Monday, December 22, 2025
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Michelle Obama Reflects: “Donald Trump had spread racist lies about my husband that had put my family in danger. That wasn’t something I was ready to forgive”

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Well, I’m just swimming through Barack Obama’s amazing autobiography, “A Promised Land.” Can only it be four years ago that our president was erudite, witty, smart, funny, intelligent? His book has almost no “gossip.” He mentions few celebrities, and when he does, it’s in passing. He keeps everything on a high level, and still it’s all fascinating.

Michelle Obama has weighed in this week on Instagram on her feelings about the last four years. I wanted everyone to read this. She’s the classiest act going.

“This week, I’ve been reflecting a lot on where I was four years ago. Hillary Clinton had just been dealt a tough loss by a far closer margin than the one we’ve seen this year. I was hurt and disappointed—but the votes had been counted and Donald Trump had won. The American people had spoken. And one of the great responsibilities of the presidency is to listen when they do. So my husband and I instructed our staffs to do what George and Laura Bush had done for us: run a respectful, seamless transition of power—one of the hallmarks of American democracy. We invited the folks from the president-elect’s team into our offices and prepared detailed memos for them, offering what we’d learned over the past eight years.

“I have to be honest and say that none of this was easy for me. Donald Trump had spread racist lies about my husband that had put my family in danger. That wasn’t something I was ready to forgive. But I knew that, for the sake of our country, I had to find the strength and maturity to put my anger aside. So I welcomed Melania Trump into the White House and talked with her about my experience, answering every question she had—from the heightened scrutiny that comes with being First Lady to what it’s like to raise kids in the White House.

“I knew in my heart it was the right thing to do—because our democracy is so much bigger than anybody’s ego. Our love of country requires us to respect the results of an election even when we don’t like them or wish it had gone differently—the presidency doesn’t belong to any one individual or any one party. To pretend that it does, to play along with these groundless conspiracy theories—whether for personal or political gain—is to put our country’s health and security in danger. This isn’t a game. So I want to urge all Americans, especially our nation’s leaders, regardless of party, to honor the electoral process and do your part to encourage a smooth transition of power, just as sitting presidents have done throughout our history.”

RIP Legendary Recording Engineer Bruce Swedien, 86, Worked with Michael Jackson On Most of His Hits

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I am really sorry to hear the news that Bruce Swedien has died at age 86 from COVID. He was a brilliant recording engineer, the man who made those Michael Jackson-Quincy Jones hits happen. He was also a good friend to me when I was writing about Michael, especially right after Michael died and there was wild speculation about what was unreleased.

Condolences to Bruce’s friends and family and fans, and there were many.

Siedah Garrett, who wrote “Man in the Mirror,” and sang “I Just Can’t Stop Loving You” with Michael on the “Bad” album, wrote on Twitter: “No words to express how sad I am at losing my dear friend Bruce Swedien, who has been with me from the beginning of my career. Sending love, prayers & condolences to wife Bea, daughter Roberta, and to his fans around the world. Brucie, you will never, ever be gone from our hearts”

From 1956 through around 1970, Bruce worked mostly in jazz, with the likes of Art Blakey, Dinah Washington, Ramsey Lewis, and on Buddy Miles’s classic “Them Changes.” He was in the production booth for Muddy Waters, all those incredible The Chi-Lites records, Eddie Harris, and engineer for Natalie Cole’s breakthrough album, “Inseparable.” It’s Bruce’s name on Tyrone Davis’s monster hit. “Turn Back the Hands of Time.”

He started working with Quincy Jones in 1977 on the “Roots” TV soundtrack. With Michael Jackson was involved in “The Wiz” soundtrack in ’78, and 1979 brought “Off the Wall.” For most of the next 20 years or so, Bruce was wrapped with Michael, with Quincy’s other projects, Patti Austin, James Ingram, George Benson, and all their hits. (“Give Me the Night” by George Benson, one of many outstanding records.)

Bruce’s talent lay in his sonics, the way he could make even a funk record sound warm. Those Michael Jackson songs people will dance to hearing just the opening, like “Don’t Stop Til You Get Enough” or “Wanna Be Starting Something,” somehow Bruce knew the magic ingredients. Working with Quincy Jones, they found a groove no one else had ever used, and every one felt deep in their souls.

I am so sorry this is the way things ended for Bruce. In  June 2009, he and Frank DiLeo were the only ones I could turn to on a daily basis who knew anything true about Michael’s work life. There was so much misinformation and garbage being floated in every tabloid. I would always go back to Bruce and ask, Are you sure about this? or that? He was. He was just incredibly helpful during a difficult time and I will never forget that.

