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Tom Hanks Leaves “Captain Phillips” Premiere — and NYC– Early Because of the Tax Man

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EXCLUSIVE Tom Hanks did the strangest thing on Friday night at the New York Film Festival: he skipped the traditional bows at the end of the screening at Alice Tully Hall for his “Captain Phillips.” Director Paul Greengrass appeared at the film’s conclusion and waved to the audience from lit box above our heads with his remarkable Somali actors who play pirates at sea. But Hanks was MIA, and he didn’t attend the big party that followed at the Harvard Club. This is completely unlike Hanks, who never fails to support his films, loves parties, and never tires of chatting with fans.

So where was he?

Sources tell me that Hanks is a victim of the Tax Man. He owns homes in California and New York state. But his principal domicile is California. That means he can only spend 183 days a year at his apartment in New York. There are no exceptions for celebrities at the IRS. And Hanks has spent roughly 149 days in New York this year already between rehearsing for and appearing in “Lucky Guy” on Broadway. His days are running out, it was explained to me. And Hanks still has to open “Captain Phillips” properly on October 10th, And he has “Saving Mr Banks” coming from Disney in December.

In order to do publicity, Hanks is going to have ration his days in New York very carefully. So his New York Film Festival appearance had to be extremely limited. He had to get back to Los Angeles pronto on Friday. And let me tell you, I was reading about this: the IRS is very strict. Apparently they really watch the whole bicoastal thing with actors, singers, celebs of all kinds. It’s the price you pay for being rich and famous.

Hanks did miss seeing a lot of friends who were looking for him at the Harvard Club including his “Lucky Guy” director George C. Wolfe.

So Tom, you are excused. We’re glad you could give us the day! PS The 149 days for “Lucky Guy” were worth it, anyway!

Review: Tom Hanks Gives Sony the Hit They Need in “Captain Phillips”

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Sony Pictures has had a bad summer, let’s face it. But Paul Greengrass’s “Captain Phillips” starring Tom Hanks is just what the doctor ordered. The truth story of how Captain Richard Phillips survived his boat’s 2009 hijacking by Somali pirates is going to be a box office hit and an Oscar nominee in several categories.

Hanks gives one of his best performances ever as Phillips, a very unshowy hero who kept his cool when Somali pirates boarded the Maersk Alabama cargo ship in the Somali channel. The movie is uniformly well cast and very exciting even though we know the outcome. Last night Phillips and many of his crew were on hand for the opening of the New York Film Festival.

I met and talked to one of them who lamented that five days had to be squeezed into two hours. But Shane Murphy concurred that “Captain Phillips” is pretty much spot on. It certainly conveys the terror of what happened to Phillips and his crew. But Greengrass’s direction and camera work — as in “United 93”– add elements of suspense that make the film entertaining.

Greengrass also managed to make the Somali pirates– all played by Somali actors who live in Minneapolis–less villains than victims themselves. They’re bad guys but you sort of like them. Barkhad Abdi is a stand out. So is Michael Chernus as Murphy.

Some in the jaded NYFF audience thought the film was a little rah-rah America. Usually I’m the cynic. But I really really liked “Captain Phillips.”

Keep refreshing for updates…

Exclusive: Alicia Keys Settled “Girl On Fire” Suit with “Lonely Girl” Songwriters

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So: last December I told you that Alicia Keys et al. were sued by songwriter Earl Shuman. He and his songwriting partner had written the classic hit “Hey There Lonely Girl,” which was a big hit for Eddie Holman in 1969-70. Toward the end of “Girl on Fire,” Alicia sings a couplet from the chorus of “Hey There Lonely Girl.” It’s the melody and the lyrics. They’re not credited or cleared, and Shuman and his late partner weren’t paid.

I did wonder what happened. The situation is a lot like the Nirvana sample in Jay Z and Justin Timberlake’s “Holy Grail.” Only they paid for it and credited the group when “Smells Like Teen Spirit” pops up for no reason in their song.

Now I see that Keys et al. quietly settled with Shuman back in April and the lawsuit filed in the Central District Court of California was withdrawn. I had heard that Keys et al. had paid Shuman. It’s unknown whether Shuman will get his name added to the credits.

Keys is a prolific sampler and borrower of music. Her biggest hits are all based on pre-existing songs. “Empire State of Mind” comes from The Moments’ “Love on a Two Way Street.” “You Don’t Know My Name” comes from an obscure song by The Main Ingredient. And so on. In “Girl On Fire,” Keys also samples a drum riff from Billy Squiers. She had already used it once before in 2007 for another song.

Nevertheless “Girl on Fire” remains a track that’s held up for almost a year. It should be nominated for Record of the Year because the idea is original. I just wish Keys, who is so talented, would stop all the sampling. It undermines her legacy as a composer. She doesn’t need it.

Viacom’s Sumner Redstone Gave $850K to Group Putting on Central Park Concert

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Exclusive: First we had the story of Sumner Redstone‘s gal pal giving over $1 million to Global Poverty Project, the group putting on tomorrow’s all-star show in Central Park. Then GPP put the Sumner Redstone Foundation on their materials as a sponsor of the show. Now I’ve learned that Redstone’s Foundation donated $850,000 in 2012 to the group. The donation can be found in the Sumner Redstone Foundation’s latest tax filing.

For all that money I hope Redstone and Malia Anderlin, his lady friend, get some good VIP Seats to see and hear Stevie Wonder, Alicia Keys and John Legend.

Luckily, the map for the Global Citizen concert in Central Park on Saturday shows exactly where the VIP section will be.

It’s hard to know what is motivating Redstone. Peace? Prosperity? Global Poverty Project and Global Citizen are advocacy groups. They do not donate money to poor people. They just get the word out that poor and hungry people exist, and that we should all do something about it. In 2011, they spent about a million on advertising, and another $600,000 on salaries and travel.

Music Biz Legend Irving Azoff to Jimmy Kimmel: “Kanye Kicked Your Ass”

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No less a music biz legend than Irving Azoff has come to the defense of Kanye West in the Jimmy Kimmel story. Azoff just posted this to Twitter:

 

 

and


Seriously no one knows what the ‘big time’ is than Azoff. He ran Live Nation and Front Line Management, has managed the Eagles, Steely Dan and lots of other big names– many of whom he created.

Kanye, meantime, has reported comments made by a friend of his (maybe from fashion world) called Jibril Durimel.

Robin Williams Is New King of TV, Scores Twice as Many Viewers as Michael J. Fox, X Factor

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Almost 16 million people watched Robin Williams’ new comedy on CBS last night. The Oscar winner and extremely funny comedian’s first TV sitcom, “The Crazy Ones,” had 15.6 total viewers. It was the second most watched show on Thursday night behind the season premiere of “The Big Bang Theory.”

Williams’ show scored a whopping 4.0 in the desired key demo 18-49 as well. Williams also brought in twice as many eyes as Michael J. Fox over on NBC (a good show by the way that should be moved to another time slot).

And Williams had two and a half times as many viewers as “The X Factor.” Simon Cowell’s competition show on Fox has 6 million fans. Sometimes it’s a little more, but basically there are 6 million regular viewers.

Completely in trouble last night was the return of “Glee.” They scored 5.17 million viewers total. They were the fourth place show in their timeslot and didn’t score so well with young people. Did Cory Monteith’s death turn off the audience? The memorial tribute show will probably get big ratings as viewers say goodbye to Finn. But after that, “Glee” may be done.

Jimmy Kimmel in “Rap Feud” with Yeezus Himself, Kanye West

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Kanye West is very angry with Jimmy Kimmel. Poor Kanye has no sense of humor. He also may be a candidate for Asperger’s testing. He’s definitely on some spectrum of something. He lunges at photographers in airports and carries on like crazy. No one will ever forget his famous telethon rant against George Bush. The funny thing is, if you meet him in a social setting, he’s very subdued.
Anyway, here’s the clip from Jimmy Kimmel last night:

Here’s the offending video:

Notes from the Emmy Parties: Kevin Spacey Says “I’m Hopelessly Brit Inside”

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Leah Sydney‘s party notebook still brims with interesting observations from two of the best parties of Emmy Weekend:

WRAPPING UP EMMY WEEK IN L.A.: BAFTA Los Angeles held their TV Tea on Saturday afternoon at the SLS Hotel and the Brits do what they do best, had tea, chatted and held court. Talented Brits in front and behind the camera predictably flock to the classy BAFTA events.
Of course the Downton Abbey crew Michelle Dockery, Hugh Bonneville, Jim Carter, Julian Fellowes stopped in as well as Kerry Washington, Mad Men’s Kiernan Shipka, Joan Collins, Jon Voight, who’s poised to take home Emmy gold when his “Ray Donovan” becomes eligible, Sarah Hyland, Cat Deeley, Alfre Woodard, Camilla Luddington, Jacqueline Bisset, Scott Bakula, Crystal Reed, Victoria Smurfit, Kevin Spacey and more. Kevin’s Brit cred is earned, he was the Artistic Director of the Old Vic for years and his House Of Cards is a Brit original. He, told us that, “I’m hopelessly British deep inside.”

