This says it all:
Congratulations to @JoeBiden, @KamalaHarris and our beloved country. Honesty and integrity won out! pic.twitter.com/RlaZr88O0R
— Barbra Streisand (@BarbraStreisand) November 7, 2020
This says it all:
Congratulations to @JoeBiden, @KamalaHarris and our beloved country. Honesty and integrity won out! pic.twitter.com/RlaZr88O0R
— Barbra Streisand (@BarbraStreisand) November 7, 2020
The Drudge Report has given Donald Trump the headline he most feared, deserved, and earned after four years:
“You’re fired!”
Drudge angered his far right followers after splitting with Trump more than a year ago. My guess is that Matt Drudge, who brought down Bill Clinton and maintained his conservative bent for the last 20 years, saw something in Trump that scared him: his basic cruelty and meanness.
And Drudge more than likely saw the stupidity. The Drudge Report is a political site, and Trump refused to be political or diplomatic. Instead of the Art of the Deal, Trump used a mallet to get what he wanted, which was almost always unpopular and against common sense. He was punitive. And now he’s gotten the ultimate punishment.
The election of Joe Biden is not just a defeat for Donald Trump, the loser.
It’s also a renunciation of his cronies, liars, and thieves including Rudy Giuliani, Mike Pence, Kellyanne Conway, the newly infected Mark Meadows, Kayleigh McEnema, Donald Trump Jr, Jared and Ivanka, all of them.
What will happen to them? The Trumps will never be welcomed back to New York. They have no standing. There isn’t a restaurant they could walk into where they wouldn’t be booed. If the ’21 Club’ lets them, they’ll be ruined. People will walk of out of rooms they’re in.
And Jared? His real estate dealings will be scrutinized now under a microscope. There isn’t a move he can make without being noticed and examined thoroughly. The Trump Organization? Who will stay in a hotel with that name? Or set foot in a casino under that marquee?
The rest of them? Giuliani? LOL. What a miserable dolt. Same for him.
Fox News, the New York Post and Rupert Murdoch have accepted defeat. Donald Trump has lost. Joe Biden has won the Presidency.
Murdoch’s media has shilled for Trump for four years, ignoring facts, lying to its readers and viewers. And now they have to eat it. It’s a great moment.
Will they do what they did when Obama was elected? Back in 2009, Fox News– I was there and saw this– did everything they could to attack Obama as he entered the White House. The question is will they do this again to Biden? No one will listen! Just as a measure of the media, CNN has won the ratings every night this week over Fox. Even their viewers finally figured it out!
CNN just called the election for Biden and Harris! Our long national nightmare is over! Trump has lost. Our four years of misery comes to an end.
It’s a beautiful moment for the world, where we’ve been mocked and laughed at for the last four years. Trump represented cruelty and stupidity. He advocated racism, misogyny, hatred, belittlement. He was the opposite of every American and human ideal. People have suffered, have died, been neglected by this idiot. And now he’s done.
Trump won’t go easily. We know that. But Biden has won Pennsylvania and gotten the electoral votes. He also won the popular vote by 4 million votes.
Trump is the one thing that he hates: a loser.
Len Barry has died. The 78 year old pop star of the early to mid 60s is still heard on the radio singing his hits “1, 2, 3” and “The Bristol Stomp” with his group the Dovells.
It’s weird, too, because I just heard “1, 2, 3” on the car radio in the last few days, and was singing along to it (don’t worry, I was alone). What a great hit. According to Wikipedia, Motown sued Len and his two co-writers because they thought the song sounded like a Supremes B side. They got 15% of the royalties. But I’d say that five years later Motown stole it back for the Jackson 5.
Anyway, listen to that sax, played by Artie Kaplan. The personnel on the original recording included Vinnie Bell, Bobby Eli, and Sal Ditroia on guitars; Joe Macho on bass; Artie Butler on percussion; the soon to be famous Leon Huff on piano; Bill Tole and Roswell Rudd on trombones; Lee Morgan on trumpet; Fred Hubbard on clarinet; and Bobby Gregg on drums.
RIP Len, born Leonard Borisoff on June 12, 1942.
A notice posted on the Dovells’ Facebook page announced the death, but no cause or survivors.
The review embargo has lifted for “Mank,” a movie that Film Twitter wants so badly they can taste it. David Fincher directed it from his own later father’s screenplay, the story of fabled Hollywood screenwriter Herman Mankiewicz. “Mank,” as his frenemies called him, shared screen credit with director Orson Welles for what is considered the greatest film of all, “Citizen Kane.” How much of it did he write? Welles and Mankiewicz are still fighting about it to this day high above us.
The movie is expertly and smartly directed by Fincher, with gorgeous cinematography from Erik Messerschmidt. It’s all black and white with sensational richness of tone and much texture in every shot. The costumes, the whole production is top notch. You feel as though you’re in Sam Simeon, aka the Hearst Castle, as Mank inveigles himself into the lives of the people who will be represented in “Citizen Kane” starting with William Randolph Hearst (Charles Dance) and Marion Davies (Amanda Seyfried, guaranteed nominations and a NY Film Critics win for Best Supporting Actress).
Yes, we get to meet all these Hollywood heroes and villains of the time including an astounding performance by Arliss Howard as studio chief Louis B. Mayer (again, supporting nominations everywhere). Tom Pelphrey continues his at-last overnight sensation career (10 years in the making) as Mank’s actually talented screenwriter brother Joe; Joseph Cross is equally good as Charles Lederer; and I really liked Tuppence Middleton as Mank’s long suffering wife, Sarah, Lily Collins makes a fine foil as Mank’s secretary.
