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Phil Spector Dead: Rock and Roll Genius Was Also a Madman Who Was In Prison for 2003 Murder of Actress

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Phil Spector, inventor of the Wall of Sound, rock and roll genius, is dead at age 81 after contracting COVID. Spector was serving a life sentence in prison for killing actress Lana Clarkson in 2003.

Spector can be remembered as a real genius, too, but also a mad man. His genius in music can’t be underestimated, but his personal life was a wreck. He was evil on many levels, not paying his performers who eventually chased him through the courts. Among his “victims” are also survivors like his ex wife Ronnie Bennett Spector, and Darlene Love, who proved that only the strong survive.

But Clarkson wasn’t so lucky. She went home with him on February 3, 2003, where he showed off his guns. In the process he killed Clarkson by putting a gun in her mouth and pulling the trigger. I wrote about the murder almost from the moment it was reported by the police. Here is that story. Clarkson was so lovely and naive, the pain from her death no doubt resonates with her family and friends to this day.

I met Phil Spector a few times over the years. Once was at the the Rock and Roll Hall of Fame induction at the Waldorf. Another time was on my birthday at Elaine’s, in 1997, when he arrived with a table of armed body guards. He was also sporting a holster. Elaine Kaufman sent them all to a back table, and then sent me to talk to them. Phil was charming and remembered our previous meeting, but made sure — like an old West sheriff — to expose that holster.

He was the darling of the Rock and Roll Hall of Fame and Jann Wenner — who idolized him — for his work on the Beatles “Let it Be” album, and for launching Ronnie and the Ronettes, Darlene Love under many group names, for producing Tina Turner’s “River Deep Mountain High,” for creating the Wall of Sound galaxy of musicians that included Glen Campbell, Leon Russell, Sonny and Cher, and famous side musicians like Carol Kaye, Hal Blaine and so on.

Over the 50 or 60 years since the Wall of Sound and the Wrecking Crew– that galaxy — came to be, it’s been often imitated, resurrected, and cited as an influence. Bruce Springsteen and Little Steven van Zandt are certainly two of its disciples, and there are so many more. After “Let it Be,” John Lennon stuck with Spector for many of his solo records. Lennon’s girlfriend, May Pang, has often recalled how Spector played with guns in the studio, once shooting holes in the ceiling. George Harrison also used Spector for his “All Things Must Pass” classic album set.

The Spector hits most known are the Ronettes’ “Be My Baby” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling,” among hundreds. And there would be no Christmas without Spector’s “Christmas” album, a recording box of holiday confections. None of that can be erased. But neither can the total craziness, madness, and, yes, evil.

Here’s a great documentary, and a couple of clips:

Hollywood Music in Media Awards to Honor Kenny Loggins, Feature Two Nominations for Diane Warren

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Kenny Loggins will be honored at this year’s Hollywood Music in Media Awards for among other things, “Footloose.”The nominees, as follow, will awarded on January 27th virtually. You get a good idea here of the potential Best Songs and Scores for the Academy Awards. Diane Warren has not one but TWO nominees below, for “Free” from “The One and Only Ivan,” and “Seen” from “The Life Ahead.” Which one will make it to the Oscars? Both? Who knows? Diane has 11 Oscar nominations and is waiting for her win!

Among the original scores, two really have impressed me: the ones for “Minari” and for “Pieces of a Woman.” Also, the music from “Tenet,” and from “Soul,” of course.

2020 MUSIC IN VISUAL MEDIA NOMINATIONS

ORIGINAL SCORE – FEATURE FILM
DA 5 BLOODS (Netflix) – Terence Blanchard
THE LIFE AHEAD (LA VITA DAVANTI A SE) (Netflix) – Gabriel Yared
MA RAINEY’S BLACK BOTTOM (Netflix) – Branford Marsalis
MANK (Netflix) – Trent Reznor, Atticus Ross
THE MIDNIGHT SKY (Netflix) – Alexandre Desplat
NEWS OF THE WORLD (Universal Pictures / Netflix) – James Newton Howard
PIECES OF A WOMAN (Netflix) – Howard Shore
THE TRIAL OF THE CHICAGO 7 (Netflix) – Daniel Pemberton

ORIGINAL SCORE – INDEPENDENT FILM
THE 24TH (Vertical Entertainment) – Alex Heffes
AMMONITE (Neon) – Dustin O’Halloran, Volker Bertelmann
THE GLORIAS (LD Entertainment / Roadside Attractions) – Elliot Goldenthal
MINARI (A24) – Emile Mosseri
SHIRLEY (Neon) – Tamar-kali
WILD MOUNTAIN THYME (Bleecker Street Media) – Amelia Warner

