Sunday, December 21, 2025
Home Blog Page 944

New York Film Festival Main Line Up Goes International and Independent as Studios Hold Back Big Titles For Winter

0

The New York Film Festival main slate is here, and it’s very independent and very international. As already announced there are three episodes of a British TV series from Oscar winner Steve McQueen. There are several really interesting titles for film connoisseurs, but nothing from the studios, even small studios. That’s because the whole awards calendar has moved to winter, January and February 2021. The studios don’t want to show their films so early. Next year, presumably, everything will be back to “normal.” So we’ll dig in and enjoy these films, which will be shown at drive ins in Queen and Brooklyn, among other places. If the weather is good, I expect the Film Society will use the outdoor spaces at Lincoln Center, as well. Let’s hope for a warm autumn!

The 58th New York Film Festival Main Slate

Opening Night
Lovers Rock
Dir. Steve McQueen

Centerpiece
Nomadland
Dir. Chloé Zhao

Closing Night
French Exit
Dir. Azazel Jacobs

Atarrabi and Mikelats
Dir. Eugène Green

Beginning
Dir. Dea Kulumbegashvili

The Calming
Dir. Song Fang

City Hall
Dir. Frederick Wiseman

Days
Dir. Tsai Ming-liang

The Disciple
Dir. Chaitanya Tamhane

Gunda
Dir. Victor Kossakovsky

I Carry You with Me (Te Llevo Conmigo)
Dir. Heidi Ewing

Isabella
Dir. Matías Piñeiro

Malmkrog
Dir. Cristi Puiu

Mangrove
Dir. Steve McQueen

MLK/FBI
Dir. Sam Pollard

Night of the Kings (La Nuit des Rois)
Dir. Philippe Lacôte

Notturno
Dir. Gianfranco Rosi

Red, White and Blue
Dir. Steve McQueen

The Salt of Tears (Le sel des larmes)
Dir. Philippe Garrel

Swimming Out Till the Sea Turns Blue
Dir. Jia Zhangke

Time
Dir. Garrett Bradley

Tragic Jungle (Selva Trágica)
Dir. Yulene Olaizola

The Truffle Hunters
Dir. Michael Dweck, Gregory Kershaw

Undine
Dir. Christian Petzold

The Woman Who Ran
Dir. Hong Sangsoo

Ye of Little Faith: Kanye West’s Music Sales in Steep Decline Over Last Four Weeks, Referendum on “Candidacy”?

0

EXCLUSIVE Kanye West is apparently “running for president” in an effort to help Donald Trump. He thinks blacks will rally around him and siphon off votes from Joe Biden.

So far he’s polling at 2% among black voters, so that’s not working.

He can’t count on his music fans to help him either.

Over the last few weeks, Kanye’s music sales– which were anemic to begin with– have gone into a steep decline.

This week, he’s running at around 50% of his sales from last week, which were minuscule.

But the trend is down, especially among fans who might be streaming his older releases or even his Christian themed “Jesus is King” album. Meanwhile, Kanye has stopped talking completely about his “Donda” album, which was supposed to be released a month ago and has vanished into thin air.

Figures from Buzz Angle/Alpha Data going back to the week of July 3rd showing Kanye’s total sales including streaming were 43,549. Fast forward to the week of August 7th, sales are 15,269. Actual album sales dropped by 50% from Julky 31st to August 7th. Digital album sales– Kanye’s bread and butter– fell 388 to 223. Physical album sales– which is most his catalog on CD– went from 1,168 to 782. By the time this adventure in offensiveness is over, Kanye may not have a music career to return to.

Does this translate to sneakers as well? And how does The Gap feel about Kanye’s politics? (The answer will surprise you. John Fisher, whose family owns The Gap, is a big Trump Republican donor.)

Stay tuned…

 

Watch “Bel Air,” the Short Film that Could Revive “Fresh Prince of Bel Air” as a Drama, and Mean Millions to New Yorker Writer

0

Morgan Cooper is a young black cinematographer who’s hit pay dirt fast. His short film, “Bel Air,” is a dramatic reworking of “The Fresh Prince of Bel Air.” Will Smith, the original star, has picked up the rights with his production company to turn “Bel Air” into a drama for TV based on the comedy. Smart move.

