Friday, December 19, 2025
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Lois Smith Will Get East Coast, West Coast Toasts Tuesday

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Our beloved Lois Smith– and I mean it — will get east coast and west coast toasts on Tuesday. In New York, call 42 West for info. In Hollywood, call Mara Buxbaum’s office if you want details. Mara, who started as Lois’s assistant (and before that, receptionist at PMK), and is now a driving force at ID-PR, sent me this memory of Lois:

“I’ve often said beginning the first decade of my career in publicity under Lois Smith was like being born with a silver spoon in my mouth. Every day I carry Lois’ lessons in my heart, and aspire to meet the high bar she set in this industry. Lois understood the privilege and responsibility that comes with representing true talent. She knew how to protect her clients, nurture them, and give them wings to fly. She understood the value of keeping mystery alive. Most importantly, Lois brought humor, heart, and a deeply personal touch to everything she did— making everyone around her feel like family. She leaves a legacy like none other, and all of us working in this business owe a great debt to the standards she set. Some people are fortunate enough to live in the time they were meant to live in. Lois Smith lived wonderfully in her time. I’m forever grateful to my wise, loving mentor and dear friend.”

This year we’ve lost a lot of famous people we knew like Nora Ephron and Marvin Hamlish, some less famous but just loved like Charla Krupp. But Lois’s sudden passing is really the ultimate blow. We all know great people who deserve beautiful exits. Lois was at the top of that list. Everyone’s going to have stories about how much fun they had with her, how great she was even when the going was rough. I was thinking today of how we went to meet Paul Tsongas when he was gearing up to run for President, before he got very sick. Lois and I had a ball that night, meeting and mixing with Wall Streeters down at Harry’s Bar. It seems like a blink ago in time–twenty years came and went fast…

Spielberg’s “Lincoln” Wows NY Film Festival With Cheers and Standing Ovation

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After much unnecessary secrecy and out and out sort of lying, Steven Spielberg’s long awaited “Lincoln” screened tonight at the New York Film Festival. It’s an ambitious film that starts slowly but builds furiously to an epic grandeur. Yes of course it’s a definite Best Picture nominee with wonderful, memorable performances and a top notch script that is sometimes too talky but great to listen to.

What’s interesting of course about “Lincoln” and the passing of the 13th amendment to abolish slavery–what this movie is principally about-is –that Republicans were liberals and Democrats were conservatives. Everything as we know it now is backwards and upside down. That’s why Spielberg begged the studios not to release the film until the week after this year’s elections. “I didn’t want it to become a political football,” he told the crowd at Alice Tully Hall following  a standing ovation.

But let’s cut to the chase. Daniel Day Lewis looks and acts more like Abraham Lincoln than the real thing. Sally Field is astonishingly wonderful as Mary Todd Lincoln. She owes Tony Kushner–he’s written her a speech that will get her nominated for Best Supporting Actress. Tommy Lee Jones–already great this summer in “Hope Springs”–is off the wall here as Thaddeus Stephens.

And then there is just a murderer’s row of character actors– like 20 of them–filling every other role, all exceptionally good, beautifully cast. Spielberg said he thought of this shoot as “theater.” With Kushner involved, the movie feels like a theater company. David Straithairn headlines that group, with Jared Harris, Hal Holbrook, Gloria Reuben, Jackie Earle Haley, John Hawkes, James Spader, Michael Stuhlbarg and so many more filling out this cast.

Spielberg says the film isn’t finished. It clocks in at 2 hours, twenty minutes. Some trimming at the front end could be useful. There was one point when Lincoln was going on and on. But even the script addresses that– Lincoln apparently was known for his long stories and spiels–and his various colleagues comment on it. There’s a lot of humor in this script, by the way. Big laughs from the audience. “Lincoln” is not just serious political science. But it’s fascinating to watch the way politics worked in 1865, and how much better it turned out when bipartisanship was possible.

On a separate note: this secret surprise screening thing as botched by the New York Film Festival. It was a lot of chaos, and caused a lot of bad feelings. More over, the mess that was made was highlighted by the appearance of Whoopi Goldberg, who bought her ticket on the internet, stood on line at the theater, and had to be fished out of the swirling masses by Disney publicists. Whoopi, who never complains, didn’t– she just played it like a regular person. God bless her.

