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SHOCKING Report About Hundred-Million Dollar Hollywood Nursing Home: “Needless Suffering,” “Deficient Care”

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Exclusive: Following today’s announcement of a $90 million gift to the Motion Picture Fund by the Dreamworks trio, I stumbled across a repressed report about the Actors Home in Woodland Hills, California. The report was from the State of California, and obtained by the California Advocates of Nursing Home Reform though a Freedom of Information act request. They published the report, but according to executive director Pat McGinnis, it was ignored not only by the Department of Health, but by the LA Times, Variety, the Hollywood Reporter, and all the self-proclaiming website who say they cover Hollywood.

There are two reports. One is about the facility itself and the other is a physicians report. There was a surprise inspection of the facility on March 7th–about two weeks after the MPTF’s glittery “Night Before” fundraiser at the Beverly Hills Hotel with lots of stars and fancy gifts for donors. The report was issued on May 21, 2012, to Seth Ellis, then the head of Motion Picture Fund, from the California Department of Justice.  Ellis was subsequently fired from the MPTF; his dismissal was noted in some publications with no mention of the report’s existence.

also read from September 2010: http://www.showbiz411.com/2010/08/12/stop-the-party-reports-says-neglect-at-motion-picture-home-injuries-broken-laws

The findings of the inspector are attached here. They include an Oxygen tank with no oxygen, peeling paint in a patient’s room, and dozens of questionable medical situations. One room had a gaping hole in its wall.

The second report, a physician’s report, is much worse. Prepared by Kathryn Locatell, MD, the report is actually shocking. Locatell, who did all the reports for nursing homes last year, is a specialist. She found “deficient care.” She said the chief physican had a “lack of basic knowledge.” Locatell basically concludes that the patients are being over medicated. She described “needless suffering” of dying patients. Locatell wrote: “The psychotropic medications policies in this facility are alarming.”

Nurses’ flow-sheets consisted of “illegible squiggles.”

Most horrific: Locatell observed that the nursing care was a disaster–and mean. She wrote: “When residents reach the dying stage, care is definitely not in conformance with prevailing standards and residents are needlessly suffering as they die.”

How could this be? Hundreds of millions of dollars have been donated to this facility by movie studios, executives, and stars? No nursing home in America has received this kind of attention, fundraising. or interest. And yet, Locatell describes a nightmarish situation–and one not that different, mind you, from less well endowed or publicized places.

And yet executive director Bob Beitcher wrote this on the MPTF website in repsonse: “I hate surprises, don’t you? Especially bad ones. So when we received some very disheartening results a few weeks ago from a surprise survey of our skilled nursing facilities from Operation Guardians (OG), a team at the California Department of Justice focused on potential violations of federal, state, and local laws and regulations, I was none too happy. In fact, I was downright shocked. I thought we were better, much better, than how we were depicted in the OG reports. In fact, I was confident we were.” He concluded that changes had to be made, but wrote, as a defense: “I could also see as clearly how the reports were wrapped in an overall negative bias…”

Maybe Dr. Locatell wasn’t a movie fan or something. Why would she biased against the Motion Picture Fund?

Locatell wrote very seriously: In summary, systemic problems with the provision of medical care and services, with extreme polypharmacy and the unwarranted prescription of psychoactive agents without adequate indications or consent, create a risk of possible substantial harm to every resident of the facility.”

 

 

 

 

Spielberg, Katzenberg, and Geffen Give $30 Mil Each to Motion Picture Fund Despite SHOCKING Report

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Steven Spielberg, Jeffrey Katzenberg, and David Geffen– the three original principals in Dreamworks SKG– are each giving $30 million to the Motion Picture Television Fund, the foundation that operates the Actors’ homes and takes care of veteran industry players. This, despite–or maybe because of — a terrifying August report about the Woodland Hills skilled nursing unit. “Residents,” the report reads, “are needlessly suffering as they die.” (See below.)

