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Will Smith Says He Didn’t Apologize to Chris Rock in Speech for Oscar Slap Because “I was fogged out”

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Four months after he slapped Chris Rock during the Oscars telecast, Will Smith finally has something to say. He’s posted a video to Instagram — in the most difficult way to disseminate — in which he really doesn not make the situation better.

Smith was suspended from the Motion Picture Academy for 10 years for the slap. His career is in the toilet. Apple does not know what to do with a very expensive release called “Emancipation.” Everything is up in the air. Smith is a pariah. Does this video help? You tell me.

There’s a certain arrogance in the way this was done. It’s all scripted. Smith is not being interviewed by an objective party. He controls the narrative. Nothing else can be asked or explored. Consider that.

Beyonce Drops Her “Leaked” Album, “Renaissance,” Complaints Begin About Unlicensed Samples

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“Renaissance” is here.

To drum up interest, the Beehive launched a rumor that the album had been “leaked.” Poured is more like it. This was a brilliant PR move. It brought attention to the album’s release and made Beyonce seem like an injured party. But that was some leak. No one saw a drip of it.

Now comes the album, which will go straight to number 1 tonight on iTunes, Apple Music, Spotify, etc. But what is “Renaissance” besides a collection of sampled songs reimagined by Beyonce’s team?

First of all, there’s already a controversy. Singer songwriter Kelis is complaining that Beyonce took a sample of one of her songs without clearing it. Beyonce’s song, “Energy” samples “Get Along With You” and Kelis is calling it “theft.” She isn’t listed as one of the producers, composers, or lyricists on the sampled song.

That will only be the beginning. You can’t be the Queen of Soul with stolen material. Kelis wrote on social media: “My mind is blown too because the level of disrespect and utter ignorance of all 3 parties involved is astounding. I heard about this the same way everyone else did. Nothing is ever as it seems, some of the people in this business have no soul or integrity and they have everyone fooled.” She later wrote: “it’s not a collab it’s theft.”

I’ve already told you that every track on “Renaissance” is built on obscure, older music that Beyonce’s team has reworked to make it just for her. The first single, “Break My Soul,” is based on two disco hits. “America Has a Problem” comes from a 1990 track. And so on.

The problem is that Beyonce no longer has outside advisors and takes advice from no one. “Renaissance” will not win her a Grammy this way. And she will only have herself to blame.

Joni Mitchell’s Surprise Newport Show Sends 4 Albums onto iTunes Top 100, Plus 1 Single

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Joni Mitchell’s surprise appearance this past weekend at the Newport Folk Festival has sent her records up the charts.

Five albums have entered the iTunes Top 100. And one single, “Both Sides Now,” is number 21 on the iTunes singles chart.

The four albums are “Blue,” “Hits,” “Both Sides Now,” “Court and Spark.” New fans are missing out on “The Hissing of Summer Lawns.”

So flying across the country and putting on a show with Brandi Carlile has turned out be a great success for Joni.

Meantime, Rhino just announced their releasing a box set of what some of us consider her best albums, from Asylum Records, on September 23rd. Those are “Hissing,” “Court and Spark,” “For the Roses,” and the live album, “Miles of Aisles.” Believe me, you want this box. Joni never listed a producer on the original releases, but later, in the 00’s, she finally conceded she was her own producer. (The late Henry Lewy was the engineer.)

Rhino today released the remastered single “You Turn Me On (I’m a Radio)” from “For the Roses.” And here it is:

Golden Globes Taken Over by Company That Owns Dick Clark Productions, Hollywood Reporter

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The Golden Globes aka the Hollywood Foreign Press Association, has finalized a deal long in the making with Eldridge Industries to take them over.

Eldridge is a corporate name for companies owned by Todd Boehly, who also owns MRC, the entity that owns Dick Clark Productions, the company that produces the Golden Globes for NBC. MRC is also partnered with Penske Media in ownership of the Hollywood Reporter and Billboard.

When the HFPA fell apart two years ago over diversity and financial practices, Boehly — who already had acquired Dick Clark Productions — made the offer to acquire the HFPA and the Globes. It sounds like conflict of interest but it also makes sense. The Globes are more of a TV production than a legit awards entity. If Boehly can straighten their sketchier aspects, he can own the Globes and produce them.

Eldridge — which sounds like it should be manufacturing farming chemicals — says it will “create a new private entity to manage its Golden Globes assets and preserve its charitable and philanthropic programs in a separate non-profit entity.”

