Saturday, December 27, 2025
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Review: “Red Rocket” Revival for MTV Personality Simon Rex as a Charming Porn Star Conman

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“Red Rocket” allegedly opens this weekend, somewhere. If you’re up for a terrific indie film with a hard R rating, then it’s for you. I was totally charmed by it.

Simon Rex, in the 1990s, was an MTV Personality and a sometime adult film star. So he is perfect casting for Mikey, Sean Baker’s creation, a washed up porn star who’s been kicked out of Hollywood. He arrives in Texas City, Texas, basically nowhereland, bloodied and bruised, with no money or possessions. All he has are hardened good looks and a motor mouth. He can’t stop talking. A professional con man, Mikey just talks and talks. And plots.

He talks his way into a shack of a house next to an oil refinery with his estranged wife (Bree Elrod) and her cranky mother (Brenda Deiss).  Their center of entertainment is a donut store with a 17 year old teen cashier named Strawberry (a remarkable Suzanna Son) who Mikey sees as a potential porn star. He starts grooming her for his revival in L.A. At home, he’s sleeping with the wife, Lexi, and dealing drugs courtesy of his mother-in-law’s engaging friends (Judy Hill and Brittany Rodriguez).

Sean Baker’s last film was “The Florida Project,” another indie gem that felt vibrant and refreshing and still does, set in a Florida swamp with lots of little poor kids and their mothers living in a motel. Baker is great at finding local people who either think they’re actors or becomes ones in his process. So he has done here, too. Every single one of the people Mikey meets are completely endearing. You root for them not to be taken in by this charming hustler.

But to Baker’s and Rex’s credit, you root for Mikey, too. He can sell sand to the Arabs, as they say, or water to fish. Because even as he’s cadging free rides around town from his pathetic neighbor (Ethan Darbone)– they are now best friends– you know his demise is near. The center will not hold when all of the people he’s defrauding finally meet up from their separate story threads.

And be advised: this is a movie not afraid to throw in full frontal male nudity with abandon. But why not? Mikey is a clothing-averse. He’s a porn star after all. He unwittingly exposes himself to his mother-in-law, and later, to the world, without thinking twice. And you think– as everyone says to him– put on some pants.

“Red Rocket” got limited love from the Gotham Awards, it might get some from the Spirit Awards. Baker is the king of the intimate genre of filmmaking. Unlike Chloe Zhao, of “Nomadland,” I hope he never makes a Marvel movie.

UPDATED Disney’s Potential Best Picture Oscar Film, West Side Story, Opens with Disappointing $10.5 Million Box Office — High Ticket Prices to Blame?

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SUNDAY MORNING UPDATE: Weekend total came to $10.5 million. There was intense interest on opening day, and then subsequent declines on Saturday and Sunday. Disney’s marketing geniuses had better come  up with a plan to save “WSS” instantly. This is the Best Picture of 2022.

 

SATURDAY AFTERNOON The first song from :West Side Story” is “Tonight, tonight…” But the second line shouldn’t be “We’ll be spending $58 on a pair of movie tickets tonight.”

Yet, Disney has made a huge miscalculation with the price of tickets for Steven Spielberg’s “West Side Story.” At New York’s Upper West Side AMC Cinema at Broadway and 68th St. — the same corner at which “West Side Story” takes place in 1957 — seats are on sale for $27.99. That’s in the regular theater, not IMAX. The Senior Citizen price is $26.49 and the price per child is $24.99. Per child. Add in popcorn, soda, and maybe a baby sitter and you’ve got a $100 experience for a couple going to the movies– or more.

Prices are similar across the country, too.  In big cities, where “West Side Story” should be crowding in audiences today, business is understandably slow.  But $16.50 per adult in most other cities is just as much of an obstacle, especially when Americans have been trained to stay home and stream movies.

Last night,”WSS” made $3.3 million. Add in $800,000 from Thursday previews and Disney is looking at a shameful $10 million opening weekend. And this is supposed to be the movie of the year.

But for people hard hit from the pandemic, already weary and maybe out of work, struggling with record inflation at the supermarket, a $20 movie ticket is discouraging to day the least. To top that off, large sections of the country have been with severe storms this weekend, certainly a huge deterrent for buckling up and heading to a movie theater, showing a vaccination card, putting on a mask, etc.