We asked him if he was nervous about his nomination, Kevin quipped, “Nah, I’ve been thru this before.” He worked the room and literally made sure to say hello to everyone there. Downton’s creator Julian Fellowes told us that, “You Americans always do the Award thing right. Way better than we do. It’s like some sort of wedding really, I rather enjoy it. ” Julian’s “Romeo and Juliet” premieres here on Tuesday…

And HBO’s annual bash at the Pacific Design Center: The HBO after party was, as always, the place to be. Everywhere you looked, the celebs and VIPs were shmoozing and huddled together. Judd Apatow laughing with Will Arnett while waiting their turn on the food line, Stephen Merchant at the bar telling a writer for Stephen Colbert to, “please tell Stephen it’s one of my favorite shows, I never miss it.” Emmy winner Michael Douglas, Matt Damon and Steven Soderbergh chatting in the center of it all with HBO Execs Michael Lombardo and Richard Plepler.

Mick Jagger and Laura Dern to their right seated at a table together together while Mick’s pal Boardwalk creator Terence Winter then joined in. Seth MacFarlane laughing it up with Bill Maher. Stunning Jane Fonda and Richard Perry doubling up with David Mamet and Rebecca Pidgeon. Aaron Sorkin then joined that esteemed group. Jeff Daniels, as on cue, then came in with Emmy in hand, prompting them all to stand up and clap. Jeff said so all could here, “Aw, come on, ok stop, ok louder!”

To their right, the Game of Thrones hunk Kit Harrington congratulating Veep’s Tony Hale on his win, as Peter Dinklage looked on and agreed. True Blood’s Stephen Moyer and wife Anna Paquin and their co-star Sam Trammell all hobnobbing with winner Claire Danes and Hugh Dancy.

In the back the Girls crew were having their good time, Allison Williams and Lena Dunham with Modern Family’s Julie Bowen. Boardwalk Empire winner Bobby Cannavale and Rose Byrne chatting with Judy Greer and Real Time’s Producer Dean Johnson. Julia Louis Dreyfus accepting her kudos from Cheryl Hines. Vera Farmiga and Newsroom’s Kelen Coleman chatting next to Julia.
The list goes on and on. HBO always gets it right on screen and with their events.

“Foxcatcher” with Steve Carell Third Film Moved Out of Oscar Competition This Fall

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A third major film has been moved out of Oscar competition this fall. Bennett Miller’s “Foxcatcher” starring Steve Carell has been yanked from the schedule by Sony Pictures Classics. The reason? Like “Grace of Monaco” and “The Wolf of Wall Street” it just could not be ready in time. Now all eyes are on George Clooney and his “Monuments Men,” a film that also shot late into the spring and early summer. Believe me, everyone is crossing fingers that it too won’t suffer the same fate.

The elimination of “Foxcatcher” may also be a key signal in the Sony universe. The company had a lot of failures this year, with “After Earth,” “White House Down,” and “Elysium.” They simply can’t afford for “Foxcatcher” not to be right. Their only Oscar entry will be David O. Russell’s “American Hustle,” set in the 1970s and concerning the ABSCAM scandal. Sony is going through personnel changes in their marketing department, so they may have decided to put the brakes on until everything is just right.

All these films moving to 2014 will make scheduling very interesting. January is usually a month when movies get “dumped.” February 2014 will be light because of the Olympics. This means that April-May-June is suddenly going to be bursting with releases. And Cannes will be eyed as a big launching pad.

Mariano Rivera Makes a Classy Exit from a Magnificent Career with the Yankees

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Mariano Rivera, the most successful closer in baseball history, made a classy exit tonight from a magnificent career. After 1,173 strike outs and 19 seasons with the New York Yankees, Rivera came in to pitch in the 8th inning and for a little of the 9th this evening. It was one of those historic moments at Yankee Stadium, made even more emotional because the great pitcher Andy Pettite also made his final appearance in Yankee Stadium tonight and got a long ovation.

Rivera’s final moments really showed what a real leader and inspiration he has been. The first great moment was just before the game ended, when Derek Jeter and Pettite came out to the mound to walk him back to the dugout. Rivera, 43,  fell apart, and for a few minutes it was tears and hugs all around as the entire crowd of more than 50,000 fans clapped, cheered, and sang Rivera’s name. Imagine that this man has saved the Yankees time and time again from everything short of a dinosaur attack or a tsunami. They relied on him when they had no business to, and he always unfailingly came though for them. You’d be crying, too.

The second great moment was after the game, when Rivera went out to the mound by himself. It was almost slow motion. He sort of kicked around the mound for the last time. Then he picked up some dirt, scooped it up in his hands, his souvenir from the place where he had spent so much of his adult life. It was absolutely poetic in the way only baseball can be more than any other sport. Was he thinking of the rain, the heat, the cold, the tight score, his batters who weren’t helping him? He waved once more and the crowd just went wild. And an era ends. It’s the last time we’ll ever hear “Enter Sandman” played at Yankee Stadium.

Thank you, Mariano. Thank you so much.