Saturday, December 27, 2025
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Review: Dionne Warwick Doc “Don’t Make Me Over” Proves CNN Should Keep Showing Films

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CNN recently announced it was killing all its original programming including its terrific documentary division. Seeing “Dionne Warwick: Don’t Make Me Over” debut tonight as part of the final season made clear that David Zaslav is making a big mistake. This kind of film is exactly what helps give CNN value added, and class.

“Don’t Make Me Over” debuted at the Toronto Film Festival in September 2021 and almsot got lost because of the pandemic. Directed by Dave Wooley and David Heilbroner, the film is long overdue. Dionne Warwick is a national treasure, a legendary singer and AIDS activist who has long been outspoken and forthright. Her work with Burt Bacharach and Hal David on dozens of classic songs still resonates today. Then she had a rare second career with Clive Davis, producing even more hits. (The only hit not mentioned in the film is “Then Came You,” with the Spinners, still heard daily around the world.)

Recently, Dionne discovered Twitter, and owned it. She even asked for a meeting with Elon Musk. This resulted in “Saturday Night Live” sending her up in a sketch with Ego Nwodim called “The Dionne Warwick Show.” Lorne Michaels should really have her on to sing, ratings would go through the roof.

Dionne comes from a famous music family. Her late mother and Cissy Houston were sisters, making Dionne and Whitney Houston first cousins. Cissy and Dionne’s mother were part of a family group called the Drinkard Singers which also included Dionne’s talented sister, Dee Dee Warwick. Cissy went off to sing with Aretha Franklin, Dionne became a star on her own, even Dee Dee had hits in the 60s. There was no denying this family. Their talent is magical– and hard earned.

The documentary is very well done, cutting between some older unseen interviews, newer pieces, and concert footage. Burt Bacharach, who is 94, is heavily featured in a recent interview (his lyric writer, the great Hal David, sadly passed a few years ago). Burt and Dionne didn’t always get along, but they reached dizzying heights together. After a falling out, they had a rapproachement. (Believe it or not, neither of them has a Kennedy Center honor. They should be inducted together, immediately.)

Also featured in the film are Elton John, Stevie Wonder, Gladys Knight, Clive Davis, Alicia Keys, Barry Gibb, Quincy Jones, and many people from the music business who were there along the way as Dionne took off in the 60s and never looked back. The directors have done a skillful job of weaving together archival footage with clips, photos, and so on. More importantly, we learn some interesting things including how Marlene Dietrich took Dionne under her wing and turned her into a fashionista in Paris. We also hear some upsetting stories about Dionne fighting racism on the road and elsewhere, including how Dionne’s European record company put a picture of a blonde, blue eyed girl on her first record jacket there instead of showing that she was Black. You better believe Dionne set them straight!

The film also details how Warwick got Bacharach and Carole Bayer Sager‘s “That’s What Friends Are For” turned into a money making anthem for AIDS fundraising. Bravo! Plus, there’s a Dionne Warwick Institute in East Orange, New Jersey teaching leadership to students. And these are just layers of Dionne that people don’t know about, like calling a meeting at her home with Snoop Dogg and other rappers to get them to stop using misogynistic lyrics. Snoop is interviewed about it, too.

CNN doesn’t realize what a service they performed tonight showing this film– they must keep doing this. There are no politics in documentaries like “Don’t Make Me Over.” It’s history, biography, arts; and culture. And if they’re not going to advance those things in this kind of forum, 24 news otherwise has no context.

Listen to This Grammy Nominee for Jazz, Big Band: Steve Gadd, et al’s Surprising “Center Stage” is a Winner

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There are so many jazz categories in the Grammy voting this year. But one stands out, and that’s in Best Large Jazz Ensemble Album. There’s an album in there that I love call “Center Stage” from a WDR Big Band conducted By Michael Abene featuring Steve Gadd, Eddie Gomez, and Ronnie Cuber. Listen to this, just great!

Rolling Stone Vomits Up a Random, Clickbait List of Top 200 Singers with Sinatra Only at 19, Streisand 147: Do They Know What Singing Means?

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Rolling Stone is looking for clicks this morning, issuing their list of the 200 best singers of all time.

It’s ludicrous, don’t waste your time.

Of course, I agree Aretha Franklin is number 1 just as she was in 2010, the last time they pulled this stunt.

But the 200 singers doesn’t include a raft of people who can actually sing. and have been praised for it. It includes a bunch of performers who are talented musicians but screech like hoot owls. I don’t think Rolling Stone understands what singing really means.

