Friday, December 19, 2025
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ABBA SOS: On Eve of Marketing Launch, Three New Singles in a Row Have Failed to Sell or Get Radio Play

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ABBA, the fabled international Swedish pop stars, are coming with the first new album since 1982. On November 5, the world will hear “Voyage,” the opening salvo in their mega return.

But aside from the two men in ABBA, does anyone care? Even the two women in the group are half-heartedly participating. They’re not even doing promotion.

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The public seems less than interested, especially in ABBA’s new music. As with all legacy acts from the 70s, 80s, and even 90s, the fans just want to hear the hits. Their brains aren’t wired to accept new music.

And so ABBA has released three failed singles since September 2nd. All duds, not only sales wise, but on the radio, and critically. They are bad records. And the public has responded in kind.

Here are the sales figures according to Buzz Angle/Alpha Data:

Just a Notion – 3,000 copies total mostly streaming, only 574 paid downloads
Don’t Shut me Down — 37,000 copies, 5,800 downloads
I Still Have Faith in You — 25,000 copies, 4,300 downloads

Those numbers don’t augur well for “Voyage,” even though the album is currently listed at number 7 on Amazon based on advance sales. But “Voyage” could have one or two big days based on those sales, and then peter out quickly if there aren’t tracks getting attention. So far radio has ignored the new ABBA songs, and with good reason. They are not nearly as charismatic as ABBA’s fabled hits which have been featured in two movie musicals, one Broadway musical, a covers album by Cher, and so on.

It’s quite possible this whole ABBA revival is going to be the Titanic of comebacks. What the fans wanted is a tour with the original four members singing “Dancing Queen.” Maybe a live album would have followed. But so far, a new album of original songs is not what they wanted. And the fake ABBA non-hologram whatever-it-is thing? We’ll see if that sells tickets. They may get away with it in Europe, but in the US it’s doubtful.

Is Brandi Carlile a Roots or Pop Artist? Grammys Move Her into the Big Time Mainstream And She’s Not Happy

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Brandi Carlile performed two songs on “Saturday Night Live” this past weekend. Both songs were wonderful, and Grammy worthy. But Carlile is disappointed the Grammys moved “Right on Time” out of the Americana category and into pop. Listen to the song. What do you think? It’s Americana/roots but I see the point: Brandi Carlile is now mainstream, and that’s what pop is.

PS Brandi’s album, “In these Silent Days,” was held for release til October 1st, one day past the eligibility deadline. So it’s going to be in the 2023 Grammys. Why? I have no idea. It would have been an Album of the Year nominee this time without a doubt. Labels think this extends the life of an album but I think people forget and move on. We’ll see.

A few words from Brandi about the Grammys.

Americana/American Roots music is more than a genre to me. It represents my community, my family, my friends and my beautiful island of misfits. I am also proud that it represents a great number of people actively WORKING to platform marginalized people – LGBTQIA, women, and people of color (who, of course, actually built the genre).

The importance of staying and working within Americana is greater than just me. There is not a moment where I don’t view my role as something larger. I feel great responsibility in representing marginalized queer people in rural America who are raised on country and roots music but are repeatedly and systematically rejected by the correlating culture. Every rung I can sling my gay sequined boot up on top of gets queer people a little higher on the ladder to being seen as just a bit more human in the great American roots landscape

I am very proud to be the Americana Association’s Artist of the Year two years in a row and to have debuted at number one on the Billboard Americana chart! It was an honor to have made my album at the same place I made my last one….and with all the same folks! Same producers and band. I cut every song live with acoustic guitars, vintage electrics plugged into old fender amps, beautifully aged pianos and with my fog horn vocals bleeding into every mic.

While I’m incredibly flattered to be considered “pop” as a 40 year old crooning lesbian mother, I would be lying if I said I wasn’t a bit surprised and disappointed to learn the Recording Academy decided to move “Right On Time” out of the American Roots genre and into the pop category.

Being recognized by the Grammys — in any form — is a great honor. I just want folks to know this wasn’t my decision. Regardless, it doesn’t change who I am or what my Americana community continues to mean to me.

Weapons Handler for Alec Baldwin Film Bragged on LinkedIn About “Ensuring gun safety on set along with instructing actors on how to use their guns”

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EXCLUSIVE Hannah Gutierrez has been identified as the armorer or weapons handler on the movie, “Rust.” According to reports, she laid out three guns on the Santa Fe set. One of them wound up killing Halyna Hutchins and wounding director Joel Souza, fired by an unwitting Alec Baldwin.

Gutierrez’s LinkedIn page includes a resume note from this past spring and summer working at Yellowstone Film Ranch in Montana from March through June. She described her job there: “Loading firearms with appropriately sized blanks. Ensuring gun safety on set along with instructing actors on how to use their guns.”

She is young and pretty, and according to LinkedIn a student at Northern Arizona University from 2017 to 2020 in “creative media and film.”

It’s unclear if Gutierrez was union approved or licensed, or still a student. But she comes from a family of “armorers.” Her father is the famous armorer and movie gun consultant Thell Reed, who she said trained her in an affidavit.

