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Paul Simon, Paul McCartney Box Sets Are Beyond the Norm

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I’ve spent the last week or so going back and forth between lavish box sets from Paul Simon and Paul McCartney. These are not the box sets of yore. Simon’s is organized around the 25th anniversary of his landmark album, “Graceland.” McCartney’s concentrates on his 1971 album, “Ram.” Each comes in a real box. There’s nothing flimsy about these constructions. After Sting’s 25th anniversary solo box last fall, I didn’t think you could do much better. But these two are every bit the equal of that one, and then some.

The Simon box has the not only the remastered album but also Joe Berlinger’s insightful documentary, “Under African Skies.” Berlinger went to to South Africa with Simon last year and filmed a reunion of all the musicians who played on “Graceland” in the first place. The documentary functions well on two planes: one, it shows the development of the songs and how Simon and co gave birth to them. Second, it takes an unvarnished look at the criticism Simon got at the time for plundering African music styles. The latter seems silly in retrospect. Simon simply brought these sounds to America. The “Graceland” set also comes with a really cool USB in the shape of a small hockey puck, containing all the “Graceland” tracks and info. There’s also a vinyl set– which I don’t have, but bought for a friend who has a turntable.

“Ram” got poor reviews in 1971, but went on to become a classic. Of course, there was tremendous backlash against McCartney after the Beatles broke up. But the box set is gorgeous. First of all, you get interview material that was either lost or never published. There’s mono version of the album and an orchestral version that are just super. There’s a bonus CD with the first solo McCartney hit, “Another Day,” one of his very best compositions. There’s also handwritten lyric sheets. A lot of time was put into this package. For McCartney fans, it’s Nirvana– not to mention internet codes for downloading all this stuff for “free.”

So it’s Christmas a little early this year. I wish someone at Motown Universal would do something like this for Stevie Wonder and Marvin Gaye. But in the meantime, for a people of a certain age, these are great gifts.

 

“Mad Men” Season 5 Finale: Don Learns, You Only Live Twice (Video)

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Watch the extraordinary final scene of the “Mad Men” Season finale in our video player at the bottom of this page.

The season five finale of “Mad Men” was called “The Phantom.” The Phantom turned out to be what Megan what was looking for in her marriage, and what Don lives with in his subconscious: his brother, his family, the Whitmans. It’s also Lane’s ghost hovering over the firm, the romantic life that Pete longs for, and so many other things. Matt Weiner is great at choosing music, so the final scenes were set to Nancy Sinatra’s  “You Only Live Twice”– Don has lived at least twice, two different personas, two marriages (Anna doesn’t really count).

Season 5 was a subtle success. Sometimes it didn’t seem like it was going anywhere. The lack of Betty and the overemphasis on Megan was a questionable call. Still we got to the end, heads held high. “Mad Men” is still the best show on TV because the writing never fails to maintain a consistent high. There were some soft episodes in the middle, but by the time “Dark Shadows” rolled around, we had a better idea of what Weiner was up to. From then until the end, he wrote and produced with certainty.

So what’s next? The closing shot of Don’s lascivious look at those two girls in the bar said it all. A wife with a career is not what he wanted. And the Don Draper we had in Season 5 was 40 going on 60. Will we find a new, turned on Don in Season 6. And will any more of the outside world play a part in these people’s lives? Presuming that Season 6 comprises 1967-68, and that the series will end at the conclusion of 1969, there’s a lot Weiner can weave in. Also, there’s now a two part problem with Peggy and Betty, keeping them attached to the story as they’ve been moved to the corners of the canvas.

The real shame is that it’s over for now.

Tom Cruise Headed for a Friars Snooze Tonight With Strange Guest List

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The worst celebrity tribute I ever went to was the American Museum of the Moving Image’s salute to Tom Cruise. Generally, these “roasts” are funny–not raunchy–but full of fun and personal recollections from the speakers. That Tom Cruise event was notable for the lack of “inside” stories. It was held on February 10, 2007.

