Saturday, December 20, 2025
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New Book: Kirstie Alley Once Asked Publicist to Feed Pet Possum with Her Breast Milk

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“Scandal!” That’s the name of the incredibly entertaining new memoir by George Rush and Joanna Molloy, the married couple and super gossip columnists of the New York Daily News. Two nights ago, New York’s gossip media elite, as well as uber publicists Howard Rubenstein and Ken Sunshine, all toasted Rush & Molloy at the Top of the Standard. Courtney Love even put in an appearance!

The couple now has 15 year old son, believe it or not. But before he was born, starting in the mid 80s, George and Joanna worked at both of New York’s tabs, breaking stories and hearts, and causing a lot of trouble for people like Woody Allen and Donald Trump. They have written a breezy but substantial account of their journeys through Wall Street. Broadway, and Hollywood. I wasn’t able to put it down.

Here are two excerpts– in one Kirstie Alley had her publicist express breast milk into a bottle for her pet possum. In the second, Julia Roberts and her piece of work publicist Marcy Engelman are up to their old tricks. “Scandal: A Manual.” is out this week in bookstores and on amazon.com, i Books, etc.
KIRSTIE:  

Joanna:  The newsroom of the Post was also much more freewheeling than I was used to. No tip was too crazy to check. I got a call one day from a source who said she was at a party in L.A. where Kirstie Alley had shown up with her pet baby possum. My source said, “The possum starts to go squeak, squeak, squeak. Like it was hungry. And Kirstie said, ‘Oooh, ooh, baby, baby, Mommy’s here.’ And she turned to a publicist and said, ‘Say, aren’t you nursing a baby right now?’ She wanted the publicist to give the possum some of her milk! They were talking about having the publicist breast-feed the possum. But because the possum already had teeth, the publicist was apparently afraid of doing that. So she expressed her breast milk into a bottle. Kirstie Alley then fed it to this baby possum.” I could barely believe the story myself. But I called the publicist. Not only did she admit it, she crowed, “I did it, and you know what? I’m proud of it!”

JULIA:
George:  We’d stumbled into the good graces of Julia Roberts by debunking a Post story in which a paparazzo claimed he’d seen her French-kissing a female bartender on top of the bar at Hogs & Heifers. The bartender told us that the photo of Roberts “kissing” her ear actually captured the actress yelling, “If he keeps taking pictures like that, I’m getting off the bar.”The day our story ran another vase of white tulips and thank-you note arrived—this time from Roberts. A few flowers didn’t stop us from covering Roberts’s ups and downs as usual. Then, one day, someone told Joanna that she’d been nuzzling Law and Order actor Benjamin Bratt at the Soho restaurant Kinkao. After we called her publicist to check it out, my phone rang.

The caller said, “George? This is Julia Roberts. What are you writ- ing now about my boring life? If you write about me every time I have dinner with someone, no one will ever ask me out. They’ll say, ‘Don’t bring her, she just causes trouble.’ I’m never going to get a date.”

I said, “I’m pretty sure you’ll never have trouble getting a date.”

She said, “If you write about this, photographers will hang around me while I’m trying to shoot a movie. Look, Benjamin and I are just getting to know each other. If anything starts to brew, I’ll call you. You’ll be the first to know.”

I said we’d hold off on the item. Julia thanked me profusely. Before she hung up, she said, “I think it’s so great that you get to work with someone you love!”

As it turned out, my wife was none too pleased that I’d fallen for this movie star sweet talk—which was followed by more tulips. Joanna was even more annoyed when Page Six published the scoop on the Roberts/Bratt romance.

One day, Julia’s publicist, Marcy Engelman, told us her client had just had dinner with Jennifer Lopez at Campagna, where they talked about Chambermaid, a new romantic comedy J. Lo would star in and Roberts would coproduce. Nice sighting, interesting project news, we ran the item. A few days later, Lopez’s publicist, Alan Nierob told me his client had never been at that dinner. “You got snookered, my friend,” said Nierob.

