Monday, December 22, 2025
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Three Hour Japanese “Drive My Car” Wins National Society of Film Critics, Group Seeks to Make Awards Even More Irrelevant

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I wish I knew what the point was of all this: the National Film Society of Critics voted Best Picture to “Drive My Car,” an almost three hour Japanese film that most people know nothing about. It’s a very good film, and a long one, but it was already named Best Picture by the New York and Los Angeles film critics groups. So what’s the point?

Best director went to the film’s director, Ryusuke Hamaguchi. Best actor went to the star of the film, Hidetoshi Nishijima. “Drive My Car” also won Best Screenplay.

Best Actress went to Penelope Cruz of the Spanish film, “Parallel Mothers,” which I support totally. Best supporting actor went to Anders Danielsen Lie, of the Norwegian film, “The Worst Person in the World.” Only Ruth Negga, who won supporting actress for “Passing,” counts English as a first language (she’s Irish, born in Ethiopia).

Because the NSFC gave “Drive My Car” Best Picture, they didn’t choose a Foreign Language Film from a wide field of deserving pictures.

Frankly, this was a big “f-you” to American and British filmmakers and films made in English. It was the same to the larger film going audience. The NSFC could have shaped the conversation about a group of films headed to the Oscars and struggling at the box office. But the message is “We’re so cool we don’t have to like anything you’re being offered.” So why should anyone bother going to theaters if the critics say forget it?

I’m not talking about giving awards to blockbusters like “Spider Man” or “No Time to Die.” With good movies from Spielberg, Branagh, Campion, PTA, Joel Coen, Villeneuve, Miranda, Sorkin, not mention “CODA,” and so on, it’s kind of insulting to thumb your nose at your own business. (I’m not supposed to say this, but the film critics still don’t get if they don’t support the movie business, they will be out of jobs.)

Anyway, Cruz and Negga could proceed from here to the Oscars since they’ve been nominated before and have some standing. But the two winning actors I doubt will get that far. And “Drive My Car,” a very good film, should be in Best Foreign Language Film. As well, this means that other really good foreign films, like “A Hero” and “Parallel Mothers,” were denied some good publicity from being selected in that now excised category.

I know there’s a Film Twitter feeling that “Drive My Car” will be “Parasite,” win Best Picture and really up-end the film business. If that’s how the Oscars seem like they’re going, no one will watch the broadcast on March 27th. This is what’s happened to the Emmy Awards: the statues go to shows with small audiences, minuscule, no one watches the Emmys as a result. If the point is to make all this irrelevant, we’re headed in that direction very fast.

Great News: Penelope Cruz’s Oscar Chances Leap After Winning Best Actress from National Society of Film Critics (Updating)

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This is great news. The National Society of Film Critics has voted for Penelope Cruz for Best Actress in “Parallel Mothers.”

I said from the beginning she should win the Oscar. This ups her chances into the top 5, which now I think consists of Nicole Kidman, Jennifer Hudson, Jessica Chastain, and Lady Gaga. (Sorry, Kristen Stewart fans.)

Pedro Almodovar, of course, wrote and directed “Parallel Mothers,” which wasn’t chosen by Spain as their official Oscar entry. But it should be a Best Picture nominee. Sony Pictures Classics must get this movie into voters’ hands and step up the press.

UPDATING winners from this group, Keep refreshing!

BEST SUPPORTING ACTRESS Ruth Negga, “Passing” — another great choice

BEST ACTOR, Hidetoshi Nishijima for “Drive My Car” — inspired choice

BEST SUPPORTING ACTOR Anders Danielsen Lie, THE WORST PERSON IN THE WORLD

BEST CINEMATOGRAPHY  Andrew Droz Palermo, THE GREEN KNIGHT — an offbeat choice

(Listen) Marilyn Bergman and Husband Alan Also Wrote 3 Classic TV Theme Songs Including “Maude” and “Good Times”

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Marilyn Bergman and her husband, Alan Bergman, wrote the lyrics to Oscar winners, hit songs, everything you can imagine from “The Way We Were” to “The Windmills of Your Mind.”

