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Justin Timberlake’s “Suit and Tie” Tonight at Midnight

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Justin Timberlake is bringing annoying back. Following on the heel of Adele (“Skyfall”) and the Rolling Stones (“Doom and Gloom”), the former boy band star is releasing his new single via social network tonight at midnight. “Suit and Tie” is Timberlake’s first new solo single in about six years. An album will follow in two to three months.

Timberlake is coyly using Twitter and Tumblr to release little tidbits of information. Oddly, he’s not using MySpace, in which he invested heavily in the last year, as forum for this information. In all likelihood. “Suit and Tie” will be ready for paid download exclusively on iTunes at midnight.

I told you in September that Timberlake had been working on new music with producer Timberland. But also dropped this week is a new single from Bon Jovi called “Because We Can,” A new album from New Jersey’s favorite rock pop garage band is due in March. http://www.youtube.com/watch?v=J0Z3nh-ah_k

And you have to give Bon Jovi credit. They’re still regularly putting out catchy new songs, with great melodies, vocals, and radio friendly, stadium solid instrumentals. That’s not so easy in 2013.

Exclusive: Spielberg Will Re-work “Robopocalypse” And Make It

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Exclusive: Last night, despite the relatively freezing cold weather, the Hollywood gang managed to make the rounds at what seemed like dozens of parties along Sunset Blvd from Chateau Marmont to the Beverly Hills Hotel. (It’s funny how many fur jackets have started popping up even though it’s usually 80 degrees here!)

At the Beverly Hills Hotel–where Ben Affleck was being honored by Cinema for Peace and Justice for his work in the Eastern Congo–Steven Spielberg told me what happened with “Robopocalypse,” the film he was supposed to make that just got postponed. First of all, he’s not going to make another film instead. “I don’t have anything else,” Spielberg said. “I looked at Robopocalypse and realized it just needed a new script. We know now what the story should be, so we’ll rewrite the script. And make it.”

Meanwhile the lobby of the grand BHH was filled with musicians and others whom Affleck has worked with in his efforts to enlighten the world about the plight of Congo. Several celebrs showed up to help him out including two sensational actresses whom we don’t see enough of– our old friend Alfre Woodard and Thandie Newton.  The “Argo” director was still fielding kudos from his win Thursday night at the Critics Choice Awards for Best Director and Best Film.

Then over to Chateau Marmont for W Magazine’s annual Hollywood issue party. “Say it’s the party of the night,” joked host Lynn Hirshberg, but we didn’t need much prodding. We took the elevator to the sixth floor penthouse with Dev Patel and Freida Pinto–they’re still together and charming as ever some five years after “Slumdog Millionaire.” In Hollywood, that’s a lifetime. Lovely!

Remember the famous scene from the Marx Brothers’ ‘A Night at the Opera” where everyone’s stuffed into a small stateroom? Well, that’s what the W party is like every year and that’s what makes the W party so much fun. Bradley Cooper is cheek by jowl with Hayden Panitierre, and Helena Bonham Carter comes rolling with Homeland star Damien Lewis and his famous British actress wife Helen McCrory. Catherine Keener gets introduced to Christoph Waltz, and Eddie Redmayne is on the wide balcony surrounded by beautiful young things. Not too far away is Chelsea Handler with her boyfriend Andre Balazs, who owns the swanky Chateau, and so on. “On the Road” stars Kirsten Dunst and Garrett Hedlund look like a million bucks. And everyone is admiring the new issue of W which has amazing, edgy pictures of Hollywood stars by Juergen Teller.

Waiting for cars in front of the Chateau is always a little organized mayhem with tons of autograph hounds and paparrazzi planted just on the other side of the narrow, hilly street facing the valet stand. When “Django Unchained” star Christoph Waltz is spotted on our side, the gang from across the way starts chanting his name. When Waltz’s car pulls up, he suddenly darts over and signs as much as he can from “Django” and “Inglorious Basterds.” But he’s very careful, he tells me just before this, as I await my the return of my rental car.

“Someone actually handed me a copy of Hitler’s Mein Kampf the other day,” Waltz said, shaking his head. “And someone else wanted me to sign my name over a swastika.” Needless to say, he declined both opportunities.

 

“Girls”: Everyone Gets Naked on the Second Season

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Everyone gets naked in the second season of “Girls,” which debuts this Sunday on HBO– according to our PAULA SCHWARTZ.

