Thursday, December 18, 2025
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Bravo! Oscar Nominee (“Juno”) Ellen Page Comes Out as Gay in Speech

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Past Oscar nominee Ellen Page made headlines Friday night. She revealed in a speech in front of an LGBT group that she’s gay. It’s probably not a shock to a lot of people. But for Page it was a brave moment. I can’t think of another young actor who’s been so honest and courageous. Good for her! Ever since Ellen took off in the movie “Juno” she’s been a refreshing presence in the movie world. She’s a great actress, and a pretty good human being. She says “I was tired of hiding.”

Listen to her speech here:

Leonardo DiCaprio on Scorsese’s “Wolf”: “This is the Director’s Cut”

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Last night Leonardo DiCaprio’s mom was in the audience at the Ziegfeld Theater for a brief, but informative Q&A with the star of “Wolf of Wall Street” as well as editor Thelma Schoonmaker and screenwriter Terence Winter. Director Martin Scorsese was somewhere between the Berlin Film Festival and scouting locations in Asia for “Silence.”

DiCaprio– who’s in a hard charging race for Best Actor with Matthew McConaughey and Bruce Dern–drew in a full crowd including about a hundred or so people who paid just to see him and didn’t stay for the screening of “Wolf of Wall Street.” (Most had seen it, and had just watched Scorsese’s Oscar winning “The Departed.”)

Will DiCaprio win the Oscar? He’s turned into an excellent campaigner, and one who can express the sentiment of his movie and how it was made very articulately.

Moderate Kent Jones asked Leo about the great scene in “Wolf” where Jordan Belfort invites the FBI agents onto his massive yacht floating in the World Trade Center marina.

“Jordan tries to slightly blackmail him [the FBI agent] in his own way,” Di Caprio said. “We asked how much do we want to push this?…This movie comes from… no matter what anyone thinks of it, ultimately it is a rare film nowadays. I really want more films like this to get made in today’s world. It’s a reflection back to movies of the 70s that I was so influenced by and so moved by…the director was able to put their vision on screen without too much interference.  This is the director’s cut. This is the culmination of artists that got together ans aid this is the movie we want to do.”

Thelma Schoonmaker: “The actors were very brave in this movie. I can’t believe some of the things Leo did!”  [Ed. note: We’ve tried, but it’s difficult in a G rated column. But maybe you’ve seen the movie.]

DiCaprio: “I always feel like I’m a kid. I’m going to get my foot in the door and run with it. I’ve been making movies for 26years, and I’m almost 40. In the middle of it is this collaboration with Marty. I can’t put into words what I’ve learned from him.”

By the way, Schoonmaker did talk about shooting the key sequence in the film– when DiCaprio as Belfort has to slither across a parking lot into his sports car, high on Quaaludes. Schoonmaker– who I can’t believe was not nominated for an Oscar this year– says Scorsese shot it only as a ‘master shot’– with no closeups– meaning it was just one long tracking shot and very wide. You never see Leo’s face up close or any angles inside the car. It’s just from left to right, as DiCaprio does maybe the best acting of his life.

“He was dead right,” said Schoonmaker. “The humor is there. It’s just great. And Marty knew.”

 

 

“American Idol” Crushed in Ratings This Week by Olympics, Sitcom Re-run

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Yikes. Last night’s “American Idol” audience barely showed up. The total number of viewers fell below 10 million for the first time anyone’s memory. The rating in the key demo collapsed– to 2.9, from 3.4 on Wednesday and 3.1 last Thursday.

The worst part is that “Idol” was also beaten by a Re-run of “The Big Bang Theory.” So it’s not just the Olympics. “Idol” finished third, not second. And that should worrisome for Fox, which has already cancelled “X Factor” and labeled “Idol” as in decline.

The “Idol” situation is dire, and now we know it’s just because of the Olympics. After a brief perk up in the ratings a few weeks ago, the show is starting to follow a trend downward. It could be that the party is really over. A couple of seasons away might be the answer. But beating a dead horse is not doing anyone any favors.

“Endless Love,” A Great Novel Killed TWICE in One Lifetime by Hollywood

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Poor “Endless Love.” Scott Spencer’s 1979 novel was superb. It was about obsession and class. Two years later it was turned into a terrible unwatchable movie by Franco Zeffirelli. Its two redeeeming features were a) Don Murray as the father of the girl, Jade, with whom the main character, David Axelrod, is obsessed and b) the title song, sung by Diana Ross and Lionel Richie. It was a huge hit, maybe the biggest the real Motown label ever had.