But it all rests on Gary Oldman, who creates this complex, if fairly unknown, historical figure. Oldman is always note perfect and he’s no different here. Mank’s ego, his drinking and excesses, his genius juxtaposed with his inability to comprehend normal manners, all of it Oldman gets on the nose. Mank is an unlikable guy and Oldman really conveys that, too.
But how much of this is just a tempest in a teapot? For film fans, cinephiles, and so on, this saga is like catnip. For the uninitiated, however, I don’t know how much of “Mank” will resonate. A black friend of mine, who loves movies, asked me recently, “Who are all these people?” That’s a good question. Film reviewers take all this stuff about Kane, Welles, Hearst and co. for granted as canon. But for the general population, this is of limited interest. The screenplay doesn’t help. It just assumes the viewer knows this story and is happy to see it dramatized.
But that doesn’t diminish the achievements here. Still, I think “Mank” will benefit from being on Netflix and not competing for box office. It doesn’t need that pressure. It just needs to be enjoyed by its fans.
Following the revelations from his libel trial scandal, Johnny Depp has been dismissed from the next “Fantastic Beasts” movie.
“Johnny Depp will depart the Fantastic Beasts franchise,” said the studio in a statement today. “We thank Johnny for his work on the films to date. Fantastic Beasts 3 is currently in production, and the role of Gellert Grindelwald will be recast. The film will debut in theaters worldwide in the summer of 2022.”
Depp was accused of wife beating and other sundry infractions during the long, public trial.
Now the question is, will Disney allow him to return to the “Pirates of the Caribbean” movies? He was already on shaky ground, but the family friendly studio may not want Depp as their star after this colossal mess.
Deeply in debt after spending and losing hundreds of millions of dollars, Depp really needed “Fantastic Beasts 3.” But the production has enough trouble considering the anti-trans comments of author J.K. Rowling. With the movie business teetering, Warner Bros. is looking to cut their troubles, not look for more. They’re also fighting a scandal concerning Anne Hathaway’s character in “The Witches,” directed by Robert Zemeckis. Hathaway, without meaning harm in creating the character, has caught the ire of advocates for disabilities.
Hathaway’s Grand High Witch and her minions have three-fingered hands that resemble the real-life condition ectrodactyly, otherwise known as “split hand” in the film. This is a rare congenital disorder involving the deficiency or absence of one or more central digits of the hand or foot. Since Anne Hathaway is one of the kindest and nicest people on the planet, you can’t blame her. It’s the production’s fault.
Here’s Johnny Depp’s announcement on Instagram:
Yikes.
“Mom” was back last night without Anna Faris, and the ratings were disastrous.
The Allison Janney sitcom dropped roughly 25% or more from last season’s average. The total was 4.8 million versus over 7 million for last season’s spring finale. Last season’s average was 6.3 million per show.
What’s even more humiliating is that “Mom” LOST over 200,00 from its lead-in, the not very good “B Positive,” a pilot for a new series. “Mom” is in its 8th season.
But the whole premise of “Mom” has been wrecked by the sudden loss of Faris, who exited the series last minute in August after signing on for the season. Now Janney has no child to be a Mom to, is happily married, and has a bunch of nice friends. But the mother-daughter scenario is over.
Whatever happened to Faris, I hope she’s alright. But she’s almost certainly doomed the show to cancellation.
And what did they do with Faris’s character? The episode began last night with Janney and her husband, played by William Fichtner, coming home after dropping her at Georgetown Law School. LOL. Preposterous? Not really when you think Tiffany Trump graduated from there. And that was preposterous enough!
Barry Gibb is going to be in the news a lot soon. A documentary about the Bee Gees debuts on Showtime on December 12th, produced by Frank Marshall. I’m looking forward to seeing it some time.
Today comes the news of a new album of Bee Gees hits recorded by Barry with country and pop stars. For some reason it’s called “Greenfields” and it has a cover that must be changed immediately. It looks like something from a funeral home. I don’t know what the art department is thinking at Universal Music.
But the album itself looks terrific. The featured guest stars are Alison Krauss, Brandi Carlile, David Rawlings, Dolly Parton, Gillian Welch, Jason Isbell, Jay Buchanan, Keith Urban, Little Big Town, Miranda Lambert, Olivia Newton-John, Sheryl Crow and Tommy Emmanuel.
Olivia Newton-John? When she started her career, Olivia was a country artist. I’m not sure but I don’t think she’s sung in a long time. So that’s pretty cool.
The first track available is “Words of a Fool,” featuring Grammy Award-winning Jason Isbell. The album hits on January 8th. So there’s plenty of time to change that cover art!
Barry says in a press release: “From the first day we stepped into RCA Studios in Nashville (the very place where Elvis, Willie, Waylon, Roy, the Everly Brothers and so many other legends made their magic) the album took on a life of its own. I couldn’t be more grateful for the opportunity to work with Dave and all the artists who stopped by. They were all incredibly generous with their time and talent. They inspired me more than words can express. I feel deep down that Maurice and Robin would have loved this album for different reasons. I wish we could have all been together to do it…but I think we were.”
But what the heck is that cover? Is Barry dead? Is this his repast dinner? This has a zero coolness factor. It should be like an old country western poster with all the artists’ names. And Greenfields? That’s a title? How about “Country Fever”?
Here’s the tracklist: