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No Surprise: Chris Wallace Escapes Fox News for CNN’s New Streaming Service, Last Voice of “Fair and Balanced”

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Chris Wallace is leaving Fox News. Or rather, he’s escaping the far right network for CNN’s streaming services, CNN Plus.

The announcement came at the end of his show today on Fox. But the NY Post, owned by Rupert Murdoch, omits the CNN part of the story as does Foxnews.com, which hides the news of Wallace’s departure on its website.

Wallace says in a statement from CNN: “I am thrilled to join CNN+. After decades in broadcast and cable news, I am excited to explore the world of streaming. I look forward to the new freedom and flexibility streaming affords in interviewing major figures across the news landscape—and finding new ways to tell stories,” said Wallace. “As I embark on this adventure, I am honored and delighted to join Jeff Zucker and his great team. I can’t wait to get started.”

Wallace’s departure is not a surprise. He’s been at odds with the Fox News philosophy for a long time. But losing him means that Rupert Murdoch’s “Fair and Balanced” is over. Wallace was the last reasonable voice in a fog of conservatism that often ditches truth for whatever agenda is at hand.

Going to CNN at this time is also interesting given that CNN has lost Chris Cuomo after his scandals involving defending his brother, former governor Andrew Cuomo, and possible sexual harassment. Right now Wallace is set for just CNN Plus it could turn into more. At 74, he’ll be the oldest news man at CNN, a year older than the network’s elder statesman, Wolf Blitzer.

At Fox, there is nothing left of journalistic balance. Wallace was often critical of the Trump administration and scored some of the best political interviews in the 2016 and 2020 campaigns. With him gone, there is no one willing to challenge the Fox News manifesto. If Trump runs again, and it looks like he may, he might as well be given his own show on the network.

Wallace has been with Fox News for two decades. His statement reads:

After 18 years — this is my final FOX News Sunday,” Wallace said. “It is the last time — and I say this with real sadness — we will meet like this. Eighteen years ago, the bosses here at Fox promised me they would never interfere with a guest I booked or a question I asked. And they kept that promise. I have been free to report to the best of my ability, to cover the stories I think are important, to hold our country’s leaders to account. It’s been a great ride. We’ve covered five presidential elections, interviewed every president since George H.W. Bush, travelled the world — sitting down with France’s Emanuel Macron and Russia’s Vladimir Putin. And I’ve gotten to spend Sunday mornings with you. It may sound corny, but I feel we’ve built a community here. There’s a lot you can do on Sundays.  The fact you’ve chosen to spend this hour with us is something I cherish. But after 18 years, I have decided to leave Fox. I want to try something new, to go beyond politics to all the things I’m interested in. I’m ready for a new adventure. And I hope you’ll check it out. And so —for the last time, dear friends — that’s it for today. Have a great week. And I hope you’ll keep watching FOX News Sunday.”

Fox responded with “Whatever.” They will rotate hosts until they find a proper puppet.

“Succession” Fans Wait to See If Someone Dies — or Worse — in Sunday’s Season 3 Finale

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Sunday night, 9pm HBO. It’s the ninth and final episode of the short and definitely not sweet season of “Succession.”

This is the drama or comedy, depending on how you look at it, about the Roy family, a satirical take on the Murdochs — Rupert and his children — as they vy for their father’s affection and inheritance.

“Succession” is a cult hit, never attracting more than around 600,000 viewers at a sitting. It’s not “Yellowstone,” with over 7 million, because there is nothing mainstream about it. The Roys are psychological warriors playing a “Game of Thrones” mental chess game with each other until only one is left.

The whole of the cult fan base is waiting for Sunday night because it seems like something bad is going to happen. There may be a death, or worse, permanent expulsion from the Roys’ inner circle. The two most vulnerable candidates are Kendall Roy, the second son, but the first from Logan Roy’s second marriage. Or Geri, the loyal company attorney who has been made CEO during a crisis.

The relationships are brutal. The average person tuning in, unaware of what’s going on, will either be fascinated or frightened. intrigued or repulsed. There is no middle ground. There’s a reason that the Roy daughter, apple-cheeked, freckled Siobhan goes by the unapologetic nickname of “Shiv.” She tells her fairly clueless husband, Tom, in episode, “I may not love you.” She waits a half a beat and follows up with: “But I love you.” And squints back at him.

Shiv’s older brother, Kendall, is certainly a candidate for death, likely suicide. Or thinking too much. Played brilliantly as if he were Hamlet by Jeremy Strong, Kendall has been humiliated and debased for all 8 episodes as he’s tried unsuccessfully to topple his father. Even his own mother, at her wedding to a lout, has dismissed him. At the end of episode 8, the camera lingers ominously from beneath him as Kendall floats on a clear plastic raft in a Tuscan swimming pool. We are meant to fear something has happened.