ORIGINAL SCORE – ANIMATED FILM
THE CROODS: A NEW AGE (Universal Pictures) – Mark Mothersbaugh
ONWARD (Walt Disney Studios) – Mychael Danna, Jeff Danna
SHAUN THE SHEEP: FARMAGEDDON (Netflix) – Tom Howe
SOUL (Walt Disney Studios) – Trent Reznor, Atticus Ross, Jon Batiste
WOLFWALKERS (GKIDS Films) – Bruno Coulais, Kila

ORIGINAL SCORE – SCI-FI/FANTASY
THE NEW MUTANTS (Walt Disney Studios Motion Pictures / Disney+) – Mark Snow
THE OLD GUARD (Netflix) – Volker Bertelmann, Dustin O’Halloran
PALM SPRINGS (Neon) – Matthew Compton
TENET (Warner Bros. / HBO Max) – Ludwig Göransson
WONDER WOMAN 1984 (Warner Bros. / HBO Max) – Hans Zimmer

ORIGINAL SCORE – HORROR FILM
ANTEBELLUM (Lionsgate Films) – Nate Wonder, Roman GianArthur
THE DARK AND THE WICKED (RLJE Films / Shudder) – Tom Schraeder
THE EMPTY MAN (Walt Disney Studios) – Christopher Young, Lustmord
THE INVISIBLE MAN (Universal Pictures) – Benjamin Wallfisch
SWALLOW (IFC Films) – Nathan Halpern

ORIGINAL SCORE – DOCUMENTARY
ATHLETE A (Netflix) – Jeff Beal
CRIP CAMP (Netflix) – Bear McCreary
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET (Netflix) – Steven Price
JOHN LEWIS: GOOD TROUBLE (Magnolia Pictures / Participant) – Tamar-kali
RISING PHOENIX (Netflix) – Daniel Pemberton

ORIGINAL SONG – FEATURE FILM
“Fight for You” from JUDAS AND THE BLACK MESSIAH – Written by H.E.R., Dernst Emile II, Tiara Thomas. Performed by H.E.R. (Warner Bros. / HBO Max)
“Hear My Voice” from THE TRIAL OF CHICAGO 7 – Written by Daniel Pemberton, Celeste. Performed by Celeste (Netflix)
“Húsavík (Hometown)” from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA – Written by Savan Kotecha, Rickard Göransson, Fat Max Gsus. Performed by Will Ferrell, Rachel McAdams, Molly Sandén (Netflix)
“The Plan” from TENET – Written by Jacques Webster II, Ebony Naomi Oshunrinde, Ludwig Göransson. Performed by Travis Scott (Warner Bros. Home Entertainment / HBO Max)
“Poverty Porn” from THE FORTY-YEAR-OLD VERSION – Written by Radha Blank, Khrysis. Performed by RadhaMUSPrime (Netflix)
“Seen (Io Si)” from THE LIFE AHEAD (LA VITA DAVANTI A SE) – Written by Diane Warren, Laura Pausini, Niccolò Agliardi. Performed by Laura Pausini (Netflix)
“Speak Now” from ONE NIGHT IN MIAMI – Written by Leslie Odom Jr., Sam Ashworth. Performed by Leslie Odom Jr. (Amazon Studios)
“Tigress & Tweed” from THE UNITED STATES VS. BILLIE HOLIDAY – Written by Raphael Saadiq, Andra Day. Performed by Andra Day (Hulu)

ORIGINAL SONG – INDEPENDENT FILM
“Everybody Cries” from THE OUTPOST – Written by Rod Lurie, Larry Groupé, Rita Wilson. Performed by Rita Wilson (Screen Media Films)
“I’ll Be Singing” from WILD MOUNTAIN THYME – Written by Amelia Warner, John Patrick Shanley. Performed by Sinéad O’Connor (Bleecker Street Media)
“Rain Song” from MINARI – Written by Emile Mosseri, Stefanie Hong. Performed by Yeri Han (A24)
“Staring At A Mountain” from NEVER RARELY SOMETIMES ALWAYS – Written by Sharon van Etten. Performed by Sharon Van Etten (Focus Features / HBO Max)

