Thursday, December 18, 2025
Home Blog Page 1808

Jay Z Foundation Stingy Scholarship Fund Selling $1000 T Shirts At Barneys

1

Jay Z’s Shawn Carter Scholarship Foundation was a little stingy last year about giving scholarships to students. The Foundation took in $968,300 in donations in 2011-12. But it gave away only 141,357 in scholarships. The Foundation even lost money according to its Form 990 tax filing on its sole charity event. They finished $175,629 in the red from their Carnival at Pier 54. The tax filing doesn’t give details of where revenue came from or where it went.

t shirt with python epdsMaybe to give the Foundation a little push, Carter has curated a holiday sale that starts today at Barney’s. Through January 4th the store is donating 100% of proceeds from the sale of items Jay Z has picked out especially for his fans. They include two watches (one is $34,000, the other only $18k), $3,000 leather boxing shorts,  and a $700 cashmere ski mask perfect for bank robberies in Gstaad this winter.

There are also Balmain T Shirts for a thousand dollars apiece. They are made from a rare material called Cotton. And they have either lambskin or python epaulets. (Not epithets. That was just poor people cursing in the background.)

Now let’s just hope Barney’s doesn’t arrest anyone if they try to buy this stuff!

Wait, really? Python epaulets? Yes, indeed.

Antonio Banderas at “Black Nativity” Party: “You Know, I Sing!”

1

Monday night at the legendary Apollo Theater: dozens of singers, musicians, and actors poured into Apollo for the premiere of Kasi Lemmons’ “Black Nativity,” a big warm-hearted gospel holiday musical. Stars Forest Whitaker, Angela Bassett, Tyrese Gibson and Jennifer Hudson were there as well as rocker Sting and wife Trudie Styler (who produced the film for Fox Searchlight with partner Celine Rattray), Melanie Griffith and Antonio Banderas, Bassett’s Tony Award winning husband Courtney B. Vance, director Lemmons and her actor-director husband Vondie Curtis-Hall.

Whew!

Then over to Marcus Samuelsson’s Red Rooster for the most delicious fried chicken and other Southern fixings. But the best part of the night was the teen gospel choir brought by the eminent Harlem teacher and playwright Vy Higginsen. They sang in the downstairs VIP room, where Antonio Banderas– in town to get an award– jumped up from his seat and tried to join the group. “You know I sing,” said the Tony winning Broadway star of “Nine,” and the film of “Evita.” Yes, we know.

Meanwhile Sting hung out with with Griffith–they are old friends dating back to their classic film “Stormy Monday” (rent it if you can). Griffith looks like a million bucks. She told me she’s very excited about daughter Dakota Johnson’s career jump in “50 Shades of Grey.” Dakota is the third generation of actors in that family, of course. Grandma is famed Hitchcock actress Tippi Hedren.

Styler, just finished performing in “The Seagull” downtown to raves, clapped along to the gospel group between Whitaker and his rockin’ wife Keisha. Because they were trapped against the wall by a big table, stylist Philip Bloch offered waiter services so everyone could get the famous Red Rooster Mac and Cheese.

PS Look for the first ever movie performance by Grace Gibson in “Black Nativity.” She’s the daughter of the stunning actress Lynn Whitfield, who came with her daughter.

Spielberg, Katzenberg Each Donate $10 Mil to Motion Picture Academy

0

Steven Spielberg and Jeffrey Katzenberg have each donated $10 million to the Motion Picture Academy. The Academy has now raised half of the $300 million needed to build a new museum — much needed especially for archival purposes. Just a PS: these guys really have set new records for charitable giving in Hollywood. They, and David Geffen, gave $30 mil each last year to the Motion Picture Fund. Bravo!

Here’s the release:

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences received separate $10 million gifts from Jeffrey Katzenberg and Steven Spielberg for the Academy Museum of Motion Pictures. In recognition of these gifts, the two main galleries on the lobby floor of the Academy Museum will be named for Katzenberg and Spielberg – The Marilyn and Jeffrey Katzenberg Gallery and The Spielberg Family Gallery.