The people who will really love this are humorist Andy Borowitz and his ex wife Susan who created “The Fresh Prince Bel Air.” They can just sit back and let cash registers sing to each other. Borowitz is better known now as a writer of funny, short pieces for The New Yorker. As the creators of the original show, they should rake in fees without lifting a finger. (I hope they made a good deal.)

Another person who will enjoy this revival is Benny Medina. He’s best known as Jennifer Lopez’s manager since Day 1. But “Fresh Prince” was loosely based on Benny knowing Motown great Berry Gordy’s daughter in high school, being taken under BG’s wing, and becoming a record company phenom out of the box. Benny will be a producer on the new show, along with Quincy Jones, who was the original producer of “Fresh Prince.”

All of them can thank Cooper, a star in the world of commercials, signed of course to CAA, who grew up on “French Prince” in Kansas City, Missouri where he wanted to be a sports journalist. Making “Fresh Prince” into a kind of “Empire” backstory is brilliant. HBO, Netflix, all of them will want it.

Sarah Cooper, Gifted Comic Causing Trump’s TikTok Meltdown, Gets Netflix Special Directed By Natasha Lyonne, Produced by Maya Rudolph

0

Sarah Cooper is the gifted actress/comic who’s sent Donald Trump into a tizzy over TikTok. Her impressions of him on TikTok– she lip synchs his ludicrous speeches and comments– has made Trump try to ban the online app from existence in the United States.

Now Cooper– who guest hosted Jimmy Kimmel’s show last night brilliantly — is getting a Netflix special. And what an A list team! Natasha Lyonne is directing, Maya Rudolph is exec producing.

Press release says: “Sarah Cooper: Everything’s Fine, a variety special full of vignettes dealing with issues of politics, race, gender, class, and other light subjects. Sarah will be joined by a fantastic array of special guests who will participate in short interviews, sketches and more shenanigans. Everything’s Fine will premiere globally in Fall 2020.”

Now we need a special for Maria DeCotis, who simultaneous to Cooper took off like a rocket doing lip synchs of Andrew Cuomo.

How lucky we are to have these two funny ladies giving some comic relief in a terrible time!

UPDATE NY Daily News Closing Newsroom But NOT Closing Paper, Says They Will Continue to Publish, “No Layoffs”

0

UPDATE: Sources say the paper is not closing. But they are getting out of their lease as only a half dozen people have been coming into work, the rest of the skeletal staff if working from home. “They want to find a new smaller space by November 1st,” I am told. But for New York’s hometown paper not to have a home is very distressing.
My source stressed: No layoffs. (There aren’t many left to lay off.)

EARLIER REPORT:
The New York Times reports that the Daily News is basically dead, even if it will continue on like the Walking Dead.

Today the News will close its newsroom downtown and employees will have til the fall to come and get their things.

Will the paper continue a print edition? No one knows yet. Online edition? Why not?

The paper was sold to Tribune Publishing — then known as Tronc– in 2017 by Mort Zuckerman, who bought the paper out of bankruptcy in 1993. The previous owner was Robert Maxwell, who died mysteriously on his yacht. Maxwell was the father of Ghislaine Maxwell, now in prison and awaiting trial in the Jeffrey Epstein sex scandals.

Tribune, dedicated to killing newspapers, is also closing the newsroom of the Capital Gazette in Annapolis, Maryland. Two years ago a gunman killed five of the reporters there. This is Tribune’s tribute to those brave heroes.

Zuckerman will have no comment on the end of the Daily News, which he legitimately loved. A few years before he sold the paper, he exited the public stage as a form of dementia, and perhaps Alzheimer’s, began to take over. His nephews assumed control of his companies, and got rid of the News as soon as possible. They basically gave it to Tribune — for one dollar — and walked away.

Another irony: Pete Hamill just died last week. He was one of the best Daily News editors of all time. But all the great News writers are gone. The paper is assembled in Chicago, and written assembled by robots. (There are still a few great New York journalists hanging in there every day.) There’s no sense of it even being in New York.

This will leave New York with one print tabloid, Rupert Murdoch’s Post. The Post loses tens of millions of dollars a year, and will surely cease print when Murdoch, 84, pushes up daisies. New York once had 10 or more newspapers publishing in the morning and afternoon. But as the city has been hobbled by COVID and DeBlasio, the newspaper’s death becomes an achingly sad symbol.