ORIGINAL SONG – ANIMATED FILM
“Carried Me With You” from ONWARD – Written by Brandi Carlile, Phil Hanseroth, Tim Hanseroth. Performed by Brandi Carlile (Walt Disney Studios Motion Pictures / Disney+)
“Feel the Thunder” from THE CROODS: A NEW AGE – Written by Alana Haim, Danielle Haim, Este Haim and Ariel Rechtshaid. Performed by HAIM (Universal Pictures)
“Free” from THE ONE AND ONLY IVAN – Written by Diane Warren. Performed by Charlie Puth (Walt Disney Studios Motion Pictures / Disney+)
“Just Sing” from TROLLS WORLD TOUR – Written by Max Martin, Justin Timberlake, Ludwig Göransson, Sarah Aarons (Universal Studios)
“Rocket to the Moon” from OVER THE MOON – Written by Christopher Curtis, Marjorie Duffield, Helen Park. Performed by Cathy Ang (Netflix)
“Stand for Hope – When I Stand with You” from TWO BY TWO: OVERBOARD! – Written by Eímear Noone. Performed by Sibéal (Entertainment One)

ORIGINAL SONG – DOCUMENTARY
“The Future” from THE WAY I SEE IT – Written by Aloe Blacc. Performed by Aloe Blacc (Focus Features)
“How Can I Tell You?” From NASRIN – Written by Lynn Ahrens, Stephen Flaherty. Performed by Angélique Kidjo (Virgil Films & Entertainment)
“Never Break” from GIVING VOICE – Written by John Legend, Nasri Atweh, Benjamin Hudson McIldowie, Greg Wells, John Stephens. Performed by John Legend. (Netflix)
“Only The Young” from MISS AMERICANA – Written by Taylor Swift, Joel Little. Performed by Taylor Swift (Netflix)
“See What You’ve Done” from BELLY OF THE BEAST – Written by Mary J. Blige, Nova Wav, DJ Camper. Performed by Mary J. Blige (PBS)
“Turntables” from ALL IN: THE FIGHT FOR DEMOCRACY – Written by Janelle Monáe. Performed by Janelle Monáe (Amazon)

ORIGINAL SCORE – INDEPENDENT FILM (FOREIGN LANGUAGE)
ALL AGAINST ALL (Fivia) – Kristian Sensini
BLACK BEACH (eOne Films Spain) – Arturo Cardelus
BLIZZARD OF SOULS (DVĒSEĻU PUTENIS) (Access – A / Pandastorm) – Lolita Ritmanis
SUMMER KNIGHT (China Film Administration) – Min He
ZERØ (Nemesis Media) – Ricardo Curto

ORIGINAL SCORE – TV MOVIE / STREAMED
BAD EDUCATION (HBO) – Michael Abels
BAD HAIR (Hulu) – Kris Bowers
CLOUDS (Walt Disney Studios Motion Pictures / Disney+) – Brian Tyler
EVIL EYE (Amazon Prime Video) – Ronit Kirchman
FEARLESS – A NETFLIX ORIGINAL (Netflix) – Anne-Kathrin Dern
SYLVIE’S LOVE (Amazon Studios) – Fabrice Lecomte

MUSIC DOCUMENTARY / SPECIAL PROGRAM
THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART – Produced by Jeanne Elfant Festa, Mark Monroe, Nigel Sinclair. Directed by Frank Marshall (HBO Documentary Films / HBO Max)
COACHELLA: 20 YEARS IN THE DESERT – Produced by Michael W. Abbott, Andrew Klein, Skip Paige and Chris Perkel. Directed by Chris Perkel & Drew Thomas (YouTube Originals)
THE GO GO’S – Produced by Eimhear O’Neill, Corey Russell, Trevor Birney. Directed by Alison Ellwood (ShowTime Networks)
MISS AMERICANA – Produced by Morgan Neville, Christine O’Malley and Caitrin Rogers. Directed by Lana Wilson (Netflix)
SONG EXPLODER – Produced by Caryn Capotosto, Bryan Younce. Directed by Nicola Marsh & Morgan Neville (Netflix)

ORIGINAL SCORE – TV SHOW/LIMITED SERIES
BRIDGERTON (Netflix) – Kris Bowers
THE CROWN (Netflix) – Martin Phipps
LOVECRAFT COUNTRY (HBO / HBO Max) – Laura Karpman, Raphael Saadiq
THE QUEEN’S GAMBIT (Netflix) – Carlos Rafael Rivera
STAR TREK: DISCOVERY (CBS / CBS All Access) – Jeff Russo
TED LASSO (Apple TV+) – Tom Howe, Marcus Mumford

ORIGINAL SCORE – DOCUMENTARY TV SERIES
BELUSHI (Showtime) – Tree Adams
THE DEVIL NEXT DOOR (Netflix) – Antonio Pinto, Eduardo Aram
LENOX HILL (Netflix) – Uri Frost
MCMILLION$ (Netflix) – Pinar Toprak
NIGHT ON EARTH (Netflix) – Edmund Butt
TIGER KING: MURDER, MAYHEM AND MADNESS (Netflix) – Mark Mothersbaugh, John Enroth, Albert Fox, Robert Mothersbaugh