“Steven and Jeffrey share a passion for moviemaking and philanthropy,” said Academy Museum Campaign Chair Bob Iger. “With these incredibly generous gifts, they are combining the two, moving us closer to our goal of building a museum to preserve the history of motion pictures and inspire the next generation of filmmakers.” The Academy launched the Museum’s $300 million capital campaign in 2012 and has already secured more than half of the campaign’s goal in commitments. The campaign is co-chaired by Annette Bening and Tom Hanks.

“I am so pleased to join with Jeffrey to help build this museum to celebrate, educate, and preserve the arts and sciences of motion pictures,” said Spielberg. “Having our family name on the lobby floor is a deeply personal way to say how much motion pictures and the Academy have meant to all our lives.”

“Both Steven and I recognize that film’s global impact deserves a museum that reflects its unequaled heritage and serves as a beacon for the future of what we love,” added Katzenberg. “Marilyn and I appreciate this opportunity to be part of such a significant project.”

Academy President Cheryl Boone Isaacs commented, “Steven and Jeffrey have elevated the art of filmmaking to new heights and have created some of the most beloved films of all time. They continue to be champions of our industry. Having them join us as we build the Academy Museum is an incredible honor. We are so grateful for their support and partnership.”
The lobby of the Academy Museum will be a lively open space that will invite the public to engage in the life of the Museum. The Marilyn and Jeffrey Katzenberg Gallery and The Spielberg Family Gallery will be the only gallery spaces on the lobby level and will showcase exhibitions that will explore the past, present, and future of moviemaking.

“We are building the world’s premier movie museum, and I cannot imagine doing this without the support of two of our industry’s most inspiring leaders,” said Academy CEO Dawn Hudson. “Their gifts will create the first galleries our visitors experience when entering the Museum.”

Designed by architects Renzo Piano and Zoltan Pali, the Academy Museum will be located next to the Los Angeles County Museum of Art (LACMA) in the historic Wilshire May Company building. Slated to open in early 2017, the Academy Museum will contain nearly 300,000 square feet of state-of-the-art galleries, exhibition spaces, theaters, screening rooms, education centers, and special event spaces.

Lady Gaga ARTPOP Comes in At Number 1 with 260K Copies Sold

1

Well, it’s not the edge of glory, but it’s all we’ve got. Lady Gaga’s “ARTPOP” album came in at number 1 with 260,000 copies sold according to hitdailydouble.com. It’s a far cry from her “Born this Way” album but really, nothing is like it used to be in this world. Is it? ARTPOP needs to catch a big hit single on the radio and then it will move.

So far, “Applause” has been okay but not huge. The R Kelly duet “Do What U Want With My Body” actually gets better with every play, but I’m not sure that’s the one. Interscope is trying out “Gypsy.” I think “Manicure” or the title track might do it. Singles are tricky. “Edge of Glory” was not popular when the album came out, then it took off.

Gaga had a lot of songs for ARTPOP including a duet with Cher which she didn’t use. Ironic since Cher’s done so well with her new album. Maybe there will be an ARTPOP 1.2 with added songs.

Interscope does NOT lose $25 million as some idiot blogger wrote last week. And when Gaga hits the road for an ARTPOP tour, millions will pour in. With this album,  however, Lady Gaga, has fallen to Earth with a thud.

 

New One Direction Song Rips off The Police, Knocks Bieber Off Chart Spot

0

It’s a busy morning in the teen pop world. Justin Bieber had the number one spot on iTunes for one whole day with his R Kelly duet called “PYD (Put You Down).” Like all Bieber songs, “PYD” had its moment, however brief. The teen pop world is fickle, you know. New song, new day, new number 1. And the successor is One Direction’s “Diana.”

However: big problemo.

I don’t know which songwriting team concocted “Diana” from the scrap heap of sampling. But the music in the verses rip off the verses of The Police classic “Don’t Stand So Close to Me.” You can substitute the words from Sting’s composition into the One Direction ditty. I guess they figured Bruno Mars did it, so why not? But this seems more blatant.