And let’s not even talk about the price of gas.

“WSS” should have been a big family event, with discounts and encouragements. For one thing, this isn’t “Star Wars” or even “Fast and Furious.” It’s a musical. Without stars. And despite having young actors, the material is from 60 years ago. It’s music by Leonard Bernstein and Stephen Sondheim, two people no one under 40 have heard of. It’s not Justin Bieber and Ariana Grande.

What is going on here? How could Disney, the family studio, have so misunderstood the mission? And what will they do about it, quickly? Because they’re now facing a slew of stories on Monday morning that won’t be very positive. It’s a head scratcher, all right. They can only hope that a huge number of nominations announced on Monday from the Critics Choice Awards will spur audiences back into theaters. But not at those prices.

Adele “30” Drops 34% in Third Week But Sells Another 187K Copies, Remains at Number 1

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Adele remains at number 1 today for the third week in a row with her “30” album.

“30” sold another 187,000 copies, most of which were from CDs sold and paid downloads. Only 44,000 streaming equivalent copies are included.

The album dropped 34% from its second week. The hold is good as we head into the holiday season. “30” is likely a good stocking stuffer.

Prognosis is strong because on the current release schedule there are no big new albums coming from recording artists who are stars. Adele has a clear shot right now through February unless someone surprise drops a new album. Beyonce, are you listening?

Meantime, tickets for Adele’s Las Vegas concerts are selling for as much as $40,000. And Adele is promoting her boyfriend’s line of plain white sneakers on Instagram. They’re made by New Balance, which is sort of anti-hip. But good for the actual hips!

Closing Notice Posted for Ill-Fated “Diana: The Musical” on Broadway, Plagued By Poor Reviews

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“Diana: The Musical” is done.

Producers have announced a closing notice for December 19th.

The musical received horrendous reviews when it finally opened last month. It was postponed from the spring of 2020.

To make some money, producers filmed the show for Netflix where it aired in October also was panned across the board.

When it ends, “Diana” will have played 33 performances and 17 previews. Most days and nights, “Diana” has been playing to empty houses. Even though producers have not been giving out grosses, it was evident from looking at advance ticket sales that “Diana” wasn’t attracting an audience.

No one likes to see a Broadway show close. But the story of Princess Diana has proved to be a difficult sell both on Broadway and at the movies. The film, “Spencer,” has made only $6.5 million in release after a lot of publicity and praise for its star Kristen Stewart. But as with the musical, there was limited interest in spending money on a story the public could probably re-tell as quickly as they would know their own personal history.

In the case of “Diana: The Musical,” the show was weighed down by ridiculous songs that minimized all the players and showed not a bit of understanding for who were they were or are. The sad thing here is that “Diana” will live on in that filmed version forever.

 

Tomorrow: Kate McKinnon Returns to “Saturday Night Live” For the First Time This Season

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Good news! Kate McKinnon is returning to “Saturday Night Live” tomorrow night.

McKinnon has not been on the show this entire season because she’s been shooting her “Joe Exotic” series in Australia. But she was seen on the red carpet at the Kennedy Center Honors induction ceremony last week at which Executive producer Lorne Michaels was American knighted.

With McKinnon away, Cecily Strong has really had a chance to be showcased. She’s always been a little under McKinnon’s shadow. But she’s totally stepped up and showed off her star power. Her Judge Jeanine Pirro sketches are classic. And Strong is a strong musical performer, too. This month, outside of the show, Strong takes on Lily Tomlin’s one woman show “The Search for Signs of Intelligent Life” at the Shed in Hudson Yards.

Billie Eilish hosts tomorrow night’s show and is the musical guest. I’m sure brother Finneas will be nearby. Sounds good.

RIP Mike Nesmith of the Monkees, Songwriter, Guitarist Always Marched to His Own “Different Drum”

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Mike Nesmith, the great singer songwriter of the Monkees, died this morning at age 78. His family said it was from natural causes but when Mike appeared with Micky Dolenz last month at New York’s Town Hall he was not well, and you could tell it was taking all of his energy to perform this Farewell Tour.

Mike wrote some of the Monkees songs during the group’s tenure but his most famous was a hit for Linda Ronstadt. “Different Drum” was about a woman who wanted to go her own way, but that was Nesmith himself. He marched to a different drum, separating himself from the Monkees legacy as much as he could and not appearing on many reunion tours or albums.