(republished 10/26, first published 10/22)

More to come…

Review: In “King Richard,” Story of Serena and Venus’s Dad, Will Smith Makes a Royal Pain Likeable

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For months now I’ve been hearing how Will Smith ‘will win the Oscar’ for playing Richard Williams in “King Richard.”

Now that I’ve seen this two hour and twenty minute epic about the coaching father of Serena and Venus Williams, I will concede this much: Will will be nominated, no question.

If he wins the Oscar, Will will do it on the strength of his own enormous likeability. It won’t be for the character he plays in “King Richard.” Richard Williams is one of the most annoying main characters I’ve seen on screen in a long time. He is a royal pain, that’s for sure.

For about forty five minutes, director Reinaldo Marcus Green has “King Richard” in hand. He shows a determined father of five daughters trying to lift his family out of obscurity in Compton, Los Angeles by making two of them into tennis stars. Richard is single-minded, and has his own “plan” he intends to follow even as he courts, hires, insults, and fires famous coaches to help him. Luckily, he has a very understanding wife in Brandi, played by the wonderful Aunjanue Ellis. (She’s the key to this movie, and will get a Supporting Actress nod).

Those first forty five minutes are important. We see this very devoted nuclear family, charming and loose, authentically organized by Green. It’s the best part of the movie, the stuff before the fame and the irritating sports announcer narration booming over loudspeakers, and Richard telling everyone that he knows best. He’s a little like Allie Fox from “The Mosquito Coast.” You know he’s kinda nuts, kinda brilliant, and for a while, if you’re a kid, you’ll follow him.

Eventually, though, the family starts to question Richard’s authority, and we start to wonder what the point is here. His character arc doesn’t show growth, it just shows persistence and hard headed-ness. Did he create two superstar athletes? Sure. But what about all the experts he squandered and used along the way?

The most likeable people in the movie are Richard’s victims, like Tony Goldwyn as super coach Paul Cohen and Jon Bernthal as Rick Macci. Everything they say to Richard makes sense to us. Richard doesn’t listen. He just keeps talking. After a while you want to say, hey, Richard, will you shut up and take some advice these people?

I loved Will Smith in “The Pursuit of Happyness,” “Ali,” and a few other of his “serious” movies. In the former, he managed to make a determined man with a dream into someone you rooted for. He’s trying hard in “King Richard,” and almost makes it. That he doesn’t quite have a Grand Slam isn’t his fault, it’s the character. Richard is self-defeating.

So is this movie. Instead of having a “Rocky” type ending, we get something of a downer. That’s an interesting choice for screenwriter Zach Baylin and Greene. I was a little surprised by the direction they took. But there are lessons galore to be learned. “King Richard” is meant to be inspirational, and it is. I won’t deny it that power.

Greene is very good with the actors particularly the young women (Saniyya Sidney and Demi Singleton) who play the Williams sisters. There are cute moments with supporting players, like soap star Judith Chapman as Nancy Reagan. Goldwyn and Bernthal are incredibly winning. Ellis builds a stock loving wife into something deeper. She digs into Brandi and speaks for the exasperated audience a couple of times.

“King Richard” will debut in theaters and on HBO Max, where I think it will have a big audience. And watch for Will Smith and Aunjunue Ellis to be big players in awards season.

 

These John Lennon “Crocs” Have Ventilation Holes That Look Like Bullets on Beatle’s Face

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Here’s a really bad idea: Crocs customized with John Lennon’s image. Were they licensed by Yoko Ono? I doubt it. The company is called Lefuca and they’re from Alabama. They sell other Crocs with branded material, you can look through their website.

The problem besides possible licensing is the design. Because Crocs are ventilated, they have holes in the top so your feet don’t sweat. The design of the Lennon Crocs puts holes on his face. They look a lot like bullet holes from the picture. Unintentional, but still…Imagine wearing them. Lefuca is playing Mind Games. If you want them, well, whatever gets you through the night…

I’d rethink this design…

“Dune” Sequel Coming in Two Years, as Soon As They Can Film It and the Sand Worm is Signed

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“Dune” will get a Part 2, after all.

No surprise: “Dune Part 2” will release on October 23rd, 2023. Timothee Chalamet, Rebecca Ferguson, and the sand worm will all return.

Denis Villeneuve’s epic made $41 million over the weekend, and some number of people watched in on HBO Max. “Dune” also represents a big branding opportunity for sequels and off shoots, a whole Universe of Dune-ology. So, of course, they have to make a sequel and finish the first movie as a launching pad for more.

“I just received news from Legendary that we are officially moving forward with ‘Dune: Part Two,’” Villeneuve said in a statement. “It was a dream of mine to adapt Frank Herbert’s ‘Dune’ and I have the fans, the cast, and crew, Legendary and Warner Bros. to thank for supporting this dream. This is only the beginning.”

Mazel tov!

The Force Awakens: Critics Choice Awards Will Be Shown on TBS and CW Networks January 9th

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Great news!

