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Madonna’s Kabbalah Sued for $20 Million by Wealthy Alleged Victim

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Exclusive: Courtenay Geddes, a wealthy heiress from Pasadena, California, has sued the Kabbalah Centre of Los Angeles and all of its entities alleging a major swindle. Geddes’s suit — for $20 million– was filed in Los Angeles Superior Court in February 2011. The news of the lawsuit comes on top of headlines concerning Kabbalah’s Raising Malawi charity reneging on a promise to build a girls academy in Malawi with pop star Madonna. As I reported exclusively yesterday, the Kabbalah Centre and Madonna have now hired a top spin doctor, Mark Fabiani, to protect the image of the singer and the organization.

Geddes didn’t name Madonna as a defendant in her suit, but she named everyone else from the Berg family to John Larkin of Larkin Business Management. Larkin is the accountant for Kabbalah. (His firm was sued in 2009 by the Black Eyed Peas for failing to file a decade’s worth of tax returns.)

In her suit, Geddes claims that in 2007, two years after she joined the Los Angeles chapter of Kabbalah, she proposed several ideas to the Bergs and to Larkin about educational projects for their subsidiary, Spirituality for Kids–now known as Success for Kids.

Geddes, whose grandfather was a German American billionaire whose considerable trust she inherited, says the Bergs and Larkin loved her ideas. She wound up investing around $500,00 in the effort. At the same time, she also became involved, she says, through other Kabbalah Center members, Donald and Orly May. She invested $800,000 with them in a real estate scheme. She’s now also suing them as well, separately. Geddes is suing the Centre, the Bergs, Larkin, and other defendants for $700,000 that she laid out, plus damages.

In her lawsuit, Geddes alleges the following: “Geddes, while looking for spiritual enlightenment and personal growth and improvement, was manipulated by Kabbalah Center and the other defendants who advantage of her sincere, trusting nature to deprive her of her monies…Kabbalah Centre has a historical pattern and practice of defrauding people by soliciting monies for various projects that never come to fruition. Geddes is but one of numerous people who have been taken advantage of the by Defendants by leveraging their position in the community as spiritual guides.”

Geddes complaint continues: “A confidential relationship existed between Geddes and Defendants due to the nature of her involvement with the Defendants–namely that was she was an active member of Kabbalah Center and attended classes and one-on-one teachings with the Defendants to increase her spiritual growth–and said nature of these relationships resulted in Geddes’ trust and confidence being reposed in the integrity and fidelity of the Defendants. Geddes shared confidential information about her financial assets with Defendant Larkin as he had presented himself to her as not only a friend, but as a financial advistor to Defendant Philip Berg and numerous other celebrity members of the Kabbalah Centre.”

Geddes’ allegation that money is raised for non existent projects is a stark parallel to the Madonna story. Millions of dollars were invested in Raising Malawi for the purpose of building Madonna’s school in Malawi as well. The school, like Geddes’ project, has never materialized.

PS Madonna and other Kabbalah celebrities like Demi Moore and Ashton Kutcher are not Jewish, and have never converted to Judaism. The Kabbalah Center and SFK (Success for Kids) are businesses and have nothing to do with mainstream Judaism.

More to come…

Exclusive: Madonna Puts NYC Apartment Up for Sale: $22 Mil

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Exclusive: Madonna may be in hot water over her charity for Malawi, but life goes on: I am told that in anticipation of her move to the East Side of New York, she’s selling her duplex apartment in a building called Haperley Hall at Central Park West and 64th St. The apartment–spread over 5500 square feet on two floors– has five bedrooms, two wood burning fireplaces. The monthly maintenance is said to be a whopping $11,000 a month. But with clear views of Central Park West, it may turn out to be well priced.

Madonna, meawhile, is packing up and getting ready for her move to a double wide townhouse with 26 rooms on East 81st St. She paid a reported $40 million for the house, which has 13 bedrooms and 14 bathrooms– important if you’re adopting more kids, and having young live in boyfriends. All this business of millions of dollars being spent on lavish homes does raise a question re the non built school in Malawi that Madonna promised that poor country. She seems to have abandoned the project over a misappropriated $3 or $4 million. The amount is a fraction of what she’s spending on just her New York residence. Charity does begin at home!

PS The move across town kind of screws things for Madonna’s Africa documentary, “I Am Because We Are” (aka “We Are Because I Am”). In the film she said the people of Africa were really nice, and nothing like them like could be found on Central Park West, in London’s Park Lane, or on Rodeo Drive–her points of reference. Maybe on the Upper East Side, among more private mansions, she can find that missing spirit. Good luck, Madonna!

