Friday, December 19, 2025
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Veteran NY Post Reporter Quits, Says She Was Forced to Write Untrue Story About Kamala Harris’ Children’s Book at Border

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Veteran NY Post reporter Laura Italiano has quite the paper today. She says was ordered to write an untrue story about Kamala Harris.

“An announcement: Today I handed in my resignation to my editors at the New York Post. The Kamala Harris story — an incorrect story I was ordered to write and which I failed to push back hard enough against — was my breaking point. It’s been a privilege to cover the City of New York for its liveliest, wittiest tabloid — a paper filled with reporters and editors I admire deeply and hold as friends. I’m sad to leave.”

The story, which appeared on the cover, was called “Kam On In.” It claimed that Vice President Harris, though she wasn’t at the border, had ordered copies of her children’s book for abandoned kids who were there.  It made it seem like Harris had ordered hundreds of her books at the government’s expense.

In fact, there was one copy of her book at a Long Beach, California facility.

After Italiano complained, an addendum was later affixed that read: “The original version of this article said migrant kids were getting Harris’ book in a welcome kit, but has been updated to note that only one known copy of the book was given to a child.”

But it was typical of the Post’s way of bending the news, writing fiction, creating stories to make one side look bad.

Bravo to Italiano, who is incredibly principled and has worked, as they, like a dog as a top notch reporter for the Post for years. I’m sure she’ll be snapped up in a minute by the Times or a national outlet. Just a search of her name in the Post library will show thousands of bylines as Italiano trudged all over New York seeking the truth for a paper that relies on lies.

More to come…

Read more of today’s showbiz411 stories here

Spotted: Oscar Winner on Set of Hot HBO Show “Succession,” Adrien Brody in as Guest Star?

EXCLUSIVE Now that all the awards stuff has calmed down, and we’re waiting for “Mrs. Maisel” to return, what’s the hottest show everyone’s pining to see return to cable?

Answer: HBO’s “Succession.”

A couple of weeks ago they were filming Season 3 down in Greenwich Village. But the last few days they’ve been seen all over East Hampton and Montauk out on the East End of Long Island.

And among the actors spotted by sharp eyed villagers: Oscar winner Adrien Brody. Apparently, Brody is a guest star on the show and maybe not for just one episode. There’s been so much activity out East that Brody could possibly be in a story arc about a wealthy businessman with whom the Roy family — particularly Kendall Roy aka Jeremy Strong — is trying to ‘strong’ arm, get it? Strong and Brian Cox, patriarch of the Roys, were also spotted.

Brody has a new deal with HBO, so this makes sense. He’s going to play famed basketball coach Pat Riley in a mini series about the Lakers. He’s waiting, too, like all of us, for his Wes Anderson movie, “The French Dispatch,” to be released this fall after an 18 month pandemic delay. Brody has a bunch of other projects in the hopper as well. But this way he gets right on cable’s hottest show fast. It’s good for everyone!

PS Spies around the “Succession” trailers have heard a lot of talk about a possible trip to Italy. The show is very popular there, so maybe we’ll see the Roys in Venice or Florence or Rome next season. Ciao bella!

 

 

Ratings: “Jeopardy!” Aaron Rodgers 2nd Week Falls, “Ellen DeGeneres” Stays Under a Million, Tamron Up, Top Shows Down

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Syndication ratings are in for two weeks ago, and they weren’t good for Aaron Rodgers.

The Green Bay quarterback didn’t complete his passes as “Jeopardy!” fell in his second week to 5.5 million, down from 5.6 in his first week.

“Jeopardy!” has lost 500,000 viewers since Ken Jennings exited many weeks ago.

Meanwhile, Ellen DeGeneres stayed below 1 million viewers, at 900,000. Ellen’s show is stuck in a downward spiral as she heads inti May sweeps and the end of her season.

But the top syndicated shows are off, too. Both “Live with Kelly and Ryan” and “Dr.Phil” were at 1.7 million, off by two or three hundred thousand viewers. Maybe everyone is just worn out. Only Tamron Hall was up, 14%, for her 300th episode. Congrats!

Oscars Ratings Were Higher Than Thought, 10.4 Million with Largest Numbers of the Night

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It should be of some consolation to the Oscars producers that the ratings were a little higher than originally thought.

The final number was 10.4 million, not 9.8 million. And the key demos were the largest of any show Sunday night. All the numbers were larger than anything else on TV.

The show wasn’t perfect and everyone loves snarking about it. But Soderbergh, Sher, and Collins made lemonade from lemons, frankly. To use another cliche, they took the cards they were dealt and played them as best they could.

The main complaint was about the In Memoriam segment, which seemed like it was on fast forward. But the whole show seemed untimed. Sometimes there were clips, sometimes there weren’t. No one seemed to know if the show was running over and or under time.