So that should have been it. “Endless Love” should have been returned to the bookshelves. Scott Spencer is one of our best, most underrated novelists of the last 35 years. His language is rich and his images are powerful. He may not be meant for movie translation. The movie, if it had just died, would have left no memory.

But now, of course, the prospect of killing “Endless Love” a second time was just too tantalizing. What could the producers have said to Spencer besides, “Here’s the check”? Did they promise a great director, a sensational script, a way to redeem the novel from the first movie?

The new “Endless Love” is apparently a bomb. I won’t see it. I can’t see it. It’s too painful. The writers who contribute to RottenTomatoes.com have given it an 18 out of 100. That’s very very bad. The review are terrible. What did Scott Spencer do to deserve this? Alex Pettyfer? And the girl looks like a Barbie doll. Only Bruce Greenwood, playing Hugh, is said to rise to the occasion. I can see it. He’s a great actor. But one of them will not make a whole movie work.

What a sad ending. No redemption. Skip the movie. Buy the book and read it this weekend. It stands up. Take a look at Scott Spencer’s other books. Don’t blame him. But please, no more remakes of this movie. It’s too nuanced for a big studio production.

Oh and one other thing: you knew once the producers decided not to use the song, this was all over. What idiots. They could have had a monster hit with, say, John Legend and Christina Aguilara replacing Lionel and Diana. I can’t imagine what happened.

Panned “Winter’s Tale” with Colin Farrell Spent Over $70 Million in New York Alone

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This is a first. Sort of by accident we know in advance some of the costs of a huge blockbuster failure of a movie. “Winter’s Tale,” starring Colin Farrell, opens tomorrow to an 8% rating on Rotten Tomatoes. (That comes out to 37 negative reviews, 3 positive.) It’s just a huge, stunning failure of a big studio film. “Winter’s Tale” is well acted, and it looks great. But it’s impossible to understand, even for someone like yours truly who read Mark Helprin’s wonderful novel thirty years ago.

Now, thanks to a press release from the Motion Picture Association of America, we know a little bit about what “Winter’s Tale” cost to produce. The press release concerns what “Winter’s Tale” spent on shooting in New York– and believe me, we are happy they shot the movie here.

The film is set in 1930s New York–except for when Russell Crowe, dressed in period costume, says: “Shit happens.” That’s when you know this Avika Goldsman-directed-written-produced vehicle is out of whack.

(I did hear that Julian Fellowes considered letting Lord Grantham say that on “Downton Abbey” but changed his mind at last minute. Instead, Robert told Cora she had “the shizzle.”)

Back to the money: According to the MPAA, “Winter’s Tale” key costs were:

–$41,465,577 in total local community expenditures. This includes hotels, car rentals, catering,
hardware, dry cleaning*, local wages rental fees, permit fees, and other expenses

–$26,998,940 in wages paid to local New York residents

Those numbers don’t include all the ‘above-the line’ talent– Will Smith (who I’m sure didn’t do this for free, and should never ever have been put in this film). Goldsman himself as a triple threat, Colin Farrell, Russell Crowe and Jennifer Connelly (each Oscar winners), William Hurt, the rest of the cast, producers’ fees, etc. And then there’s the promotional costs, prints, travel and expenses, etc.

There’s also tons of special effects, the entire production design, and a flying horse (they don’t come cheap.)

“Winter’s Tale” looks like a minimum $125 million write off.

This is a “tale” of the big studio dichotomy. Warner Bros. had two gems this year in “Gravity” and “Her.” But they also continue to let bloat like “Winter’s Tale” get through the system. They had it last year with “Jack and the Giant Slayer.” But other studios, obviously, have this too– see “Lone Ranger,” “After Earth,” etc.

*PS I can sympathize with the dry cleaning bill.

Carl Reiner, Dick Cavett on Sid Caesar: “Genius” Performer with “Talent of 10 Men”

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Carl Reiner has posted two Tweets about his friend of 60 years, Sid Caesar.

I spoke to Dick Cavett yesterday on the phone in New York. Cavett never worked for Caesar but knew him, and interviewed him on his talk show. Before that, Cavett had worked on The Jerry Lewis Show, and The Tonight Show with Jack Paar.