Aretha Franklin Does Her 69th Birthday With Stars, Style, and Soul

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Friday night: Miss Aretha Franklin, Queen of Soul, dined with pals at the four star La Grenouille, took in a performance of “Driving Miss Daisy” with James Earl Jones, then took over the Park Room at the Helmsley Park Lane Hotel on Central Park South for an elegant, soul filled 69th birthday. Her guests included not only me (I was lucky enough to be invited) but also Clive Davis, Smokey Robinson, Bette Midler, Tony Bennett (who brought a portrait he painted of Ms. F), Roberta Flack, Al Roker and Deborah Roberts, Star Jones, plus Cissy Houston, Gayle King, Wendy Williams, Vaneese Thomas, Fonzie Thornton, Gwendolyn Quinn, Terry Stewart (of the Rock and Roll Hall of Fame Museum), and a couple dozen friends she’d brought from Detroit.

Our pal, ABKCO Records’ Tracey Jordan, did a fine job lining up the night which featured performances by Tito Puente Jr. and band, jazz singer Nnenna Freelon, and Motown great Dennis Edwards, who coaxed Aretha up to the foot of the stage to sing a little of “The Way We Were.” Franklin looks sensational, in a flowing white caftan, her hair cropped chic-short. She has lost a good amount of weight, looks rested and ready to hit the road again.

In fact, I’ve heard she’s coming back to New York on May 3rd to celebrate the release of her new album, “A Woman Falling Out of Love,” which Wal Mart will carry exclusively. When a cake was brought out, Aretha strutted over to cut it, and then shimmied as the deejay played “Respect” over the sound system. What a way to start your 70th year. All hail Aretha Franklin!

Madonna: Kabbalah Center Hires “Masters of Disaster” PR Firm to Protect Image

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Madonna–or rather the Kabbalah Center of Los Angeles–has hired a killer pr firm to help protect her image now that the truth about Raising Malawi has come out. Chris Lehane, of Fabiani and Lehane, confirmed to me that the Kabbalah Center hired him and his parter Mark Fabiani. Sources tell me that Madonna has actually hired the firm, using the Kabbalah Center as a “front.”

The pr pair has a nickname in the pr world– “Masters of Disaster.” Their clients have included Goldman Sachs, Lance Armstrong (for his doping accusations), Bill Clinton and Al Gore. Fabiani is the clean up guy, who makes it all go away. And right now, Madonna and Kabbalah are in hot water.

Despite attempts today in the New York Times to throw former Raising Malawi chief Phillippe van den Boscche under the bus for financial scandals in the charity. Madonna still has a lot of explaining to do. As I wrote last summer, it was van den Bossche who was questioning where all of Raising Malawi’s money was going.

van den Boscche left Raising Malawi, and returned, and I wrote about it. Consequently, on September 15th, 2010 a law firm representing the Kabbalah Center claimed in a letter to this reporter that van den Bossche still worked for SFK and Raising Malawi and that there had been no issues over money. Really? The Times today says van den Bossche “left in October amid criticism of his management style and cost overruns for the school.” So what’s really going on? The Times also says that van den Bossche is the boyfriend of Madonna’s trainer, Tracy Anderson. But sources tell me the couple has broken up for some time. “They did everything they could to isolate Phillippe,” says a source. “Tracy went back to Madonna.” More to come…

“Spider Man” on Broadway: Gutting Julie Taymor’s Show

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The producers of “Spider Man: Turn off the Dark” are busy gutting the show they had, and trying to erase creator Julie Taymor‘s work. Good luck with that. Last night they announced that they’ve cut the “Geek chorus”–four young people who frame the show as they create their own “Spider Man” comic book story. Honestly, most audiences found them annoying, but the actors themselves did the best with what they had. This news follows the announcement that Chase Brock, an experimental choreographer with no Broadway experience, is replacing Daniel Ezralow. This was unnecessary, but Ezralow is from Taymor’s team, so he’s out. Too bad: his work was very good. There was nothing wrong with it. Next to go, or to be minimized, will be Arachne, the Spider Woman. Her portrayer. T.V. Carpio, was injured and is currently out of the show. When she returns, she will find her character mostly dethroned, I guess. Box office for the last couple of weeks of this “Spider Man” will be huge as people come to see the “Director’s Cut” version. It’s hard to imagine what will remain of the show when it reappears on May 11th after a three week shut down to implement these changes. It’s a hard deal for those four actors in the Geek Chorus–they have to chin up and do their best knowing they’re not coming back.

