Thursday, December 18, 2025
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Michael Jackson’s Father Wants to Open Neverland Style Hotels

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Imagine my surprise to run into Joseph Jackson this week in Cannes. We knew he was going to be around, promoting various schemes. But he showed up at Sean Penn’s J/PHRO charity dinner for Haiti at the Carlton Hotel with quite a gang in tow: he’s doing business with Michael Jackson’s one time, problematic manager Dieter Wiesner. And he’s also found wealthy patrons who don’t speak English too well and probably are unaware of his unusual history.

With these new partners, to whom Joseph introduced me, Michael Jackson’s dad is going to start something called the Happy Land Resort: A Jackson Neverland Themed Resort World Wide. Lost on these folks is the news that Happy Land was a New York disco where dozens of people once died. But hey, they know what they’re doing. I met a lovely older woman named Phan Thi Phuong Thao, who wore a beautiful black robed gown that was embroidered heavily with silver and gold. She’s the Chairman of the Board, and obviously quite smitten with Joe Jackson. She doesn’t speak English.

My hat is off to Joe Jackson.

I did ask Joe if he’d seen his famous daughter, Janet. She was also in town, staying with Roberto Cavalli on his boat. It was Janet’s birthday on Monday, but Joe told me: “We don’t celebrate birthdays.” When I asked if he’d seen her, he replied: “No, but tell her I said hello if you do.” Will do!

Sean Penn, Ryan Gosling Take Center Stage at Cannes

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It’s almost the end of the Cannes Film Festival, and the best has been saved for last. Sean Penn opens first tonight in “This Must Be The Place,” directed by Paolo Sorrentino. Then Ryan Gosling comes with “Drive,” from Nicholas Winding Refn. I saw them both this morning, they’re excellent. “This Must Be the Place” may even wind up with The Weinstein Company from what I’m hearing, which would be a great reunion of Penn and Harvey Weinstein. They made a movie years ago which Sean directed called “She’s So Lovely.”

In “This Must Be the Place,” Sean plays a an aging punk rocker from the early 80s who resembles Robert Smith of The Cure. Cheyenee, his character, has been cut off emotionally from his Orthodox Jewish family in New York, but returns when his father dies. It’s an odd story, but Sorrentino has a great visual sense. Also, David Byrne performs his song, “This Must Be the Place” live, and it’s even better than it was a hundred years ago in Jonathan Demme’s “Stop Making Sense.” Frances McDormand plays Sean’s wife with her usual fun crankiness. But the movie is all about Penn, who is unforgettable.

Meantime, Ryan Gosling takes a giant leap forward with “Drive,” a dreamily paced noir action film. This movie has cult classic written all over it. Gosling, now buffed up, emerges as a kind of new Steve McQueen. He’s had plenty of kudos, awards and nominations, but “Drive” will launch him into the leading man, action hero department. He also has a strong supporting cast with Bryan Cranston, Ron Perlman, Carey Mulligan, and an outstanding Albert Brooks.

“Drive” is a violent film about lunatics who kill for money without thinking twice. Gosling plays a professional driver who can out pace anyone as he assists with robberies, etc. He’s also a survivor. “Drive” is incredibly stylish, although I wish someone would lose the cheesy ABBA soundtrack and put in some decent music that fits the film. (Hello, producers: call Randall Poster.)

Celebrity Haiti and Japan Relief Trump AIDS as Cannes Fundraisers

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Tonight’s the annual amFAR dinner. But with no Sharon Stone (she was ousted last year in a political squabble), the once mighty AIDS fundraiser has been eclipsed. In the last three days, Sean Penn, director Paul Haggis, and supermodel Naomi Campbell have tapped the wealthy mainstays of Cannes for their own important causes–Haiti, and Japan. Last night, Penn’s J/P Foundation raised between $500,000 and $700,000 at a swanky dinner at the Carlton Hotel.

Philanthropist Ella Krasner hosted Robert and Grace DeNiro, Leonardo DiCaprio, Jane Fonda, Richard Perry, Uma Thurman, Naomi Campbell, Ryan Gosling, Rosario Dawson, Faye Dunaway, Roberta Armani (a sponsor), the people from Maybach autos, a Saudi prince, Harvey Weinstein and a roomful of 200 or so people who sported diamonds and more diamonds. Sean, who is so passionate about Haiti, spoke eloquently and persuasively before auctioning off rare items like walking the red carpet with him and Thurman on Friday for the premiere of his film, “This Must Be The Place.”

