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Mel Gibson Retitles Unreleasable Movie, Sends it to Video Land

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Remember Mel Gibson’s movie, “How I Spent My Summer Vacation”? Two years ago (at least) he went to Mexico, relocated prisoners from a jail, upset everyone, and made this film that no one wanted to see. This was during “Edge of Darkness” tanking, the whole non stop scandal with girlfriend Oksana, the $500 million divorce, the anti Semitic stuff, and “The Beaver” embarrassing everyone. So now what do with “Vacation”? Apparently it’s been retitled–“Get the Gringo.” And according to reports in the the trades it’s going straight to Video on Demand on May 1st. This is because, let’s face it, no theater owner wants a Mel Gibson movie–not even “Lethal Weapon 5” or “The Beaver 2.” It’s a smart move for 20th Century Fox Home Entertainment. They’ll charge $10.99 per viewing. Mel’s remaining audience can plunk down their dough. Gibson has relatively no future in regular movie releases. He still plans on making a movie about Judah and the Maccabbees–a Chanukah story told by an anti-Semite. Instead of real oil that lasted eight days, Mel’s movie will likely explain this was erotic oils used by women of the temple to keep their men aroused for a week or more at a time. Say hallelujah, somebody!

X Factor, American Idol, Madonna, Super Bowl: What It All Means

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So you’ve read: Simon Cowell has fired everyone at “X Factor” except LA Reid, who’s also the head of Epic Records. Paula Abdul, Nicole Pussy Cat, and Steve Jones (who was not from the Sex Pistols) are all gone. The show had poor ratings and no buzz. It’s time to start over. Even though Reid got a lot of criticism, he has to stay: Epic/Sony is where “X Factor” winners will go to record albums.

Meanwhile, “American Idol” starts featuring Madonna this week. Unless you are totally clueless, you know that “American Idol” is wedded to Jimmy Iovine of Interscope Records. That’s where their winners–like Scotty McCreery–get contracts. Iovine has also signed Madonna for her “MDNA” album. So of course, “AI” will feature teasers for the new album, all sorts of promotions, a Madonna night, you name it.

Everything here is branded. There are no coincidences. Madonna’s album could be her greatest ever or just more post-90s junk. “American Idol” will be pushing it down the throats of their viewers non stop.

Meanwhile, dear Madonna: now, after botching her charity, and never explaining where the money went, she’s announced that she’s building a bunch of schools in Malawi. Listen: there is no available tax filing for Raising Malawi, her Kabbalah-backed charity that reneged on building a “leadership academy” in Malawi already. No one knows what happened to $3.7 million raised at a 2006 celebrity fundraiser in New York. Don’t believe a word of any press released. Kabbalah is still involved.

Meantime, I implore you: Jimmy Iovine is a smart guy. He’s a great record man. But do you know that annually he wrestles control over  who performs at the Super Bowl? Some years he wins, some he loses. Bruce Springsteen and Paul McCartney were not his choices.  Let’s review, shall we? Last year it was the Black Eyed Peas and Usher. This year it’s Madonna. According to Wikipedia, her set list is “Vogue,” “Ray of Light,” “Music,” and her new single, “Gimme Your Luvin’.” What did you think she was going to sing? “Like a Virgin”? “Masterpiece”?

The Madonna marketing plan is in motion, boys and girls. Let’s hope the music is good. Really. PS I loved Elton John’s bitchy comments about Madonna lip-synching. He is dead on right. What she does, as do many modern performers who must also perform Jack LaLanne calisthenics on stage, is occasionally add live vocals to pre-recorded tracks during shows. All the tracks are pre-recorded before the TV shows. Who doesn’t do this? Performers who simply perform their music– Elton, Billy Joel, Sting, McCartney, Springsteen, Steve Tyler. But all the top 40 krapola stars do it.

The Artist vs. The Help: SAG Awards Sharpen Oscar Race

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Sacre bleu! The #SAGAwards really upset the apple cart. Jean DuJardin beat both George Clooney and Brad Pitt for Best Actor, for “The Artist.” Viola Davis toppled Meryl Streep for “The Help” as Best Actress. And “The Help,” not “The Artist,” won Best Ensemble. But it was only yesterday that Michel Hazanavicius won the DGA’s Best Director Award for “The Artist.” So now what?