Madonna’s Rotten Charity: We Told You About This Last Year, and the Year Before

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The New York Times now reports that Madonna‘s Kabbalah-front charity, Raising Malawi, is a financial mess. That’s nice. I’ve written about this so many times my wrists are sprained. Last August twice, and several times before that in Showbiz411 and in my old column. Let’s review: http://www.showbiz411.com/2010/08/04/madonna-did-her-religion-send-former-honcho-a-warning — and here: http://www.showbiz411.com/2010/07/26/madonnas-religion-has-warning-for-whistleblowers — and here: http://www.showbiz411.com/2010/04/30/is-madonnas-new-spiritual-leader-named-muki

The facts are that Madonna and Raising Malawi have been involved in questionable activities for the last few years. Let’s not forget that in February 2008, Madonna corralled a bunch of famous people to donate $3.7 million at a specious charity fundraiser including UNICEF. She convinced Gucci to start its own foundation to accept the money because Raising Malawi still did not have approval as a registered charity. She didn’t just attend the event, as the Times says: it was hers from top to bottom. Read about it here, written by yours truly: http://www.foxnews.com/story/0,2933,321228,00.html

In today’s New York Times story, reporter Adam Nagourney–a good reporter, but a little late to this game–may have been somewhat conned. He says the Kabbalah Center provided him with a report about mismanagement at Raising Malawi. The report conveniently blames– or scapegoats–Phillippe van den Bosche. Madonna and Michael Berg, son of Kabbalah Centre owners Philip and Karen Berg–escape notice. Yet, Raising Malawi was totally Michael Berg’s project.

According to the most recent tax filing for Madonna’s own Ray of Light Foundation, she donated $2.25 million to Raising Malawi in 2009, and another $200,000 to Spirituality for Kids, a Kabbalah Center subsidiary.

Right now, the most recent federal tax filing for Raising Malawi–year 2009– shows a charity in the red with only $505,000 in fund balances. It also shows almost $3 million in wire transfers for a school that was never built, and for unspecified “RM Trust.” Where this money went, who sent it, and who got it, are issues that are unresolved.

This past winter, a cry went out from Malawi because Madonna had forced local people off their land in order to build her Oprah-like leadership academy for girls. Now the school plan is dead. The people have been moved for no reason. It’s a disaster of the greatest magnitude: American celebrity goes to poor African country, scoops up two children, and leaves the place a mess.

Madonna and Raising Malawi have still not conceded defeat. On the group’s website, the most recent statement comes from January 2011: “Madonna, whose Raising Malawi charity has made substantial inroads helping over a million children orphaned from the AIDS epidemic in that African nation, is stepping up the pace considerably on all fronts — especially in regard to her plans for building the Raising Malawi Academy for Girls.”

More to come…

“Book of Mormon” Missing Playbill Page: The Song List

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For some reason, the Playbill for “The Book of Mormon” doesn’t have a song list. Who knows why? An usher told us during intermission on Wednesday night that the reason was “the songs are dirty.” Yeah, well, not so dirty, and their titles don’t give anything away. So here’s the missing page for opening night revelers. “Hasa Diga, Eebowai” translates into “F– You, God.”

ACT ONE:

Prologue: The Hill Cumorah

Scene 1: Missionary Training Center

“Hello”……………………………………………………                Elder Price, Elder Cunningham & Mormon Boys

“Two By Two”……………………………………………                Elder Price, Elder Cunningham & Mormon Boys

Scene 2: Salt Lake City Airport

“You And Me (But Mostly Me)”………………..                Elder Price & Elder Cunningham

Scene 3: A small village in Northern Uganda

“Hasa Diga Eebowai”               …………………..                 Mafala, Elder Price, Elder Cunningham & Ugandans

Scene 4: Mormon Missionaries Apartment

“Turn It Off”…………………….…………………….                  Elder McKinley & Missionaries

Scene 5: The village

“All American Prophet”…………………………..                Elder Price, Elder Cunningham, Joseph Smith, Moroni, & Company

Scene 6: Nabulungi’s House

“Sal Tlay Ka Siti”…………………………………………..                 Nabulungi

Scene 7: Mormon Missionaries Apartment

Scene 8: The Village

“Man Up”………………………………………………                 Elder Cunningham, Nabulungi, Elder Price & Company

