Tuesday, June 23, 2026

Strike News: WGA Reps Meet with Studio Team to Discuss Future Talks (Read Members Letter Here) But Don’t Make Much Progress

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The Writers Guild reps met the with the folks from the studios, aka AMPTP, and sent this letter to members a little while ago. It seems like the long hot summer will continue into September at this rate. PS This is separate from the SAG strike. No talks there yet

Here’s the letter:

DEAR MEMBERS,

Ellen Stutzman and Tony Segall met with Carol Lombardini and AMPTP staff this afternoon for what Carol stated was a confidential sidebar to discuss resuming negotiations for a new MBA. Topics included – at the AMPTP’s insistence – press blackouts. Also discussed was a potential negotiation protocol and a preview of the issues each side intends to bring back to the table upon resumption

As of now, there is no agreement on these items, because the AMPTP said they needed to consult with their member studios before moving forward. 

Our intention after the confidential meeting was to send a simple email to you all letting you know we would get back to you when there was more specific information about resuming negotiations. 

However, before the negotiating committee even had a chance to meet, our communications department began hearing from the trades asking for comments on studio-leaked rumors of the contents of the confidential meeting. This is after the AMPTP spent much of the meeting emphasizing the need for a press blackout. 

Since the studios are leaking to the press we need to let you know what was said in the meeting. 

First, Carol informed us that the DGA deal would be the deal on any pattern issues. 

She stated they were willing to increase their offer on a few writer-specific TV minimums – and willing to talk about AI – but that they were not willing to engage on the preservation of the writers’ room, or success-based residuals. She did not indicate willingness to address screenwriter issues, Appendix A issues, and many of the other proposals that remain on our list.

On behalf of the Guild, Ellen reiterated the expectation that all the fundamental issues over which writers have been striking these past three months would be addressed in this new contract, and that no segment of the membership would be left behind. 

Ellen made clear that, in addition to a comprehensive response from the AMPTP on our proposals in all work areas, we will need to address issues arising from the strike, including a health care benefit extension and additional plan funding, reinstatement of striking writers, and arbitration of disputes arising during the strike. We will also seek the right for individual WGA members to honor other unions’ picket lines as they have honored ours during this strike. 

Carol’s response – something she repeated three times during the meeting – echoes what was written in the AMPTP press statement yesterday: “People just want to get back to work.” 

We agree, with the caveat that those conditions that have made writers’ jobs increasingly untenable must first be addressed. 

Your committee remains willing to engage with the companies and resume negotiations in good faith to make a fair deal for all writers, even with this early confirmation that the AMPTP playbook continues. But rest assured, this committee does not intend to leave anyone behind, or make merely an incremental deal to conclude this strike.  

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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