Katzenberg, of course, has been instrumental in raising money for the MPTF, and was inadvertently caught up in the controversy about closing down long term medical care there. (It’s since been resolved favorably to the residents.) His heart has certainly been in the right place, and so has his wallet. George Clooney is the current chairman of the drive to raise $350 million to put the MPTF in good shape. He’s already gotten pledges of $30 mil each from producer Steve Bing and media mogul Barry Diller, and $20 mi each from Kirk and Anne Douglas, and News Corp.

However: the MPTF still has some severe problems. A report in August from the group Operation Guardians was severely critical of the care at the facility’s skilled nursing unit. This is from the report, on the OG website http://www.canhr.org/operationguardians/MotionPictureTelevisionFund_OG.html.

More on this report shortly, but here’s the summary:

Motion Picture and Television Fund Skilled Nursing Units – Woodland Hills

Summary

This facility’s atmosphere is described as chaotic and disorganized. An attending physician (who is also the medical director) “lacks basic medical knowledge concerning standards applicable to geriatric patients,” specifically the administration of medication. Physician charting notes lack meaningful evidence of the medical decision making process. Most residents are prescribed over ten medications, some even upwards of twenty. Medications are frequently administered solely to treat the side effects of other medications. One resident, before her death at the facility, had experienced a severe and extremely painful skin reaction to one of her numerous prescribed medications. Instead of discontinuing each medication one-by-one to determine which one caused the reaction, the patient was treated with topical ointment. According to the patient’s medical records, pain management was neglected.

The physician and nurse practitioner often treat patients without communicating. In one instance, the physician recommended an increase in the dosage of a medication that had been discontinued by the nurse practitioner. Painful morphine injections are administered to palliative patients whose pain medication could easily be administered orally. Two patients who had developed pressure ulcers were not adequately treated.

“Systemic problems…with extreme polypharmacy and the unwarranted prescription of psychoactive agents without adequate indications or consent…When residents reach the dying stage, care is definitely not in conformance with prevailing standards and residents are needlessly suffering as they die.”

On the MPTF website, the facility’s director, Bob Beitcher, says he’s trying to improve the situation. http://tinyurl.com/8fdn6um. Maybe the additional funds will help. Let’s hope so. In 2010, Beicher’s salary was $441,000. You’d think the least he could do is prevent needless suffering.

Oprah, David Letterman Will Do Rare Live Interview at Ball State in Indiana

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Remember there used to be a feud between David Letterman and Oprah? Now they’re going to meet and hug it out at Dave’s alma mater, Ball State University, in Indiana. on November 26th. If I knew where this was, I’d go there. (Just kidding!) This is bigger than any presidential debate. Dave has been a big contributor to Ball State, and has an ongoing lecture series there that raises money for the school. It’s funny: he can’t get Oprah on his show, but she’s coming to do this. That’s because, at heart, Oprah (like Rosie O’Donnell and Barbra Streisand) is a great fund-raiser and loves philanthropy. The stats: they’ve each appeared on the other’s show exactly once. Oprah came to Dave in 2005, he did Oprah when she was in NYC in 2007. I hope someone tapes this thing.

Here’s the press release:

A Conversation with David Letterman and Oprah Winfrey

at Emens Auditorium on November 26

 

Ball State University alumnus and CBS “Late Show” host David Letterman will return to campus on November 26 for a conversation with media icon, philanthropist Oprah Winfrey

 

MUNCIE, Ind. — Distinguished Ball State alumnus David Letterman, host of CBS’s “Late Show,” will return to his alma mater on Monday, November 26, to host a conversation with media icon and philanthropist Oprah Winfrey at 4 p.m. in Emens Auditorium. The conversation is part of the David Letterman Distinguished Professional Lecture and Workshop Series, established in 2008.

Through the power of media, Oprah Winfrey has created an unparalleled connection with people around the world for more than 25 years. Her accomplishments as a global media leader and philanthropist have established her as one of the most respected and admired figures today.  As chairman and CEO, she’s guiding the development of her cable network, OWN.