Then there’s Geri, the lawyer, all business, played with eloquence and sympathy by J. Smith-Cameron. Geri has spend season 3 dodging the raunchy approaches of Kendall’s younger brother, Roman (Kieran Culkin), who is 25 years her junior and has an uncertain romantic life. It’s certainly sexual harassment but Geri, the only straight shooter in the Roy circle, has chosen just to ignore Roman and push forward. Has this been a mistake? It’s revealed in episode 8 that she’s been receiving lewd emails from him — “dick pics” — which may be the straw the breaks the camel’s back. She’s painted instantly as a villain and victim.

A “Succession” cliffhanger I don’t think would be like “Who Shot JR?” “Succession” isn’t a physical show. It’s all in the head. It’s about being “shivved.” You won’t feel the knife until it’s in. HBO didn’t offer a press preview of the final episode. We’ve got to wait and see.

Of course, fans don’t want anyone to leave the show. Certainly not J. Smith Cameron. She’s too important to our mental health. And Jeremy Strong is the centerpiece character. Strong is in the middle of a real life contretemps over a New Yorker profile in which he’s depicted as aloof and ambitious. The writer says Strong claims Kendall is Hamlet. His friends, Jessica Chastain and Aaron Sorkin, are defending him on social media as a good guy.

I met Strong years ago when he played Lee Harvey Oswald in a movie called “Parkland” (not mentioned in the New Yorker piece). He was sensational in the film and has never been anything less than friendly and open. The writer of the profile may have confused him with Kendall, for which he’s won an Emmy. The writer got lost in the fiction. But Kendall, suffering from mental anguish, has been the most disturbing character to penetrate television in a long time.

So listen out your window Sunday at 10pm. There’s going to be some noise. It will be subtle. But it will be distinct.

PS On that Hamlet thing. Now I’d pay to see Strong play Hamlet at the Public Theater in a Shakespeare melange. And Brian Cox, aka Logan Roy, as King Lear. And Sarah Snook, Shiv, as either Goneril or Gertrude. And so on. Where is Christopher Durang when we need him?

Thursday Ratings: “SVU” Basically Tied with “Grey’s,” “Big Sky” Still the Show No One Watches

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“Big Sky” remains the show no one will watch no matter how much ABC invests in it.

The ABC drama, part “Twin Peaks,” part “Lost,” had just 2.4 million viewers on Tbursday night, down 13% from its last outing on November 18th. “Big Sky” was not a big hit last year, but ABC owns it so they keep flogging it hoping someone will watch.

For some reason, the touted star– Ryan Phillippe — was dumped after the first episode. Then they let John Carroll Lynch’s character become a psycho, and they killed him. This season, they revived him but it was too late. If they’d kept Phillippe they might have had a chance. Since he left there are two female leads, and they’re not very compelling.

Season 2 started with just 3.1 million viewers and has gone downhill subsequently. “Big Sky” was beaten soundly on Thursday night by Chris Meloni: “Law & Order” aka “Organized Crime.” Earlier, “Law & Order: SVU” basically tied “Grey’s Anatomy.” Of the two “SVU” is the far better show, moving forward with stories, while “Grey’s” keeps mining its past hoping it will trigger viewer nostalgia.

Review: “Red Rocket” Revival for MTV Personality Simon Rex as a Charming Porn Star Conman

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“Red Rocket” allegedly opens this weekend, somewhere. If you’re up for a terrific indie film with a hard R rating, then it’s for you. I was totally charmed by it.

Simon Rex, in the 1990s, was an MTV Personality and a sometime adult film star. So he is perfect casting for Mikey, Sean Baker’s creation, a washed up porn star who’s been kicked out of Hollywood. He arrives in Texas City, Texas, basically nowhereland, bloodied and bruised, with no money or possessions. All he has are hardened good looks and a motor mouth. He can’t stop talking. A professional con man, Mikey just talks and talks. And plots.

He talks his way into a shack of a house next to an oil refinery with his estranged wife (Bree Elrod) and her cranky mother (Brenda Deiss).  Their center of entertainment is a donut store with a 17 year old teen cashier named Strawberry (a remarkable Suzanna Son) who Mikey sees as a potential porn star. He starts grooming her for his revival in L.A. At home, he’s sleeping with the wife, Lexi, and dealing drugs courtesy of his mother-in-law’s engaging friends (Judy Hill and Brittany Rodriguez).

Sean Baker’s last film was “The Florida Project,” another indie gem that felt vibrant and refreshing and still does, set in a Florida swamp with lots of little poor kids and their mothers living in a motel. Baker is great at finding local people who either think they’re actors or becomes ones in his process. So he has done here, too. Every single one of the people Mikey meets are completely endearing. You root for them not to be taken in by this charming hustler.