Neither of Cruise’s co-stars from “Lions for Lambs,” his movie of that moment, showed up. The people who did speak looked they’d been blackmailed into coming. No one had a good joke or anecdote about Cruise. The diminutive actor spoke right from the scripted heart about his love of making movies.

So tonight’s Friars’ dinner– a pr stunt to promote “Rock of Ages”–promises to be a lot of , er, fun. A source inside the production says that participants have been told explicitly that this is not a roast. No mention, please, of Scientology, ex wives, baby Suri’s fashion sense, or anything else that could be construed as “personal.”

As with the Museum of the Moving Image dinner, there should be a heavy presence of glassy eyed mystery people who are there to cheer on their leader. And press will mostly be on the red carpet. As little inside the Waldorf Astoria as possible.What will come out of this episode? One scripted moment–with Matt Lauer or someone else–that makes Tom look like a cool guy. Don’t stop believin’.

And “Rock of Ages”? This morning it’s got a very low 25% rating on rottentomatoes.com. Both of the Hollywood trade papers gave it a thumbs down. Cruise–who’s an excellent mimic–seems like he’s channeling Ben Stiller as “Zoolander.” The production says he’s modeled after Axl Rose, but it’s Bret Michaels, dead on down to the bandana.

Can’t wait for the transcript of Cruise’s “I grew up loving movies” speech. I doubt Gilbert Gottfried will be allowed anywhere near this Friars dinner. And the advertised guest list is really, truly weird, like an episode of the “Joe Franklin Show”: Alec Baldwin is hosting, Sharon Jones and the Dap Kings will perform, which is nice. But Broadway’s Megan Hilty? “Rock of Ages” choreographer Mia Michaels? Cabaret musician Loston Harris? Brazilian singer Bebel Gilberto? Former one hit wonder Corinne Bailey Rae? What? And or course, naturally, Holocaust survivor and writer Elie Wiesel.

The Yankees play the Braves tonight at 7pm.

PS Cruise is the only actor in the big Paramount 100 anniversary photo who is almost completely expressionless. He doesn’t even crack a smile. http://www.vanityfair.com/hollywood/2012/07/paramount-pictures-100th-anniversary-photo

Mary Kennedy Killed a Second Time, In Newsweek

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It’s not bad enough that Mary Richardson Kennedy, wife of Robert Kennedy Jr.. committed suicide. Now we have Laurence Leamer in Newsweek and the Daily Beast making sure we know she was crazy, unstable, a heavy drinker who killed the family dog, resented her husband’s affairs and past relationships, and didn’t deserve to live. Leamer’s article is just beyond the pale. I met Mary Kennedy a couple of times. I didn’t know her.  She was always pleasant. She didn’t seem like someone with ‘borderline personality disorder,” which is what Leamer emphasizes. A friend of mine actually shared a train to Machu Picchu a couple of years ago with the Kennedy clan including Mary–reporting that the kids were boisterous and Mary was friendly.

Leamer concedes that Robert Kennedy Jr. had many affairs. Of public knowledge–but not reported there– was a long one he had with a TV actress, not Cheryl Hines, that went on and on in front of Mary Kennedy. Now Leamer has come up with sealed documents–you can only imagine how he got access to them–designed to destroy completely Mary Richardson Kennedy’s life and legacy. The whole thing is vaguely reminiscent of the trashing Carolyn Bessette got in the press after she died with husband John Kennedy Jr. Suddenly she was a heavy drug user. This was disputed by her friends, but the taint remains.

Today Richardson’s family issued a statement:

“Mary’s unconditional love for her children and unwavering support of so many people she held close to her heart are the lasting legacies of her life. Our hearts are breaking for what her children continue to witness. We hoped Mary could rest in peace.

“The scurrilous affidavit, which is the entire basis for the Newsweek article, was written by Bobby Kennedy as part of a contentious custody battle and was nothing more than a brutal psychological weapon in the divorce case.

“The affidavit, which Mary repudiated at the time, is full of vindictive lies. This latest piling on is proof perfect of the unbelievable emotional and psychological abuse that Mary endured during the last years of her life, and now in death.

“The false claim that Mary suffered from BPD [Borderline Personality Disorder] is also an insult to those who do struggle with this serious mental illness.