The “Girls” 2.0 premiere was Wednesday at N.Y.U.’s Skirball Center. The glitzy after-party was at Capitale in the Meatpacking district, where guests entered into the main ballroom by walking across a crossway that was designed to look like the Brooklyn Bridge.

Lena Dunham, who has a new sophisticated new pixie haircut that’s kind of like Anne Hathaway’s, wore a strapless black jumpsuit edged with white, and super-high spike heels. Hats off to Dunham, who’s secure enough in her body to wear an outfit that would make even a size 4 woman look like a dumpling.

Close by her side until midnight when they exited was her boyfriend Jack Antonoff, who heads rock group Fun, which is featured on the season two “Girls” soundtrack.

On the red carpet Dunham said the show would continue to “push the envelope,” a challenging proposition considering last season’s no holds-barred sex scenes. But after last night’s premiere screening we can report Dunham succeeded. It’s also no spoiler to mention that Dunham has a black boyfriend and the show opens with them having wild, noisy sex. Wonder if this is a response to last season’s critics gripping about the lack of black characters in the show.

There’s also an anal sex scene but I won’t spoil it for you. And co-star Alex Karpovsky has a nude scene as well.

Rita Wilson is a new cast edition as Marnie’s (Alison Williams) sarcastic and body-obsessed mother, who is having an affair with a caterer-waiter. Peter Scolari, who plays Hannah’s father, co-starred with Wilson’s husband Tom Hanks in their early underrated cult series”Bosom Buddies.” (The two team up again in the spring in Norah Ephron’s “Lucky Guy.”)

Everyone gets naked sooner in  “Girls.” Last season Scolari had a hilarious shower sex scene where we saw a body part of his we never expected we’d see.

I asked the 57 year-old-actor if his character gets naked again in Season two. He told me he turns up in the back half of this second season in episodes 7 through 10 and yes clothes come off.

“There’s another nudity scene that occurs for my character that’s pretty personal and a little unsettling that developed in the writing with Lena and executive producer Jenny Konner,” he said, “so what happens for Dad in this season is very meaningful to me.”

How so? “It’s a progression that I guess you could say of the state of psychic distress that is a hallmark of ‘Girls’ we see in her Dad, and I was very taken, in all seriousness, taken with that writing and that direction that Lena and Jenny Konner brought to me. I feel like a lucky old dog to be able to be a part of this youthful, sexy show,” he said. “I’ve never felt so not at work as I am at work making these episodes.”

Does it feel peculiar to do naked sex scenes at his age? “With all due modesty put aside, I’ve never been healthier or more available to do work. I didn’t know that, but I’m much healthier at 57 than I was at 47 or 37, so not peculiar. I feel some great timing is at work in my life, and I’m not making the timing. I’m just around.”

He introduced me his date Tracy Shayne, an actress, who he described as his “soon to be wife.”

I asked Shayne if she fell in love with Scolari after seeing him in the shower scene, which inspired endless chat room discussions about his penis.

“I fell in love with him many years before that,” Shayne said.

“Girls” cast members Zosia Mamet, Williams and Jemima Kirke–all daughters of famous people David Mamet, Brian Williams, and Simon Kirke– hung out late into the late.

They don’t seem to have any of the show’s boyfriend problems. Kirke, 27, who just had her second child, a son, last month, cuddled with husband Michael Mosberg at a banquette, While in another corner, Williams sat on long-time boyfriend College.Humor.com co-founder Ricky Van Veen’s lap.

Adele Will Perform “Skyfall” at Oscars, Not at Golden Globes

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Just so we’re all on the same page: Adele will perform “Skyfall” on the Academy Awards show on February 24th– only. She will simply appear, but not sing, on Sunday’s Golden Globes.

I told you last week that the mega-hit British singer had to choose, and that she wouldn’t sacrifice her Oscar slot for the wonky Golden Globes. The Globes are to the Oscars as the American Music Awards are to the Grammys.

Adele, a source close to her says, will arrive in Los Angeles today and remain here through the next six weeks until the Oscar show. Since Adele will be here though the Grammy Awards on February 10th, it’s likely she will show up there and maybe sing “Set Fire to the Rain” – for which she was nominated this year.

It’s unknown at this point if Adele–with her new baby in tow–will take time to explore writing or recording a new album. Her “21” album remains a bestseller with over 10 million copies sold.

Meantime, the “Skyfall” theme was nominated yesterday officially for an Oscar. And it won the Critics Choice Awards.

Critics Choice: “Silver Linings,” “Argo,” “Lincoln”

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“Silver Linings Playbook,” “Argo,” and “Lincoln” were the big winners Thursday night at the 18th annual Critics Choice Awards. “SLP” won Best Ensemble, Best Comedy, Best Actor and Actress in a Comedy for Bradley Cooper and Jennifer Lawrence. “Silver Linings” expands today to wide release after playing consistently well on the backburner.

It also got an entry in the Oscar record book yesterday: it’s the first movie since “Reds” in 1982 to score Oscar nominations in every major category: Best Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress, Screenplay, and Editing.

I’ve said repeatedly since seeing “SLP” at the Toronto Film Festival that this sly film was the one to beat, the only one with heart, and the only film of this season that leaves a lump in your throat. No one else picked it. The so called experts alternated between “Zero Dark Thirty” and the foreign film “Amour.”

But “SLP” got the main attention at the Critics Choice, while “Argo” won Best Picture and Best Director (Ben Affleck, who got a standing ovation). But “Argo” is not yielding acting awards. “Lincoln” picked up Best Actor for Daniel Day Lewis, and adapted screenplay for Tony Kushner. Anne Hathaway won Best Supporting Actress for “Les Miserables” and Quentin Tarantino earned Best Original Screenplay for “Django Unchained.”

Jessica Chastain, exhausted after flying across the country after performing in “The Heiress” on Broadway, was shivering in her seat just prior to the announcement of Best Actress. “Are you cold?” I asked. “I’m nervous,” she replied. Well she was wearing an off the shoulder gown. All was settled when Chastain’s name was called for “Zero Dark Thirty.” Now she flies back to New York this morning to play “The Heiress” tonight and twice tomorrow, then back to L.A. for the Golden Globes–where she and Lawrence will again split Best Actress for Drama and Comedy–and then back to New York on Monday. And this is all on commercial flights, mind you! Where is all that Hollywood glamour when you need it?

Meanwhile, we did have a great moment with Joaquin Phoenix. He and his “The Master” co-star Amy Adams sat together at a Weinstein Company table, where Phoenix was bright eyed, bushy tailed and happy to be in attendance. He looks ready for the Oscar race after his Best Actor nomination.

But it was Daniel Day Lewis who was the most nervous. He made a couple of trips to the rest room before the Best Actor category was called. DDL, as I like to call him, is not as confident as we are that he’s a shoo in for playing “Lincoln.” He told me that Denzel Washington is “very strong” and that “Bradley Cooper is a surprise” before we even knew who was going to be nominated. He won last night, even though he spaced out a little during his speech. DDL, who shares little of himself and is very shy, is human you know.

 

Oscars: Why the Big Directors Are Missing from the Nominees

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Everyone’s asking the same question today: What happened to nominations for the big directors? Their movies are nominated for Best Picture, but Kathryn Bigelow, Quentin Tarantino, Tom Hooper and Ben Affleck are all absent from the Oscar finalists.

In their places: odd choices– Michael Haneke, who directed “Amour” and a lot of brutal movies in the past; and first time ever indie director Benh Zeitlin, who made “Beasts of the Southern Wild.”

I think I know the answer. Maybe some Academy voters will respond.But it’s more than likely that lacking a list of Directors Guild nominees, many voters were at a loss. Usually the DGA nominees are announced before the Oscar ballots are due back. Oscar nominations for Best Director in the past have lined up with the DGA list. And it makes sense. That DGA list is useful for panicked voters.

But this year the Academy moved their deadline back to January 3 (and then the 4th) so they could trump the Golden Globe weekend. It worked. Everyone’s talking about the Oscars today. Golden Globes have faded. But an unintended result is the lack of a guide for Oscar voters.

The DGA nominated Bigelow and Hooper, along with Spielberg, Affleck and Lee. If their choices had been made available to the Academy, I think we’d have seen a different list today.  So don’t think this is some referendum or that it means anything other than that. The voters were a little adrift. The result is a bunch of name directors–all of whom have had many accolades in the past– are wondering if their Best Pictures directed themselves.

Justin Timberlake Confirms Our Scoop: First New Album in 6 Years

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UPDATE: Monday will bring a single only, possibly called “Suit and Tie,” co-produced by Timbers lake and land. Album not ready until later this spring…

Just as I reported exclusively some months ago (hello Hollywood Reporter!), Justin Timberlake has recorded his first album in six years. From September 30th: http://www.showbiz411.com/2012/09/30/exclusive-justin-timberlake-finally-recording-new-album-after-six-years

Now it’s now like this is Marvin Gaye or Michael Jackson. It’s not as important news as David Bowie’s first new album in 10 years. Lest we forget, Timberlake has only made two solo albums past his career with boyband NSync.

But I’ll bet the folks at RCA/Sony-etcetera are happy to get some new product. And of course, his announcement is a coy process that he started on Twitter last night and advanced to Tumblr today. On Monday he will actually have something to announce, right in the middle of post-Oscar coverage.

Timberlake’s album is produced by Timbaland, just as I told you on September 30th. Details are forthcoming. Timberlake has spent the last four or five years devoted to his acting career with mixed results. He had good notices in “The Social Network” and from “Saturday Night Live.” But his other movies have been torture. He’s said to be very good in the Coen Brothers’ “Inside Llewyn Davis,” which may show in Cannes if not earlier.

PS Because we’re so close to the Grammys (February 10th) and for a variety of reasons, I will say with certainty you can expect this project to get its real boost on the Grammy show. Stay tuned. (And Hollywood Reporter, you can remember I said this today.)

Only 9 Best Picture Nominations: What Was Number 10?

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There were only 9 Best Picture nominations. So what was the 10th biggest vote getter– but not with enough votes to qualify? Everyone’s going to want to know that answer. My guess is “Best Exotic Marigold Hotel,” which did receive a SAG nomination for Best Enssemble. Runners up might be The Master, The Sessions, Skyfall, and Flight. We will probably never know. But it’s a shame the Academy simply didn’t include a 10th nominee just to round out the list!

Oscars: Now it’s “Silver Linings” vs. “Lincoln”

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It’s like a rivalry comparable to the Red Sox and the Yankees. Weinstein Company vs. Dreamworks. “Silver Linings Playbook” vs. “Lincoln.” Shades of “Shakespeare in Love” vs. “Saving Private Ryan.” The two hottest Oscar  movies have now been clarified. They are each nominated for Best Picture and Director. “SLP” has four acting nominations. “Lincoln” has three. They each have screenplay nominations. And they are each terrific films.

The 2013 Oscars are going to be a hot night, that’s for sure. Meantime, Weinstein Company has three of the five Best Supporting Actors– Philip Seymour Hoffman, Robert DeNiro, and Christoph Waltz. They have two Best Actors–Joaquin Phoenix and Bradley Cooper. And two supporting actresses–Jacki Weaver and Amy Adams. Not to mention two Best Pictures–SLP and Django. They also have one foreign film–Kon Tiki. Amazingly, “The Untouchables” didn’t make it. But it’s made a fortune, so that’s some consolation.

The other big story is “Beasts of the Southern Wild.” This cool little movie by Benh Zeitlin was bought by Fox Searchlight at Sundance in 2012. It really struck a nerve. The little girl, Q, who is 9 now and 6 when she filmed it, has never acted before. Very nice. Bravo.

A big disappointment: no nomination for John Hawkes in “The Sessions.” He is just a wonderful actor who turned in a brilliant performance. There is an Oscar in his future.

And the other big story is no director nominations for Ben Affleck, Quentin Tarantino. Kathryn Bigelow or Ben Affleck. This is jaw dropping. Surprise noms for Michael Haneke and Zeitlin upset the apple cart. Director noms for Russell and Spielberg are good, but not surprises.

Oscar Nominees: Oldest (85) and Youngest (9) Actresses Ever

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Oscar nominations snubbed both directors Ben Affleck (Argo) and Tom Hooper (Les Miz). The oldest and youngest actresses ever were nominated– Emmanuelle Riva (85) and Q from Beasts of the Southern Wild (9). Wow. “Silver Linings Playbook” got everything–Best Picture, Director, Adapted Screenplay, Actor, Actress, Supporting Actor, Supporting Actress. That’s a winner.  The race is now between “Silver Linings” and “Lincoln.”