They’ve got Frank Sinatra at number 19, and Barbra Streisand at 147. So start there.

The editors have leaned heavily on R&B but have omitted three of the greatest soul singers of all time: Sam Moore of Sam & Dave, Marvin Junior of the Dells and — my god — Levi Stubbs of the Four Tops. It’s just not a list without them. How about Ben E. King? Jerry Butler? Mary Wells?

I think they leave names off just to make people click on the list and write angry emails. Don’t bother. But real singers like Phoebe Snow and Sting aren’t there. Elvis Costello is missing, so are Crosby, Stills, & Nash— aren’t they known for their singing? (But Neil Young is?) Ann or Nancy Wilson from Heart?

How about a great female voice of folk: Judy Collins? (Joan Baez is buried way down at the end!) Did I miss Cher, Jackson Browne, and James Taylor? Let me know if I did. Johnny Mathis? Nat King Cole? Natalie Cole? Harry Nilsson? Dionne Warwick? Roberta Flack?

Tony Fucking Bennett?????? Celine Dion!

OK, so please don’t click there. No link. Nothing, Just ignore!

New Year’s Eve Box Office: Only “The Fabelmans” Was UP from Friday, Everything Else Was Down!

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Well, here’s a weird statistic.

Last night, New Year’s Eve, every single movie in the top 10 was down from the previous night except one: “The Fabelmans.”

The Steven Spielberg dramedy was UP 25% from Friday night. More smart people on New Year’s Eve decided they wanted to see this wonderful film.

Everything else including “Avatar 2,” “Black Panther 2,” and “Puss in Boots” was down around the same average amount: 25 percent.

“The Fabelmans” is available on VOD Amazon Prime, etc for $19.99. But it’s also still hanging in there at theaters, waiting for awards — Critics Choice Jan 15 Golden Globes Jan 10, and then Oscar nominations January 24th. It’s my favorite movie of the year.

The biggest drop last night from Friday was “Violent Night” — 31%. I guess New Year’s revelers didn’t want to be scared!

RIP Anita Pointer of the Pointer Sisters, 74, One of the Founders, “Jump,” “Automatic,” “I’m So Excited” Among Hits

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Terrible way to start the new year with news of another death.

Anita Pointer, who founded the Pointer Sisters with her real sisters June, Bonnie, and Ruth, has died at age 74.

Her publicist says she was surrounded by family, but does not give a cause of death.

Here’s the family statement: “While we are deeply saddened by the loss of Anita, we are comforted in knowing she is now with her daughter, Jada and her sisters June & Bonnie and at peace. She was the one that kept all of us close and together for so long. Her love of our family will live on in each of us. Please respect our privacy during this period of grief and loss. Heaven is a more loving beautiful place with Anita there.”

The Pointer Sisters hit it big in the early 70s with hits like “Yes We Can Can” and “Betcha Got A Chick on the Side.” They were R&B favorites.

But then they hooked up with star producer Richard Perry and their lives changed. Beginning with a cover of Bruce Springsteen’s “Fire,” the Pointers had hit after hit with “Jump,” “I’m So Excited,” “Slow Hand,” “Automatic,” “Dare Me,” “He’s So Shy,” “Neutron Dance,” and so on. They were atop the music industry for a full decade after that.

What a shame. I loved the Pointer Sisters so much in the mid 80s, they were the perfect combination of R&B, funk, and disco. And they could sing like crazy! Condolences to Anita’s family and friends.

ABC Turning Over New Year’s Day to Barbara Walters with Two Hour Special at Night, Tributes All Day

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ABC is turning over all of tomorrow basically to Barbara Walters. That’s as it should be, I guess. She filled their hours over decades with celebrity specials and exclusive interviews.

Sunday night from 8 to 10pm there’s a two hour special featuring all of her greatest hits. There are interviews with all of the ABC News people including, and this should be good, Diane Sawyer. Barbara was incredibly competitive with Sawyer, often demanding that she get first crack at big name interviews. Sawyer’s no slouch, so they really went mano a mano.

All day tomorrow as well on ABCNews.com there will be highlights from Walters on “The View.” Barbara had a unique deal on “The View.” She co-owned it with the network. When they forced her out in 2013 they had to buy her out also. She lost control of the show after steering it from day one when she invented it.