“The Letterman lecture series is known for one-of-a-kind encounters with today’s most impressive leaders,” said President Jo Ann M. Gora. “Oprah Winfrey’s story is inspirational on many levels. She overcame a challenging childhood to become a global media leader. Equally impressive is her commitment to the power of education. She has awarded hundreds of grants to organizations that support the education and empowerment of women, children, and families around the world. The Oprah Winfrey Leadership Academy for Girls in South Africa is one example of how her philanthropy is developing the next generation of transformative leaders.

“We are grateful to Dave for his generous support of the university and his ongoing engagement and participation in the series. His direct participation has made this unique opportunity possible.”

Admission to the event in the 3,300-seat Emens Auditorium is free, but seating must be reserved. The university anticipates high demand for seats. Tickets must be secured in advance and will be available on a first come-first serve basis at the Emens Box Office. Tickets are limited to two per person. Students may begin picking up tickets at 9 a.m. on Wednesday, Nov. 7, with a Ball State ID. Ball State faculty and staff may begin picking up tickets at 9 a.m. on Thursday, Nov. 8, with a Ball State ID. Tickets will be made available to the general public beginning at 9 a.m. on Fri., Nov. 9 and will continue to be distributed as supplies last. For more information on tickets, call the Emens Box Office at 765-285-1539 or toll-free at 877-993-6367.

 

Exclusive: Rosie O’Donnell’s Theater Kids First-Ever Music Video

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Rosie O’Donnell’s Theater Kids raised $850,000 last night with the help of Z100’s Elvis Duran, Fox5’s Rosanna Scotto, and the kids and instructors from Rosie’s amazing pet project, The Maravel Arts Center, on West 45th St. The kids–the sixth year of kids who’ve passed through Rosie’s incredible program–made their first music video ever recently, written and directed by Broadway and TV star B.D. Wong. The video is in our main page player at the bottom of the home page. Rosie’s Kids are a knock out as usual. The program has not only saved lives, but changed them. A great night at the Marriott Marquis, as usual. And Rosie’s Kids are still threading their way through the New York City school system. Bravo! Watch the video. PS The economy may be coming back. The MM Ballroom was very full, the fullest I’ve seen it in three years. Maravel is a marvel!

Elton John Planning Return to Broadway as Composer

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Elton John is planning a return to Broadway as a composer with Bernie Taupin, and partner/husband David Furnish as producer. Furnish confirmed this last night at a glittery black tie fundraiser for the Elton John AIDS Foundation here in New York at Cipriani downtown. The only thing I know is that the musical will be an original book, with new and old songs by Elton and Bernie. Of course, this team has had mega success with “Billy Elliott,” and Elton had a hit years ago with “Aida.” No word yet on who will direct, but Stephen Daldry can’t be so far away.

Meantime, the EJAF– one of the very best foundations– was celebrating several things including a major donation from Lady Gaga via Yoko Ono. Gaga won of Yoko’s LennonOno Peace Prizes that came with a cash award. Gaga immediately donated the money to EJAF. Furnish told me how pleased and grateful he was. “We have a wonderful relationship with Lady Gaga,” he said.

Anderson Cooper emceed the event last night (for the sixth straight year) which later was set to feature a performance by Stevie Nicks. But in the crowd were New England Patriots owner Robert Kraft, who was an honoree; Matt Lauer, Brooke Shields, Tony winner Judith Light, Lance Bass, Courtney Love, Julian Schnabel, Alan Cumming, Cheyenne Jackson, Ingrid Sischy and Sandy Brandt of Vanity Fair, and Viacom chief Phillippe Daumann.

And who stopped by? Madonna’s legendary publicist, Liz Rosenberg. Elton and Madonna have buried the hatchet. Anyway, Sir Elton and Liz are friends from waaay back. “I love Elton, I’m not fighting with him!” exclaimed a widely smiling Liz.