A big snub for Kathryn Bigelow, director of “Zero Dark Thirty.” After all the controversy about the CIA etc.– nothing. That makes THREE big directors who lost out. The spoilers were Michael Haneke (Amour) and Benh Zeitlin (Beasts). Again. A big deal.

No love for “Skyfall”– it failed to be the first ever nominated James Bond movie. Javier Bardem and Judi Dench were also passed over. Jamie Foxx and Leonardo DiCaprio were passed over in “Django” for Christoph Waltz– I thought that would happen.

“The Master” got three Best Acting nominations including Joaquin Phoenix for Best Actor. His performance overcame his anti Oscar comments in a magazine article earlier this fall.

Performance by an actor in a leading role

  • Bradley Cooper in “Silver Linings Playbook”
  • Daniel Day-Lewis in “Lincoln”
  • Hugh Jackman in “Les Misérables”
  • Joaquin Phoenix in “The Master”
  • Denzel Washington in “Flight”

Performance by an actor in a supporting role

  • Alan Arkin in “Argo”
  • Robert De Niro in “Silver Linings Playbook”
  • Philip Seymour Hoffman in “The Master”
  • Tommy Lee Jones in “Lincoln”
  • Christoph Waltz in “Django Unchained”

Performance by an actress in a leading role

  • Jessica Chastain in “Zero Dark Thirty”
  • Jennifer Lawrence in “Silver Linings Playbook”
  • Emmanuelle Riva in “Amour”
  • Quvenzhané Wallis in “Beasts of the Southern Wild”
  • Naomi Watts in “The Impossible”

Performance by an actress in a supporting role

  • Amy Adams in “The Master”
  • Sally Field in “Lincoln”
  • Anne Hathaway in “Les Misérables”
  • Helen Hunt in “The Sessions”
  • Jacki Weaver in “Silver Linings Playbook”

Best animated feature film of the year

  • “Brave” Mark Andrews and Brenda Chapman
  • “Frankenweenie” Tim Burton
  • “ParaNorman” Sam Fell and Chris Butler
  • “The Pirates! Band of Misfits” Peter Lord
  • “Wreck-It Ralph” Rich Moore

Achievement in cinematography

  • “Anna Karenina” Seamus McGarvey
  • “Django Unchained” Robert Richardson
  • “Life of Pi” Claudio Miranda
  • “Lincoln” Janusz Kaminski
  • “Skyfall” Roger Deakins

Achievement in costume design

  • “Anna Karenina” Jacqueline Durran
  • “Les Misérables” Paco Delgado
  • “Lincoln” Joanna Johnston
  • “Mirror Mirror” Eiko Ishioka
  • “Snow White and the Huntsman” Colleen Atwood

Achievement in directing

  • “Amour” Michael Haneke
  • “Beasts of the Southern Wild” Benh Zeitlin
  • “Life of Pi” Ang Lee
  • “Lincoln” Steven Spielberg
  • “Silver Linings Playbook” David O. Russell

Best documentary feature

  • “5 Broken Cameras” Emad Burnat and Guy Davidi
  • “The Gatekeepers” Nominees to be determined
  • “How to Survive a Plague” Nominees to be determined
  • “The Invisible War” Nominees to be determined
  • “Searching for Sugar Man” Nominees to be determined

Best documentary short subject

  • “Inocente” Sean Fine and Andrea Nix Fine
  • “Kings Point” Sari Gilman and Jedd Wider
  • “Mondays at Racine” Cynthia Wade and Robin Honan
  • “Open Heart” Kief Davidson and Cori Shepherd Stern
  • “Redemption” Jon Alpert and Matthew O’Neill

Achievement in film editing

  • “Argo” William Goldenberg
  • “Life of Pi” Tim Squyres
  • “Lincoln” Michael Kahn
  • “Silver Linings Playbook” Jay Cassidy and Crispin Struthers
  • “Zero Dark Thirty” Dylan Tichenor and William Goldenberg

Best foreign language film of the year

  • “Amour” Austria
  • “Kon-Tiki” Norway
  • “No” Chile
  • “A Royal Affair” Denmark
  • “War Witch” Canada

Achievement in makeup and hairstyling

  • “Hitchcock” Howard Berger, Peter Montagna and Martin Samuel
  • “The Hobbit: An Unexpected Journey” Peter Swords King, Rick Findlater and Tami Lane
  • “Les Misérables” Lisa Westcott and Julie Dartnell