Carl Reiner:

Dick Cavett: “I met Carl in Lindy’s restaurant when it was really Lindy’s. The Macy’s Thanksgiving Day parade came along. Sid was on a float! A few days later I went back and he was sitting there at Lindy’s. I went over, and said something sappy. He raised his hand and shook my hand, and went back to eating…
…I had him on my show even though he was a notorious bad talker. We did two half hours in Atlantic City. He was wonderful. Something about us together worked. At the end of it, he was so happy. He said, What a great interview!…
…I was once in a car with him, Jonathan Winters, Jimmy Durante and Dick Shawn. I was working on The Jerry Lewis Show and we were doing something on “It’s A Mad Mad World”…If we’d only made a video of it, it’s lost to the world…
…He was a genius performer. Enough talent for 10 men. That genius dexterity with language! He certainly inspired a lot of performers…His legacy was fabulous shows we can still watch…”

Mel Brooks and Woody Allen on Sid Caesar: A “Privilege” to Work with Him

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Mel Brooks and Woody Allen, of course, each wrote for Sid Caesar. Brooks was part of “Your Show of Shows” and remains entwined in memory with Caesar and Carl Reiner (who at 90 just appeared in “Two and a Half Men”). Woody worked for Caesar in the late 50s on his TV specials with Danny Simon, brother of playwright Neil Simon.

Mel Brooks: “Sid Caesar was a giant—maybe the best comedian who every practiced the trade. And I was privileged to be one of his writers and one of his friends.”

Woody Allen: “He was one of the truly great comedians of my time and one of the finest privileges I’ve had in my entire career was that I was able to work for him.”

The Great Sid Caesar Is Dead at Age 91, Comedian Who Started it All: Launched Mel, Woody, Carl Reiner, More

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Sid Caesar has died in Los Angeles at age 91. The creator of “Your Show of Shows” had been in fragile health for some time. If you don’t know his name ( and I’m sure you do) , Sid Caesar is where all contemporary comedy began. He launched Mel Brooks, Carl Reiner, Woody Allen with “Your Show of Shows.” There was even a movie made about him, sort of– “My Favorite Year,” written by one of his other disciples, Norman Steinberg. With Imogene Coca, Sid Caesar created an unparalleled legacy. In recent times, Brooks, Reiner and friends like Lainie Kazan, Renee Taylor and Joe Bologna had been going to Caesar’s house on Sundays to entertain him as he convalesced. More to come…

Say it Ain’t So! Derek Jeter Will Retire at the End of 2014 Season

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Derek Jeter: Say it ain’t so! The great Yankee shortstop will turn 40 in June. And in September, he will retire from playing baseball. This will also be his 20th season with the Yankees. Amazing. The Yankees are already suffering. This won’t help anything. Jeter missed most of last season because of injuries. Let’s cross our fingers he has a healthy final run. He posted this on Facebook:

 

Dederek jeter letter

 

Warren Beatty’s Untitled “Howard Hughes” Film Moving Forward At Last

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EXCLUSIVE: Good news! Warren Beatty is finally moving forward with his untitled “Howard Hughes” movie. What we do know is that a production office is in full swing at New Regency, the company making the film with Beatty. New Regency is newly hot these days with the arrival of Brad Pitt’s production company, and a major credit for “12 Years a Slave.” They’ve also got the next Cameron Crowe film, and Ben Affleck’s “Gone Girl.”

I put quotes around Howard Hughes’s name because it’s unclear whether the title character, to be played by Beatty, is still the infamously reclusive billionaire movie producer/aviator/raconteur/enigma. I’ve heard that Beatty, who’s written the screenplay himself, may have abandoned the idea of using Hughes, and decided to create his own character rather than deal with Hughes’s biographical baggage. That much remains in the air.

Right now the imdb calls the Beatty film “The Rules Don’t Apply.” There’s also a cast list that includes everyone from Jack Nicholson to Alec Baldwin. But sources say that “nothing on the imdb” is correct. The movie supposedly recounts a romance Hughes had with a young actress in his later years. Ironically, Beatty himself is now a few years older than Hughes was when he died at age 71. Of course, Beatty looks ten times younger than Hughes did even then.

Beatty is maybe the smartest guy in Hollywood, with a sharp eye and excellent taste. He’s an Oscar winner for “Reds,” and has on his resume many great films from “Shampoo” to “Bugsy” to “Heaven Can Wait” and “Dick Tracy” and “Bulworth.”  Some other projects, like “Love Affair” and “Town and Country” did not fare as well. But a new Warren Beatty film is reason for excitement. And we need a little buzz in this, the worst month for movies ever it seems!