And then of course when “The View” returns live next week, we’ll see rending of garments, and so on from Whoopi and Joy — I don’t think the others even knew Barbara — and maybe we’ll see some of the other former hosts show up. Barbara didn’t have much use for Elizabeth Hasselbeck or Debbie Matenopolous, but I’ve no doubt Walters is their personal hero now.

Sorry to be cynical, but the after glow today is a little blinding considering what really went on. Let’s see how long this love fest lasts.

Friday Box Office: “Avatar” Crossing $400 Mil Line, “Whitney Houston” Building, “Babylon” Babbling

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Friday night box office:

Today, right now as you read this, “Avatar 2” is crossing the $400 million line domestically. In other day it will overtake “Black Panther 2” as it steams ahead on its blue path. These are not Best Picture movies, they are landmarks. They’re spectacles, and their outsized earnings are the reward. They will each get craft nominations galore, which they richly deserve.

Another very entertaining film is also bringing in audiences: “Whitney Houston: I Wanna Dance with Somebody.” The take after 8 days is just over $12 million. There seems to be a steadily building business here. The upbeat take on Whitney Houston’s life still has an incredibly strong 92 on Rotten Tomatoes audience meter. The fans love it!

In the mix: the very overhyped “The Whale” starring Brendan Fraser heading to $5 million today after 22 days in release. This is not a New Year’s Eve movie, it’s a big downer, so WARNING. Wait til tomorrow. You won’t want to have dinner after you’ve seen it.

“A Man Called Otto” starring Tom Hanks opened last night to $23,000 in four theaters. Also not a New Year’s Eve movie as Otto spends two hours trying to kill himself. Hanks is always spot on, but this isn’t a way to celebrate the changing of the calendar. Again, wait til tomorrow. Try “The Fabelmans,” “Banshees,” or “The Menu.”

And if you’ve got three hours, “Babylon” is still babbling on, but it won’t be for much longer. The gorgeous mess of a movie will see theater numbers cut on Thursday most certainly. So this is a good time to see it on the big screen.

Barbara Walters and Her Brief Marriage to the Mob: 3rd Husband Merv Adelson Was a TV Producer With Connections

But what about Barbara Walters’s short-lived nuptials to Lorimar Pictures president Merv Adelson in the mid-1980s? I wrote about all this in my Fox411 column in the 00s. Here it is:

In her much-hyped autobiography, “Audition,” the septuagenarian broadcaster makes short shrift of her time with Adelson, whose film and TV company brought us “Dallas,” “Knots Landing” and “Falcon Crest,” three of the biggest hits of the 1980s.

Adelson also was co-owner of a Southern California health spa called La Costa. His partner was Moe Dalitz, a self-described bootlegger, liquor-smuggler and gambling house operator. (Dalitz died in 1989 at age 90.)

I say self-described because that’s how Dalitz characterized himself on the stand when he and Adelson sued Penthouse magazine for libel in 1975 after the magazine published an article asserting that La Costa was a haven for criminals.

According to many reports, including one in Fortune magazine, La Costa was built on money borrowed from the Teamsters Central States pension fund, which once was controlled by Jimmy Hoffa.

When Dalitz testified, he also said, according to The New York Times, that “he knew or was friendly with a long list of organized crime figures, including Meyer Lansky, the reputed Mafia financier, and Sam Giancana, a Chicago mob leader who was murdered in 1975.”

Initially, Penthouse won the libel suit. According to The Times, “among the witnesses were a Mafia killer, Aladena (Jimmy the Weasel) Fratianno, and other ex-convicts who supported the Penthouse contention that La Costa was an organized crime center.”

The verdict was overturned on appeal and then settled out of court with a letter of clarification. The whole process took almost a decade, beginning in 1975.

According to The Times and other reports, Dalitz testified “he knew Mr. Giancana and that the Chicago mobster had been a guest at the Desert Inn in Las Vegas when Mr. Dalitz was a part owner of that hotel and casino.

“Dalitz said that he had met several people whom he would characterize as organized crime figures, including Mr. Lansky, Anthony (Big Tuna) Accardo, Jake (Greasy Thumb) Gusik, Abner (Longie) Zwillman and Benjamin (Bugsy) Siegel, who pioneered the Las Vegas gambling strip in the 1940s.”

There’s more about Morris Dalitz in mob history, but you get the gist of it. Still, no one ever accused Adelson directly of being in the mob or tied to the mob, just knowing and being partners with people who did business with the mob. There’s a big distinction.

Still, Walters, a savvy journalist, married Adelson in 1986. But the marriage never shook off questions about the mob — something that wasn’t helping Barbara’s reputation as a journalist.