Uma, by the way, donated a huge but undisclosed amount to the cause. She told me: “Life has been good to me, I’m lucky. So I want to give back.” She’s a peach

Then: everyone headed to the Martinez Hotel for Paul Haggis’s Artists for Peace and Justice. That’s where siblings Jane and Peter Fonda ran into each other, and Haggis entertained stars from all the movies here. Money from both events went to Haiit relief. Earlier in the week, Naomi Campbell raised around $1 million for Japan relief with her fashion show.

The only big party that raised no money this week: Microsoft co founder Paul Allen fielded about half a dozen stars and tons of extras to his behemoth Octopus yacht. Allen, recovering from lymphoma, played the guitar with his rock band while guests got to see his full sized yellow submarine. Allen donated around $14 million to various charities in 2009, but on Tuesday night the party “was just to show off how much money he has,” a celebrity guest told me.

Not at Allen’s shindig: DeNiro, Leonardo DiCaprio, Brad Pitt and Angelina Jolie, or even Harvey Weinstein. And of course, no press allowed.

Tonight: the AmFAR event, with no Sharon Stone, actress/model Milla Jovovich singing a song, a tribute to Elizabeth Taylor, and two songs from a surprise guest that’s supposed to be Janet Jackson but very likely is someone else. But in Cannes: the premiere of Pedro Almodovar’s “The Skin I Live In” and a first look at Ryan Gosling in “Drive” wll steal that thunder.

Antonio Banderas in Shocking Plastic Surgery Thriller

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The theme song for Pedro Almodovar’s latest creation should be “When A Man is a Woman.” The film, “The Skin I Live In,” should also be of interest to plastic surgeons and their patients all over the world. Wicked and twisted, the sci fi psychological thriller stars Antonio Banderas as doctor who makes those guys from “Nip/Tuck” look like kindly old Marcus Welby. Basically, the bad bad doc takes out a hideous revenge on his daughter’s presumed rapist. It’s sick and preposterous as only Banderas could maintain the suspended disbelief involved. Luckily Antonio and the beautiful Elena Ayana are terrific and sexy enough to make this tale work.

Cannes Film Festival Gets An Apology out of Von Trier

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I just received this from the Festival:

The Festival de Cannes was disturbed about the statements made by Lars von Trier in his press conference this morning in Cannes. Therefore the Festival asked him to provide an explanation for his comments.

The director states that he let himself be egged on by a provocation. He presents his apology.

The direction of the Festival acknowledges this and is passing on Lars von Trier’s apology. The Festival is adamant that it would never allow the event to become the forum for such pronouncements on such subjects.

And here’s von Trier’s apology:

 “If I have hurt someone this morning by the words I said at the press conference, I sincerely apologize.

I am not antisemitic or racially prejudiced in any way, nor am I a nazi.” Lars von Trier

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What “Melancholia” Director Said About Being a Nazi, Making Porn

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This is what Danish director Lars von Trier said at the Cannes press conference today for his movie “Melancholia.” Mind you, he said this after saying that maybe his movie was “crap.” He also went on and on about wanting to make a three to four hour porn movie with co-stars Kirsten Dunst and Charlotte Gainsbourg. The whole thing was nuts. Two years ago, von Trier brought his “Anti Christ’ here, the worst and most offensive movie many people had ever seen.

“For a long time I was a Jew and I was happy to be a Jew, then I met Susanne Bier [Danish director and winner of  Best Foreign Language Oscar and I wasn’t so happy. But then I found out I was actually a Nazi. My family was German. That also gave me pleasure. What can I say? I understand Hitler. I sympathize with him a bit.”

“I don’t mean I’m in favor of World War II and I’m not against Jews, not even Susanne Bier. In fact I’m very much in favor of them. All Jews. Well, Israel is a pain in the ass [pause] … How can I get out of this sentence? OK, I’m a Nazi.”

Cannes: Kirsten Dunst, Lars von Trier Nazi Slap

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In Lars von Trier‘s meandering and melodramatic “Melancholia,” Kirsten Dunst faces marriage to a man she doesn’t like and the end of the world thanks to a rogue planet. Really two movies in one, “Melancholia” is funny, sweet and boring at the same time. Von Trier may be trying a meditation on the disintegration of the institution of marriage.

Or something. Denmark, his own country, is obviously too close to the sun. Von Trier has a little heat stroke. The actors are fine including Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgaard and his real life father Stellan Skarsgaard. Von Trier says the film is about “a state of mind.” I’m not sure what state that is, or how audiences will react. At the press screening there was silence and muted applause at the conclusion. At least “Melancholia” is a huge improvement over von Trier’s regrettable “Anti Christ.”