The Globes already operate to two 501 c3 foundations under the Hollywood Foreign Press Association. As they have been paid tens of millions of dollars in licensing fees by NBC, the HFPA has been very charitable over the years so they can maintain their not for profit status. Usually around this time every summer they announced a bunch of grants and donations with a luncheon at the Beverly Hills Hotel.

According to a press release sent on PR Newswire and not from a private publications firm:

“The proposal was offered by Eldridge Industries LLC (“Eldridge”), a global firm that makes investments in various industries including insurance, asset management, technology, sports, media, real estate, and the consumer sector. The plan involves the creation of a new private company, which would acquire all rights for the Golden Globes intellectual property and be empowered to oversee the professionalization and modernization of the Golden Globe® Awards.

“The transition will include the development of staff and an executive team to lead the new organization. Additional Golden Globes® voters will also be added to increase the size and diversity of the available voters for the annual awards.”

There’s a lot of mumbo jumbo here. They even put together a panel of three people to evaluate diversity at the HFPA. The fact is the HFPA was always diverse in the sense that it had members from many different countries. It just didn’t include African Americans or Black people from those countries. They also weren’t particularly interested in Black movies or actors.

All the mumbo jumbo is designed to get NBC back on board for a Golden Globes show next winter. Since the Critics Choice Association took Sunday, January 15th for their show on the CW (and CBS should pick it up if they were smart), the Globes could air a week earlier on January 8th. But that require not just the approval of NBC but cooperation of studios and publicists. Many of those are just as happy not to have to deal with HFPA, period.

So stay tuned t see if Boehly’s influence as part owner of the Hollywood Reporter and Billboard will be enough to bring everyone around. It may very well work. The studios, in particular, want the extra value of “Golden Globe nominated” on ads at Christmas time, so they may acquiesce and the awards show– which is admittedly fun– could return this winter.

Tony, Emmy Winning Actress Mary Alice Passes Away, Star of the Original “Fences,” TV’s “A Different World”

Mary Alice, the great theater actress with a long TV and movie resume, has reportedly passed away. She was between 80 and 85 and had retired in 2005.

But before that retirement, Mary Alice was the consummate actor, winning the Tony for Best Featured Actress in a Play in 1987 for the original production of “Fences” on Broadway. She was nominated for one other Tony and had a slew of awards and accolades.

Born Mary Alice Smith, the soft spoken, sweet star was better known to TV audiences in the 1980’s and early 90s for runs on “A Different World,” “The Cosby Show,” and “I’ll Fly Away.” She won an Emmy award for the latter show. You can find one of her winning performances in a terrific gem of a film with Alfre Woodward called “Down in the Delta.” She was also featured in “Matrix Revolutions” and “Awakenings.”

Even after her retirement I ran into Mary Alice several times at Broadway shows. She was a total sweetheart and will be much mourned and missed by the theater community. She was inducted into the American Theatre Hall of Fame in 2000.

Madonna Says She Won’t Sell Her Song Catalog, But It’s Because She Doesn’t Own It

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Madonna’s getting headlines today because she told Variety she won’t sell her song catalog.

Um, that’s because she doesn’t own it.

Most of Madonna’s hits were written entirely by other people, or she has a co-writer credit. Only three songs in her catalog carry just her name: “Everybody,” “Lucky Star,” and “Burning Up.”

Big hits like “Like a Virgin” and “Material Girl,” had completely different writers.

All the other hits have collaborators who actually composed the songs. They are Stephen Bray, Pat Leonard, William Orbit, Mirwais, and Shep Pettibone. “Ray of Light” was a sample from another record.

Madonna could, I guess, sell her half or third of songs she’s credited with. But the other songwriters would have to be involved. When Madonna was inducted into the Rock and Roll Hall of Fame she acted as if she’d written all the songs herself. She never mentioned anyone else.

Does she know all this? Oh, yes. Most of her last tour, the Madame X project that went to theaters, concentrated on newer or more recent music and not so much on things like “Borderline” or the really popular songs because she didn’t want to pay royalties or licensing fees.

Madonna, in fact, is in the same boat as a lot of singers who don’t write their own material. She gets nothing from plays of those original hits on the radio just as a singer. That’s why she eventually started adding her name to credits. Performers are not paid for radio play, only writers of songs. Madonna only got wise to that after her first couple of albums — same as Celine, Mariah, Adele. And that’s why Whitney Houston’s estate is so thin. She did not do that.