What fun! and it’s not even 12 noon!
One Direction:
 
The Police:

Rolling Stones, Monty Python All Coming Back With New Projects, Walkers

0

I’ll have what they had. The Rolling Stones and Monty Python, each groups of old mostly British men, are making announcements this morning about new projects. These guys certainly have a lot of energy. We don’t know yet if the Stones have more touring news, or a new album, or a product line of vitamins. The announcement is coming shortly.

Monty Python is reuniting. This is what I know exclusively: the Python have been without a manager for a long long time. They have recently signed with Jim Beach, the mastermind behind Queen. Beach put together the West End musical “We Will Rock You.” He’s also staged the Queen tours with Paul Rodgers and Adam Lambert singing lead.

Beach knows how to make money, which the Python members need. Keep looking here for updates before the official press conference on Thursday.

Report: Will Smith’s Business Partner Warned Him About Scientology Interfering with Career

0

Leave it to Tony Ortega. The intrepid investigator of all things Scientology has gotten an exclusive first interview ever with Jacqueline Olivier. She was the original headmistress of Will Smith and Jada Pinkett Smith’s private school, the New Village Leadership Academy in Calabasas, California. Olivier was fired after the school’s first year and replaced with a Scientologist who was only too happy to teach the kids L. Ron Hubbard’s Study Tech curriculum.

The school, which closed in June, was all about Scientology. Olivier tells Ortega: “I started finding out that everyone was a Scientologist, and what they were really up to.

More importantly, Olivier  clears up what has long been suspected but never confirmed and sometimes denied by the Smiths.

On Will Smith: “If he isn’t [a Scientologist] now, at least at that time he was, or seriously considering it. He was so into Study Technology,” Olivier says.

In 2008, Olivier says, Smith’s business partner James Lassiter warned him about the movie “Hancock”: “Don’t let Scientology get in the way of this movie. Don’t let the school and Scientology get in the way of the bottom line.’ I’m paraphrasing, but that’s the point of what he said,” Olivier says.

Smith didn’t listen, of course. The result was this summer’s Scientology-themed financial disaster “After Earth.”

And Smith’s reluctance to be in “Independence Day 2” may have to do with the Scientology beliefs he’s acquired since the first movie was made.

Olivier’s conclusion about New Village: “It could have been a great school. But they were so vigilant about the Scientology aspect of it. In a fourth grade class, they were reading a first-grade text because they were so worried about the kids running into a misunderstood word. If a couple of kids got into a scuffle at recess, that also had to be the result of a misunderstood word,” she says. “It was so dull. The teachers were so bogged down following these rules, but that’s what Will and Jada wanted.”

For more read www.tonyortega.org

Review: “Hunger Games: Catching Fire” Is an “Empire Strikes Back” for 2013

6

Here comes “The Hunger Games: Catching Fire.” It clocks in at two and a half hours, covers everything you could imagine, and is so well liked it has a 94% on Rotten Tomatoes. That’s ten notches higher than the original “Hunger Games.” Amazing. What’s it like? It’s like “The Empire Strikes Back” for 2013. For the middle chapter of a trilogy, “Catching Fire” has tons of actions, lots of narrative, and ends with a… question mark.

As the three 13 year old girls who were in our party said last night at the screening: “That’s where it stopped???” They loved it.

Truth be told, “Catching Fire” is very entertaining. It’s a great big B movie in the B for Best sense way. It’s got breathless action and rarely stops. But it also has a lot of heart, character, and development.

It’s also incredibly well cast. There’s the main trio: Jennifer Lawrence, Josh Hutcherson, and Liam Hemsworth. (Not Chris, the one from “Rush” and “Thor”– just FYI.) They’ve met new pals in the form of Sam Claflin and Jena Malone. Then there’s the holdovers from the first movie, all of whom are a delight to see: Elizabeth Banks, Stanley Tucci, Donald Sutherland, Lenny Kravitz.