Achievement in music written for motion pictures (Original score)

  • “Anna Karenina” Dario Marianelli
  • “Argo” Alexandre Desplat
  • “Life of Pi” Mychael Danna
  • “Lincoln” John Williams
  • “Skyfall” Thomas Newman

Achievement in music written for motion pictures (Original song)

  • “Before My Time” from “Chasing Ice” Music and Lyric by J. Ralph
  • “Everybody Needs A Best Friend” from “Ted” Music by Walter Murphy; Lyric by Seth MacFarlane
  • “Pi’s Lullaby” from “Life of Pi” Music by Mychael Danna; Lyric by Bombay Jayashri
  • “Skyfall” from “Skyfall” Music and Lyric by Adele Adkins and Paul Epworth
  • “Suddenly” from “Les Misérables” Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

Best motion picture of the year

  • “Amour” Nominees to be determined
  • “Argo” Grant Heslov, Ben Affleck and George Clooney, Producers
  • “Beasts of the Southern Wild” Dan Janvey, Josh Penn and Michael Gottwald, Producers
  • “Django Unchained” Stacey Sher, Reginald Hudlin and Pilar Savone, Producers
  • “Les Misérables” Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh, Producers
  • “Life of Pi” Gil Netter, Ang Lee and David Womark, Producers
  • “Lincoln” Steven Spielberg and Kathleen Kennedy, Producers
  • “Silver Linings Playbook” Donna Gigliotti, Bruce Cohen and Jonathan Gordon, Producers
  • “Zero Dark ThirtyMark Boal, Kathryn Bigelow and Megan Ellison, Producers

Achievement in production design

  • “Anna Karenina” Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
  • The Hobbit: An Unexpected Journey Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
  • “Les Misérables” Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
  • “Life of Pi” Production Design: David Gropman; Set Decoration: Anna Pinnock
  • “Lincoln” Production Design: Rick Carter; Set Decoration: Jim Erickson

Best animated short film

  • “Adam and Dog” Minkyu Lee
  • “Fresh Guacamole” PES
  • “Head over Heels” Timothy Reckart and Fodhla Cronin O’Reilly
  • “Maggie Simpson in “The Longest Daycare”” David Silverman
  • “Paperman” John Kahrs

Best live action short film

  • “Asad” Bryan Buckley and Mino Jarjoura
  • “Buzkashi Boys” Sam French and Ariel Nasr
  • “Curfew” Shawn Christensen
  • “Death of a Shadow (Dood van een Schaduw)” Tom Van Avermaet and Ellen De Waele
  • “Henry” Yan England

Achievement in sound editing

  • “Argo” Erik Aadahl and Ethan Van der Ryn
  • “Django Unchained” Wylie Stateman
  • “Life of Pi” Eugene Gearty and Philip Stockton
  • “Skyfall” Per Hallberg and Karen Baker Landers
  • “Zero Dark Thirty” Paul N.J. Ottosson

Achievement in sound mixing

  • “Argo” John Reitz, Gregg Rudloff and Jose Antonio Garcia
  • “Les Misérables” Andy Nelson, Mark Paterson and Simon Hayes
  • “Life of Pi” Ron Bartlett, D.M. Hemphill and Drew Kunin
  • “Lincoln” Andy Nelson, Gary Rydstrom and Ronald Judkins
  • “Skyfall” Scott Millan, Greg P. Russell and Stuart Wilson

Achievement in visual effects

  • “The Hobbit: An Unexpected Journey” Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
  • “Life of Pi” Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
  • “Marvel’s The Avengers” Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
  • “Prometheus” Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
  • “Snow White and the Huntsman” Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

Adapted screenplay

  • “Argo” Screenplay by Chris Terrio
  • “Beasts of the Southern Wild” Screenplay by Lucy Alibar & Benh Zeitlin
  • “Life of Pi” Screenplay by David Magee
  • “Lincoln” Screenplay by Tony Kushner
  • “Silver Linings Playbook” Screenplay by David O. Russell

Original screenplay

  • “Amour” Written by Michael Haneke
  • “Django Unchained” Written by Quentin Tarantino
  • “Flight” Written by John Gatins
  • “Moonrise Kingdom” Written by Wes Anderson & Roman Coppola
  • “Zero Dark Thirty” Written by Mark Boal