It was only this fall that Nesmith surprisingly went out on tour with Micky, the only other remaining member of the group. But he’d inherited a fortune from his mother in 1980. She was the inventor of Liquid Paper, which for decades before word processors was the only way to make corrections on documents. He used the money to invest in cool movies and stay above the fray.

Last year, Dolenz recorded a new album called “Dolenz Sings Nesmith,” with Mike’s son Christian producing, to showcase his catalog of songs. The album received rave reviews.

People of a certain age will always have an affection for the Monkees. They burst onto the scene in the mid 60s as a TV show about a struggling pop group in a style fashioned after the Beatles’ “A Hard Days Night.” They weren’t supposed to play their own instruments, but it turned out they could and eventually did. They were also gifted pop singers.

In the series, Mike had a carefully aloof attitude, always wearing a knit cap and a goofy grin, He wasn’t the leading man like Micky Dolenz or the boytoy like Davy Jones and wasn’t the shy guy like Peter Tork. He held himself out as kind of the egg head, maybe a little wiser than the rest. What a shame that he’s gone but what a gift he gave the fans by forcing himself to overcome health issues and do one victory lap before he left.

Our mutual friend, Sam Moore, of Sam & Dave, sent this:

“I had the great pleasure of appearing with Jr Walker as my partner playing  a “Swanky Mode” In the movie “Tapeheads” produced by a man who became a friend, Michael Nesmith. Michael had a vision and a great sense of music, humor and shtick. He put them all together with an incredible cast including John Cusack, Tim Robbins, Mary Crosby, Connie Stevens, Clu Gallagher, Doug McClure and believe it or not Don Cornelius to make that movie that we all believed should have been and still needs to be one of the “classic cult films“
I am deeply saddened to learn of his passing.
Hey hey Michael you’ll always be a Monkee! “

Spielberg’s “West Side Story” Kicks Off Previews Thursday Night and Long Road to the Oscars with $800K

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And now the long road to the Oscars begins.

Steven Spielberg’s reimagining of “West Side Story” kicked off with Thursday night previews totaling $800,000. That’s a little soft but not disappointing at all. The musical with rave reviews will play in 2,800 theaters starting tonight, about a thousand fewer than most wide releases these days.

“WSS” is a 20th Century release from “WSS” which means Disney is distributing it. So far Disney has done a pretty lousy job with 20th releases. But the pressure must be on to make “WSS” a hit. There’s a potential here for a record number of Oscar nominations. Many have praised the new edition as better than the original classic. So we should big numbers over the holidays.

Get out and see a movie this weekend. We now have “WSS” and “Belfast” in theaters. Wear a mask, big deal. Sit a seat apart from strangers. But get away from the TV set and the computer!

Woody Allen’s Very Funny “Rifkin’s Festival” Will Open in January with Wallace Shawn and Gina Gershon

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“Rifkin’s Festival” is finally coming to theaters and streaming on January 28, 2022.

The Woody Allen comedy has been available since 2019 but cowards that they are, no big name distributor would step up to take it. As with “A Rainy Day in New York,” the new movie will come from MPI Films, and I applaud them for releasing a hilarious movie by one of our most important filmmakers.

I reviewed “Rifkin” a little more than a year ago. Here’s the link. I found myself laughing out loud at so many of Allen’s jokes. Shawn plays a stand in for the Woody character. Gina Gershon is terrific with his zingers as well. This week we were asked to vote in the Critics Choice Awards for Best Comedy. There are no comedies anymore. I wish I could have written in “Rifkin.” I will next year.

Woody Allen just turned 86 years old. He’s been married for 25 years and has two college age daughters. He’s made some of our finest films, more than two dozen sensational ones, and another two dozen really interesting and good ones. He’s one of our best writers and filmmakers but his scorned lover, Mia Farrow, has hypnotized her children against him and conducted a public campaign that makes no sense. It’s common now for people to blurt out, “Woody Allen married his daughter” or some such nonsense without any regard for actual, not alternative facts.

So by all means, go see “Rifkin” or stream it on VOD, “Rainy Day” as well. We need some good laughs right now.

