Friday, December 19, 2025
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Tragedy Pays: Rapper Travis Scott Sells Half Million New Albums After Beating Rap for 10 Astroworld Deaths, Thousands of Injuries

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Things have really worked out for Travis Scott, the rapper who’s involved with the Kardashians. (He’s scored two children with Kylie Jenner.)

His latest album sold nearly 500,000 copies last week and finished at number 1. It’s one of the highest single week sales of the year.

Apparently, his fans were able to separate the man from his real life. In 2021, Scott hosted the Astroworld fest in Houston. There was a riot. Ten people died, including a child, and thousands were injured.

But Texas justice prevailed. The DA was unable to pin Astroworld on Scott, who avoided an indictment and any prosecution. Whew!

Nevertheless, the families of the killed and injured are suing him. They’ve probably not bought his new album.

The DA, named Kim Ogg, didn’t sound too upset. “It is tragic that 10 innocent people were killed while trying to enjoy an evening of music and entertainment, something many of us do routinely and without a second thought to our safety. But a tragedy isn’t always a crime, and not every death is a homicide,” Ogg said in a statement. “This grand jury’s determination has no impact on the many civil lawsuits pending.”

Robert Hilliard, an attorney for 9 year old Ezra Blount’s family, will also not be be buying the album. He said in a statement in June when Scott skipped responsibility:

“There is clear culpability and gross negligent conduct committed by these various civil defendants directly resulting in deaths and serious injury,” Hilliard said. “Though disappointed the grand jury declined to find this conduct was criminal, Ezra Blount’s family will continue and wait for their day in court. A Harris County jury, once given an opportunity to see the damning evidence leading up to causing this tragedy, may very well return a record Texas verdict against these defendants.”

The top 10 albums include Scott and a couple from Morgan Wallen, who was caught using the N word on a video two years ago and was rewarded with huge sales. The number 1 single is still Jason Aldean’s racist song, “Try That in a Small Town.” The music business has surrendered all editorial control.

Trump Morning Rant: Says “Deranged” Special Prosecutor Jack Smith Taking Away First Amendment Rights with Protection Order

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It’s going to be a wild day in Trump Land.

Trump and his cronies have until 5 pm to file an answer to special prosecutor Jack Smith’s request for an order of protection — or rather why Judge Tanya Chutkan shouldn’t keep imposing it after this past Friday.

To gain sympathy from the judge, Trump has now posted new rants calling Smith “deranged” and claiming in all caps that he’d be losing his First Amendment rights. This is the same Trump who treated the press as Public Enemy Number 1 and used Fox News as his state network, and was abusive to reporters he didn’t like/

This may be a diversion from the coming indictment — number 4 — in Atlanta this week.

X-Citing: NC-17 Rated “Passages” About a Menage a Trois Scores Highest Per Screen Average this Weekend

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We haven’t a really good menage a trois movie in quite a while, have we?

So, welcome to “Passages,” directed by Ira Sachs and starring Franz Rogowski, Ben Whishaw and Adèle Exarchopoulos. “Passages” hails from indie distributor MUBI. It was rated NC-17 because they all have a lot of sex with each other. (The two guys are married to each other, Rogowski’s character also falls in love with Exarchopolous’s. Hilarity and fornication ensue.)

Over the weekend, “Passages” — only in theaters — had the highest per screen average of any movie — $21,333 in each of three theaters. I’m sure the number of theaters will grow next Friday. “Passages” has a very high 93 on Rotten Tomatoes.

It looks “steamy” from the trailer. MUBI — which is only six years old — has gotten a fast reputation for repping cutting edge films around the world — movies like “Drive My Car” and “Aftersun.” But “Passages” is their first one sent just to US theaters with no streaming as of yet.

NC-17 films used to be rated “X” and can’t be advertised in old school media like newspapers. But it’s a new world now with the ‘interweb’. Social media and the like have changed all the rules. Also, Sachs has a reputation for making daring films, so his name carries a lot of weight, too. Actress Exarchopolous also already has an NC-17 movie under her belt with “Blue is the Warmest Color.” Whishaw you know from James Bond movies, although he’s an important theater actor in the UK.

“Passages” was a big hit at Sundance last winter — of course — and soon everyone will see it. How well it does in theaters is almost beside the point. When it hits the MUBI streaming service, the company will have to buy extra bandwidth.