Everyone loves Elton John, kids. The people came in tuxes and gowns through a monsoon rain storm that would not let up. I was very happy to see old pals Bill and Tani Austin of the Starkey Hearing Foundation, which does reciprocal work with EJAF.  You can read all about the foundation and see why it’s so effective at www.ejaf.com. They issue regular reports about their many grants and proved to be incredibly effective. Elton and David, and foundation director Scott Campbell have done a great job with lots of transparency (unlike some other groups): http://ejaf.org/2012-grants/

PS I don’t know why, but for weeks the same Elton John song has been in my head. I think it’s because it was on the Pnau remix album. Here it is: http://www.youtube.com/watch?v=FyBJoj1zK_4

 

Elvis Costello, Tom Morello, Darlene Love on Deck for Tomorrow Night’s Little Steven Tribute

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It’s quite a list for tomorrow night’s Little Kids Event, a tribute to Little Steven van Zandt of the E Street Band. Little Kids benefits music education for children. Everyone from Elvis Costello to Tom Morello, Darlene Love, Dion, Ruben Blades, Southside Johnny and many special guests are going to perform songs by Little Steven. And you never know who might show up (hint. hint). You can read it all about it at www.littlekidsrock.org

Rolling Stones Confirm Our Concert Exclusive Reports– On You Tube!

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The Rolling Stones posted a video on YouTube this morning with no fanfare–about the concerts I’ve told you about exclusively. The London O2 arena shows are on November 25th and 29th. The Prudential Center shows in Newark are December 15th and 19th. No word on the Barclay Center in Brooklyn, where they’re still trying to make a deal. Weird way to make an announcement? Yes. According to You Tube, the video only has 302 viewings so far. The single “Doom and Gloom” was also offered up in an odd way, and it’s suffered. I’ve no doubt the concert tickets will sell out quickly.

http://www.showbiz411.com/2012/10/05/exclusive-rolling-stones-will-play-prudential-center-in-newark

Already huge blocks of tickets marked way up in price have found their way to UK re-seller ViaGogo for all four shows. They’re asking upwards of $6,500 for front row seats at the Prudential Center. This is what I told you was going to happen, last week.

Anyway, it’s all as has been described here for weeks and weeks. I told you the tickets were going on sale this week. Etc. http://www.showbiz411.com/2012/10/10/exclusive-rolling-stones-concert-tix-will-go-on-sale-next-week

I also told you that Richard Branson would be launching his VirginLive with these shows. Back on August 30th: http://www.showbiz411.com/2012/08/30/exclusive-rolling-stones-dates-in-new-york-and-london

http://www.youtube.com/user/therollingstones

Broadway Musical “Rebecca” Investor Arrested in “Producers”-Like Scam

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Mark Hotton has been arrested and will be arraigned this morning in New York in the scam surrounding the Broadway musical “Rebecca.” The government says Hotton faked the investor named “Paul Abrams” to Broadway producer Ben Sprecher. Sprecher thought he was getting $4.5 million from “Abrams,” who he never met or spoke to. “Rebecca,” a bad show anyway, is now dead, which is just as well. Gerry Shargell is representing Hotton. He’s who you go to when things look bleak; Shargell always has a way of limiting the bad things that can happen to a guilty looking defendant.

Here’s the press release from the US Attorney’s office:

Preet Bharara, the United States Attorney for the Southern District of New York, and Mary E. Galligan, the Acting Assistant Director-in-Charge of the New York Office of the Federal Bureau of Investigation (“FBI”), today announced the unsealing of a Complaint charging Long Island businessman MARK HOTTON with defrauding the producers of the Broadway show “Rebecca – The Musical” (“Rebecca”) by fabricating the prospect of $4.5 million in financing commitments and the possibility of a $1.1 million loan, so that they would pay him, and entities he controlled, more than $60,000 in fees and commissions. HOTTON is also charged with a second fraudulent scheme in which he tricked a Connecticut-based real estate company into paying him and entities he controlled $750,000 by using some of the same deceptions he employed in the “Rebecca” scheme. HOTTON was arrested this morning at his Long Island residence, and is expected to be presented in federal court in Central Islip, New York.