Just as an example of how disgracefully Tribune runs the show, the current front page of the News website makes no mention of this monumental decision. But they are running the same story side by side as you can see here. How awful.

 

Broadway’s Royal Flush: “Diana” Musical, Postponed from this Season, Will Air on Netflix Before May 2021 Opening

0

Things could not be stranger now on Broadway.

With the season demolished, and no Tony Awards, and no fall season, producers are trying to gauge when the Great Bright Way will re-open next year.

Some shows have posted previews for March 2021, with April opening nights. They assume theaters will be ready for customers. Also, the assumption is that April 30th or so will be the 2021 Tony Awards cut off, and that the Tony’s will happen in June.

Scott Rudin– who’s in a lot of trouble with a $6.3 million lawsuit over unpaid for ads– decided to skip the Tony deadline and open “The Music Man” in late May. Of course, since part of that lawsuit is over “Music Man” ads, who knows if that show will even come to fruition?

Now the great producer Frank Marshall and his team have decided to open their musical about Princess Diana on May 25, 2021. But before he does that, Marshall will film “Diana: The Musical” a la “Hamilton” and show it on Netflix before the stage production begins previews.

This is unheard of.  In a joint statement, the “Diana” producers said, “We speak for the entire company when we say that we couldn’t be more excited to finally be able share our show with theater lovers everywhere. Though there is no substitute for the live theater, we are honored to be a part of the quality entertainment that Netflix provides its subscribers worldwide.”

This is a big gamble. What if “Diana” stinks? If it gets bad reviews on Netflix, that will kill the Broadway audience. But I think producers are signalling that this will now be a summer run, no Tonys expenditure, and let the show either catch on or close by Labor Day.

Marshall knows what he’s doing. Steven Spielberg’s long time movie producer, he last tried his hand with the Jimmy Buffet musical “Margaritaville” in 2018. (It wasn’t a success.) He has nothing to lose, really, but plenty to gain with a long investment in “Diana.” And Netflix needs the content.

Is this the beginning of a trend for musicals? Not yet. They’ll wait and see how Marshall’s gambit pays off.

Neil Young’s Online Archives Spending $20,000 to Detach Itself from Facebook: “Simply put, Facebook is screwing with our election”

You know Neil Young. He’s on the cutting edge of everything.

Last week he sued Donald Trump for copyright infringement because the Republican incumbent was using Neil’s songs without permission at campaign rallies.

Now, Neil’s archives are spending $20,000 to detach themselves from social media. They want their members to sign in directly and not through Facehook or Google. (Neil Young has the most extensive archive website I’ve ever seen. You could go down a rabbit hole and never return!)

Members received this message today. I guess there won’t be any Facebook Live shows with Neil any time soon.

NYA DAYS AWAY FROM DROPPING SOCIAL MEDIA PLATFORM
We have been working on this project for a couple of months. Trying to disengage from the corrupt social platform is a costly and time-consuming process for NYA. Our cost will be almost $20,000 to disengage, while treating our subscribers with respect, making it as easy as possible for them to continue with us after Facebook.
Facebook knowingly allows untruths and lies in its political ads to circulate on the platform, while bots sow discord among users. Sowing dissent and chaos in our country via political disinformation is something we can not condone. Simply put, Facebook is screwing with our election.
The money we are spending to get out of this mess is designed to make it as easy as possible for our valued Facebook users to log in simply and securely to NYA without the social media platform involved in any way. It is in keeping with what we have been maintaining re: the irresponsible social media platform for the past two years.
NYA strives to be a place where music lovers can get all of my music at its highest quality, while keeping up on news and views from around the world that we wish to share. We are primarily a music platform featuring all the background information, films, videos, and credits associated with each piece of music we present while offering unparalleled listening quality.
thanks for your support,
NYA

Joe Biden Chooses Kamala Harris for His Veep, Her Debate with Mike Pence Should Be Historic

0

California Senator Kamala Harris is Joe Biden’s pick for Veep. This just shows how classy Biden is: Harris gave him a rough time in the debates, but he didn’t hold a grudge. Harris is smart smart smart and a perfect running mate. If she has to step in for Biden, you know she can do it.