My guess: “The Artist” will win the Oscar. Here’s what happened: SAG is a union supporting local friends. “The Help” is their kind of movie. They gave acting awards to both Viola Davis and Octavia Spencer, who, really, are great. You feel great rewarding them for their work. So bravo.

But “The Help” is not a visionary film like “The Artist.” And Hazanavicius’s award adds heft to “The Artist” as Best Picture. DuJardin was a surprise tonight, but hey–he’s good. My money was always on Brad Pitt. But it’s possible he and George Clooney are crossing each other out. The next two weeks will be crucial as more voters see “The Artist.”

And what about Meryl Streep? “The Iron Lady” is significant work. It’s a landmark performance. It may be that the Academy will feel Davis has been recognized, and that Meryl is their queen. Either way, it’s a tight race.

For SAG, on the TV side, I don’t care so much. Many of these people come and go. But I am so personally happy for Steve Buscemi–he is the epitome of the good guy, the hard working actor, family man, good friend. Sometimes nice guys finish guys finish first.

On another note: Mary Tyler Moore is still the most gracious and most lovely. She has lost quite a bit of her sight because of diabetes, but she soldiered out there on stage and looked great. She’s an inspiration.

SAG Awards–nicely done. Congrats to Ken Howard for pulling off the AFTRA merger.

SAG Awards: The Pre Oscars — Mostly

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The Screen Actors Guild Awards are pretty much the predictors of the Oscars. Well, they’re as close as you can get to a real reading of who will win the acting Academy Awards. Last year, SAG and the Oscars went hand in hand–Colin Firth, Christian Bale, Melissa Leo, Natalie Portman and “The King’s Speech”–all replicated. The year before that, Sandra Bullock’s win at SAG set her up for the Oscar. Jeff Bridges won, too. The big twist: “Inglourious Basterds” took the Best Ensemble Award, while “The Hurt Locker” won the Oscar. These things happen. There was also a now classic sort of mix up with Best Actress the year before. Meryl Streep won Best Actress for “Doubt.” She didn’t win the Oscar. Kate Winslet did, for “The Reader.” For the SAGs, she’d been wrongly put in Supporting Actress. She won that award. But it was clear that for the Oscars, she should be in lead. The voters moved her on their own, and she won. Penelope Cruz took home Supporting for “Vicki Cristina Barcelona.” Streep went home empty handed. That isn’t likely to happen again.

Mary Tyler Moore Deserves All the Accolades

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Tonight Mary Tyler Moore receives the SAG Lifetime Achievement Award. It’s hard to believe that she’s turned 75 years young, even though she looks eons younger. She’s also managed to weather numerous personal storms while having to maintain the happy go lucky facade of her famous TV characters, Laura Petrie and Mary Richards. It hasn’t always been so easy. Even as she was winning hearts of viewers, and lots of awards, there was trouble at home. Her only son, Richie, died of an accidental gunshot while playing with a gun. Her sister, who was the age of her son (she and her mother were pregnant at the same time), with whom she was very close, also died.

After a bad first marriage, Mary had a long and successful marriage to TV producer Grant Tinker. With Tinker and business associate Arthur Price, they created MTM–and shows like “Rhoda,” and “Lou Grant,” as well as Mary’s own show, made them very rich for life. In 1983, Mary married Dr Richard Levine, who was two decades younger. Everyone said it wouldn’t last. But they are still together, demonstrating that they were really soulmates. It’s a happy ending for someone who worked so hard to get it.

For years after the Mary Tyler Moore show ended, the Levines lived in a spectacular aparment on Fifth Avenue and East 74th St. But various dramas, including an infamous one with Pale Male, the falcon, convinced them to sell. Mary, an avid animal activist, would probably have given Pale Male her apartment. But the Levines moved to Connecticut, where they’ve lived a low key life.

