but missed seeing the play’s nominal star, Joe Mantello, when she walked Ryan outside to get a cab.

My favorite encounter: seeing Janet McTeer, the much awarded and famed British actress, star here of “Tumbleweeds,” “A Doll’s House,” and “Mary Stuart.” If McTeer put her mind to it, she could win Tonys and Oscars every year. But she’s English, you know, and “we don’t care about awards,” she reminded me. Oh pish posh. In case you’re wondering, Janet just shot a Fox pilot called “Welcome to Bellevue.”

“I told my mother I play the head of the psychiatric ward, and she said, That’s a good role for you. I don’t know if that was a compliment or not,” McTeer told me. In case you were wondering, McTeer’s been stateside a lot lately. She has a nice boyfriend whom she met during the run of “Mary Stuart.” They go up to Maine on the weekends–the same weekends when she could be winning awards!

 

Griffin Dunne Working on Chateau Marmont Documentary

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So many things from last night’s swell Creative Coalition Spotlight Award dinner: first and foremost, Griffin Dunne, who was one of the four honorees, is getting ready to a documentary about the legendary Chateau Marmont. Owner Andre Balazs actually sought out Dunne, whose newest film, “Last Night,” is featured at the Tribeca Film Festival.

Of course the Chateau was home for years on and off to Griffin’s late, great dad Dominick Dunne. And the place is in famous for John Belushi‘s 1982 death as well as many other stories of sex, drugs, and rock and roll. The Chateau has lots of private nooks and crannies, and they’re all full of secrets!

Last night Griffin dubbed the Spotlight Awards “the Spotties”–his fellow honorees were Blythe Danner, Doug Liman (introduced by “Fair Game” and “Jerusalem” writer Jez Butterworth), and Anthony LaPaglia.

The roasting in the dining room atop the HSBC bank on Fifth Avenue was fairly lively, too. In her speech, Danner recalled a twice-aborted flight to Sundance she was on with Dunne. She remembered that he was so eager to get off the plane after its second return to New York that he elbowed her out of the way to make a speedy exit. “I’ve never forgotten that flight,” she laughed. “Neither have I,” said Dunne.

The most prepared and funniest comments of the night came from actor Liev Schreiber, who toasted LaPaglia by observing that he is the “most American actor who isn’t an American.” He said that everyone thinks the native Aussie is from Brooklyn. Schreiber said his only retaliation was to marry another Aussie, Naomi Watts, who was there with him. Their two children are “hybrids, a new race of super actor.” Watts, by the way, is just back from Thailand where she shot “The Impossible,” a grueling film about the Indonesian tsunami with Ewan MacGregor.

Also at Spotlight dinner, sponsored by AM New York, Matthew Modine introduced Blythe Danner, whom he’d really never met before. “She probably doesn’t even know who I am,” he joked.

Don’t worry, Matthew; she did!