Quincy Jones writes on Facebook: “I am absolutely devastated to learn the news that we lost my dear brother-in-arms, the legendary Bruce Swedien. There are not enough words to express how much Bruce meant to me…He was without question the absolute best engineer in the business, & for more than 70 years I wouldn’t even think about going into a recording session unless I knew Bruce was behind the board. Along with the late great Rod Temperton, we reached heights that we could have never imagined & made history together. I have always said it’s no accident that more than four decades later no matter where I go in the world, in every club, like clockwork at the witching hour you hear “Billie Jean,” “Beat It,” “Wanna Be Starting Something,” & “Thriller.” That was the sonic genius of Bruce Swedien, & to this day I can hear artists trying to replicate him. I’m going to miss your presence every single day “Svensk”, but I will cherish every moment we shared together laughin’, lovin’, livin’, & givin’…Rest In Peace my brother.”

Everyone will feature Michael Jackson records in their tributes. Let me make my tribute to Bruce Swedien Natalie Cole’s “This Will Be,” a record for all time.

 

 

Ivanka Trump Joins Parler, Invites Her Twitter Followers to Follow Her On Right-Wing, Hate Filled Social Media

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Is there any question that Ivanka Trump is complicit and hateful? She’s invited her Twitter followers to follow her on Parler, the social media platform for right wingers, crazy conspiracy theorists, and nut jobs. She’s stated her case clearly. Parler is funded by Rebekah Mercer of the wealthy right wing Mercer family. Ivanka does nothing without an ulterior motive, so her move to Parler has something to do with money and the Mercers. She and Jared Kushner will never be able to return to Manhattan life if they’re going this route, that’s for sure. But something tells me Ivanka will need Mercer money to effect her China business deals in the next year.

Ivanka joins the ranks of other crazies like Ted Cruz, Sean Hannity, Kim Guilfoyle, Kirstie Alley, Devin Nunes, and Dinesh D’Souza. Ku Klux Klan leader David Duke, Alex Jones’ conspiracy website Infowars, and anti-immigration site VDARE are all members. So you get where Ivanka wants to meet her new friends. Idiot former TV host John Tesh just joined this week.

iTunes Top 10 R&B 2020: Commercials Propel Oldies by Aretha Franklin, Marvin Gaye & Tammi Terrell, Bill Withers, Solomon Burke

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Not one but two versions of an  R^B classic written by Valerie Simpson and her late husband Nik Ashford are in the iTunes top 10 R&B today.

The song is “You’re All I Need to Get By,” recorded first by Marvin Gaye and Tammi Terrell in 1968. It went to number 1 on the R&B charts and 7 on the pop charts. It’s never stopped being played on the radio or selling. But the current Wal Mart commercial featuring Aretha Franklin’s cover is on TV and radio constantly. Consequently, both versions are now in the chart.

Aretha’s version, which can be heard in the commercial, was recorded as a single in 1971 and later collected for “Aretha’s Greatest Hits”  that year. It went top 20 and became a staple of her shows and future greatest hits compilations. While we’re waiting until 2021 for the movie “Respect” and the TV series, “Genius,” it’s a thrill to hear Aretha so often every day.

Also in top 10 are Bill Withers’ “Lovely Day,” which is featured in an omnipresent AllState commercial. “Lovely Day” was never the hit on the same magnitude as “Lean on Me” or “Ain’t No Sunshine,” but over the years it’s grown and grown. The song sounds particularly good in this commercial.

Solomon Burke’s “Cry to Me” rounds out the four classics in the top 10. I’m not sure why– maybe someone can tell me. It must be in a commercial or somewhere on TV. Solomon was quite a guy and quite a performer. Large and in charge, he traveled with a famous gold throne as his mobility decreased. But he was still a powerhouse of a singer.

One other song that floats in and out of the R&B top 10 is Sam & Dave’s “Hold On, I’m Coming.” It was used in two big commercials in the last year, and is a welcome presence when it turns up.

Pretty cool that these wonderful artists are sharing the top 10 with The Weeknd, Aloe Blacc, Andra Day, and other whippersnappers!

Dolly Parton — Newly Minted Vaccine Hero– Will Have Her Hit Songs Featured in Bobby Cannavale-Rose Byrne Musical Film

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It’s Dolly Parton Week, which is never a bad thing!

You may have heard that Dolly contributed a million bucks to Vanderbilt University for vaccine research. They came up with the new COVID vaccine from Moderna. So Dolly is saving our lives!

Now comes news that Dolly’s music– her hit songs– will be featured in a new movie starring Bobby Cannavale and Rose Byrne (who are either married or domiciled and have a baby).

The movie is called “Seriously Red,” and it’s currently filming in Australia directed by Gracie Otto from a script by co-star Krew Boykan. ArcLight Films will handle worldwide distribution.

 

We always celebrate Dolly! Hope the film turns out ok!

A Rare Failure for Oprah as Hearst Publications Prepares to Lay Off 59 Staffers from “O” as It Ends Print Edition

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Oprah Winfrey has few failures on her resume.

But the ending of the print edition of the “O” Magazine at Hearst will sting for some time to come. The December issue, as announced in July. will end the print version. From then on, O will be a website with special issues.