PS If you’re interested, there’s no John Wilkes Booth, no assassination scene, and no big Civil War re-enactment. And yet this is truly an epic, a classic American film, and puts Spielberg squarely back in his place at the upper echelon of filmmaking. (I liked “War Horse,” but that’s another story.) John Williams’ music has never been more restrained or beautiful, and the movie looks great.

 

 

 

“Good Wife” Actor Calls Alec Baldwin “Male White Star Jones”

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Alan Cumming, the witty star of Broadway (Cabaret) and TV (The Good Wife) got a few digs in at Alec Baldwin last night. Cumming hosted the Hamptons Film Festival Awards show, and couldn’t resist jabbing at Baldwin’s extremely refreshed appearance.

“He’s like the white male Star Jones,” Cumming said of Baldwin, who was waiting to go on stage. “He’s younger and thinner every time I see him. It must be the Hamptons.”

Baldwin responded by attempting to do an imitation of Star Jones that sounded more like a pancake syrup icon than a former assistant District Attorney. “What would Star Jones say about this?” Baldwin quipped a little nervously, He then went on to thank all the sponsors of HIFF, seriously. Alec has a been huge supporter of the festival financially and energetically.

David O. Russell’s “Silver Linings Playbook” won the Audience Award, just as it won in Toronto. “SLP” is quickly becoming a leader in the Oscar race. Wait til everyone sees it.

For the rest of the Hamptons winners, you can head over to their website. This was easily the best HIFF in 20 years. And what a crowd, starting with Professor John Forbes Nash of Princeton, the famed subject of “A Beautiful Mind,” plus Sting, Trudie Styler, Gwyneth Paltrow and Blythe Danner, Raul Esparza, Sienna Miller, Tony Jones, the whole gang from “Argo” including rapidly rising star Scoot McNairy, Melissa Leo, Richard Kind, Meryl Streep, Mike Nichols, and so on. Plus it was the first year of participation with Variety and with the motion picture academy.

Pretty cool!

“Sopranos” Creator Gets TWO Beatles Records for New Movie

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“Sopranos” creator David Chase finally debuted his long awaited feature film this weekend. “Not Fade Away” is Chase’s nostalgic look back at how rock and roll jangled the lives of perfectly happy people in the suburbs of New Jersey. Chase loves the music and it shows; his soundtrack is filled with cool music from the Sixties.

And among the many — like, 40– great songs are two Beatles records– “I Want to Hold Your Hand” and “I’ve Got a Feeling.” And as we know well by now, if the Beatles grant permission–which is rare–the price is astronomical. To end “The Social Network” with  “Baby You’re a Rich Man,” Sony forked over more than a million dollars.

So what happened? Because the rest of the amazing soundtrack also includes plenty of Rolling Stones recordings and a slew of other gems chosen by Chase and Steve van Zandt, charter member of the E Street Band and former Silvio on “The Sopranos.”

As one insider explained: “Not Fade Away” –due December 21st as a Christmas gift to anyone who loves great music and acting (James Gandolfini is wonderful as the bewildered dad of a budding rock star)–is a Paramount movie. Paramount is run by our old pal Brad Grey, whose company produced “The Sopranos” and made a fortune from it.

“Brad would do anything for David,” said my insider.

And of course, the right music makes “Not Fade Away.” Although, ironically, the one song not on the soundtrack is any version at all of Buddy Holly’s “Not Fade Away.” That’s because forget the Beatles–if you name a movie after a song, music publishers charge through the roof and beyond. And guess who owns “Not Fade Away”? A Beatle, of course– Paul McCartney.

Another irony– the “Not Fade Away” soundtrack is on ABKCO Records, founded by McCartney’s late nemesis, Allen Klein (and now a very popular and pleasant company run by Allen’s son Jody, FYI. Everyone loves ABKCO now!)

More on “Not Fade Away” tomorrow–it’s so much fun, and Chase looked relieved at the Hamptons Film Festival premiere. He fiddled with it for two years. With “Not Fade Away,” “The Sapphires,” and “Les Miserables,” this is going to be a very musical Christmas at the box office.

Lois Smith. Greatest Hollywood Publicist of All, Dies at 85

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Lois Smith has died at age 85. She was a great friend and mentor for 30 years. Lois was tough when she had to be, but an angel. She loved actors, films, theater and filmmaking. From Robert Redford to Robert Altman, from Cher to William Hurt and so many dozens of stars–they loved her and owed her so much. The word is that Lois and her husband Gene were on a trip, and that Lois fell down some stairs. She lingered for about a day and passed away on Sunday. It’s an ignominious end to a incredible life and career.