But they also wrote the lyrics to three famous TV themes: “Good Times,” “Maude,” and “Alice.” If you wanted an evocative lyric in the Golden Days of songs, you went to the Bergmans. They were the gold standard along with Hal David (who wrote with Burt Bacharach) and Comden and Green from Broadway. Alan, born in 1925, is hanging in there. But a great chapter is coming to an end.

Two of the shows were produced by Norman Lear, of course, “Good Times” and “Maude.” The 99 year old producer wrote on Twitter:  “There was only one Marilyn Bergman. No one knew that more than her husband and partner in music, Alan. To those of us who loved the Bergman’s lyrics, Marilyn takes a bit of our hearts and souls with her today.”

RIP The Great Song Lyricist Marilyn Bergman, 93, Wrote “The Way We Were” And Many Other Hits

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The great lady and lyricist Marilyn Bergman has died at age 93 in Los Angeles. She and her husband, Alan, wrote the words to dozens of memorable hit songs starting with “The Way We Were.” (Alan is still alive.) The couple was like family to Barbra Streisand, who recorded albums of their songs. They were also philanthropists and popular personalities in the music biz and Hollywood. Marilyn was one of the greats. What a week!

The Bergmans won Oscars for the songs “The Windmills of Your Mind,” “The Way We Were” and for the score for “Yentl.”  The couple was nominated 16 times- for such songs as “It Might Be You” from “Tootsie,” “How Do You Keep The Music Playing?” from Best Friends, “Papa Can You Hear Me?” and “The Way He Makes Me Feel” from Yentl,” and “What Are You Doing the Rest of Your Life?” from “The Happy Ending.” My favorite– and a lot people will say this– is “The Windmills of Your Mind” from “The Thomas Crown Affair.”

Here’s another hit take of “The Way We Were” music by the late Marvin Hamlisch

I was lucky enough to witness this recording of a Bergman song:

 

Sidney Poitier’s Family Official Statement: “our guiding light who lit up our lives with infinite love and wonder”

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Here’s the official statement from the family of Sidney Poitier who died today at age 94. PS I really hope Poitier’s publisher, Knopf, will reissue his autobiography from 1981, “This Life.” It’s way out of print and should be back in circulation.

Statement from the Poitier family:

There are no words to convey the deep sense of loss and sadness we are feeling right now. We are so grateful he was able to spend his last day surrounded by his family and friends. To us Sidney Poitier was not only a brilliant actor, activist, and a man of incredible grace and moral fortitude, he was also a devoted and loving husband, a supportive and adoring father, and a man who always put family first. He is our guiding light who lit up our lives with infinite love and wonder. His smile was healing, his hugs the warmest refuge, and his laughter was infectious. We could always turn to him for wisdom and solace and his absence feels like a giant hole in our family and our hearts. Although he is no longer here with us in this realm, his beautiful soul will continue to guide and inspire us. He will live on in us, his grandchildren and great-grandchildren—in every belly laugh, every curious inquiry, every act of compassion and kindness. His legacy will live on in the world, continuing to inspire not only with his incredible body of work, but even more so with his humanity.

We would like to extend our deepest appreciation to every single one of you for the outpouring of love from around the world. So many have been touched by our dad’s extraordinary life, his unwavering sense of decency and respect for his fellow man. His faith in humanity never faltered, so know that for all the love you’ve shown him, he loved you back.

“30” (End): Lin Manuel Miranda Ends Adele’s Six Week Run at Number 1 with Disney “Encanto” Soundtrack

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Adele’s six week run at number 1 on the album charts is over.

The singer’s “30” finished in second place this week with 56,283 copies sold according to hitsdailydouble.com.

In journalism, “30” means “the end,” a marking at the end of stories. For “30,” this week is a “30.” And the Adele album won’t be returning anytime soon. Next week’s number 1 album was released today, The Weeknd’s “Dawn FM.”

Who deposed Adele? Why, “Hamilton” creator Lin-Manuel Miranda. His soundtrack to Disney’s “Encanto” sold 69,948 copies and took the number 1 spot. The soundtrack’s success is driven by a track called “We Don’t Talk About Bruno,” which is being eyed for an Oscar nomination for Best Song soon.