I’ve known Mary for about 20 years. She is everything as advertised. Cheerful and positive despite numerous health issues. She’s worked tirelessly for Juvenile Diabetes. Her eyessight has diminished because of the illness, but she’s persevered. And also despite her low profile, she remains a Star. She’s probably the most beloved TV star of all time. And we shouldn’t forget her 1981 Oscar nomination for Best Actress in “Ordinary People.” It’s a performance for the ages.

“The Dick van Dyke Show” was a lot of fun, and certainly made her career. But it’s “The Mary Tyler Moore Show” –which she guided– that really solidified her place in our culture. And think of the people involved–Valierie Harper and Ed Asner each went on to run SAG at different points. They’ve had lasting careers. Cloris Leachman and Betty White are still working hard and getting endless amounts of publicity in their senior years. Julie Kavner, who played Rhoda’s sister, Brenda, went on to fame with Woody Allen and as Marge Simpson.

There are so many favorite MTM episodes. Mary usually cites “Chuckles the Clown” in which only Mary cannot express grief over the accidental death of an unseen character. (Chuckles was shelled to death by a rogue elephant during a parade.) My own personal favorite is “Veal Prince Orloff,” in which Lou Grant helps himself to too many pieces of the main course at Mary’s dinner party–catered by Sue Ann Nivens. Any time I’ve been at a party where the food has run out early, I think of those six pieces of veal and Mary warning Mr. Grant that he’s taken too much and must return one piece to the serving platter. {“I’m not as hungry as I thought,” Mr. Grant relents.)

I don’t know how the SAG Awards will go tonight–they give Best Ensemble for films, not Best Picture. Either “The Artist” or “The Help” will win. But the real appeal of tonight’s show will be Mary, and all her co-stars, and reliving a time when sitcoms contained beautifully drawn characters who liked each other, were well paced, and intelligent. And at the center of both shows, was Mary, who was the beating heart. Remember — Mary lost the Emmy Award for Best Actress in the show’s first season. And the cast took out an ad in Variety that read “Without her, it would just be called The Show.” Congratulations, Mary.

 

The Artist Director wins DGA, Readies for Oscar

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Michel Hazanavicius must think he’s living in a dream. Tonight the Directors Guiild of America awarded him Best Director of a feature Film for “The Artist.” He beat Martin Scorsese and Alexander Payne. His silent black and white film, unveiled in Paris a week before last year’s Cannes film festival, is now headed to win the Academy Award next month. Sacre bleu! But those of us who saw it then knew from the start– that when Harvey Weinstein bought the film and it won the Cannes audience prize, the deal was done. Weinstein would follow his “King’s Speech” win for a second year in a row. It’s an amazing feat and well deserved. “The Artist” is almost an instsnt classic. Now the only questions are whether its actors will get pulled along with the momentum. Of the two, Jean DuJardin and Berence Bejo, I’d say the latter has the best chance statistically. And then of course there are always the write-ins for Uggie the dog.

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SOPA Surprise: Same Law Firm Reps Pro and Anti Lobbying Efforts

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SOPA–it’s the hot button issue right now. Anti-SOPA. Pro-SOPA. Millions are being spent in both directions. If you’re pro-SOPA, the hacktivist group Anonymous will come after you–yesterday they took down several websites. But here’s something you may not know. The same law firm is representing both the pro and con sides. Conflict of interest? You decide.

But John Quinn, the very esteemed principal of Quinn Emanuel Urquhart and Sullivan Law Firm in Los Angeles, is representing the Academy of Motion Pictures Association–which is pro-SOPA–against companies like Go Daddy, the domain name registrar. (Full disclosure: even this website is registered with GoDaddy.)

This made us wonder: why isn’t AMPAS, or Quinn Emanuel, suing companies like Google or other portals? They’re anti-SOPA, having spent hundreds of millions to kill the bill — called Stop Online Piracy Act. That seems to be because Quinn also represents Google. Indeed, on their website they list the numerous cases they’ve won for Google just in 2011. http://www.quinnemanuel.com/search.aspx?search=google.So it’s not like Quinn Emanuel is going to sue Google. But what is going on here?