I called Marcy Engelman and said, “What the hell? Have you lost your mind?”

She admitted she’d lied about J. Lo being there but said, “You did a big favor for someone, and I’m sure they’ll remember it.”

I said, “Who?”

“I can’t say,” she said. “Look, don’t make a big deal out of it. Aside from J. Lo’s publicist, who’s going to know?”

Ignoring her recommendation that we not attract attention to the fact that we’d been gulled, we ran an item asking, “Does Julia Roberts know that her own handlers planted a fabricated sighting of her having dinner with Jennifer Lopez? We’re sure Julia isn’t hurting for publicity.”

Engelman had insisted that the item mention that Roberts and Lopez dined with Roberts’s former agent, Elaine Goldsmith- Thomas, who now worked for Joe Roth at Revolution Films. Page Six later deduced that, with Roth leaving Revolution for Disney, “Thomas [was] looking for a new job. Insiders point the finger for the false item at Thomas. ‘She wanted to make herself look like a big macher,’ said one.”

We became acutely aware that many people were trying to manipulate us.

And PS dear readers– nothing has changed!–RF

Exclusive: Bobby Cannavale, Rose Byrne Will Go from “Annie” to “Brother’s Keeper”

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Apparently the sun will come out tomorrow, at least for “Annie” stars Bobby Cannavale and Rose Byrne. The real life couple are currently shooting the updated movie of “Annie” that stars Quvenzhané Wallis as the little orphan girl with a good set of singing chops.

When they’re done, recent Emmy winner Cannavale and the “Damages” star Byrne will make another movie together.

“I guess we’re only working together now,” Byrne joked last week at the Broadway premiere of “Betrayal.”

The film is called “Brother’s Keeper,” and it’s directed by Ross Katz, long time producing partner of Sofia Coppola. Katz’s other credits include “The Laramie Project” for HBO, the indie hit “In the Bedroom,” and directing “Taking Chance” with Kevin Bacon.

Nick Kroll co-stars, and Mark Duplass and Jared Ian Goldman are co-producers on “Brother’s Keeper,” described a a low budget indie that will shoot in January.

 

Read Laurie Anderson’s Moving Tribute to Husband Lou Reed

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Musician Laurie Anderson published this moving letter about her late husband Lou Reed in The East Hampton Star. (I would have linked to it there, but somehow they made it impossible.)

Here’s the letter. As the week has progressed, I’ve gotten sadder about Lou’s passing. Listen to the “Transformer” album. It’s brilliant.

Here’s Laurie’s letter:

To our neighbors:

What a beautiful fall! Everything shimmering and golden and all that incredible soft light. Water surrounding us.

Lou and I have spent a lot of time here in the past few years, and even though we’re city people this is our spiritual home.

Last week I promised Lou to get him out of the hospital and come home to Springs. And we made it!

Lou was a tai chi master and spent his last days here being happy and dazzled by the beauty and power and softness of nature. He died on Sunday morning looking at the trees and doing the famous 21 form of tai chi with just his musician hands moving through the air.

Lou was a prince and a fighter and I know his songs of the pain and beauty in the world will fill many people with the incredible joy he felt for life. Long live the beauty that comes down and through and onto all of us.

— Laurie Anderson
his loving wife and eternal friend

Eminem Is Back! Listen to His New Marshall Mathers Album Here

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Marshall Mathers aka Eminem is back. His album has been “leaked” a few days early before its release next Tuesday. Lots of four letter words, provocative lyrics designed to make someone unhappy. And lots of samples like a big one of “Time of the Season” by the Zombies. Let’s hope they got a nice piece of change from Em. He’s never boring.