MAIN TITLE THEME – TV SHOW/LIMITED SERIES
HOLLYWOOD (Netflix) – Nathan Barr
HUNTERS (Amazon) – Trevor Gureckis
MARVEL’S 616 (Disney) – Jeremy Turner
P-VALLEY (Starz!) – Terrica Alexander aka Jucee Froot, Katori Hall
THE QUEEN’S GAMBIT (Netflix) – Carlos Rafael Rivera
THE WITCHER (Netflix) – Sonya Belousova & Giona Ostinelli

ORIGINAL SONG – TV SHOW/LIMITED SERIES
“All For Us” from EUPHORIA – Written by Timothy Lee McKenzie aka Labrinth. Performed by Zendaya & Labrinth (HBO / HBO Max)
“The Eddy” from THE EDDY – Written by Glen Ballard, Randy Kerber. Performed by The Eddy Band featuring Joanna Kulig on vocals. (Netflix)
“One Less Angel” from THE MARVELOUS MRS. MAISEL – Written by Thomas Mizer, Curtis Moore. Performed by Darius de Haas (Amazon Prime Video)
“Out There” from SEVEN WORLDS, ONE PLANET – Written by Sia, Hans Zimmer, Christopher Braide. Performed by Sia (BBC America)
“Toss A Coin To Your Witcher” from THE WITCHER – Written by Sonya Belousova, Giona Ostinelli, Jenny Klein. Performed by Joey Batey (Netflix)
“Tulsa, 1921 – Catch the Fire” from LOVECRAFT COUNTRY – Written by Laura Karpman, Raphael Saadiq. Performed by Janai Brugger (HBO / HBO Max)

OUTSTANDING MUSIC SUPERVISION – FILM
Angela Leus – TROLLS WORLD TOUR (Universal Studios)
Bonnie Greenberg – THE LIFE AHEAD (LA VITA DAVANTI A SE) (Netflix)
Guy C. Routte – THE FORTY-YEAR-OLD VERSION (Netflix)
Linda Cohen – THE HIGH NOTE (Focus Features)
Lynn Fainchtein – THE UNITED STATES VS. BILLIE HOLIDAY (Hulu)
Sue Jacobs – PROMISING YOUNG WOMAN (Focus Features)
Tom MacDougall – SOUL (Walt Disney Studios)

OUTSTANDING MUSIC SUPERVISION – TELEVISION
Angela Vicari – THE EDDY (Netflix)
Gabe Hilfer – OZARK (Netflix)
Jen Malone – THE UMBRELLA ACADEMY (Netflix)
Matt Biffa – SEX EDUCATION (Netflix)
Nora Felder – BETTER THINGS SEASON 3 (Hulu)
Stephanie Diaz-Matos, Sarah Bromberg – P-VALLEY (Starz!)

OUTSTANDING MUSIC SUPERVISION – VIDEO GAME
Alex Hackford, Peter Scaturro, Keith Leary – GHOST OF TSUSHIMA
Sam Marshall, Marc Senasac, Jonathan Mayer – CONCRETE GENIE
Scott Hanau, Alex Hackford, Rob Goodson – MARVEL’S SPIDER-MAN: MILES MORALES
Square-Enix Sound Division – FINAL FANTASY VII REMAKE
Scott Hanau, Rob Goodson, Scott Shoemaker – THE LAST OF US PART II

ORIGINAL SCORE – SHORT FILM (ANIMATED)
AURA – Sturdivant Adams
MIME YOUR MANNERS – Corey Wallace
SCRIBBLINGS – Nolan Markey
STICKS AND STONES – Daniel Markovich
THE WRONG ROCK – Grant Kirkhope
TO GERARD – Layla Minoui

ORIGINAL SCORE – SHORT FILM (LIVE ACTION)
A BATHROOM ON DRAKE – Dave Catalano
DEFENSELESS – J. M. Quintana Cámara
IMAGINE SYMPHONY LIVE – Chris Thomas
MY PEOPLE, MY COUNTRY – Zhiyi Wang
THE FIRST COLOR – Annie Rosevear
THE WATER WALKER – Jay Wadley, Trevor Gureckis, Adam Weiss (Found Objects)

ORIGINAL SCORE – VIDEO GAME
ASSASSIN’S CREED VALHALLA – Jesper Kyd, Sarah Schachner, Einar Selvik
GHOST OF TSUSHIMA – Ilan Eshkeri & Shigeru Umebayashi
HADES – Darren Korb
MARVEL’S AVENGERS – Bobby Tahouri
MARVEL’S SPIDER-MAN: MILES MORALAS – John Paesano
ORI AND THE WILL OF THE WISPS – Gareth Coker
STAR WARS: SQUADRONS – Gordy Haab
THE LAST OF US PART II – Gustavo Santaolalla, Mac Quayle