And yes, this is the press conference that yours truly had to leave so I could go see “The Conquest,” the TV drama about Nicolas Sarkozy‘s political career. I did get to hear Von Trier say that his film might be crap. He was either stoned or drunk and very glib, making a lot of jokes. I was not present when he said he was a Nazi, and that “Israel is a problem.” The man is a troublemaker, so I don’t know if he’s actually anti Semitic or being inappropriately provocative. But his comments were stupid. Let’s hope he knows it.

Woody Allen, Elaine May Returning to Brway: We Said It First

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Hello, there: Woody Allen is indeed returning to Broadway. I told you this news back on March 28th. Woody, Elaine May and Ethan Coen each have one act plays coming to Broadway. Woody, Elaine, and David Mamet did something similar years ago, called “Death Defying Acts.” The and AP WSJ say John Turturro is directing this time. But they don’t say that Marlo Thomas is starring in Elaine’s play, or that the original information came from this link:

http://www.showbiz411.com/2011/03/28/woody-allen-coen-brothers-elaine-may-plan-show-together

Elaine’s, the Famous Eatery, Will Close After 47 Years

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I am sad to report that Elaine’s will close next Thursday after 47 years. Diane Becker, the manager who inherited the restaurant from my dear friend, Elaine Kaufman, called to give me the news this afternoon. Facing a long summer, Diane felt that she couldn’t make it without Elaine sitting in the dining room, greeting guests and friends every night. The closing will be a blow to the regulars, to the past customers, to the neighborhood on the way upper East Side. But restaurants so identified with their owners never survive for long without them. Toots Shor’s is a case in point. The ’21 Club’ goes on, but no one is really identified with it anymore. For the next week, Elaine’s will be like another sitting shivah– Elaine died on December 3rd. In three weeks, I will celebrate my own birthday for the first time in fifteen years somewhere else. Elaine’s now becomes an official part of New York history and lore, never ever to be forgotten.

PS A memorial service for Elaine was being planned and still is for late June. Details to come.

Brad Pitt’s Director Snubs Cannes Premiere, Murdoch, Even Angelina Jolie

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Terrence Malick, director of “The Tree of Life,” his stars do the walking and talking yesterday. Malick skipped both the red carpet premiere and the press conference for his movie, letting Brad Pitt, Sean Penn, and Jessica Chastain fill in for him. Not only did Malick abandon his stars, he also snubbed Rupert Murdoch and his wife Wendi, and Fox chief Jim Gianopolous.  That takes nerve, doesn’t it?

Although god knows what Murdoch was thinking as “Tree of Life” unspooled before the black tie audience. I’m sure he was relieved that the film– which also sports “Jurassic Park” like dinosaurs— was mostly paid for by producer Bill Pohlad. The two hour twenty minute extravaganza is totally incoherent, with lots of stuff unexplained and long sections of gorgeous nature video-photography created by computers juxtaposed with the impressionistic story of a Texas family circa 1959.

I went back and watched “Tree of Life” again last night to try and figure out some things I thought I’d missed the first time around. It didn’t matter. The movie makes no actual sense. At the very start, Pitt and Chastain receive news that one of their three sons has died. But in the movie, we only see the boys as children. Later, Sean Penn–who plays the eldest son as an adult–remarks that his brother died at 19. In that first scene, the death news comes in a telegram. But we –the audience–never finds out how or why he’s died. Was it in a war?

So I asked Jessica Chastain who we ran into at dinner after the premiere. Chastain had changed from her gown into jeans, and was obviously not hobnobbing with Brad, Angelina–who stopped the show on the red carpet a few hours earlier, literally, with gasps, Sean Penn or maybe even Malick (he had to eat didn’t he?). I asked Jessica who died, and why? “Well you don’t know this but he died in Mexico,” she said. She told me it was the second son, and that he was the favorite. Who knew? Ah ha! I do hope Fox releases back story notes for use during viewing of the film.

You do have to watch “Tree of Life” twice. I’ll tell you why: in the first half, Malick flashes split second clips from later in the film. The problem is, you have no idea what they mean; you even sort of don’t acknowledge them because they go by so quickly. On the second viewing, you recognize these images from the previous viewing. Also, there are dinosaurs. Yes, dinosaurs.

Here’s my tip for Rupert and Fox: take out all the nature stuff and release it as a separate IMAX film. That’s where you’ll make the money back. Call it “Malick’s Universe.” Or, to make it easier, “Days of Heaven II.”