Walters told me: “It was something other people were concerned about. I think it was unfair attribution to reputation. He’d had this difficult libel suit. It was something that clung to him. And there were people professionally and personally who were concerned.”

In 1986, right after they were married, the Wall Street Journal published a story citing a 1966 FBI report describing Adelson as being in “close association with the hoodlum element.”

The stories about Adelson and his associates started once again.

I did ask her if the marriage suddenly had shined a big light on his activities. For example, she’d hosted a big charity party at La Costa after their wedding that attracted guests from both sides of the aisle — her celebs, his Las Vegas cronies. There was a lot of negative press.

Walters said: “La Costa had a reputation for attracting members of organized crime. Merv was never a member of organized crime. He had nothing to do with that. When we were married, [the attention] happened because he wanted to buy a very large chain of [television] stations. The fact that he was married to me might have made him more vulnerable.”

The Journal story may have queered the deal for Lorimar to buy the stations. It cost the company $7 million and instigated several years of financial losses for Adelson. Within a year of his marriage to Walters, he sold both Lorimar and La Costa.

It’s unclear when they divorced. When I interviewed Walters for a magazine piece in the summer of 1991, they still had not legally filed legal papers. He lived in Los Angeles; her life was in New York. When they broke up, that was the given reason: distance. Walters writes in her book that “the marriage sputtered along” and that by September 1990 “it had run out of steam.”

Barbara Walters Flashback to 2013: She Told “I Wasn’t Retiring from Anything” After ABC Tried to Push Her Out

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Barbara Walters did not want to let go of “The View” or her career. This was ten years ago, she was 83, which was unheard of for a woman, and one in media.

Read my exclusive from back then right here.

Also, Barbara’s 2013 retirement was short lived, She came back in 2014 with a real get.

RIP Barbara Walters, Trailblazer in Media, the First Among All Women in Television News, Fought for Power in a Man’s Game

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There will be a lot of obits and reminiscences about Barbara Walters tonight. She has died at age 93 after several years of fighting old age, her greatest enemy.

There’s no question that Barbara was the trailblazer for women in all media. She did what no woman would do early on: she fought for her place among men in television journalism. She didn’t take no as answer.

Back in 1991, Barbara was at a crossroads at ABC. She was renegotiating her contract with Roone Arledge and she literally wanted to be on TV all the time. This was 30 years ago, so she was in her early 60s and had no idea of retirement. (This was before The View.) She wanted to do her show, “20/20,” and fill in on network news and on “Good Morning America.”

This was not easily accomplished. I was in her office doing an interview with her for Vogue. The story never ran. She had editorial control and didn’t like the personal questions I asked about her relationship with Roy Cohn, or anything about her father, the famous nightclub owner Lou Walters. She just wanted to push her agenda.

While I was there she took a call from Henry Kissinger, who helping in the negotiation. She was single minded in not letting some young freelancer come in and overturn her apple cart. I was mad back then but I can kind of understand it now. Cohn may have helped her with Nixon and with some familu things, but basically she saw herself as a lone ranger. No one had really ever helped her, and she was determined to continue her career proudly.

She signed the deal, she invented “The View,” she was competitive with Diane Sawyer like crazy and anyone else who got in her way. Men didn’t like that, and called her names. She didn’t care. She did it her way.

A few years ago, ABC tried to get her off The View and off the air because was old. They announced her retirement. Barbara wouldn’t have it. I ran into her when she got out of a cab at a Broadway show opening — she’d been going to a lot of them with her pal, Cindy Adams. I said, “Barbara, are you retiring?”

She looked at me sharply and said “Not on your life!”

If you can find a copy at this hour, Dan Rather wrote a great anecdote about Barbara from their days covering Nixon. I’m paraphrasing right now, but there was a long line of top reporters waiting to talk to Nixon or someone. Dan remembered that Barbara got on her hands and knees and crawled under the legs of all the correspondents until she got to the front of the line. And that’s the whole story of Barbara Walters in a nutshell.

PS When I say no one helped her, let me modify that. For two decades, Barbara had one key friend in the trenches, the columnist, Liz Smith. Liz promoted every one of Barbara’s segments on ABC, gave her exposure she’d never have had otherwise. Liz knew the transaction between them– they were business friends going to back to the early 60s. But they respected each other because they’d traveled similar paths to power in the most important city in the world. I really hope they’re having a stiff drink right now and doing their own reminiscing.