I’m surprised about the NYPost trying to suggest that anyone is angry over Anthony Hopkins beating Chadwick Boseman. Hopkins was certain Boseman was winning, and left the country, got out of the way, did almost nothing to interfere with Chadwick’s win.

So what happened? A lot of voters saw “The Father” late, and related to the whole dementia issue, caregiving for parents, etc. It’s that simple. And obviously that story appealed to all Oscar voters regardless of race.

 

RIP Legendary Recording Engineer Al Schmitt, 91, Won The Most Grammys, Worked with Steely Dan, Jackson Browne, Jefferson Airplane, Henry Mancini, More

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Al Schmitt was beloved in the music biz, the most awarded recording engineer in history. He has died at age 91.

Mentored by the great Atlantic producer Tom Dowd, Al worked with everyone from Henry Mancini– on “Moon River” to Steely Dan, Jackson Browne, Jefferson Airplane, George Benson. Dozens of hits you hear on the radio came from Al’s work.

Just to give you an idea, he engineered Ray Charles’s monster hit, “Genius Loves Company,” for which he won a Grammy. His Grammy works also included Diana Krall, Norah Jones, Paul McCartney. Natalie Cole, Chick Corea. You get the idea– lush, gorgeous records that will stand the test of time.

There are so many records. He was responsible for all those amazing Jefferson Airplane records like “Volunteers” and “After Bathing at Baxter’s.” Jackson Browne’s masterpiece, “Late for the Sky,” I get chills thinking about it.

I do have a favorite Al Schmitt recording. Spirit’s “Nature’s Way.” I’m afraid if I put it here, I’ll be singing it all day. Thank you, Al, for giving us a soundtrack. Condolences to his family and friends.

Pop Waif Billie Eilish, New Song, Album “When I’m Away from You, I’m Happier Than Ever” Coming This Week: SNL Soon?

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It’s no time to rest on laurels.

Billie Eilish will release a new song on Thursday, and a new album on July 30th. The now platinum blonde offers a clip with the lyrics, “When I’m away from you, I’m happier than ever.”

LOL. This should be good.

Presumably, brother Finneas– I call them the Emo Carpenters — wrote the songs. Since Adele released her last album, this pair has won about 50 Grammys and released about 15 records. Just sayin’…

PS I’ve no doubt Eilish will bat an eyelash before the season finale “SNL” next month…

Damn the Pandemic and Everything Else! Sir Ian McKellen, 81, Playing Hamlet, 30, in “Reimagined age, colour and gender-blind production”

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Well, you know, Sir Ian McKellen can do anything. And he is forever young.

So it’s no surprise that he’ll be playing boyish Hamlet, thought to be 30 years old or a little younger, all summer in a UK production.

Sir Ian is a youthful 81. He first played Hamlet on stage when he was 29! Maybe he’ll get it right this time…

The production takes place from mid June through September at Theatre Royal Windsor on the outskirts of London, just across from the walls of Windsor Castle. If Queen Elizabeth is looking for some entertainment and take her mind off of grieving Philip, she can just walk over there!

This “Hamlet” cast includes Francesca Annis, 75, Jenny Seagrove, 63, and Steven Berkoff, 83. It’s described as a “reimagined age, colour and gender-blind production.” It’s directed by the great Sean Mathias, famed theater and film director, Sir Ian’s bestie (and long ago partner). Hamlet’s father will be played by Lionel Barrymore. (Just kidding!) Rosencrantz and Guildenstern in wheelchairs! (Joking!)

There will be seats on the stage, and everyone has to wear a mask. There’ some kind of social distancing involved. Most of the tickets are sold out.

Wish I could be there! (Wish I could be anywhere!)

You all know Sir Ian from “Lord of the Rings” and “X Men,” but the first time I saw him on stage was in 1981, on Broadway, starring in his Tony winning performance as Salieri in “Amadeus” and then in 1986 in Chekhov’s “Wild Honey.” He’s worth the trip!

Elon Musk’s Rejoinder to Jeff Bezos Filing Complaint About NASA Rocket Contract: “Can’t get it up (to orbit) LOL”

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Imminent SNL guest host and billionaire entreprenuer Elon Musk has a good sense of humor. When the New York Times tweeted out a story about rival Jeff Bezos filing suit against Musk over his NASA rocket contract, Bezos replied without hestitation.

“Can’t get it up (to orbit). LOL,” he wrote.

He’s going to be a stitch on “SNL.” Earlier, Musk surmised that people who went on his flight to Mars would die, or otherwise have a tough time. “Volunteers needed,” he added.