But to Baker’s and Rex’s credit, you root for Mikey, too. He can sell sand to the Arabs, as they say, or water to fish. Because even as he’s cadging free rides around town from his pathetic neighbor (Ethan Darbone)– they are now best friends– you know his demise is near. The center will not hold when all of the people he’s defrauding finally meet up from their separate story threads.

And be advised: this is a movie not afraid to throw in full frontal male nudity with abandon. But why not? Mikey is a clothing-averse. He’s a porn star after all. He unwittingly exposes himself to his mother-in-law, and later, to the world, without thinking twice. And you think– as everyone says to him– put on some pants.

“Red Rocket” got limited love from the Gotham Awards, it might get some from the Spirit Awards. Baker is the king of the intimate genre of filmmaking. Unlike Chloe Zhao, of “Nomadland,” I hope he never makes a Marvel movie.

UPDATED Disney’s Potential Best Picture Oscar Film, West Side Story, Opens with Disappointing $10.5 Million Box Office — High Ticket Prices to Blame?

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SUNDAY MORNING UPDATE: Weekend total came to $10.5 million. There was intense interest on opening day, and then subsequent declines on Saturday and Sunday. Disney’s marketing geniuses had better come  up with a plan to save “WSS” instantly. This is the Best Picture of 2022.

 

SATURDAY AFTERNOON The first song from :West Side Story” is “Tonight, tonight…” But the second line shouldn’t be “We’ll be spending $58 on a pair of movie tickets tonight.”

Yet, Disney has made a huge miscalculation with the price of tickets for Steven Spielberg’s “West Side Story.” At New York’s Upper West Side AMC Cinema at Broadway and 68th St. — the same corner at which “West Side Story” takes place in 1957 — seats are on sale for $27.99. That’s in the regular theater, not IMAX. The Senior Citizen price is $26.49 and the price per child is $24.99. Per child. Add in popcorn, soda, and maybe a baby sitter and you’ve got a $100 experience for a couple going to the movies– or more.

Prices are similar across the country, too.  In big cities, where “West Side Story” should be crowding in audiences today, business is understandably slow.  But $16.50 per adult in most other cities is just as much of an obstacle, especially when Americans have been trained to stay home and stream movies.

Last night,”WSS” made $3.3 million. Add in $800,000 from Thursday previews and Disney is looking at a shameful $10 million opening weekend. And this is supposed to be the movie of the year.

But for people hard hit from the pandemic, already weary and maybe out of work, struggling with record inflation at the supermarket, a $20 movie ticket is discouraging to day the least. To top that off, large sections of the country have been with severe storms this weekend, certainly a huge deterrent for buckling up and heading to a movie theater, showing a vaccination card, putting on a mask, etc.

And let’s not even talk about the price of gas.

“WSS” should have been a big family event, with discounts and encouragements. For one thing, this isn’t “Star Wars” or even “Fast and Furious.” It’s a musical. Without stars. And despite having young actors, the material is from 60 years ago. It’s music by Leonard Bernstein and Stephen Sondheim, two people no one under 40 have heard of. It’s not Justin Bieber and Ariana Grande.

What is going on here? How could Disney, the family studio, have so misunderstood the mission? And what will they do about it, quickly? Because they’re now facing a slew of stories on Monday morning that won’t be very positive. It’s a head scratcher, all right. They can only hope that a huge number of nominations announced on Monday from the Critics Choice Awards will spur audiences back into theaters. But not at those prices.

Adele “30” Drops 34% in Third Week But Sells Another 187K Copies, Remains at Number 1

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Adele remains at number 1 today for the third week in a row with her “30” album.

“30” sold another 187,000 copies, most of which were from CDs sold and paid downloads. Only 44,000 streaming equivalent copies are included.

The album dropped 34% from its second week. The hold is good as we head into the holiday season. “30” is likely a good stocking stuffer.

Prognosis is strong because on the current release schedule there are no big new albums coming from recording artists who are stars. Adele has a clear shot right now through February unless someone surprise drops a new album. Beyonce, are you listening?

Meantime, tickets for Adele’s Las Vegas concerts are selling for as much as $40,000. And Adele is promoting her boyfriend’s line of plain white sneakers on Instagram. They’re made by New Balance, which is sort of anti-hip. But good for the actual hips!

Closing Notice Posted for Ill-Fated “Diana: The Musical” on Broadway, Plagued By Poor Reviews

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“Diana: The Musical” is done.

Producers have announced a closing notice for December 19th.

The musical received horrendous reviews when it finally opened last month. It was postponed from the spring of 2020.

To make some money, producers filmed the show for Netflix where it aired in October also was panned across the board.

When it ends, “Diana” will have played 33 performances and 17 previews. Most days and nights, “Diana” has been playing to empty houses. Even though producers have not been giving out grosses, it was evident from looking at advance ticket sales that “Diana” wasn’t attracting an audience.