Manhattan U.S. Attorney Preet Bharara said: “As described in the criminal complaint, Mark Hotton perpetrated stranger-than-fiction frauds both on and off Broadway. As part of one alleged scheme, Hotton concocted a cast of characters to invest in a major musical – investors who turned out to be deep-pocketed phantoms. To carry out the alleged fraud, Hotton faked lives, faked companies and even staged a fake death, pretending that one imaginary investor had suddenly died from malaria. As also alleged, Hotton enlisted his same cast of invisible men to carry out a real estate scam. Ultimately, Hotton’s imagination was no match for the FBI which uncovered, with lightning speed, his alleged financial misdeeds.”

FBI Acting Assistant Director-in-Charge Galligan said: “In his alleged scheme to defraud investors, Mark Hotton wrote, directed and starred in the work of fiction he took to Broadway. He even allegedly played the supporting characters – phantom investors who existed only in fictitious emails and Hotton’s bogus assertions about them. A convincing portrayal on stage can earn you a Tony. A convincing act that fleeces a production’s backers can earn you a prison term.”

The following allegations are based on the Complaint unsealed today in Manhattan federal court:

From September 2011 to October 2012, HOTTON, a businessman and stockbroker with ties to numerous corporate entities, engaged in two separate schemes involving fictitious individuals and entities that he created in order to defraud his victims – the producers of “Rebecca,” a musical based on the novel by Daphne du Maurier, and a Connecticut-based real estate company.

The “Rebecca” Fraud

The budget for “Rebecca” was between $12 million and $14 million. In January 2012, the show’s producers (the “Producers”) realized they were $4 million short of their minimum capitalization goal, and began looking for new ways to raise the money. On February 7, 2012, the Producers’ company entered into an agreement with TM Consulting, Inc., a company controlled by MARK HOTTON, in order to raise the additional funds. Under the agreement, HOTTON received a fee of $7,500, and a guarantee of 8% of any funds he raised in excess of $250,000, plus tiered percentages of “Rebecca’s net profits.”

Over the course of the next few months, HOTTON led the Producers to believe that he had secured $4.5 million from four overseas investors: “Paul Abrams,” of Hawthorne, East Victoria; “Roger Thomas,” of St. Peter Port, Guernsey; “Julian Spencer,” of Crocker Hill, Chichester, Sussex; and “Walter Timmons,” of London, United Kingdom (the “HOTTON Investors”). HOTTON provided the Producers with purported email contact information for the four men and gave them investment agreements the HOTTON Investors had purportedly signed. The Producers also received emails that supposedly came from the HOTTON Investors.

Under the terms of the agreement between HOTTON and the Producers, they paid him over $15,000 in fees and commissions between March and June 2012. In April 2012, HOTTON also demanded and was paid an additional $18,000 “advance” against his 8% commission, claiming that he needed the money to cover the costs of a purported safari he had taken with “Paul Abrams,” and Abrams’ eldest son.

The investigation, which began in late September 2012, quickly revealed that HOTTON had concocted an elaborate fraud and that the HOTTON Investors did not in fact exist. For example, the purported HOTTON Investors’ email addresses were controlled by HOTTON, and some of the IP addresses used to access their email accounts traced back to a location in Manhattan where HOTTON did business. The businesses associated with some of the email addresses for the HOTTON Investors also have websites, the domain names of which were registered to HOTTON and which he apparently created shortly before and during the fraud. The investigation revealed that HOTTON used the email addresses to fabricate correspondence between himself and the HOTTON Investors, which he then forwarded to the Producers. In some instances, he used the email addresses to communicate directly with the Producers.

When the Producers began pressing for the HOTTON Investors to wire the money they had promised to send by July 31, 2012, HOTTON orchestrated the false illness, hospitalization, and untimely “death” of one of the main HOTTON Investors, “Paul Abrams.” HOTTON then fabricated correspondence with a man named “Wexler,” who had purportedly been named the executor of the estate of “Paul Abrams,” and with whom he claimed to be meeting in England in August 2012 in an effort to ensure that the contribution to “Rebecca” was still made. However, travel records indicate that HOTTON has not left the United States since April 2012. Further, the email address used by “Wexler” is associated with a domain name that was set up and registered to HOTTON.