ACT TWO:

Entr’acte………………………….………………………………                  Orchestra

Prologue: The Hill Cumorah

Scene 1: The Village

“Making Things Up Again”………………….……….         Elder Cunningham, Cunningham’s Dad, Joseph Smith, Mormon, Moroni & Ugandans

Scene 2: The Dream

“Spooky Mormon Hell Dream”…………………….          Elder Price & Company

Scene 3: Bus Stop/General’s Camp

“I Believe”……………………………….…………………          Elder Price

Scene 4: The Village

“Baptize Me”…………….……………………………….            Elder Cunningham, Nabulungi

Scene 5: A River

“I Am Africa” ……………….…………………………..             Elder McKinley, Missionaries, & Ugandans

Scene 6: Coffee Shop

Scene 7: The Mission

“Joseph Smith American Moses”………………….         Nabulungi & Ugandans

Scene 8: The Village

“Tomorrow Is A Latter Day”…………………………        Elder Price, Elder McKinley, Elder Cunningham, Nabulungi & Company

“Hello” (Reprise)…………………………………………        Company

Liz Taylor–Buried Today– Had Wanted to Be Near Richard Burton

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Elizabeth Taylor, who converted to Judaism in 1959, is getting a Jewish funeral today at Forest Lawn cemetery in Glendale, California. It has absolutely nothing to do with Michael Jackson being entombed nearby. It’s simply the preferred cemetery.

Yesterday TMZ made a big deal out of showing — with an arrow–how Taylor would be buried next to her parents in another cemetery. They were wrong, of course, but never really corrected themselves. Anyway, this plan was not Taylor’s original one. She wanted to be buried next to Richard Burton, who died in 1984 and rests in Switzerland.

There was some talk of moving Burton years ago to his homeland in Wales. But his final wife, Sally Burton, didn’t want that to happen. She also didn’t want Taylor and Burton reunited. In 1996 there was an unveiling of a memorial stone in Wales, but the efforts to move Burton were over. Now Taylor, who was American by choice, gets to stay in the US with her own family. If she and Burton hook up in the cosmos, expect more tsunamis and distressed weather patterns!

By the way, if you want the really good stuff on Taylor and Burton, keep reading Liz Smith on www.wowowow.com. No one knew Liz Taylor like Liz Smith, or wrote about her so well. Today Smith says:

“And so I want to end this column, quoting Elizabeth herself.  Not long ago, she told me, “Liz, every scandal, terrible headline, intrusive paparazzi, every lie — everything I came to hate about my fame — now I am so grateful for. Without all that, I never would have been able to do what I have been able to do for AIDS. Fame means nothing. It stopped having meaning for me many years ago. I thought it was absurd that I was still famous, that people still wanted to look at me or write about me.

“Then I saw what was happening with AIDS. That nobody was doing anything. But maybe I could. And I did. And why? Because of my ridiculous fame. My name still meant something. People wanted to pay big money to see if I was fat or have violet eyes or whatever. Bring it on, I thought. And I thanked God that my fame and my life had finally made sense.”

That was the essence of Elizabeth. And it is what I will miss, along with her great sense of humor, not to mention the glamour and fame she often laughed at.

Charlie Sheen’s Shows: Thousands of Tix Still Available

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Charlie Sheen indeed sold out Radio City Music Hall, according to the theater’s seating plan. But in reality, Radio City is not sold out at all. According to counts on StubHub.com, a licensed “scalper,” the service has 1244 seats for sale on Friday, April 8th and 1666 on Sunday, April 10th. That’s a third to a quarter of the house. Things are worse in Detroit, where 1400 seats seem to be in play. In Chicago, the number is 1100. In Boston the situation is more pronounced: around 1800 seats are listed with StubHub. And those are in the cities where there’s been higher demand. In Sunrise, Florida, for example, on April 23rd, there are tickets available in large quantities at all prices on ticketmaster.com. I was able to search ticketmaster for Premium Tickets at $575.00 without any trouble. Five days later, I could purchase six seats together for $100 apiece for the Denver show. And StubHub has tickets in those cities, as well. Sheen may have to count on last minute impulse walk-ins if he expects to sell out. It could be the public is starting to wonder what exactly a Charlie Sheen would be, and what it’s worth without clips from “Two and A Half Men.” Those violent torpedos may turn out to be boomerangs.