Quinn emailed me back the other day: “I really don’t see your point. Ampas has trademarks in word and academy award a copyright in the 3 d image of the oscar statuette. I am not aware of any issue ampas has with Google.”

You can see why Google wants to stop SOPA. According to one techie observer: “Google stands to signficantly lose (to the tune of billions of dollars in ad revenue) from the passage of SOPA and has done everything in their power to ensure it doesn’t pass.”

But the argument has been made that Google, Yahoo, and other portals that allow faux-sites–like, say, http://www.oscarshmoscar.com (a made up name) are the ones who make money from those clicks.

Is AMPAS aware of this? Calls to their pr rep were also unreturned.

Here are some of Quinn Emanuel’s successes for Google, taken from their website:

Google, Inc.

Our client, Google, was sued for copyright infringement when an artist sued New York Times columnist Thomas Friedman (among others) in connection with the allegedly unauthorized use of the artists’s painting on a limited number of copies of Friedman…

Perfect 10 v. Google Inc.

For our client Google, we successfully obtained summary judgment of safe harbor under the DMCA on copyright infringement claims against Google’s Web Search, Image Search and Blogger services. The decision precludes Perfect 10 from seeking any mo…

Bid For Position, LLC v. AOL, LLC and Google Inc.

We won affirmance of summary judgment of non-infringement for Google in a patent infringement litigation in which plaintiff sought in excess of $150 million in past damages and a royalty on future revenue in the billions. The litigation concerned th…

Rosetta Stone Ltd. v. Google Inc.

We won a complete summary judgment for Google Inc., by which all remaining claims that language software provider Rosetta Stone had asserted based on Google’s advertising programs and trademark policies were dismissed with prejudice. In a leng…

Bright Response LLC v. Google Inc. and Yahoo Inc.

Defending Google against a $128 million patent infringement claim brought by Bright Response LLC against Google’s AdWords advertising system in the Eastern District of Texas, we won a complete non-infringement and invalidity verdict after a six-day …

Performance Pricing Inc. v. Google Inc., et al.

On behalf of Google and AOL, we brought and won a summary judgment motion of noninfringement on all asserted claims before Federal Circuit Judge Randall Rader sitting by designation. The patent-in-suit was asserted against the Defendants in Septembe…

PA Advisors LLC v. Google Inc., et al.

We represented Google in a patent infringement case against PA Advisors LLC, a patent-holding company, in the Eastern District of Texas. Plaintiff accused Google’s Search, AdWords and AdSense products of infringing Patent No. 6,199,067, involv…

Function Media, LLC v. Google, Inc. and Yahoo, Inc.

Brought in six months before trial to defend Google’s AdSense for Content and AdSense for Mobile Online advertising products against a claim of patent infringement brought by Function Media, we won unanimous jury verdict on both non-infringement and…

Did OJ Simpson Confess to “Man on a Ledge” Writer?

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This week’s main offering at the movies is “Man on a Ledge”–described as “ludicrous” by some critics and certainly not an Oscar nominee. (It was a lowly 20% on Rotten Tomatoes, which is like an F.) It’s January, of course, and if you couldn’t release a movie by December 31st, you know what January means. But “Man on a Ledge” has another reason of interest. Its screenwriter is Pablo Fenjves. Don’t recognize his name? He ghost wrote O.J. Simpson’s infamous confessional book, “If I Did It,” which outlined how O.J. murdered in cold blood his ex wife Nicole Brown and her friend Ronald Goldman.

The ironic part of that is that Fenjves, creepily, was a witness in the Simpson murder trial. He was the neighbor who testified he’d heard a dog’s plaintive wail near Nicole Brown’s house in Brentwood. Did OJ do it? Well, a civil jury said he did, and of course OJ is in jail for something else. Is he metaphorically the man on the ledge in the new movie? Deciphering hidden meanings may be the only reason to see this film, which I keep confusing with a mostly unreleased film from last year called “The Ledge.”