As it became increasingly apparent that the commitments of the HOTTON Investors would fall through, HOTTON then purported to try to broker a $1.1 million loan for the Producers, even offering up his own real estate and brokerage account as collateral for the loan. But there was no real loan or lender. Rather, HOTTON had created a second set of apparently fictional individuals and entities. He created the domain name of the title company he said could assist the Producers in obtaining the loan; invented the business, SPS Equity, that was purportedly making the loan; manufactured email correspondence with individuals, including “Gus” and “Robert Phillips” who purportedly worked for the lender; and invented a company that he said was a “commercial lending affiliate” of the bank that would facilitate his phony offer to put up collateral for the loan. HOTTON used this part of the scheme to lure the Producers into paying him and entities he controlled in excess of $35,000. This included $10,000 paid to him personally, as half of a fee for helping to broker the loan, and $23,000 paid to a bank account for the “lender,” but which was really controlled by HOTTON’s sister and administrative assistant.

The Connecticut Real Estate Fraud

Beginning in September 2011, HOTTON agreed to help the president of a Real Estate Company (the “President”) obtain financing for various business ventures. He told the President that a California-based group called “Pacific Ventures” and its affiliate, “Mezzanine Capital,” would assist in providing a $20 million loan. HOTTON provided the same email address he told the Producers in the “Rebecca” scheme was supposedly used by “Paul Abrams,” Abrams’ assistants, and “Walter Timmons” as the email address for “Pacific Ventures.” He also provided the same email address that was used by “Roger Thomas” in the “Rebecca” scheme as an email address for a contact at “Mezzanine Capital.”

In March 2012, HOTTON told the President that a third company, “CPS Equity,” would be able to process the loan, but required a $200,000 upfront fee, which the President paid. CPS Equity was the company associated with the email address used by “Paul Abrams” when communicating with “Rebecca’s Producers.” Following the initial $200,000 payment, HOTTON further instructed the President to make additional payments in order to secure the loan. The President did so, providing payments totaling $101,685.43 in May, and an additional $450,000 between May 2012 and October 2012. Some of that money was wired to the same bank account into which “Rebecca’s Producers” wired $23,000 – a bank account controlled by HOTTON’s sister and administrative assistant.

To date, the Real Estate Company has still not received any of the funding that HOTTON promised to arrange. Furthermore, HOTTON has continued to send messages to the President in connection with the scheme, and has done so as recently as October 11, 2012.

*                      *                      *

HOTTON, 46, of West Islip, New York, is charged with two counts of wire fraud. He faces a maximum term of twenty years in prison on each count.

Mr. Bharara praised the outstanding investigative work of the FBI.

This case is being handled by the Office’s Complex Frauds Unit. Assistant U.S. Attorneys Sarah E. McCallum, Edward B. Diskant, and Zachary Feingold are in charge of the prosecution.

The charges and allegations contained in the Complaint are merely accusations, and the defendant is presumed innocent unless and until proven guilty.

Mary Wilson Still Rules Supreme with First Film, Costume Tour and More

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Mary Wilson is the hardest working woman in show business after more than 50 years. Yes, Mary, 68, and looking like a million bucks, has managed to outlast her Motown curse. The original Supreme, she hung in there after the dismissal of Florence Ballard, the departure of Diana Ross, and countless fights to keep her name. Now Mary is still cooking hot. This summer, and even now, she’s touring with former Rolling Stone Bill Wyman and his big band across Europe. She’s recorded her a new single, available on iTunes, and has a jazz album out that contains her stunning versions of Sting’s “Fields of Gold” and Joni Mitchell’s “Both Sides Now”–a smash in her live show.

This week, Mary was featured in the New York Times for her traveling show of Supremes costumes. It’s gone to Philadelphia for an exhibit. http://runway.blogs.nytimes.com/2012/10/12/reliving-the-glamour-of-the-supremes/?ref=style

And, Mary is also filming her first movie, in her hometown of Detroit. It’s an indie called “Golden Shoes,” with a typically eclectic cast including Eric Roberts, Vivica A. Fox, and Montell Williams. “It’s only a small part, a couple of lines, really,” Mary told me before a sold out show she performed in Fairfield, Connecticut. “But it’s a beginning. This way I can see how it’s all done.”