ORIGINAL SONG – VIDEO GAME
“In the Blood” from HADES. Written by Darren Korb. Performed by Darren Korb and Ashley Barrett
“Weeping Dawn” from BALDUR’S GATE 3 – Written by Borislav Slavov. Performed by Vesela Delcheva and Budapest Studio Orchestra
“Renegade” from ARKNIGHTS OST – Written by Jason Walsh. Performed by Substantial and X.ARI
“The Baddest” from LEAGUE OF LEGENDS – Written by Riot Music Team and Bekuh BOOM; Vocals by SOYEON of (G)I-DLE, MIYEON of (G)I-DLE, Bea Miller, and Wolftyla
“I’m Ready” from MARVEL’S SPIDER-MAN: MILES MORALAS – Written by Jaden Smith, Josiah Bell, Omarr Rambert, Alex Hackford. Vocals by Jaden Smith
“The Way of the Ghost” from GHOST OF TSUSHIMA – Written by Ilan Eshkeri, Jenny Plant. Vocal by Clare Uchima
“BB’s Theme” from DEATH STRANDING – Written by Ludvig Forssell. Vocal by Jenny Plant

SONG/SCORE – MOBILE VIDEO GAME
CALL OF DUTY: MOBILE – Wilbert Roget, II; Guillaume Roussel
GAME FOR PEACE – Theme by Brian Tyler, Score by Austin Wintory, Obadiah Brown-Beach, Steven Grove, David Westbom
GARENA FREE FIRE – Nobuko Toda, Ludvig Forssell
HONOR OF KINGS – Edouard Brenneisen, Daniel James
KINGDOM CRAFT – Lei Huang, Matthew Carl Earl
MYTHGARD – John Robert Matz

SOUNDTRACK ALBUM
ASSASSIN’S CREED VALHALLA (Lakeshore Records)
BILL & TED: FACE THE MUSIC (Lakeshore Records)
JINGLE JANGLE: A CHRISTMAS JOURNEY (Atlantic Records)
ONWARD (Walt Disney Records)
PROMISING YOUNG WOMAN (Capitol Records)
SOUL (Walt Disney Records)
THE EDDY (Sony Classical)

MUSIC VIDEO (INDEPENDENT)
Carla Patullo – Apotheke
Hooked Like Helen – Liar
Jamie Alimorad – Brighter Days
JayQ The Legend – Body Talk Remix
Olivia Rox – Galileo
Riotron – Dark Highway
The National Parks – Wildflower
The Red Jumpsuit Apparatus – Is This The Real World?
Wouter Kellerman and Mzansi Youth Choir – The Climb

LIVE CONCERT FOR VISUAL MEDIA
Shawn Mendes: Live in Concert (Netflix)

SONG/SCORE – TRAILER
DUNE trailer – Music Supervisor/Music Director: Stephanie Koury. Music Score by Hans Zimmer. Eclipse written by Roger Waters.

SONG/SCORE – COMMERCIAL ADVERTISEMENT
“Enigma (Give a Bit of Mmh to Me)” Kinder Bueno – TV commercial:
Song written by Rainer Pietsch & Amanda Lear. Produced & composed by Jake Warren. Performed by Alice Ella.

MAIN TITLE – TV SHOW (FOREIGN LANGUAGE)
DOFAAT BEIRUT – Amir Hedayah (Lebanon)

ORIGINAL SONG – SHORT FILM
“Brave” from THE GREAT ARTIST – Written by Jon Altham, Pia Toscano, Matthew Postlethwaite. Vocal by Pia Toscano

Fox News Not Ready for for Prime Time Thursday Night as Maddow, Cooper, O’Donnell Trounce Carlson, Hannity, Ingraham

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The clock is ticking for Fox News’s once vaunted prime time schedule took another big hit Thursday night. Their three hour block of shows from 8 to 11 pm ate dust against their competitors. This wasn’t good news for Suzanne Scott, whose job is on the line as Rupert Murdoch, even at 90, takes a sharp look at his revenues.

On Thursday, at 8pm, Anderson Cooper’s CNN hour came in with 4.015 million viewers, handily taking Tucker Carlson on Fox, who had 3.2 million fans.

Next. at 9pm, Sean Hannity’s Fox News show — ever supportive of Trump and his policies, constantly rationalizing for him — came in with 2.999 million. Rachel Maddow triumphed on MSNBC at the same time with with a robust 4.319 million. Maddow has eaten Hannity’s lunch all week.