What I want to see is the Senator debate Vice President Mike Pence, who runs on batteries and a program installed at the factory. That should be the biggest TV rating in history. Pence may start crying when his wires get all crossed.

Harris beat a great field of potential candidates for Vice President including Susan Rice. But Rice with that son who loves Trump would have been an issue they couldn’t get around. And Karen Bass with her Scientology speech wasn’t going to make it.

Congrats, Senator Harris. We’re with you!

 

Review from LA: Adam Rifkin’s “Last Movie Star” Resonates More than Ever Now that Film Festivals Are in Chaos

0

I was thinking about Adam Rifkin’s “Last Movie Star,” starring the late Burt Reynolds, now that film festivals are in chaos. A trenchant movie that will hit home with industry types, “Last Movie Star” has Burt’s character, a down on his luck film star, being honored by a two bit festival in Nashville. It’s very sweet and hits home. A lot.  “The Last Movie Star” is on Amazon Prime.

The film borrows heavily on Reynolds’s career in real life, in the film he plays Vic Edwards, when in the late 1970’s Burt was absolutely the biggest movie star in the world.  From “Smokey And The Bandit,” to “Deliverance” to “Boogie Nights,” and so many more classics.  Burt /Vic was riding high.  Then the fall from grace; with too much hubris, bad career moves and even worse romantic and financial choices.

When Vic is offered a seemingly prestigious life achievement award in Nashville, he’s reluctant at first, but then his old buddy Sonny (Chevy Chase) nudges him to accept. So he grudgingly goes and there he meets and eventually bonds with a young cast of misfits, (Clark Duke, Ellar Coltrane and Ariel, Winter) all who are solid matches for the at times bitter but honest and self-deprecating Vic.  Bottom line, Reynolds shines in his late major role, his cinematic swan song. “Last Movie Star” sweetly, respectfully and with caustic humor, lovingly honors Burt Reynold’s iconic career. (Look for a lovely performance by Kathleen Nolan, and great supporting work from Ariel Winter, Clark Duke, Ellar Coltrane and Chevy Chase.)

Amazon Prime now has two films by Rifkin that should not be missed. Rifkin also is a documentarian with his “Giuseppe Makes A Movie,” a pop culture classic about musician Giuseppe Andrews, a one-time teen actor who was in “Independence Day” and Rifkin’s “Detroit Rock City.”  A filmmaker himself, Andrews has made over 30 experimental features and his idols are Rainer Werner Fassbinder and Luis Bunuel.  Andrew’s actors are people on the fringes, on the margins of society, transients, drug addicts and the like.  Filmed in Ventura, CA, the enormously entertaining Andrews is compelling and as “beautifully eccentric” as he describes his friend.  Rifkin adeptly captures all in a rough and ready, humorous style.

Taylor Swift’s “Folklore” Passes 1 Million Mark in Less than 3 Weeks, Including Streaming as of Sunday

It’s Taylor Swift’s world and we just live in it.

On July 24th she surprised everyone with a new album called “Folklore.” The first week of sales were big, although a little less than her last album. It looked like it might not have “legs.”

But “Folklore” has really been a surprise in that it launched a lot of simultaneous singles hits. Two versions of the song “Cardigan” and another song, “The 1,” have really taken root. And that’s how you keep an album alive. The individual tracks have to catch fire.

So “Folklore” passed the 1 million mark on Sunday including streaming, it came to 1,037,000. Of that, 675,000 is downloads. There are no CDs.

This week right now, “Folklore” is ahead of all other albums with 43,060 total including streaming. Around 12,000 are downloads.

Streaming is a big factor this time around for Taylor, especially since there are no CDs. And she has plenty more tracks to push, including “Betty,” which I think might wind up being the longest lasting song. Swift has 7 of the top 50 streaming songs on Spotify. She doesn’t have number 1, but she’s got her soldiers on the battlefield, and pretty well placed. That’s all you can ask.

And so we wait for more videos, some live performances on TV, etc. “Folklore” is going to be the #1 hit of 2020 in the music world. Let’s hope the Grammys don’t screw her again. But it will all depend on whether she hooks up with the American Music Awards again in November, or lets them pass.