Lin-Manuel has had quite a year. In addition to “Hamilton” being filmed for Disney Plus, his “In the Heights” was released last June. Adding to “Encanto” right now is Miranda’s film directorial debut with “Tick Tick Boom” on Netflix. That film may be a Best Picture nominee, and Andrew Garfield is in the running for Best Actor.

Adele will try to reclaim some heat for “30” with a video for “Oh My God,” coming January 12th. But that track has already been somewhat exhausted. We’ll see what happens…

The Weeknd, aka Abel Tesfaye, Soars to Number 1 with New Album, Single “Sacrifice”(Listen, Watch)

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The Weeknd is the biggest R&B star in the world, bigger than Drake and everyone else. His new album, “Dawn FM,” is number 1 and the single, “Sacrifice,” will be by the end of the day. Tesfaye is definitely enamored of 80s synth pop groups OMD and Depeche Mode. But he makes it work.

John Legend Is Latest to Sell Catalog, But It’s Not on the Same Scale As Legacy Rock Stars Recent Bonanzas

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It’s reported that John Legend has sold his catalog and royalty rights to BMG Rights Management and investment firm KKR.

But despite everyone appreciating John Legend’s talents, I’m not sure what he sold. He hasn’t had a hit record in a long time. His biggest hits were “All of Me,” and “Ordinary People,” about a decade ago. His Oscar song with Common, “Glory,” was from the movie, “Selma,” but it’s not really played on the radio. His other hit single, “Save Room,” was a sample of the 60s hit, “Stormy,” written by Buddy Buie and James B. Cobb, Jr. of the Classics IV.

Legend’s bread and butter is live performances, either on tour or one offs for private customers. He  also does a lot of TV, which pays something.

But Legend’s catalog is not on a par with Springsteen, Dylan, or most of the others who’ve cashed in lately. I hope he got a good price. I’ll bet he needs some cash. Legend, whose real name is John Stephens, recently invested in the Broadway show, “Ain’t Too Proud.” The show is closing January 16th. Legend also just changed record labels after 16 years, moving from Columbia to Universal. What he should release next is a live album of all the covers he’s done at charity functions, etc. He’s brilliant at them.

Congratulations, Everyone, You Wanted a #FreeBritney And This Is What You Get

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I can’t reproduce Britney Spears’s Instagram posts. Google has a robot censor which will come running after me.

But this what you get, all you people who wanted a #FreeBritney. You get an exhibitionist who poses naked on the internet, a continuous burlesque act from a 40 year old woman who is mentally unwell.

For years, Britney was quiet because of her conservator. Sure, she was ripped off. But she was prevented from embarrassing herself. Prior to the conservator, Britney was on the front page of every tabloid daily. Why? Because she was out of control, and causing damage to her sons.

Now those sons are teenagers and this isn’t funny. Britney has no education. She has nothing to fall back on. She wasn’t a very good singer. She was a burlesque dancer. And now we’re going to get these kinds of public displays until the sons are old enough to get a restraining order. I think it’s very sad.

First Look: “MJ,” The Michael Jackson Musical, Poised to Be a Major Hit if the Pandemic Doesn’t Do It In

“Spider Man” On His Way Home: The Web Starts to Unravel as Mega Hit in Daily Box Office Decline

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The great, dizzying success of “Spider Man: No Way Home” is coming to an end.

Yesterday the mega hit earned just $3.925 million, which is a lot for a Wednesday but the continuation of a sudden decline.

Is there anyone who hasn’t seen this movie who wants to? I doubt it. And a few times, at that. The total box office is $635,736,417. In 21 days, “No Way Home” has become the 8th most successful movie in history.

But all good things must come to an end. Starting this past Monday, “NWH” dropped 55%, and kept going day to day. With the Omicron raging, and the audience pretty much fulfilled, “No Way Home” will drop even further this weekend. The irony is that it could be the number 1 movie because of the environment and lack of releases. But Peter Parker and pals are ready to wrap it up.

Now maybe people with cabin fever will go sample the really great films available to them in safe theaters: “West Side Story,” “Belfast,” “Parallel Mothers,” have some fun with “House of Gucci,” even try “Nightmare Alley.” Up your game, folks, it’s worth it!