The NY Post’s Keith Kelly, king of all media reporting, says today that Hearst will lay off 50 O staffers on February 5th, 2021. They’ve filed a warning report with the NY Department of Labor, which I’ve obtained and you can see here.

Kelly says editor in chief Lucy Kaylin will survive while her staff will not. But O will be pushed under the digital regime that has whittled down the importance of most Hearst magazines. Earlier this year, Troy Young, who went from digital chief to running the company into the ground, was fired. But his legions live on, and they won’t be satisfied until the once grand company fits onto a terrabyte.

There’s a boiler plate Hearst statement about all this, but you can guess the wording.

I wrote in July that none of this made sense, O Magazine was doing very well. But again, Hearst is now run by people with no allegiance to physical magazines, and are hastening their death. I don’t the magazine’s budget, but certainly if Oprah were still committed to it, she could have taken it elsewhere, or private. My guess is, she wants out, too.

Exclusive: Disney Family Source Says They Have Nothing to Do with Taylor Swift Music Purchase, “They’re Fans”

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EXCLUSIVE

The Disney family are fans of Taylor Swift. I’m told that Susan Disney Lord, daughter of the late Roy Disney, and her daughters, love Taylor Swift.

So sources around the Disneys wanted me to explain: they have nothing to do with the purchase for $300 million of Taylor Swift’s master recordings from Scooter Braun and Scott Borchetta.

The investment fund Shamrock Capital Advisors bought the masters. Shamrock Holdings is the Disney family investment fund. Shamrock Capital is now other people. They used to work for Shamrock Holdings but spun themselves off into a separate entity.

“They started out as a fund underneath the umbrella of Shamrock Holdings Inc but left after Roy Disney passed away 10 years ago,” says a source. “The Disneys know nothing about it.”

But you see? That’s how ‘folklore’ starts!

My source says, perhaps naively: “I know these guys at Shamrock are good people, and I have a feeling they’ll try to work with Taylor Swift.”

Hope springs eternal!

 

With COVID Way Up in Tennessee, Allman Bros. Revival Band Plan Live Show at Nashville’s Ryman Theater Because Why Not?

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The original Allman Brothers are dead, so now their heirs want to see if they can hasten their own end. And their fans.

The Allman Bros. Revival Band, successors to Duane, Greg, et al, are going to have a concert at Nashville’s Ryman Auditorium on December 11th. It will be live, in the famed theater, with more than a couple hundred fans not to mention the band, crew, theater employees, and so on.

This seems like a good idea, right? Because COVID-19 infections and deaths are way up in Tennessee. But hey, it would have been Greg Allman’s birthday, who cares? Let’s have a party.

Luckily, the band is promising a four hour show. That way, the audience can really stew in some germs. (And you can imagine with a cloud of marijuana clogging up the ventilation systems, this should be fun!)

Guess what? I’m not going. I’m glad I didn’t get sick last March at the big Allman Revival show at Madison Square Garden. In retrospect, I was very lucky and so was everyone else.

You know what? Stay home. Play the records. Wait til next year. Or we could wind up with Greg and Duane.

Take a look at the COVID chart for Tennessee, followed by the seating chart for the show:

 

 

Sunday Cable: “People’s Choice” Awards Loses to HBO’s “The Undoing” and Many Others with Just 1 Million Viewers over 3 Networks

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The low-end, inexplicable “People’s Choice” Awards was not much of a ratings grabber on Sunday.

The show, which was principally on the E! channel, brought in just over 1 million viewers. The irony is that it was shown on three networks and got its highest ratings on Bravo, not E!.

“People’s Choice Awards” was beaten soundly by many other cable offerings, starting with HBO’s “The Undoing,” which edged it out at 1.222 million viewers just on HBO. “The Undoing” is a big hit despite snooty reviewers and pseudo philosophers poo-pooing it. I’ll tell you what, if you don’t like “The Undoing,” you’re in trouble.

The “PCAs” as they were known on social media were like a walk through your local Kohl’s after the liquidation sale. NBC Comcast owns E! so their shows won a lot of awards and were heavily promoted. As in all previous iterations, anyone who showed up for the People’s Choice was handed an award. Everyone’s in on it. It was nice to see Tracee Ellis Ross get what seemed like a half-hour fashion tribute, however.

You can tell Ellen DeGeneres must be scared about her ratings. She came and accepted an award for Best Talk Show with a Toxic Staff. I’m not sure if the episode that won was “Dakota Johnson Tells Ellen Off.” Still a favorite.

 

 

Ariana Grande’s Raunchy, X Rated, F Bomb Laden “34 + 35” Gets a Video: ’50s Scientists in Teddies

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Ariana Grande introduces a video for her raunchy, X rated, F bomb-laden song “34+35.” Never has anyone sung such filthy phrases to such a cute video. But you can’t beat a scientist in a teddy! I want to hear a whole arena sing this out loud one day!