For years Lois ran PMK with Pat Kingsley, building it into the premier pr firm for the top stars. She left briefly in the mid 1980s when she formed a partnership with Peggy Siegal, but then returned. Leslee Dart became their partner after that. While Pat was on the west coast, it was Lois on the east coast who made the company hum. In the later years she and Leslee shared an office– a big room–and it was all phones ringing and lots of noise.

Lois rarely lost her temper. Her modus operandi was gentility. She was also extremely honest. If she couldn’t make an interview happen, she’d tell you straight out. If she wanted it to happen, but the star wasn’t sure, she’d try her darnedest to work it out. A few years ago, she really wanted Meryl Streep to do an interview with for an Oscar magazine. She conspired with me to set up a coincidental meeting. She said, “You try. I’ve tried everything.” Meryl declined in the end, very sweetly. But Lois was there, rooting for me, crossing her fingers.

She loved her clients. Whether it was Robert Redford, her absolute favorite, or Michelle Pfeiffer. She didn’t just have easy clients, either. She represented Sean Penn during his most pugnacious incidents. She was at William Hurt’s side during his dreadful palimony/custody battle in the late 1980s. She was always there for Al Pacino.

I suppose they were all her favorites depending on the circumstances. But she was partial to Sidney Lumet, and extremely fond of Robert Altman. A few years ago one of our great achievements was getting Altman to be a guest star for the night at the Avon Theater in Stamford, Connecticut. We showed a new print of “McCabe and Mrs, Miller.” Lois was beaming because Bob got the royal treatment that night. Again she made it happen.

Lois had an earth mother quality– you wanted to hug her when she you saw her. Her white hair gave her that angelic look. When I first came into the business of writing entertainment stories, I’d see her around. But around 1984 we worked on a project together and that was it–I could see easily that if you stuck with Lois and listened to her, you could figure out what the heck was going on in the media-entertainment world. Again, she was the only person who’d give you a straight answer about anything. And when it was no, it was done with extreme kindness. (Some pr people are thrilled to turn you down.)

She was particularly proud of her family. She and Gene lost a son in the early 80s. But her son Luke, his kids, her daughter Brooke, the actress, and her family and career were her pride and joy. Little by little Brooke’s career took off–most pointedly as the girl in the well in “Silence of the Lambs” and then in Louis Malle’s “Uncle Vanya on 42nd St.” Lois was over the moon.

There was no nepotism. And in fact, Lois would tell me she was discouraging Brooke all the time. But the girl was very talented, and Lois was proud proud proud of her accomplishments. More recently Lois’s granddaughter Brianna worked at Sundance and then at IDPR in Los Angeles. She’s like a Mini Me of Lois, a real chip off the old block, and it’s been so much fun to run into her and gossip about grandma.

Life isn’t fair, is it? For years all her friends begged Lois to retire so she could enjoy “real life.” She gave up the business in degrees, always hanging in there for a few clients. I guess the last time I saw her was around the release of Marty Scorsese’s “Hugo.” We ran into each other on the street, and she had so much to tell me. We talked on the sidewalk for almost a half hour.

There are tons of stories. She was celebrated by the Publicists Guild about a decade ago, during Oscar week. It was a huge turnout. Her career stretched back to Marilyn Monroe and the real stars, long before any of us knew her. The room at the Beverly Hilton was filled with people who’d gotten their start with Lois, people whom she’d mentored, launched, sometimes had fired, but with whom she was still on good terms.

Even though Lois was retired, and living a great life, I think we always were comforted by knowing she was up in Plum Island, and could be reached in an emergency. And though she was 85, I think I — like everyone who loved her– had no concept of that. Lois Smith was forever in our minds. She was the reason we stuck it out, and stuck with it. Lois, we will really really miss you now more than ever.

Please also go to www.rosie.com for Rosie O’Donnell’s memories of Lois.

 

Adele “Skyfall” –Number 1–Will Not Be on Soundtrack Album

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Adele’s theme song from “Skyfall” was released on iTunes on Thursday night. It hit number 4 over night, went to number 2, and was number 1 by Friday morning. It reached number 1 maybe faster than any other single, and has stayed at number 1 ever since.

Sony insiders were worried that Taylor Swift’s tween audience would push Adele out–Swift has “Red” at number 2 and “You’re So Vain–Version 49” at number 4. But Adele, with her magnificent vocals and the great arrangement–has held fast at number 1.