The Critics Choice Awards will be shown not only on the CW Network this year, but also on TBS. Suddenly the broadcast audience will be much, much bigger.

The CCAs, covering movies and TV, will air January 9th.

The Critics Choice is poised to take over the spots occupied by the now sidelined Golden Globes. Unlike the Globes, the CCAs are voted on by over 300 actual journalists with recognizable bylines. The group has a multi-cultural membership and no prejudices about who votes or what they vote for.

The CCAs will The awards ceremony will be held at the newly renovated, state of the art and gorgeous Fairmont Century Plaza in Century City. Hold the date!

 

Why Is this Still on TV? “Fear the Walking Dead” Shoots a Zombie Baby and Drops Below 1 Million Viewers

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Does anyone know why “Fear the Walking Dead” is still on TV?

On Sunday night, according to reports, they shot a zombie baby who’d been stuffed into a suitcase. The audience didn’t see the baby, but that was the implication, that there was a baby in the suitcase. I’m sorry I missed that.

I stopped watching “The Walking Dead,” now in its miserable final throes of life, when Negan was smashing heads with a baseball bat. I think the fun is gone from this once humorous series.

The result of this misbegotten mishegos is that “FTWD” dropped another almost 10% in the ratings to 955,000 viewers. They’ve been below 1 million before, but I don’t think they’re coming back this time. Plus, at 9pm former “Walking Dead” fans can turn to HBO and see “Succession,” which is far more psychologically frightening with no physical violence.

Watch the clip only if you want to be totally repulsed:

Monkee Time One Last Time as Micky Dolenz, Mike Nesmith Celebrate 55 Years of Hits and Memories

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Hey hey. They’re still the Monkees.

On Sunday night, Micky Dolenz and Mike Nesmith brought a crack band to Town Hall and celebrated the 55 years of hits as the Monkees. Davy Jones and Peter Tork are gone, but the beat goes on.

Yet the brand does not. Micky and Mike are on a farewell touring retiring the Monkees for good. Since they were hired in 1966 to play a faux Beatles for a Screen Gems produced TV show for NBC, the guys have had to pay a royalty fee to be themselves all these decades. Sucks, doesn’t it? Screen Gems– now known as Sony– should be paying them.

But there they were on stage, singing “Last Train to Clarksville” and “I’m a Believer” like time has stopped. Micky, a child star before the Monkees, and Mike, the songwriter of Linda Ronstadt’s “Different Drum,” are and were always showmen. So were Peter and Davy, and eventually they convinced the TV show’s producers, Bob Rafelson and Burt Schneider, to let them sing and play instruments on their records, and even tour. They were originals after all.

Mike was dressed in a non matching white suit, which may have suggested that his mother, years ago, invented Liquid Paper and made their family very rich. This was always a great story, like Beaver getting killed in Vietnam. But Nesmith hung with John Lennon back in the day, made music like the Byrds, and wrote lots of songs for the series. This year, Micky recorded an excellent album of those songs, produced by Mike’s son, Christian, which would get a Grammy nomination if, well, you know. Anyway.

Dolenz has never stopped working, whether as the Monkees or on his own, acting and singing. His voice remains perfectly intact and idiosyncratically his own. Meaning: you could pick it out of any crowd of singers. An underrated talent, Dolenz is still a believer and so are we. He knows the songs, written by the likes of Carole King and Gerry Goffin, Neil Diamond, Boyce and Hart, are solid classics and totally identified with him.

It didn’t hurt that the original recordings came played with the Monkees’ vocals by members of Phil Spector’s Wrecking Crew. The productions were impeccable and in the right hands, reproduced like works of art. So “Pleasant Valley Sunday” and “Daydream Believer” still resonate far beyond the top 40 of 1967. And “A Little Bit Me, A Little Bit You,” a Neil Diamond gourmet recipe, remains a killer.

Why were there so many young people in the audience? Kids, teens, people in their 30s, 40s? I mean, I grew up with the Monkees in real time. So who are all these people? Apparently there are generations still watching the TV show, which was modeled on “A Hard Day’s Night”  and “Help!” They see it in reruns on DVDs, maybe it’s streaming somewhere, it’s on YouTube. And they love it. Why not? Long after Micky and Mike leave the Sony owned brand behind, they will live on and on and on.

All hail the Monkees! See them on this final tour. They’ll make you smile.

HBO Renews Cult Favorite “Succession” for Fourth Season After 2nd New Episode Scores Big Ratings

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“Succession” has succeeded.

The HBO hit cult series about the Roy family has been renewed for a fourth season.

This past Sunday’s episode scored 1.3 million viewers over all HBO platforms, so it makes sense to keep the Roys around.

HBO doesn’t say it, but it’s going to take at least five seasons to tell the whole story of this miserable, wealthy infighting gang of vipers. They make the Lannisters from “Game of Thrones” look like Mary Poppins.

The great thing about Season 3 is you can start watching it without knowing too much backstory. Son Kendall Roy is on a campaign to destroy his father, Logan. The rest of it is laid out very clearly. Jump in at any time!