But then there’s a bunch of new faces: Jeffrey Wright, Amanda Plummer, Lynn Cohen, Toby Jones and the amazing Philip Seymour Hoffman. That’s right–the two actors who’ve recently played Truman Capote are in this movie. And these five I’ve just mentioned are like a murder’s row of actors’ actors. The deck is stacked.

There’s a story since Katniss (Lawrence) and Peta (Hutcherson) won the Hunger Games. They are a miserable homecoming queen and king. Katniss can’t stand the hypocrisy of parading around like Miss America. She’s really in love with Gale (Hemsworth), who’s not in this movie a lot but used wisely in quality doses.

Is the movie all about Katniss? Kinda. Even though the script is great and really fleshes out something for everyone, this is Katniss’s story. And Jennifer Lawrence continues to be a luminous, intelligent presence. She literally glows, and seems able to do anything. I sure hope she gets to play Wonder Woman one day. She is really the movie actress of her generation. Even with all this talent around her, Lawrence carries the movie. The two and a half hours go by quickly mainly because of her.

One warning: get into the movie theater early. “Catching Fire” simply starts, with no opening title roll or any credits of any kind. It also starts in mid-conversation from the first film. There’s no pretense that this is a standalone feature. It just picks up and moves forward quickly from chapter one, which you should go back and watch right now if you need a catch up. But if you’re a certain age, you already know the story.

PS There’s a special effect toward the end of the film at which I — the great cynic– actually said out loud, “That was pretty cool.” You’ll see. Worth the whole deal.

 

Broadway “Spider Man” Closing in January After Box Office Collapses (As Tipped Here)

0

“Spider Man: Turn off the Dark” is closing in January. I told you twice. On August 22nd http://www.showbiz411.com/2013/08/22/broadway-spider-man-has-big-drop-from-last-week-while-producers-plan-marvel-spectacle and on October 21st, http://www.showbiz411.com/2013/10/21/broadway-spider-man-most-expensive-musical-ever-is-now-officially-struggling that the show was in trouble.

The most expensive musical leaves Broadway with a river of red ink. It also closes just three years and two months after it “opened” in November 2010 for previews, played like a runaway train until the spring of 2011 when it shut down briefly. “Spider Man” re-started three weeks later in June 2011 and finally opened officially after producers ousted Julie Taymor, the show’s creator.

Taymor, no longer being traumatized by interfering “collaborators,” has just opened a raved about production of “A Midsummer Night’s Dream” in Brooklyn.

“Spider Man,” of course, was plagued by accidents, hospitalizations, and “scandals” galore when the complex machinery designed for flying through the theater by the actors malfunctioned frequently.

But what really malfunctioned was the box office. In August, as I wrote, the box office suddenly started to fall off precipitously. Producers stopped selling about 400 of the 1,900 seats in the Foxwoods Theater but that didn’t help. The show needed a $1 million per week take to function without trouble. But it’s averaging around $740K in receipts. Last week it was down nearly 4% from the prior week. The trend was down and not coming back.

It’s likely that another blockbuster show “King Kong” – fresh with scandals to be had, high ticket prices, and questionable arithmetic– will arrive from Australia in the spring at the Foxwoods. And the name of the theater will likely change too as a new sponsor will put its name on on the building. As they say in computer speak, “Clear history.”

 

Disney Over Estimates “Thor 2” Weekend Take by Whopping $1.8 Million

0

Pretty strange: Disney-Marvel over-estimated their weekend take for “Thor: The Dark World” by $1.8 million on Sunday. Today boxofficemojo.com got the actual numbers, and it seems that the studio gave “Thor” a whopping 4.9% more box office income than it really earned. The actual total was $36,586,016. Originally, Disney had said “Thor” made $38,454,000 from Friday to Sunday. A 4.9% mistake is actually quite a lot in the box office Sunday game. Most movies come in between 1 to 2% of the guesstimate. It didn’t affect “Thor”‘s rank at number 1. It still beat “The Best Man Holiday.” But the wrong number inflated “Thor” by nearly two million dollars in all its rankings.