Get this: the “Skyfall” song will not be on Thomas Newman’s score album, coming on Sony. That was the deal Adele made. “Skyfall” will just be a single, and one day appear on her greatest hits. But it won’t be included with other James Bond merchandising. So the single is the only way to get it. And that’s why it will be number 1 for a long, long time.

Sienna Miller Triumphs as Melanie Griffith’s Mom

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Sienna Miller certainly got a lot of ink when her career began, especially for her tempestuous romance with Jude Law. But now Sienna has a baby, is engaged to actor Tom Sturridge, and has settled down as a fine actress. At the Hamptons Film Festival, she’s caused quite a stir playing Tippi Hedren in Juilian Jarrold’s “The Girl.”

It’s quite an accomplishment. The HBO film stars Toby Jones as famed director Alfred Hitchcock, and tells the story of the director’s obsession with Hedren. He put her in two of his most famous films, “The Birds,” and “Marnie.”

Hedren– who a had a small daughter (who grew up to be Melanie Griffith)–spurned Hitch’s advances.  Then he set out to destroy her career by refusing to let her out of her contract to accept other work. Her film career sputtered. Jones and Miller are superb as the conflicted duo, Imelda Staunton is excellent as the put upon Mrs. Hitchcock. The movie is based on the well known biography of Hichcock by Donald Spodo.

Who knew Hitchcock was so crazy, obsessed, and sociopathic? Miller put it in perspective. “Have you seen his movies? You know something is going on there.” Allegedly, Hitchcock also drove Kim Novak crazy. And when Grace Kelly “left” him for Prince Rainier, he made fun of her. And you know Doris Day wouldn’t put up with him for a minute. Wait for the Emmy Awards and this year’s Golden Globes–lots of awards coming for Miller, Jones, and “The Girl.”

In the audience by the way: Trudie Styler with Sting, Sting manager Kathy Schenker, actor Ronald Guttman, designers Donna Karan, Calvin Klein, and more Hamptons luminaries….Small world: Sting long ago starred with Melanie Griffith in a great film called “Stormy Monday”….Now Sting and Trudie’s daughter, Mickey Sumner, is getting accolades in “Frances Ha.” Melanie’s daughter, Dakota Johnson, has a TV series…and the beat goes on…

Meryl Streep Steals Blouse from Sister-in-Law

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Why is Meryl Streep our favorite person? On Friday she flew from Tulsa, Oklahoma–where she’s shooting “August: Osage County” in 35 degree weather, to East Hampton, NY. Having only cold weather clothing, she went into her sister in law’s closet, picked out a warm weather top and jeans, and sneaked over to Guild Hall to surprise award winning costume designer Ann Roth for her tribute at the Hampton Film Festival.

For most of the tribute–moderated by Alina Chow, with guests Mike Nichols and Nathan Lane hilariously providing the comedy for Roth, who doesn’t like press and claimed to have no idea why she was being given a tribute by the Festival and the Academy of Motion Picture Arts and Sciences–Streep sat hidden in the back of the theater.

I’m surprised Roth didn’t know she was there. When Chow described Roth as “the Meryl Streep of costume designers,” Streep let out a loud hoot from her seat. It was pretty funny.

When Streep finally took the stage, after Lane and Nichols ably entertained the crowd, she read a poem she’d written about Roth.

Later, in the green room, Streep admitted that she’d stolen the top she was wearing. “This is from Mary Streep. But don’t write that. She has no idea.” (It was very nice, Mary, but very Meryl.) I said, “Four hundred people just heard you say that,” I replied. “Yes,” said Meryl,”but they won’t say anything, will they?”

Streep, sporting short hair, said “August: Osage County” is going very well, but that since she’d been in Tulsa the temperature had dropped from 80 to 35. “It’s supposed to be August, so we’re shooting the fall things as quickly as possible.”

Meantime, I told Mike Nichols I was relieved to see him– and to see how well he looked. A gossip wag had called recently claiming Nichols wasn’t well. “Do you know how you knew it wasn’t true?” Mike asked. “Someone called you.” Nichols just recently staged that elegant memorial for Marvin Hamlisch at the Juilliard School.

Among the guests at Guild Hall were Scott Rudin and Hawk Koch, the new president of the Academy.