Unflagging optimism has kept her going through tough times. She has a big family, but lost a son in a car accident years ago. He’s always on her mind. But she’s practical, and a survivor. It helps that her voice has gotten richer and deeper over the years. She just found out about the death of Frank Wilson, (no relation) the Motown songwriter who saw her through the post-Ross days with hit singles like “Nathan Jones” and “Up the Ladder to the Roof.” Frank Wilson gave the group a chance to shine without Ross.

In concert, she performs “Someday We’ll Be Together”–the song that Diana Ross recorded as the Supremes, but Wilson or Cindy Birdsong– it was Ross’s surprise farewell from the group. It’s a poignant reminder of what was and what could have been.

Exclusive: A “Roger Rabbit” Sequel May Happen After All, Says Director

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Robert Zemeckis is in town for the premiere of his excellent drama, “Flight,” the closing film of the New York Film Festival. Yes, “Flight” could be a Best Picture nominee, Denzel Washington is a cinch for a Best Actor nod, Zemeckis has done a fine job and the original screenplay is very, very good. But wait–all that in a minute.

Zemeckis told me last night that, although he’s sad about the retirement of Bob Hoskins, he has a “Who Framed Roger Rabbit?” ready to go. The brilliant 1988 combination live action and animation film has been begging for a sequel forever. “I have a script at Disney, and we’re just waiting for all the executive changes to settle down there,” Zemeckis told me. If I know Alan Horn, that’s a project he’ll get moving quickly. What great news!

Now, to “Flight,” in which Denzel plays a pilot who has to land a jumbojet in an open field when his plane–full of passengers–suddenly breaks apart. The crash sequences are startling realistic, and his character–Whip–is a hero for saving lives.

But “Flight” turns out not to the Sully Sullenberger story at all. It’s a far richer, more textured story. And once it starts playing out, Washington and Zemeckis take us on a brilliant but harrowing ride. The movie is so perfectly cast that every part of it works. It’s also kind of a breakthrough because Washington is joined by Don Cheadle, the other top African American actor in Hollywood for drama. Cheadle plays the lawyer who has to keep Whip from destroying his own life and career. And the cool thing, in this very well crafted screenplay by John Gatins, is that race is never mentioned. “Flight” may be remembered as a watershed film.

Other terrific actors: the very fine Tamara Tunie as a flight attendant who may play an integral role in Whip’s future; Bruce Greenwood as the airline rep; James Badge Dale as a character in what can only be thought of the as the movie’s surreal moment; Brian Geraghty as the copilot, Melissa Leo, Kelly Reilly, and John Goodman in what may be his Oscar turn of the year.

The movie also has an excellent soundtrack including few songs by the Rolling Stones and a sly scene in which the Muzaked version of the Beatles “With a Little Help from My Friends” is playing in an elevator.

“Flight” isn’t perfect, but it’s very well played as a search for truth even when no one really wants to find it. The question is whether or not Whip, albeit a hero, is also lying to himself and to others about his demons. And Denzel is great at playing bad. Just as in “Training Day,” he sort of beams the worse his characters behave. And Whip behaves very badly.

Great party followed the screening, at the Stone Rose, but for some reason neither Denzel nor Don Cheadle showed up at accept kudos. The rest of the cast was there, as well as Paramount chief Brad Grey, Debra Winger, who brought her 15 year old son Babe Howard (father is actor Arliss Howard), director James Toback, New York veteran actors Bob Dishy and Judy Graubart, Celia Weston, Mitchell Lichtenstein, and Marisa Tomei. Marisa and Tamara (a “Law & Order” vet for years) are both graduates of “As the World Turns”–although Marisa preceded Tamara by a couple of years. They reminisced about the show and another grad who Marisa had run into earliert that day, Julianne Moore.

Tamara, by the way, married to singer Gregory Generet, starts her gig singing at Feinstein’s at the Regency beginning October 30th. The photo with this story was taken by Greg, who was tall enough to get it while fans and other photogs crowded around the actresses.