Following at 10pm, Lawrence O’Donnell kept up Maddow’s steam with 3.3 million people glued to their MSNBC. That wasn’t a basket of flowers for Laura Ingraham, who just managed to get 2.2 million viewers to listen to her version of events for the day.

For Fox, a reckoning is coming, especially as we head into inauguration week. Fox News viewers aren’t that stupid. They know that news of Biden and Harris and the impeachment won’t be delivered to them by the Murdoch teams, and/or it will be colored by bizarre musings and rhetoric. They’re  going to go for CNN and MSNBC and maybe even Shepard Smith on CNBC.

 

 

Remembering Terry Lippman, 66, Rocker, Musician, Worked with Matchbox Twenty, Rob Thomas, George Michael, Other Artists

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This is the official obit for Terry Lippman, who died, tragically, from ALS, on January 8th. My condolences to his wife, Danielle, and brother, Michael, and all his friends who supported him. Years ago, Terry had a group called Bottlefly, and they released two albums that are on Spotify. I always loved this music, so I’m putting links to it below.

Terry Albert Lippman, who helped discover artists such as Rob Thomas and Matchbox 20, passed away peacefully on January 8th, surrounded by his family and several close friends. Terry fought a valiant and courageous two-year battle with the insidious ALS Lou Gehrig’s disease. He was 66 years old. He is survived by his loving wife Danielle, his young daughter Madison, mother-in-law Norma, brother Michael, sister-in-law Nancy, nephews Nick and Josh as well as other close cousins.

Lippman, who had worked with his brother Michael in scouting and managing musical artists such as Melissa Manchester and George Michael, had retired following the birth of his daughter Madison six years ago.He was also credited in the music industry as a pioneer identifying engi-neers and producers and promoting them as artists on par with musicians.

“There are certain people along the way that without them we would be nowhere,” said Rob Thomas. “Terry Lippman was one of the most integral parts of us becoming anything at all. A great and passionate human.”

Prior to his musical management career, he was a professional soccer player with the Rochester Lancers. He had been an All-American defender in Brighton High School in Rochester, New York and also was a four-year varsity player at UCLA.Friends and teammates describe him as “in constant motion, like an antelope deftly running from one side of the field to the other swiftly heading off opposing players who dared venture into his territory. He was also an outstanding basketball player- a sharp shooting left-hander with a quick turnaround move to the basket! And you could never be with him without him putting CD’s in the car to listen to new music.”

“Even the sounds of the most heavy-metal bands that sounded like screaming jet engines were still music to his ears as he nodded gleefully at their play,” recalls another pal.

Energy, passion, enthusiasm, excitement – these words aptly describe Terry and his approach to life. He was often described as a true renaissance man. Once Terry’s daughter, Madison was born his outlook on life completely changed. He became a stay-at-home dad while his wife, Danielle Todd, worked as the Director of Property Operations for the Beverly Hilton.

Lippman would talk of his joy savoring time with his daughter and became very heavily involved in school programming -playing his music and some original songs that he sang with Madison and friends.

When Terry’s affliction with ALS became more difficult and harder to handle, his wife Danielle devoted herself to his full-time care until his death. Early in 2020 a core group of Terry’s closest friends from Brighton and Los Angeles came together and vowed to spend parts of the weekend with him to provide some measure of aid and comfort. Following that, as the pandemic grew, and it was no longer feasible to visit in person, these friends began a weekly zoom call they referred to as a “Virtual Hang out with T.”

There’s no doubt this regular connection with friends and family in the outside world helped sustain Terry, Danielle and Madison through a most difficult and trying period.Please send any contributions that will directly help Danielle and Madison to the GoFundMe.com page in Terry’s name, which is named: Support Terry Lippman and Family in ALS struggle.

UPDATE: Broadcast Legend Larry King Remains in the Hospital Fighting COVID After Three Weeks, Improving Slowly

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EXCLUSIVE C2020SHOWBIZ411

I told you Larry King was battling COVID in the hospital back on New Year’s Day. He’d already been in Cedars Sinai starting around December 20th.

I’ve been deluged with requests for an update. So here it is. I’m told Larry is still in the hospital. He’s not in ICU, because he’s not in imminent danger. He was transferred to a VIP area a week ago or more. I’m told he’s improving, but he’s still fairly ill.

King is 87, and has survived strokes, a heart attack, and many other maladies. “COVID has really run through him,” I’m told, but “he’s strong.”