“Right now, our primary concern is for Mary’s children. There will be a time and a place for the true facts to come out.”

Tony Awards Downside: Many Winners Are Leaving Or Have Left Their Shows

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The Tony Awards were great, and all the people who won are no doubt grateful. But many of them are leaving before the audience can see them. “Death of A Salesman” has already closed, so that wipes out the Best Revival of a Play and Best Director. “Other Desert Cities” is closing, along with it winner Judith Light. “Venus in Fur” is closing in one week, so goodbye to Nina Arianda. Christian Borle is about three weeks away from exiting “Peter and the Starcatcher.”

Over at “The Book of Mormon,” both Andrew Rannells and Josh Gad are gone. Nikki James is off for the month of July. They all won Tonys last year. On last night’s show, Rannells and Gad lookalikes appeared in the opening number. Luckily, the folks from “Once” are all locked in for the rest of the year. And James Corden is sticking around with “One Man Two Guvnors.”

For the time being, “Porgy and Bess” and all its players remain intact. However, for some reason, “Leap of Faith” was featured last night. That show is long, long gone. It closed about a week after it opened.

Meantime, “Priscilla Queen of the Desert” is getting ready to wrap things up.  And some shows, like “Godspell” and “End of the Rainbow” will have to decide if they can make it through the summer.

“Book of Mormon,” by the way, is finally starting its national tour. Matt Stone and Trey Parker told me last night they’re very psyched. Wait til America gets to see this show. If they can get tickets. It’s still the hottest show on Broadway or anywhere.

Tony Awards Bring Out Movie Stars, Reward the Much Deserved

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This year’s Tony Awards seemed to be as much about showcasing the future of Broadway as rewarding the people who long deserved some kudos. I’m thinking of Judith Light, who went from a soap opera to a sitcom to theater and finally won a Tony last night for her brilliant performance in “Other Desert Cities.” Then there was Audra MacDonald, who escaped the terrible TV series “Private Practice,” returned to Broadway and won last night as Best Actress in a Musical for “Porgy and Bess.” Some people were denied the obvious: how Philip Seymour Hoffman lost Best Actor is beyond me, even though James Corden in “One Man Two Guvnors” was very talented. And Mike Nichols, winning Best Director for “Death of a Salesman” actually seemed flummoxed for the first time in his life.

But the night was all about “Once.” I told you last fall when it was off Broadway that “Once” was the Tony winner this year. Steve Kazee is a star; it was no surprise that he won, but it was with a sad story about his mother passing away recently. Outside the Beacon Theater–which was like a furnace all night, overheated and so muggy the audience lost weight–Glen Hansard, who co-wrote the original “Once” songs, was agog about even attending the Tony Awards. Later the whole “Once” crowd piled over to Robert’s restaurant in Columbus Circle for hours more revelry. The cast of “Newsies” took over the Hard Rock Cafe and partied as if they’d won everything. Why not?

But the big party was at the Plaza Hotel, where a lot of movie people who’d somehow been drafted for the night–Paul Rudd, James Marsden, the “South Park”-“Book of Mormon” guys, Jesse Tyler Ferguson, Nick Jonas and so on — stuck around. It’s where I ran into Best Actress in a Play, Nina Arianda, of “Venus in Fur,” who was on her way home. “No Venus party?” I asked. She shook her head. “We didn’t get one. There’s just two of us”–meaning her and Hugh Dancy. Arianda is so hot now, after “Midnight in Paris” and “Born Yesterday” and now this–and she has nothing lined up next. The agents are working on it.

Meantime, it’s 2am and the annual O&M party, thrown by Ric Miramontez, is full steam ahead at the Hotel Carlyle…

More to come…keep refreshing…

Box Office: “Mad 3” Trounces “Prometheus”

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In a battle over which title was harder to type over and over, “Madagascar 3” trounced “Prometheus” at the box office this weekend. Even though the latter looked good on Friday night, the cartoon movie was playing on about 900 more screens. Not only that, kids stuffed themselves into theaters on Saturday afternoon and will be back today for more. In the end, “Mad 3” made $60 million for the weekend. “Prometheus” did a very respectable $50 million. They are each huge hits, no matter how you slice it.Interestingly, the two films had almost identical per screen averages. That means “Prometheus” is strong, and will have a very good week coming up.