Donald Trump Has Sunday Morning Meltdown on Social Media, Attacking Judge in DC Case, Nancy Pelosi, Jack Smith: Contempt Coming?

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Let’s say Donald Trump is innocent of all charges in the DC case– inciting an insurrection at the nation’s Capitol. These are felony charges and they’re serious. Trump was told by the judge not to hop on social media and start attacking everyone involved.

On Friday. the Department of Justice — which would put a chill down the spine of any normal person who is in court with that office — obtained an order of protection against Trump which he has until Monday at 5pm to defend. And still he has posted the most inflammatory comments of all time on his social media, designed to get him some kind of contempt charge from the court. He’s not only going after Special Prosecutor Smith but also Judge Tanya Chutkan. That can only end badly!

That Trump calls anyone else “deranged” is laughable. He may wind up pleading mental illness, dementia, something because these are the Tweets (or whatever) of a sick man. I guess there’s always the chance he wants to go to jail now, to rile up his base, but even that seems like a conspiracy theory!

Box Office: “Barbie” Crosses the One “Barbillion” Line Today as Warner Bros. Is Out of the Red and In the Pink!

Yes, it’s true. The world is mad for “Barbie.”

Warner Bros. PR has coined the word “Barbillion.” And today, “Barbie” crosses that line worldwide and galactically.

A little less than half of that comes from the US, and “Barbie” isn’t over by a long shot. From now through Labor Day they will be in the pink! All the money they lost on everything else this year seems like a distant memory. Plus, they have the number 2 movie this week — the dreadful horror film,”Meg 2,” and “The Blue Beetle” about to not have a Volkswagen tie-in.

Keep refreshing…

“Billions” is Back This Week for a Final Season, And the Biggest Change is Condola Rashad’s Shortened First Name in the Credits

Fans of “Billions” love the character Kate Sacker, played by Condola Rashad.

For seven seasons Rashad has played Sacker with a great pedigree. She’s been nominated four times for Tony Awards. Her mother is Tony and Emmy winning Phylicia Rashad, her father is sportscaster and former NFL star, Ahmad Rashad.

But there’s a big change I noticed in the opening credits of the seventh and final season of “Billions.” Condola is now calling herself “Dola.”

“Dola” is what she’s been using for her music career. I guess with “Billions” ending, we’ll be seeing the emerging Dola on the music scene. I just hope Condola gets back to the stage soon. She’s a terrific actress!

As for Kate Sacker, we’ll have to wait and see what her fate is on “Billons.” Season 7 drops on August 8th.

Jamie Foxx Apologizes for Post that Seemed Antisemitic, It Was Just a Friend Who Betrayed Him

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Jamie Foxx is sorry for the poor wording of a post yesterday.

On Instagram he uncharacteristically ranted about a friend who did him wrong. But the way he worded it, some people took it as antisemitic.

Foxx immediately deleted the post. (I understood it to mean he found a mole in his group who was selling stories to the tabloids.)

Right now he writes:

Here was the previous post:

Box Office: “Barbie” Fever Cooling? Juggernaut Movie Drops 41% from Last Friday, But Still a Mega Hit

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“Barbie” fever may finally be cooling.

Last night the toy story made $16 million. That’s a 41% drop from last Friday’s $29 million. The party isn’t over, but the guests are starting to get tired and may be going home soon.

“Barbie” is expected to add a total of $50 million this weekend, bringing the bottom line to $457 million. That’s a huge amount of money and success — until of course all the marketing money is calculated in. No one’s talking about that yet.

Yesterday there was a report that Warner Bros. has no sequel plans because they didn’t sign up the principal players. But you can place a bet that there will be a sequel, everyone will return, and there will be plenty of gauze over the lenses to keep these actors looking young enough for the roles! Maybe a scenario for the sequel will focus on Barbie and Ken’s kids — although without genitals, that would be hard to explain!

Meanwhile, “Oppenheimer” fell only 38% from last week and has buzzed along to $208 million. Extraordinary.