Larry’s condition is being monitored on a minute basis by his (still) wife Shawn Southwick, sons Cannon and Chance, and Larry Jr. But he can’t have visitors, which can’t be easy. Speaking from experience, this is the toughest part. But Facetime calls certainly help. I hope they show him this picture of Larry and family.

Sending the most positive thoughts and wishes for a speedy recovery.

Larry has so many great interviews, here’s a recent one that’s especially good.

 

 

Fox News in Ratings Freefall as Maddow Trounces Hannity, Former CBS News Chief David Rhodes Eyes Top Job

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It’s panic time at my old stomping grounds, Fox News.

There are reports that Suzanne Scott, who’s been running the show since Roger Ailes was destroyed and ousted, is on her way out. David Rhodes, former head of CBS News, who started under Ailes at Fox in 1996, is said to be in line to take over. He returned to Fox News almost a year ago and is running the London operation.

What’s happened? Fox News is in a ratings freefall. During the day and afternoon CNN is now beating it over the head. Later, at 9pm, Rachel Maddow has opened a wide lead over Sean Hannity. On Wednesday night, when the impeachment vote was happening, Maddow scored 4,7 million viewers. Hannity had under just 3.3 million.

Maddow trounced Hannity every day this week, actually. And that translated into the 10pm slot, with Lawrence O’Donnell handing Laura Ingraham her hat, as they used to say. As in: here’s your hat, what’s your hurry?

With Donald Trump’s presidency falling apart, smashed into pieces, Fox News viewers are leaving the channel in droves. They probably now understand they’ve been lied to 24/7 for five years, since Trump became a possible presidential candidate.

Right behind Maddow on Wednesday, numbers wise, was Wolf Blitzer’s Situation Room on CNN. He and Jake Tapper scored 4.7 million viewers on their own as events in Washington that actually affect our lives are followed on real networks and not fake ones, like Fox News, where right wing opinion creates “alternative facts.”

And really crazy right wing viewers have left Fox completely, maybe for Sinclair or OANN or the Dark Web. Fox is at a cross roads. No one in their right minds respects them, and really nutty people don’t think they’re wacky enough.

Someone will have to do a survey to see how many more Fox News viewers contracted or died from COVID after listening to their guests tell them not to wear masks etc.

Pretty funny, no? Having thrown in with Trump uncategorically for the last four or five years, Fox News can no longer be trusted by anyone. And what is the guiding principle now since Trump encouraged the Capitol riots? On Fox & Friends, the nitwit anchors can’t even agree on what is wrong or right. Steve Doocey and Brian Kilmeade, programmed to rationalize every idiotic and dangerous thing, and not very bright on good days, are openly fighting with each other. LOL.

 

 

RIP Phil Smith, 89, Longtime Head of the Shubert Organization, a Broadway Star in His Own Right

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Phil Smith, the long time head of the Shubert Organization, and a Broadway star in his own right, has died at age 89. The cause was COVID.

I’m lucky to say I knew Phil a long time myself, he was incredibly friendly and gracious to me. He was a sounding board when I was writing about Broadway, or just gossiping about what was going on.

He was an elegant, worldly gentleman who loved theater, loved everything about the Great Way so much that the last ten years, as his health declined, he continued to come almost every opening night even in a wheelchair. I must say, I felt better when I knew he was in the theater before the curtain went up.

“How’s this one, Phil?” I’d ask him before the show started. Sometimes he’d say, “You’ll see,” with a wink. If the Shuberts were invested in it, he might say, “You’re really going to like this, Roger.”

There are only a few people left from this generation now that Phil, and Roger Berlind– the great producer who passed last month– are gone. Even though there is no Broadway now, it will return, and we will never forget these guys who made our lively entertainment so enjoyable.

Condolences to Phil’s family and friends, and admirers, who are numerous. Please read Phil’s NY Times obit here.

UPDATED Review: Leslie Odom Jr. Headlines a Well Meaning but Stagey “One Night in Miami” Directed by Regina King

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UPDATED Thoughts, January 15, 2020: Just caught up with a second viewing of “One Night in Miami.” It is a powerful, well made film. It’s still talky, but I was less bothered by that. All the actors are exceptional. I’m torn among which one I liked best. Regina King has made an exceptional ensemble piece. She is really the star here because she’s taken what was essentially a play performed in one room with four men, and opened it better than I remembered. Eli Goree is just sensational as Muhammad Ali, and Leslie Odom, Jr. — well, it’s not just the singing. His speech about Bobby Womack and the Rolling Stones will land him an Oscar nomination. I was already a huge Aldis Hodge fan, and Kingsley Ben-Adir has got me now, too. Plus, I like any movie Lance Reddick is in. So second time around, I’m an even bigger fan of “One Night in Miami.” It’s certainly a contender for Best Picture.