Here’s my exclusive 2007 interview with Fenjves:

Pablo Fenjves, author of O.J. Simpson’s controversial book, “If I Did It,” says the book’s original publisher told him it was a confession.

Fenjves writes in a prologue to the book, obtained by this column exclusively, that Judith Regan, then of ReganBooks/HarperCollins, told him:

“He wants to confess, and I’m being assured it’s a confession. But this is the only way he’ll do it.”

The book, which was canceled by HarperCollins and is today being published by Beaufort Books after a court battle, now belongs to the family of Ronald Goldman. A civil jury found Simpson responsible for the 1994 slayings of Goldman and Simpson’s ex-wife Nicole Brown Simpson. A criminal jury acquitted him of murder charges.

Blood, Pregnancy and Dan Rather: Click Here for More Shocking Details From “If I Did It.”

Ironically, Fenjves, who was hired by the publisher to write the book with Simpson, had been a witness in the murder case. He was one of Nicole’s neighbors, and had heard what he describes as the “plaintive wail” of her dog that night after the murders occurred.

The book, which hit stores Thursday, is approximately 60,000 words long. But readers will be mostly interested in a 10,000-word section in which Simpson describes with brutal detachment how — “if” he did it — he killed the pair in cold blood while a companion, named “Charlie,” stood by and watched.

“Charlie,” if Simpson is telling truth, was a new friend at the time and not his best buddy A.C. Cowlings or anyone else from the parade of clowns who occupied America’s TVs and media in 1994-95.

Fenjves writes that he doesn’t believe there was a “Charlie” and that Simpson was alone on the night in question.

While Simpson’s account lines up pretty well with evidence presented in the trial, it’s Fenjves’ prologue that actually says more about the entire episode.

At one point early on in their discussions, Simpson says to the writer, “I don’t know what the hell you want from me. I’m not going to tell you that I sliced my ex-wife’s neck and watched her eyes roll up into her head.”

That Simpson could even speak so dispassionately and violently about his ex-wife and mother of two of his children should sound alarms for those who think “If I Did It” is fiction or a hypothesis.

What’s really alarming is that those two children, Sydney and Justin, now in their late teens, don’t seem to care or understand what their father did to their mother.

When Simpson first was going to sell the book and make money from it, they signed off on an agreement to form a dummy corporation in which they would profit from the proceeds.

Fenjves recalls in his prologue that at one point, Simpson wanted the chapter about the murders to come out of the manuscript. “I hate that f—ing chapter,” he told the writer, but was reminded that it was the reason he’d sold the book. Fenjves observes that Simpson never said it was untrue or imagined.

Simpson did ask for one detail to be removed, however. He originally told Fenjves that Nicole’s Akita, named Kato for their perennial houseguest Kato Kaelin, had wagged its tail when O.J. saw it greet Goldman moments before the murder.

It was a telling detail, Fenjves thought, that Simpson had noticed the dog was familiar with Goldman. No one had ever heard anything like that before. Simpson must have realized that, too.

The ex-football superstar wasn’t stupid, though. He told Fenjves after the manuscript was completed that he’d made some mistakes on purpose in the telling of the murders.

“I treated it as fiction,” he said. “I purposefully didn’t correct some of the mistakes, because if the time comes that I have to defend myself, I can say, ‘Hey look, it can’t be me because that couldn’t have happened.’”

Fenjves says Simpson cited removing his shoes but not his socks, the fact that he would have had to scale a 10-foot chain-link fence to get from the tennis court to the guesthouse and that no one had ever seen him on a golf course with a knit-cap and gloves.

He also told Fenjves he’d never known any “Charlie.” The author felt at this point that Simpson was backtracking, and reading to him over the phone from a prepared script.

It didn’t matter. The book was written, and HarperCollins was set to publish it. Of course, that didn’t happen. The book was cancelled and the Goldmans went to court and won the rights to it as part of their civil judgment against Simpson.

Thursday, with obvious reluctance and distaste, Oprah Winfrey interviewed Ron Goldman’s dad, Fred, and his sister, Kim, on her show. According to sources, she was supposed to discuss this prologue and also an afterward written by Dominick Dunne.