Fired Days of our Lives EP Albert Alarr Claims Investigation Cleared Him, But Studio “Caved to a Cynical Pressure Campaign”

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Newly fired “Days of our Lives” executive producer Albert Alarr sent this statement through his rep. Alarr was the subject of an internal investigation about his conduct at the 58 year old soap. He says he was cleared in the investigation but the studio backtracked because of public pressure. The fact that 25 actors signed a petition against him, and that a few actresses went public, has to be counted into this episode.

Here’s Alarr’s statement:

“It is hard to overstate how heartbreaking I find this situation. 

“These allegations were already examined in a detailed and entirely independent investigation that lasted for two months. Dozens of individuals cooperated and every claim was thoroughly looked into. At the end of that process, the decision was made that I should continue in my role as Co-Executive Producer. Now, with no new facts presented, the studios have reversed course and caved to a cynical pressure campaign to force me out of my job. 

“It’s important to set the record straight. Every day, I worked with hundreds of people, the overwhelming majority of whom would disagree with recent mischaracterizations of me. I have been in this industry for decades, and not a single complaint has ever been made against me until now. 

“Many of the claims recently referenced in the media are simply false. Others have been taken so out of context or are so twisted that they are unrecognizable from the truth. 

“To be clear, this whole situation stems from the animus of just two individuals. Those individuals, at a time of industry-wide cutbacks and economic uncertainty, have been relentlessly angling for greater pay and increased influence on the show, and, it appears, believed that their best strategy to get it was to play on vile stereotypes in order to bring down a Black man in a position of power. 

“I will always be proud of being the only Black director/producer in daytime soap operas. And, while I am devastated by the manner of my departure, I will always treasure my years at Days of Our Lives and wish the wildly talented cast and crew the very best for the future.”

Strike News: WGA Reps Meet with Studio Team to Discuss Future Talks (Read Members Letter Here) But Don’t Make Much Progress

The Writers Guild reps met the with the folks from the studios, aka AMPTP, and sent this letter to members a little while ago. It seems like the long hot summer will continue into September at this rate. PS This is separate from the SAG strike. No talks there yet

Here’s the letter:

DEAR MEMBERS,

Ellen Stutzman and Tony Segall met with Carol Lombardini and AMPTP staff this afternoon for what Carol stated was a confidential sidebar to discuss resuming negotiations for a new MBA. Topics included – at the AMPTP’s insistence – press blackouts. Also discussed was a potential negotiation protocol and a preview of the issues each side intends to bring back to the table upon resumption

As of now, there is no agreement on these items, because the AMPTP said they needed to consult with their member studios before moving forward. 

Our intention after the confidential meeting was to send a simple email to you all letting you know we would get back to you when there was more specific information about resuming negotiations. 

However, before the negotiating committee even had a chance to meet, our communications department began hearing from the trades asking for comments on studio-leaked rumors of the contents of the confidential meeting. This is after the AMPTP spent much of the meeting emphasizing the need for a press blackout. 

Since the studios are leaking to the press we need to let you know what was said in the meeting. 

First, Carol informed us that the DGA deal would be the deal on any pattern issues. 

She stated they were willing to increase their offer on a few writer-specific TV minimums – and willing to talk about AI – but that they were not willing to engage on the preservation of the writers’ room, or success-based residuals. She did not indicate willingness to address screenwriter issues, Appendix A issues, and many of the other proposals that remain on our list.

On behalf of the Guild, Ellen reiterated the expectation that all the fundamental issues over which writers have been striking these past three months would be addressed in this new contract, and that no segment of the membership would be left behind. 

Ellen made clear that, in addition to a comprehensive response from the AMPTP on our proposals in all work areas, we will need to address issues arising from the strike, including a health care benefit extension and additional plan funding, reinstatement of striking writers, and arbitration of disputes arising during the strike. We will also seek the right for individual WGA members to honor other unions’ picket lines as they have honored ours during this strike. 

Carol’s response – something she repeated three times during the meeting – echoes what was written in the AMPTP press statement yesterday: “People just want to get back to work.” 

We agree, with the caveat that those conditions that have made writers’ jobs increasingly untenable must first be addressed. 

Your committee remains willing to engage with the companies and resume negotiations in good faith to make a fair deal for all writers, even with this early confirmation that the AMPTP playbook continues. But rest assured, this committee does not intend to leave anyone behind, or make merely an incremental deal to conclude this strike.