Where does all that money come from? Madonna has her fortune from touring, plain and simple. Ditto Barbra Streisand. Unlike Joni, Carly, Carole, who wrote all their songs. Even Aretha wrote a lot of her own hits.

As always, take Madonna’s proclamations with a big grain of salt!

Toronto Film Fest Stuffed with Hits from new Spielberg to Viola Davis to Harry Styles

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The Toronto International Film Festival just announced their main roster, and it’s a winner.

TIFF 2022 is stuffed with hits and stars. Take a look as we update. Congrats to our old pal, Joanna Molloy. Her book, “The Greatest Beer Run Ever,” has been turned into a movie directed by Peter Farrelly. Can’t wait to see it!

GALA PRESENTATIONS 2022
*Previously announced
Alice, Darling Mary Nighy | Canada, USA
World Premiere
Black Ice Hubert Davis | Canada
World Premiere
Butcher’s Crossing Gabe Polsky | USA
World Premiere
The Greatest Beer Run Ever Peter Farrelly | USA
World Premiere
The Hummingbird Francesca Archibugi | Italy, France
World Premiere
Hunt Lee Jung-jae | South Korea
North American Premiere
A Jazzman’s Blues Tyler Perry | USA
World Premiere
Kacchey Limbu Shubham Yogi | India
World Premiere
Moving On Paul Weitz | USA
World Premiere

Paris Memories Alice Winocour | France
North American Premiere
Prisoner’s Daughter Catherine Hardwicke | USA
World Premiere
Raymond & Ray Rodrigo García | USA
World Premiere
Roost Amy Redford | USA
World Premiere
Sidney Reginald Hudlin | USA
World Premiere
The Son Florian Zeller | United Kingdom
North American Premiere
Opening Night Film
*The Swimmers Sally El Hosaini | United Kingdom
World Premiere
What’s Love Got To Do With It? Shekhar Kapur | United Kingdom
World Premiere
*The Woman King Gina Prince-Bythewood | USA
World Premiere
SPECIAL PRESENTATIONS 2022
*Previously announced
Allelujah Sir Richard Eyre | United Kingdom
World Premiere
All Quiet on the Western Front Edward Berger | USA, Germany
World Premiere
The Banshees Of Inisherin Martin McDonagh | United Kingdom, Ireland, USA
North American Premiere
Blueback Robert Connolly | Australia
World Premiere
The Blue Caftan Maryam Touzani | Morocco, France, Belgium, Denmark
North American Premiere
Broker Hirokazu Kore-eda | South Korea
Canadian Premiere
*Brother Clement Virgo | Canada
World Premiere
*Bros Nicholas Stoller | USA
World Premiere
*Catherine Called Birdy Lena Dunham | United Kingdom
World Premiere
Causeway Lila Neugebauer | USA
World Premiere
Chevalier Stephen Williams | USA
World Premiere
Corsage Marie Kreutzer | Austria, France, Germany
North American Premiere
Decision to Leave Park Chan-wook | South Korea
North American Premiere
Devotion JD Dillard | USA
World Premiere
Driving Madeleine Christian Carion | France
International Premiere
El Suplente Diego Lerman | Argentina, Italy, Mexico, Spain, France
Empire of Light Sam Mendes | United Kingdom, USA
Canadian Premiere
The Eternal Daughter Joanna Hogg | United Kingdom
North American Premiere
*The Fabelmans Steven Spielberg | USA
World Premiere
*Glass Onion: A Knives Out Mystery Rian Johnson | USA
World Premiere
Good Night Oppy Ryan White | USA
International Premiere
The Good Nurse Tobias Lindholm | USA
World Premiere
Holy Spider Ali Abbasi | Denmark, Germany, Sweden, France
Canadian Premiere
Joyland Saim Sadiq | Pakistan
North American Premiere
The King’s Horseman Biyi Bandele | Nigeria
World Premiere
The Lost King Stephen Frears | United Kingdom
World Premiere
A Man of Reason Jung Woo-sung | South Korea
World Premiere
The Menu Mark Mylod | USA
World Premiere
*On the Come Up Sanaa Lathan | USA
World Premiere
One Fine Morning Mia Hansen-Løve | France
Canadian Premiere
Other People’s Children Rebecca Zlotowski | France
North American Premiere
Moonage Daydream Brett Morgen | USA
North American Premiere
*My Policeman Michael Grandage | United Kingdom
World Premiere
Nanny Nikyatu Jusu | USA
International Premiere
No Bears Jafar Panahi | Iran
North American Premiere
The Return of Tanya Tucker: Featuring Brandi Carlile Kathlyn Horan | USA
International Premiere
Saint Omer Alice Diop | France
North American Premiere
Sanctuary Zachary Wigon | USA
World Premiere
Stories Not to be Told Cesc Gay | Spain
World Premiere
Triangle of Sadness Ruben Östlund | Sweden, United Kingdom, USA, France, Greece
North American Premiere
Walk Up Hong Sangsoo | South Korea
World Premiere
Wendell & Wild Henry Selick | USA
World Premiere
The Whale Darren Aronofsky | USA
North American Premiere
Women Talking Sarah Polley | USA
International Premiere
The Wonder Sebastián Lelio | United Kingdom, Ireland
Canadian Premiere