Low Oscar Ratings Were Thanks to Pandemic Postponing of Big Releases We’ll See Instead This Year

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There’s a lot of carping today about the low ratings for the Oscars, blaming the films that made the Best Picture category.

But no one seems to remember that a number of films were moved out of 2020 because of the pandemic. That turned 2020 into a slate of mostly independent films. This year was an aberration. Next year we will have been overwhelmed with choices for Best Picture.

Not that these movies were in any way inferior. But if “West Side Story,” “In the Heights,” “The French Dispatch,” “No Time to Die,” and “Death on the Nile” — to name a few big ones– had qualified for the Oscars, the whole game would have been different.

Indeed, just those movies, even the James Bond, would have changed things in many categories and added a buzz to the Oscar season that was sorely lacking. I would even include David Chase’s “The Many Saints of Newark,” his “Soprano’s” prequel, that list.

We don’t yet, even from the most commercial, or seemingly obvious projects. what gems lurk in waiting for awards recognition. Let’s not forget “Dune,” also, and Adrian Lyne’s “Deep Water.”

So 2020 was a great selection of indie films. With studio blockbusters out of the way, a number of titles like “Minari” and “The Father” got more breathing room. I’m grateful for that. And Andra Day was able to be discovered. It was very exciting. The year 2020 gets an asterisk. We should just be glad we got through it. Now, forward.

 

Maybe a Reason Why Singer St. Vincent Has No Career After 14 Years: Today She Killed a Magazine Interview

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Until a singer called St Vincent appeared on “Saturday Night Live” recently, I’d never thought about her or written about her. Maybe it was generational. But when I looked her up  I was surprised to learn she’d been around for about 14 years and never had a hit. Hits are usually the requirement of being a pop star as opposed to a bar act.

Then she turned up on Paul McCartney’s “McCartney III Imagined,” so I thought, oh, well, maybe better think about her.

But now today St, Vincent– whose real name is Annie Clark — has found herself in a little contretemps. She gave an interview to a UK writer named Emma Madden, who Tweeted out today that the piece had been killed at Clark’s request. Madden wrote an explanation that was then deleted along with the St. Vincent piece, which she had also posted.

Who the hell is St. Vincent? I don’t know. Her name sounds like a hospital. But I don’t like it when a celebrity or interview subject gets a piece killed. That happened to me once. Barbara Walters killed an interview I did with her at Vogue because she thought I asked too many intrusive questions. (This from Barbara Walters!) Anna Wintour caved faster than you could say, well, Anna Wintour.

So what’s the story with St. Vincent? Her father spent time in jail for a white collar crime. It’s part of the story of her latest album, so Madden asked her about it. Afterward, Clark freaked and told her PR people to kill the story. Madden says her editor told her Clark was “terrified” of the story coming out. Terrified? I’ve looked over the transcript. There’s nothing terrifying about it that I can see.

But as I learned with Vogue, editors rarely stand up to celebrity publicists. They need them for the next profile. Madden says she next heard from someone at Clark’s PR team (she has a PR team– I’d never heard of this woman until recently)– who told her the interview had been “too aggressive.” Uh huh. I’m trying to imagine Madden holding a gun to Clark’s head. But that’s what I thought when Barbara Walters withdrew from my story. I said, “I didn’t force her to let me interview her.”

The thing is, nowadays, celebrities would rather use social media to make announcements and control their stories. There was a time when you could really do research and ask interesting questions about background. motivation. etc. Now the star would rather just make their own statements on social media and not be questioned. Sounds like that’s what Clark had in mind.

Clark is 38, lives in New York, according to Wikipedia she had a two year relationship with professional celebrity relationshipist Cara Delevingne. Also thanks to Wikipedia, David Byrne once said of her in an interview: “Despite having toured with her for almost a year, I don’t think I know her much better, at least not on a personal level… mystery is not a bad thing for a beautiful, talented young woman (or man) to embrace. And she does it without seeming to be standoffish or distant.”

As for Madden, whom I do not know, my sympathies. I read your interview, you asked fine questions. There was nothing aggressive about your tone. But this may be why, after 14 years, no one really knows who St. Vincent is. (Apparently during her last publicity tour, she made interviewers crawl into a pink box; she would play a pre-recorded message on a tape recorder if a question bored or irked her. And they complied! I say, that’s when you walk out.)

My favorite outtake:

There are some people, perhaps the more sanctimonious and morally pure, who might not be interested in an artist’s reflection on their father’s white collar crimes. Do you have much sympathy for those kinds of people?

I mean I think I can get sympathy for all people. If that is the reason why they decide not to spend 46 minutes with my work then I’m sure there’s plenty of other work out there for them that they can enjoy that is morally pure. They should find pure work from pure people and enjoy it.