These might be my favorite lyrics. It’s kind of Eminem’s “You’ve Got a Friend”:
And if there should ever come a time where my life’s in a rut
And I look like I might just give up, eh might’ve mistook
Me for bowing out I ain’t taking a bow, I’m stabbing myself
With a fucking knife in the gut, while I’m wiping my butt!
Cause I just shitted on the mic, and I like getting cut
I get excited at the sight of my blood, you’re in a fight with a nut
Cause I’mma fight ’til I die or win

Listen:

Sony Stock Plunges 11% After White House Down, Will Smith Disasters Cause Huge Loss

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The triple disasters of Will Smith’s “After Earth,” the failed Channing Tatum-Jamie Foxx thriller “White House Down” and sci fi flick “Elysium” didn’t help Sony’s bottom line in their second quarter. The company reported huge losses today. The Sony stock went right off a ledge on thews– down 11% or more since this morning.

The company said it lost $181 million in the second quarter just on the film division. Cited specifically in the report was “White House Down.” But the two others were just as bad. And Sony had problems in television as well. Here’s the complete report: http://www.sony.net/SonyInfo/IR/financial/fr/13q2_sony.pdfsnapshot_chart_api.asp

Some good news: Adele helped Sony Music, as did Justin Timberlake. Sony Music has had the two biggest selling albums in the last two years. Also helpful is the success of Sony/ATV Music Publishing, which the company co-owns with Michael Jackson. Until artists start trying to get their rights back for post-1976 recordings, music publishing is thriving.

But oh how a year turns: in 2012 Sony was pumped from “Amazing Spider Man” and “Skyfall.” They can’t wait for another “Spider Man” movie in 2014.

 

Breaking News: FAA Allows Use of Portable Electronic Devices During Take Off, Landing, Etc.

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At last! No more squabbling about putting away, turning off, electronic devices before take off or during landings. But no, you still can’t use the cell phone during the flight for calls. Which is just as well.

From the FAA press release: “Passengers will eventually be able to read e-books, play games, and watch videos on their devices during all phases of flight, with very limited exceptions. Electronic items, books and magazines, must be held or put in the seat back pocket during the actual takeoff and landing roll. Cell phones should be in airplane mode or with cellular service disabled – i.e., no signal bars displayed—and cannot be used for voice communications based on FCC regulations that prohibit any airborne calls using cell phones. If your air carrier provides Wi-Fi service during flight, you may use those services. You can also continue to use short-range Bluetooth accessories, like wireless keyboards.”

Up, up and away: “WASHINGTON– The U.S. Department of Transportation’s Federal Aviation Administration (FAA) Administrator Michael Huerta today announced that the FAA has determined that airlines can safely expand passenger use of Portable Electronic Devices (PEDs) during all phases of flight, and is immediately providing the airlines with implementation guidance.

Due to differences among fleets and operations, the implementation will vary among airlines, but the agency expects many carriers will prove to the FAA that their planes allow passengers to safely use their devices in airplane mode, gate-to-gate, by the end of the year.

The FAA based its decision on input from a group of experts that included representatives from the airlines, aviation manufacturers, passengers, pilots, flight attendants, and the mobile technology industry.”

Lance Armstrong Filmmakers Caution: Don’t Call Him a Sociopath

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Frank Marshall is one of the smartest and successful producers in Hollywood. From all of the “Indiana Jones” movies to “Back to the Future” and dozens more titles, Marshall is at the top of Hollywood’s hierarchy–and is a great guy. He was a big fan of Lance Armstrong, too, so he decided to produce Alex Gibney’s documentary about Armstrong’s 2009 comeback race for the Tour de France.

But as revelations about Armstrong started to escalate, Marshall and Gibney had to deal with reality. They wound up making “The Armstrong Lie” twice so it included the unrepentant liar’s admission on “Oprah” and all the other mishegos that led to Armstrong’s unraveling and downfall.

Last night we saw “The Armstrong Lie” at a special screening hosted by Sports Illustrated’s former chief Terry McDonell, as well Sony Pictures Classics’ Michael Barker and Tom Bernard. Among the guests were David Chase (The Sopranos, Not Fade Away) with his wife, as well as Gibney, co-producer Matthew Tolmach, and cycling whistle blower Betsy Andreu.