None of that came up. Instead, Oprah appeared to be angry with the Goldmans for publishing the book. In a later segment, she told Nicole’s sister Denise Brown that she wasn’t even going to read it.

The whole thing was very strange, and Oprah — who is usually on the side of the angels — came off badly.

One thing mentioned on Winfrey’s show — that the Goldmans would see only 17 cents per book from sales. Winfrey was skeptical and asked what kind of book deal they had gotten.

In fact, sources tell me that if the Goldmans have figured out their profits to 17 cents, it’s because over 13 years they’ve accrued mounting legal fees and debts for which they were not prepared.

“Fred Goldman was never rich,” says the source. “He works for Nordstrom.”

Winfrey, on the other hand, accepted at face value many of Denise Brown’s ridiculous statements. She didn’t ask her where all the money has gone from the charity that was set up in her sister’s name. She also didn’t bat an eyelash when Denise described Nicole as a good mother because she let her kids mess up her brand new Ferrari.

One thing about Denise … she’s not good at mustering much sympathy for her late, hard-partying sister.

Read more: http://www.foxnews.com/story/0,2933,296746,00.html#ixzz1kfQP2Dsi

 

 

Red Tails, Red Hook, Red Dawn– Red Ink?

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Maybe red is not the color to have in your movie’s title. “Red Tails,” maybe one of the worst movies ever made, had a strong weekend start after mobilizing its core audience. But on Tuesday, when all the other films in the top 10 went up at the box office, “Red Tails” took a downward spiral. The next few days will determine if the audience is saturated. Word of mouth has to be bad. Meanwhile, at Sundance, Spike Lee’s “Red Hook Summer” was pretty much of a bust. Apparently they should have filmed the Q&A and forgotten the movie. I don’t know what went wrong. Lee has made some wonderful films like “Do the Right the Thing,” “Crooklyn,” “Clockers,” and “Inside Man.” But “Red Hook Summer” — which has an unpleasant secret at the end–was met with great resistanance at Sundance. And then there’s the remake of “Red Dawn.” Remember this? When Nicole Kidman and Tom Cruise’s kid, Conor, got a small role in the “Red Dawn,” he was like 14, Now he’s 16, almost 17. The film has a tentative release date of November 2012. I gather the problem is no one who made the film can decide on who the “Reds” are–Chinese, Koreans, Helen Mirren, or Mark Rothko. It’s hard to imagine China invading the US at this point–for what purpose? They make the IPads there, for goodness sake. There must be an app for that. Maybe the Koreans can invade Red Hook using CGI planes. Lesson: red is not the color for 2012.

Tilda Swinton’s Artist Boyfriend Debuts A List Skype Portraits

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Former Oscar winner–but not current Oscar nominee Tilda Swinton--is just about one of our most favorite people. Last night she hosted artist boyfriend Sandro Kopp’s first American photo exhibition at the Lehmann Maupin Gallery on Chrystie Street– and it was pretty cool. I’m glad Peggy Siegal scooped us up from an early dinner at Bobby Vans in midtown–after being wowed by a knockout matinee of Audra MacDonald and Norm Lewis in “Porgy and Bess.” “Let’s see what this guy has done,” Peggy said. And away we went, where no less than another Oscar winner, Frances McDormand, and a rock star, Michael Stipe, were already enjoying the Skype manipulated photographs of a mixture of stars and others–including “Chicago” actor John C. Reilly and a large portrait of Tilda, taken while she was sleeping in front of her computer. The pictures are very clever. Fran’s portrait is comic and a little distorted. “All I know is, there was a bottle of wine involved,” declared the forthright Ms. McDormand. Michael Stipe told me that he’s essentially “retired” and figuring out the future. “My band disbanded,” he said of the legendary REM, as if we didn’t know. Kudos to Kopp for a job well done. And Tilda? Not unhappy about not being nominated for Best Actress for “We Need to Talk about Kevin.” “The fact that people are still talking about the film is great. I get to home to Scotland and not worry about it.” She has an Oscar for “Michael Clayton,” by the way.