 

 

September 10, 2020: My first TIFF film is Regina King’s “One Night in Miami.” I wanted to love it. Certainly, we all love Regina King and know how important this material is to her. But this is a movie that will play well on Amazon. In theaters, it would have been problematic.

Kemp Powers wrote this play in 2013, imagining conversations among four towering historic heroes who were all in Miami on the same night in February 1964: Malcolm X, Sam Cooke, football player turned movie star Jim Brown, and Cassius Clay. The latter came to fight Sonny Liston in a memorable knockout. In Powers’ telling, Malcolm X is there to convert him to Islam. The others are there for the big fight.

So what if they all hung out afterwards? What would happen?

The problem with the movie is all they do is talk, endlessly. The talk is important, I’m not saying it isn’t, but it’s pages and pages of exposition with no action. The four men cover a lot of ground and history but it’s not depicted. It’s reviewed.

Leslie Odom Jr is so good as Sam Cooke they should just spin him right off in a biopic and let him sing Cooke’s songs. As it is, even though this movie is co-produced by Jody Klein, whose father Allen Klein had the Cooke catalog, there are few moments of Odom showing off. Maybe they’re waiting for the sequel.

The rest of the main cast are spot on: Kingsley Ben-Adir as Malcolm X, Eli Goree as Cassius Clay/Muhammad Ali, Aldis Hodge as Jim Brown. But they are all dressed up with no place to go. Goree has a nice way of capturing the rhymin’ Clay, Ben-Adir fleshes out a frustrated Malcolm X empathetically. Aldis Hodge, who should have been a movie star already, radiates charisma as Brown.

You can feel this was a stage production transferred to film. The one scene that has a gut punch is when Brown goes to visit a wealthy patron in the South played by Beau Bridges. The man is so excited to see him at his southern mansion and meets him on the porch, but won’t let Brown in his house because he’s back. It’s freakin’ 1964. Think about it: Rosa Parks refused to give up her seat to a white man on a Montgomery, Alabama bus in 1955. We’ve already had the march on Selma. It doesn’t matter.

If only there’d been more scenes dramatized like this, “One Night in Miami” wouldn’t have seemed like a year in any other place. But Regina King acquits herself with the material she has in her directorial debut, and I look forward to seeing more from her.

Emma Thompson Will Play Mrs. Trunchbull in Movie “Matilda,” Even Though Men Have Always Played the Role on Stage

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Harvey Fierstein, stand down.

Emma Thompson has been cast as evil Mrs. Trunchbull, the deliciously malicious central antagonist in the movie version of Broadway’s “Matilda.”

This decision is despite men having played the part on stage traditionally. Bertie Carvel was nominated for a Tony Award in the original 2013 production. His replacements during the four year run included Bryce Ryness, Christopher Sieber, and Craig Bierko, and Chris Hoch. No ladies, only guys.

But Working Title, Netflix, and Matthew Warchus probably thought this was a safer way to go. They didn’t even consider John Travolta, who went full on drag for the “Hairspray” movie.

You know that Billy Porter and Eddie Izzard would have given anything to take this part.

Eleven year old Alisha Weir has been cast as the title character.

“Hard Kill,” the Latest Bruce Willis Movie with a Zero Critics Rating, Will Get a Sequel, Natch

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You’ve never heard of “Hard Kill.”

It’s the latest Bruce Willis movie that was made for straight to video and streaming. Rotten Tomatoes gave it a Zero from 21 negative reviews. Even the audience rating on Rotten Tomatoes was low, 64%, when it was “released” last September.

“Hard Kill” will nevertheless get a sequel, because, why not? Willis’s co-star, Jesse Metcalfe, announced it this morning on Fox5 NY’s “Good Day New York.” “We just got word,” said Metcalfe.

The director, Matt Eskandari, has made two other Bruce Willis D Movies in the last two years including “Survive the Night” and “Trauma Center.” You never heard of them either. Don’t worry.

These Bruce Willis movies are a far cry from the actor’s halcyon days in movies like “Die Hard” and “The Sixth Sense.” They’re so bad and low budget that even the Razzie Awards ignore them. Willis himself may be unaware of how awful they are. He usually plays a small part of the production, appearing in two or three scenes, taking second billing, and deferring to a younger actor as the lead.

“Hard Kill” was not a big hit in theaters. According to boxofficemojo.com, it made $111,523. Most of that came from the United Arab Emirates, some of it from Vietnam. Other income might have been realized from streaming services or DVD sales in other foreign territories. It’s ranked at #40,647 on amazon.com among Blu-Ray DVD’s and can be purchased for six dollars and eleven cents.