No one likes to see a Broadway show close. But the story of Princess Diana has proved to be a difficult sell both on Broadway and at the movies. The film, “Spencer,” has made only $6.5 million in release after a lot of publicity and praise for its star Kristen Stewart. But as with the musical, there was limited interest in spending money on a story the public could probably re-tell as quickly as they would know their own personal history.

In the case of “Diana: The Musical,” the show was weighed down by ridiculous songs that minimized all the players and showed not a bit of understanding for who were they were or are. The sad thing here is that “Diana” will live on in that filmed version forever.

 

Tomorrow: Kate McKinnon Returns to “Saturday Night Live” For the First Time This Season

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Good news! Kate McKinnon is returning to “Saturday Night Live” tomorrow night.

McKinnon has not been on the show this entire season because she’s been shooting her “Joe Exotic” series in Australia. But she was seen on the red carpet at the Kennedy Center Honors induction ceremony last week at which Executive producer Lorne Michaels was American knighted.

With McKinnon away, Cecily Strong has really had a chance to be showcased. She’s always been a little under McKinnon’s shadow. But she’s totally stepped up and showed off her star power. Her Judge Jeanine Pirro sketches are classic. And Strong is a strong musical performer, too. This month, outside of the show, Strong takes on Lily Tomlin’s one woman show “The Search for Signs of Intelligent Life” at the Shed in Hudson Yards.

Billie Eilish hosts tomorrow night’s show and is the musical guest. I’m sure brother Finneas will be nearby. Sounds good.

RIP Mike Nesmith of the Monkees, Songwriter, Guitarist Always Marched to His Own “Different Drum”

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Mike Nesmith, the great singer songwriter of the Monkees, died this morning at age 78. His family said it was from natural causes but when Mike appeared with Micky Dolenz last month at New York’s Town Hall he was not well, and you could tell it was taking all of his energy to perform this Farewell Tour.

Mike wrote some of the Monkees songs during the group’s tenure but his most famous was a hit for Linda Ronstadt. “Different Drum” was about a woman who wanted to go her own way, but that was Nesmith himself. He marched to a different drum, separating himself from the Monkees legacy as much as he could and not appearing on many reunion tours or albums.

It was only this fall that Nesmith surprisingly went out on tour with Micky, the only other remaining member of the group. But he’d inherited a fortune from his mother in 1980. She was the inventor of Liquid Paper, which for decades before word processors was the only way to make corrections on documents. He used the money to invest in cool movies and stay above the fray.

Last year, Dolenz recorded a new album called “Dolenz Sings Nesmith,” with Mike’s son Christian producing, to showcase his catalog of songs. The album received rave reviews.

People of a certain age will always have an affection for the Monkees. They burst onto the scene in the mid 60s as a TV show about a struggling pop group in a style fashioned after the Beatles’ “A Hard Days Night.” They weren’t supposed to play their own instruments, but it turned out they could and eventually did. They were also gifted pop singers.

In the series, Mike had a carefully aloof attitude, always wearing a knit cap and a goofy grin, He wasn’t the leading man like Micky Dolenz or the boytoy like Davy Jones and wasn’t the shy guy like Peter Tork. He held himself out as kind of the egg head, maybe a little wiser than the rest. What a shame that he’s gone but what a gift he gave the fans by forcing himself to overcome health issues and do one victory lap before he left.

Our mutual friend, Sam Moore, of Sam & Dave, sent this:

“I had the great pleasure of appearing with Jr Walker as my partner playing  a “Swanky Mode” In the movie “Tapeheads” produced by a man who became a friend, Michael Nesmith. Michael had a vision and a great sense of music, humor and shtick. He put them all together with an incredible cast including John Cusack, Tim Robbins, Mary Crosby, Connie Stevens, Clu Gallagher, Doug McClure and believe it or not Don Cornelius to make that movie that we all believed should have been and still needs to be one of the “classic cult films“
I am deeply saddened to learn of his passing.
Hey hey Michael you’ll always be a Monkee! “

Spielberg’s “West Side Story” Kicks Off Previews Thursday Night and Long Road to the Oscars with $800K

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And now the long road to the Oscars begins.

Steven Spielberg’s reimagining of “West Side Story” kicked off with Thursday night previews totaling $800,000. That’s a little soft but not disappointing at all. The musical with rave reviews will play in 2,800 theaters starting tonight, about a thousand fewer than most wide releases these days.

“WSS” is a 20th Century release from “WSS” which means Disney is distributing it. So far Disney has done a pretty lousy job with 20th releases. But the pressure must be on to make “WSS” a hit. There’s a potential here for a record number of Oscar nominations. Many have praised the new edition as better than the original classic. So we should big numbers over the holidays.

Get out and see a movie this weekend. We now have “WSS” and “Belfast” in theaters. Wear a mask, big deal. Sit a seat apart from strangers. But get away from the TV set and the computer!