You think you know all about Lance Armstrong. But you don’t until you see this movie. And even there are questions. We talked a lot about whether he is a sociopath without a conscience. The three men agreed: labeling him with a mental disease lets him off the hook. He’s just a liar who thinks he did nothing wrong.

Marshall: “I drank the Kool Aid. We all went to Mont Ventoux in France in 2009.” That’s where Armstrong staged a miraculous comeback after a terrible race. It turned out later he was doping so he’d make at least third place. “I haven’t talked to him,” said Marshall, “but I’m sure he thinks we’re still friends.”

The whole Marshall-Gibney team started the project as fans. That they had to re-evaluate everything about their film is mind-blowing. But then it became a search for the truth.

Meantime, Armstrong has not seen the film, which opens Friday November 8th. “We’ve offered,” said Tolmach.

 

Miley Cyrus Posts Pics of Raunchy Pumpkins, Drops F Bomb Halloween Hastag

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miley cyrus pumpkins

Heck, it’s 5pm. Why not? Miley Cyrus is using #happyfuckinghalloween as a hashtag. She’s also posting pictures of pumpkins carved ever so raunchily. Isn’t this all getting kind of juvenile now? We get it, Miley. You curse, you know about sex, yada yada. You’re not Hannah Montana. But this is wearing thin.

Kristen Stewart: How She Got $500,000 from a Middle East Sheik

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Harvey Weinstein hopes so.  At the Los Angeles DGA premiere of the “12-12-12,” Amir Bar-Lev and Charlie Lightening’s terrific insider look at the concert that was held to benefit Hurricane Sandy, also has none other than Sir Paul McCartney as an Executive Producer.  The film features music’s finest, including: Bruce Springsteen and the E Street Band, Billy Joel, Alicia Keys, Dave Grohl, Roger Waters, Eddie Vedder, Chris Martin, Michael Stipe, Adam Sandler, Eric Clapton, Jon Bon Jovi, The Rolling Stones, The Who, Kanye West and more.

Sir Paul ends the show and is shown throughout the film.  In fact his team was filming their own version until Amir and Paul’s team got together at the last minute and joined forces. Harvey told the crowd that, “Paul, whom I spoke to today, is involved in every detail of this movie.  If God willing we ever got an award, Paul and Amir would be up there.”

Harvey then went on to thank Irving Azoff and native New Yorkers MSG’s James Dolan, Clear Channel’s John Sykes, Weinstein’s Victoria Parker and Sir Paul’s longtime manager Scott Roger, all who helped to make the concert  and the film happen.

“I grew up going to Rockaway,” Harvey explained.  “This was so important for all of us to do.  People were in need.”

Harvey then told the story of how Kristen Stewart agreed to meet a Middle Eastern Sheik for a half hour for $500.000. Harvey quipped, “I don’t know if we reported it to the IRS, but who gives a shit.”

I then spoke with the Amir Bar-Lev who told me that, “The film was an editing challenge.  It could have been a nine-hour movie; there was that much happening.  We wanted to keep the cameras moving so that the audience can experience the night in all of its honeycomb splendor.  We wanted it to be a democratic film.  It was New York taking care of itself, so if we didn’t move the camera around and meet roadies, fireman, fans, the people outside, as well as staying onstage, it all came together because of that. ”

How did he wind up making this film?  Amir answers, “I ran into Harvey at a ‘Django Unchained’ event, I had done the ‘The Tillman Story,’ for him.  He told me. ‘You gotta make this movie for me, you gotta be ready in a week!’  Paul McCartney also had the idea to immortalize the event in a film, and to the run up to the concert there were two different films being made. It culminated in a stand off between their crew and our crew and was very acrimonious. At a certain point in this argument, I said, why are we making two films? Why don’t we make one film?  This is crazy, it’s a charity event, and we shouldn’t be fighting over this.  Besides it’s a Beatle.  The guy I was fighting with and I hugged, we then had a production meeting right before the concert and joined forces.  The finished film is a combination of both of our footages.  So all is well.”

“12-12-12” opens in New York and Los Angeles on November 15th.