As for Roth, she’s like someone’s erascible grandmother or a modern day Bud Abbott  She’s the perfect straight man. She talked a lot about Nicole Kidman’s nose in her Best Actress performance in “The Hours,” Jane Fonda’s famous haircut in “Klute” (Roth took her to get it)–also an Oscar winning performance; designing Barbra Streisand’s very sexy costume for “The Owl and the Pussycat?” (the New York Times, she said, wouldn’t run the ads) and getting Colin Firth and Pierce Brosnan to wear spandex while singing “Waterloo” in “Mamma Mia.”

After Roth convinced Brosnan to wear the spandex, she walked across Pinecrest Studios with him. She recalled “If you remember, he’d lost the job of playing James Bond, and it wasn’t a happy experience. And there we are, crossing the lot, he’s in the spandex, and here comes Daniel Craig walking past us in the most stunning tuxedo.” Roth takes a beat. “Let’s just say it was an awkward moment.”

 

Bradley Cooper, Jeremy Renner in Next David O. Russell Film

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Christian Bale is reuniting with David O. Russell, who directed him to an Oscar in “The Fighter.” Bradley Cooper, Jeremy Renner, and Amy Adams– also a “Fighter” alum–are joining the cat of the untitled film. Russell is about to release “Silver Linings Playbook,” a certain Best Picture/Director nominated film with four acting nominations as well for Jennifer Lawrence, Cooper, Robert DeNiro, and Jacki Weaver. Russell has found a deep pocketed financial angel in the savvy, young Megan Ellison, who owns Annapurna Productions.

Here’s the release:

(LOS ANGELES, CA) OCTOBER 5, 2012 – Bradley Cooper, Jeremy Renner, and Amy Adams will be joined by Christian Bale in David O. Russell’s ensemble drama. Russell’s penning the film’s screenplay with Eric Warren Singer, based on Singer’s original script.

The upcoming film marks the director’s first time working with Renner (two-time Academy Award nominee), and his second collaborations with Bale (Academy Award winner for Best Supporting Actor for “The Fighter”), Adams (three-time Academy Award nominee including “The Fighter”) and Cooper (“Silver Linings Playbook”).  David O. Russell’s acclaimed “Silver Linings Playbook” garnered the Audience Award at the Toronto International Film Festival.

Atlas Entertainment¹s Charles Roven and Richard Suckle will produce alongside Annapurna Pictures’ Megan Ellison and Ted Schipper. Jon Gordon, who most recently produced “Silver Linings Playbook,” will also serve as an executive producer on the project alongside Bradley Cooper and Eric Warren Singer.  Annapurna Pictures is fully financing the film, tentatively set for release in late 2013. Columbia Pictures will handle US Distribution.

“David has put together an incredible ensemble of actors for what is going to be a powerful and emotional drama about one of the most memorable cast of characters in recent history,” noted Charles Roven.

The Untitled David O. Russell Project is based on the true story of a notorious financial con artist (Bale) and his mistress/partner in crime (Adams), who were forced to work with an out of control federal agent (Cooper) to turn the tables on other con artists, mobsters, and politicians.   At the epicenter of the entire tale, is the passionate and volatile leader of the New Jersey state assembly (Renner) who is also the local hero and mayor of impoverished Camden.

Panorama Media has sold the film internationally, which includes a multi territorial deal with Sony Pictures Worldwide Acquisitions. Production will begin mid-February on the East Coast.

American Idol Scandal: Why Doesn’t Fox Fire Nicki Minaj? Police Were Consulted

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I take it back: I thought all this stuff between Nicki Minaj and Mariah Carey on the “American Idol” audition tour was just hype, for publicity. In the past, “Idol” was all about fake feuds. But I am told with certainty by sources on the tour that it all happened, that Minaj threatened Carey quite seriously. As The NY Post reports today, Mariah’s security was immediately beefed up. There was actually discussion with local police in Baton Rouge. Good grief! Since it is true, I wonder why Fox hasn’t fired Minaj? This is unacceptable behavior. Listen, Mariah Carey neither needs the money or the aggravation to put up with such antics. It’s up to Fox to protect her, I have an eyewitness who’s heard and seen the entire debacle.

By the way, Nicki Minaj, who’s from Trinidad, and grew up in Queens, New York, comes from a violent background. This was a Q&A in Details:

Your father set fire to your home when you were a kid in Queens, New York. What happened?
A: He drank a lot and did drugs, and he would get violent when he did. When he set fire to the house, he was attempting to kill my mother. She got out before it burned all the way down. I’ve always had this female-empowerment thing in the back of my mind—because I wanted my mother to be stronger, and she couldn’t be. I thought, “If I’m successful, I can change her life.”