 

“Fatal Attraction” Director’s First Film in 20 Years Pulled from Schedule, Fueled Ben Affleck-Ana de Armas Affair

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Adrian Lyne’s first film in 20 years is under water.

“Deep Water,” from Disney-20th Century (formerly Fox), was supposed to be released on January 14, 2022. Ir was Lyne’s first film since “Unfaithful” in 2002 with Diane Lane and Richard Gere.

Disney has not explained removing it from the schedule, but it’s gotta hurt. Ben Affleck and Ana de Aemas met on this film, started dating and lived together for a short time. They were major tabloid fodder. But all that’s over and Affleck is now back with Jennifer Lopez.

Lyne has a reputation for being eccentric. But he directed some very successful and memorable films including “Flashdance,” “9 1/2 Weeks,” and “Fatal Attraction.” He turned 80 last March, which is hard to to believe, isn’t it?

“Deep Water” will likely turn up on a streaming service. Stay tuned…

Broadway– And Everyone But the NY Times– Welcomes “Company” In Old Fashioned A List Opening Night

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Wow! What a night on Broadway at the Jacobs Theater. Stephen Sondheim’s “Company” revival finally opened after almost opening in March 2020 and then getting delayed by the pandemic. A list stars walked the red carpet and poured into the theater. There were standing ovations during the performance. All the reviewers loved it except one, Jesse Green of the New York Times, who must have seen a different show than the one we saw.

Matthew Broderick came with “Sex and the City” star Cynthia Nixon and her partner, Christine Marinoni. Barbara Barrie, age 90. from the original “Company” cast, sat front and center. (So did Donna McKechnie.) Broadway start Donna Murphy came over to hug her. Mind you, everyone was wearing masks, the protocols were strictly enforced, but theater people who hadn’t seen each other in a long were ecstatic to be back on track!

Who else was there? Michele Lee, Brenda Vaccaro, Betty Buckley for starters. Chazz Palminteri and wife Gia came to see their pal Bobby Conte, who starred in Chazz’s “A Bronx Tale” musical a couple of seasons ago. Jane Krakowski came with designer David Rockwell. I spotted the beautiful Jennifer Westfeldt. Every row was jammed with celebrities many of whom were humming along with the famous Sondheim score or just nodding their heads.

How about Sarah Paulson and Holland Taylor, who told me it was their first Broadway visit since the lockdown lifted? Naomi Watts and Bobby Cannavale, old friends, arrived together. Grace Gummer came with new husband Mark Ronson and Mark’s famous mom, Ann Dexter Jones. Mark, you know, produces all the hits for Miley Cyrus and everyone else. Jesse Tyler Ferguson was in the house. So was Christine Baranski, who keeping things low profile.

And then there was Leslie Odom, Jr. sitting on the aisle just a few rows behind me. Not bad. I’ve never seen a theater so jammed. The Jacobs holds 1,000 people and there were that many on their feet whenP Patti Lupone, of course, stole the show with the centerpiece number, “Ladies Who Lunch.” I know Elaine Stritch, Sondheim himself, and DA Pennebaker (who famous filmed them recording the LP) were clapping in heaven. The whole show is worth seeing and hearing Patti do this number. It’s a home run.

The whole cast is tremendously talented. Matt Doyle is hilarious as the renamed Jamie (his character is female in previous productions) as the nervous groom singing  the rapid fire “Getting Married Today.” But the most recognition must go to Tony winner Katrina Lenk. She plays the first ever female Bobby, the central character, now a single woman debating whether she should be married. Her quest takes her on a survey of married friends, some happy, some not, and ends with singing the other keynote song of this musical, “Being Alive.” In the past Bobby has always been a guy. But making this change gives the show an unexpected poignancy. Lenk is not a belter. That’s Lupone’s job. Lenk makes Bobby vulnerable and accessible. And likeable. You root for her. And it doesn’t hurt Lenk has an exotic face that adds mystery  to her quest. She and Lupone give Tony winning performances.

And then there’s the music. Sondheim’s recent death has made everyone extra mushy about him. But the truth is, this score– written in in 1969-70– is more sophisticated and textured than anything you’ll hear today. A 14 piece orchestra is above the stage playing it, too, which is like a gift from heaven.

So just ignore the sour Times reviews, read all the others, and get over to West 45th St. as soon as possible. Broadway is back!