Also Universal Pictures can be happy. “Snow White and the Huntsman” ends the weekend with a total of $98 million– it’s way out-performed the other Snow White movie, “Mirror Mirror.” Specialty films like “The Best Exotic Marigold Hotel,” “Moonrise Kingdom,” “Peace Love and Misunderstanding,” and “The Intouchables” also had posted good numbers this weekend.

Madonna Bares a Nipple on Stage in Istanbul: And the PR Train Keeps Rolling

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Madonna knows how to get publicity, and she’s using all the tricks in her book. On  stage in Istanbul  this week, she purposely bared a nipple. The result is a viral video. After the nipple is presented, she turns her back to the crowd. And on her back is a tattoo (stenciled, hopefully) that reads: “No Fear.” You gotta give her credit. First it was the Lady Gaga cover and “She’s not me.” Now this. There’s going to have to be a p.r. stunt once a week through the summer as Madonna tours the world and approaches America. It’s kind of enthralling. With the “MDNA” album gone, Madge has to keep stoking the fires. I love the look on her face, too, when she completes her own “wardrobe malfunction.”

Warning: this is not for the kiddies:

http://www.youtube.com/watch?feature=player_embedded&v=NtSp3jZVYyU&oref=http%3A%2F%2Fwww.youtube.com%2Fembed%2FNtSp3jZVYyU%3Fwmode%3Dtransparent%26rel%3D0%26showinfo%3D0&has_verified=1

 

Tony Awards Could Be Big Ratings Winner Tonight: No Network Competition

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Tonight’s Tony Awards on CBS may turn out to be a big ratings winner. For once, the Tonys have clear sailing all night with very little real competition on the regular broadcast networks. Almost everything else on the tube tonight is a repeat–from “American’s Got Talent” to “The Simpsons.” Everything on Fox is a repeat. ABC has two first run reality shows–“Secret Millionaire” and “Exteme Makeover.” NBC has just “Dateline” that’s new and then the “Talent” repeat. The only real competition, off network, on cable, will be “True Blood” on HBO and “Mad Men” on AMC. So it’s up to Neil Patrick Harris and the Tony producers–the ball is in their court. They’ll have a slew of stars presenting and performing, and hopefully enough to keep viewers who dip in to see “Once” go up against “Newsies” for Best Musical among the many unknowns of the night. Some of the stars expected include Jessica Chastain, Hugh Jackman, Nick Jonas, Amanda Seyfried, Jim Parsons, Paul Rudd, Ellen Barkin, Angela Lansbury,  Candice Bergen, Christopher Plummer, James Marsden, Mandy Patinkin and Sheryl Crow. Bernadette Peters should be there, too, although last night she failed to show up for her Lifetime Achievement Award at the pre-Tony cocktail party.

“Prometheus” and “Madagascar 3” in A Dead Heat for Number 1

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It’s sci-fi vs. cartoons this weekend. Last night, Ridley Scott’s “Prometheus” finished in the number 1 spot with $21.4 million. That’s exactly $1 million more than “Madagascar 3,” the latest animated episode in the series from Dreamworks Animation. The rest of the pack–from “Show White” to a fading “Men in Black 3”–were far behind.

The question now is, can “Prometheus” hold on today and tomorrow, or will Saturday and Sunday matinees push “Mad 3” past them. Either way, “Prometheus” is a nice sized hit, and a boost to the box office for something that isn’t a sequel. Good for Ridley Scott and co.!

The other big story is that “Exotic Marigold Hotel” is just the little engine that could. It racked up almost $1 million last night, bringing its US total to over $28 mil. Abroad it’s already made $82 million. The British indie film didn’t have a lot of promotion here, but the names– Judi Dench, Maggie Smith, Bill Nighy–meant something to the intelligent adult audience. Well played! And let’s not forget John Madden directed it–he directed “Shakespeare in Love” among other top films.