“Book of Mormon” from “South Park” Creators Has More Bark Than Bite

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There’s some brilliant writing in “The Book of Mormon,” which opens tonight on Broadway from the creators of “South Park.” There’s also some lazy writing. Maybe I’m holding it to a higher standard than usual because I had to buy my tickets at a severely high premium from an online scalper. The “Mormon” producers are trying to create the illusion that the show is the biggest hit ever. They’ve so limited the seating for tonight’s opening that at Wednesday night’s show I spotted Angela Lansbury, New Yorker editor David Remnick, New York City film commissioner Katherine Oliver, and the New York Times’s David Carr. It makes you wonder who was invited to the premiere.

“The Book of Mormon” has been hyped to me as the most outrageous show I’ve ever seen. Not true. It is built as a very conventional musical that often aims for and achieves moments of greatness. The “F word” is used constantly to spice up some otherwise turgid areas. There are plenty of other words that don’t come up at the Mormon Tabernacle, like clitoris and scrotum. Shocked? (Yes it’s a Broadway musical with a running subplot about clitoral circumcision and maggots in the scrotum of an African local. Roll over, Cole Porter.)

Some things “The Book of Mormon” doesn’t have: a list of its songs in the Playbill–I’ve never seen that before. It also lacks an editor in Act 1 to move things along. Also in Act 1, I got confused: are they lampooning the Mormons or celebrating them? This may be deliberate because in Act 2 things perk up: it’s a lampoon, it’s cutting, and Mormons who maybe enjoyed Act 1 get the point now. This is “South Park” country, after all.

Here’s a little plot: a bunch of young elders are sent to Uganda on a Mormon conversion mission. The main pair are like the Bialystock and Bloom of the Church of Latter Day Saints. Josh Gad is Nathan Lane, Jack Black, Jonah Hill and Lou Costello all rolled into one. His Arnold Cunningham is an overweight Tasmanian Devil. His cohort, played by Andrew Rannelis, is Matthew Broderick and Bud Abbott, the straight man. Price is bright eyed and bushy-tailed, but not for long. Later, when Price gets his copy of the real Book of Mormon shoved up his derriere, he gets the message, literally.

The Ugandans are skeptical, but Elder Cunningham (Gad), a pathological liar (very Jon Lovitz) convinces 20 of them to convert after telling them all kinds of scatological, made up stories about the history of Mormonism. These stories will get him in trouble later when the local Ugandans put on a play for the visiting head of the Church. What they’ve learned is a hilarious retelling of Mormon founder  Joseph Smith’s journey that includes shocking language and anecdotes that can’t be repeated here.

Matt Stone and Trey Parker of “South Park”wrote “The Book of Mormon” with Robert Lopez–book, music and lyrics. You will not remember one song. They are more like comic cotton candy. Some are very funny just because they’re outrageous upon delivery. You won’t be singing them. There are many references to “Star Wars” and “Star Trek,” and Darth Vader appears on stage a few times. So does Lieutenant Uhura. “The Lion King” is mocked constantly. There’s even a “Spider Man” joke for Broadway insiders.

I will say this: while Act 1 becomes enervating, Act 2 is on the attack. Now that the set up is done–the straight laced Aryan like missionaries are loosed into the jungle–the fun can begin. Act 2 is just a rat-tat-tat series of home runs, from “Making Things Up Again” to “Spooky Mormon Hell Dream” (which includes OJ Simpson and Hitler, among others), the very sly “I Believe,” and “Baptize Me” (a hilarious number in which baptism has a second, not so religious meaning). It’s also as if the writers were afraid to attack in Act 1, but figured they had a captive audience in Act 2. And what comes is not an indictment of Mormonism, but of all religion. The bark from Act 1 now has bite.

Is “The Book of Mormon” this year’s Best Musical? It’s hard to say. Few of these songs can be reproduced in a significant way without some editing. (It will be interesting to see what’s included in the Tony Awards show.) We still have “Catch Me If You,” “Baby It’s You,” “Sister Act,” and “The People in the Picture” to deal with. (“Wonderland” is a non starter from what I’m told.) The “Mormon” cast has many great surprises including Michael Potts and Nikki James, who shine in the second act. The direction is fluid. Ann Roth‘s costumes are splendid. It’s not “The Producers” or even “Spamalot,” but “The Book of Mormon” — hyping itself to death– may yet win the day.

PS There’s been no merchandise on sale for two weeks at the Eugene O’Neill Theater. No one seemed to know why. An usher told us it would be back for Friday night’s show. Some suggested T shirts came from lines in the show, like “F— God.”