(Watch) Ana de Armas Jumps Out Front for 2023 Oscar Race as Marilyn Monroe in “Blonde”

We have our first Oscar nominee for Best Actress, 2023: Ana de Armas as Marilyn Monroe in “Blonde.”

Yes, Michelle Williams was excellent in “MY Week with Marilyn.” But this movie icon has a lot of stories to tell.

Andrew Dominik has directed this NC-17 movie for Netflix.

Based on the novel of the same name by Joyce Carol Oates, “Blonde,” stars de Armas, Adrien Brody, Bobby Cannavale, Xavier Samuel, and Julianne Nicholson premieres on Netflix, September 28th.

Netflix should be happy. This has Oscar written all over it. And de Armas is thrilled that everyone will have forgotten “The Gray Man” by then.

Exclusive: George R. R. Martin Misses “Game of Thrones” Prequel Premiere After Getting COVID at Comic Con

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The one person missing from tonight’s “House of the Dragon” premiere was author George R. R. Martin. At the screening of the “Game of Thrones” prequel at the Academy Museum, HBO chief Casey Bloys announced that Martin, 73, contracted COVID at Comic Con in San Diego over the weekend.

There was a gasp in the audience but everyone was assured that Martin was okay and would recover. Martin had spent too much time being adored by fans up close and in person.

Meanwhile, all focus was on the “Game of Thrones” prequel which was met with thunderous applause and enthusiastic comments when the screening was done. The entire cast was on hand including Matt Smith, who told our Leah Sydney that playing Prince Daemon Targaryen isn’t dissimilar to playing Prince Philip in “The Crown.” Smith said, “It’s not that different, I still wear a wig and I bow.” (The show takes place 200 years before the events we saw at Westeros.)

“House of the Dragon” debuts August 21st on HBO Max as a series, and should be a blockbuster. My big question from 3,000 miles away was about the music since the “GoT” theme and the rest of the score became its own character in the first series. I am assured it’s similar and “excellent.”

There is no question that this is a big deal for Warner Discovery, new owner of HBO. Among the guests was David Zaslav, who now owns and runs the entertainment empire, and Chris Licht, president of CNN under Zaslav.

Keep refreshing for updates…

Demi Lovato Strikes Out with First Two Singles Leading Up to August Album Release

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Demi Lovato and Scooter Braun have a big problem.

So far, the lead up to Lovato’s August album release has been a bust.

Lovato — managed by Scooter Braun — is planning to drop her 8th album on August 19th. She’s actually calling it “Holy F*ck” but spelled out.

As a prelude she’s released two singles. They’ve fallen flat. The first single was called “Skin of My Teeth.” A kind of Joan Jett-Runaways punk number, “Skin” sold 45.380 copies according to Luminate/MusicConnect. It never charted.

I was surprised to learn a second single appeared on July 14th called “Substance.” In 10 days sales have come to just 11,313.

That the singles have failed should make the powers that be at Island Records/Universal Music nervous as heck. The songs so far don’t seem to be working and there’s no buzz around “Holy F*ck.”  The title is a big problem, obviously, because it can’t be used on radio or in print.

The music is an issue, too. Lovato has a tremendous voice. Her fans want anthems and love songs, not Joan Jett. It didn’t work out well for Miley Cyrus with “Plastic Hearts” and it was almost a career killer for Kelly Clarkson years ago.

The only thing that could save Lovato is having a big passionate anthem on that album that can be used as a third single.

Here’s “Substance,” which drops  F bombs, has no chorus or actual melody, and sounds like a record radio wouldn’t play in 1979.  Otherwise, it’s great.