Thursday, December 18, 2025
Home Blog Page 1743

Mariah Carey May Get Her Biggest New Hit from George Michael

3

Mariah Carey’s new album, “The Elusive Chanteuse,” is streaming on iTunes Radio (if you can figure it out let me know). The album is officially released on May 27 th but reviews are coming in. Carey has surprised everyone again, and put together a hot collection of new songs that should send her right to the top of the charts. Good for her!

All the songs are original but one. And that one, called “One More Try,” is going to be a huge hit both on radio and in concert. And it was written and recorded by George Michael in 1985. “One More Try” has over 9 million views on You Tube. But I think Carey’s version is superior, much more gospel and R&B.

I can’t feature Carey’s track yet. Here’s George’s:

 

Legendary Beauty Actress Sophia Loren, Almost 80: “I Was Never Considered Photogenic”

Cannes: The great Sophia Loren gave a 90 minute interview today disguised as a “master class.” She told the audience at the Salle Bunuel in the Palais des Festivals “I was never beautiful. I was never considered photogenic.” When one audience member asked if it was important to be beautiful as well as talented in order to be successful, she quickly said “No.” All this coming from maybe the most gorgeous actress ever on the silver screen

The master class, or whatever it was, was set for 4:45pm. Nearly two hours before that, people started lining up in the overheated hallways. Security guards were unprepared for what turned into an onslaught. The whole scene looked like people trying to see The Beatles, not a nearly 80 year old Italian actress.

The Q&A following the interview and nearly as disorganized. And Loren, very cutely, kept slipping from French to Italian and back again, making the translator crazy. She could have spoken in English of course. But that would have been too easy.

At the mention of her great lover and co-star Marcello Mastroianni, Loren, actually teared up, cried a little and had to stop for a second. Of her great movies, she said that in “Arabesque” she “didn’t understand one thing.” She said, of the thriller which co-starred Gregory Peck, “I never knew what I was doing.”

Loren said she agreed to be in the movie musical “Nine” in 2009 to act with Daniel Day-Lewis. She played his mother. “He’s the greatest actor in the world today,” she said.

Loren wore a chic white pants suit studded with Swarovski crystals. She turns 80 this fall, but doesn’t look it or sound it. She said in order to succeed at anything you must be “obsessed”

“You have to be strong every single day,” she added.

Cannes: Anne Sinclair, Wife of DSK, Denounces Abel Ferrara Film

Anne Sinclair, now or soon to be the ex wife of disgraced French politician Dominique Strauss-Kahn, has denounced the Abel Ferrara film about the couple’s life shown here in Cannes and all over France on Saturday night.

Writing on The World Post, Sinclair calls “Welcome to New York” ‘disgusting.’ She’s correct about a lot of what she says, but she should also thank Jacqueline Bisset for portraying her with sensitivity and intelligence.

Sinclair is Paris editor of The Huffington Post, a partner of the World Post.

She writes:

I will leave it up to viewers and critics to judge this movie — if they ever want to see it. Many have already expressed boredom and other unflattering opinions about it.

I’m not used to expressing my personal feelings here, but as “Simone” is a character that is meant to represent me in Welcome to New York, I would simply like to say how disgusted I am.

I am disgusted with a movie that presents the exposure of Gérard Depardieu’s body as boldness, when it in fact only makes you retch. I am disgusted with the film’s pathetic and ridiculous dialogue, and the way Abel Ferrara represents women throughout the movie — it must illustrate his own drives.

Above all, I also feel disgusted with the so-called confrontation between the two main characters. The film’s writers and producers are only projecting their own fantasies about money and Jewish people.

References to my family during the war are truly degrading and defamatory. They’re the contrary to what really happened. My grandfather had to flee the Nazis. He was deprived of his French citizenship by the Vichy regime. My father joined Free France and fought until the Liberation. Saying anything else is nothing but slander.

I never thought I would have to defend their memories against such anti-Semitic attacks. They’re without a doubt motivated by the director’s own issues, and by the producer’s naked greed.

That being said, I won’t give Abel Ferrara and Vincent Maraval the pleasure of suing them. They already said they wanted — and expected — to be sued. I don’t attack filth. I despise it.

Ryan Gosling Impresses with First Film, “Lost River”

0

There hasn’t been a bigger crowd anywhere in Cannes this year than the one for Ryan Gosling’s “Lost River.” Reminiscent of a  lot of indie films, “Lost River” nevertheless in an impressive debut as Gosling wrote the sort of post-apocalyptic script and directed it with a real eye. Cinematography is outstanding. Christina Hendricks of “Mad Men” fame is luminous and shows that she should be someone’s lead actress all the time. There’s very nice work from Ben Mendelsohn and Saorise Ronan and a little boy who steals the film. Gosling has certainly been influenced by his own director friend Nicholas Winding Refn. That’s not a bad thing at all.

Cannes: Edward Norton Confuses Chivas for Dewars in Toast, And He’s Sober

The whirlwind that is Cannes featured a top notch elegant dinner on Friday night: Charles Finch’s annual celebration at the Eden Roc at the Hotel du Cap. Oscar winning director Alfonso Cuaron was honored, as was FilmAid, a great organization that brings film to third world countries. Actor Edward Norton got in the quote of the night when talking about FilmAid: “Scratch an actor, and you’ll find an actress. Scratch a director, and you’ll find two actresses!”

The rest of the night the A list crowd kept expanding on those lines. They included rock star Bryan Ferry, Naomi Watts, Julian Schnabel, Harvey Weinstein, Gael Garcia Bernal, Leah Seydoux, Sony Pictures Classics’ Michael Barker and Tom Bernard, and award winning writer Christopher Hampton, author of “Dangerous Liaisons” among others.

Norton, sober as a judge, thanked Dewars for sponsoring the night. Unfortunately the sponsor was Chivas Regal. That may be the best plug of all. After that, Chivas’ name was never forgotten!

I spent a great part of the evening talking to Paul McGuiness, the manager who created U2 with the group. Last year, he transitioned out of management, selling his company to U2 and handing the reins to Guy Oseary. After 35 years, Paul tells me he wants to go back to his first love: producing films and plays. He’s half owner of a theater in Dublin. My guess is we’ll be hearing his name soon attached to big projects.

PS Bryan Ferry told me he’s playing New York’s Beacon Theater this October. Why isn’t Roxy Music in the Rock Hall of Fame already? One of that idiotic group’s hugest scandals!

Michael Jackson Hologram Gets No Sales Bounce, But Fans Rediscover Grace Jones “Slave to the Rhythm”

3

Music fans have not responded well to Michael Jackson’s hologram 3D whatever it was visit from the grave on Sunday’s Billboard Music awards.

Jackson’s “Xscape” album is finding favor only on amazon.com, where it’s number 2 this morning in CD sales. But the album is number 5 in digital sales on amazon, and the single “Slave to the Rhythm” is way down the charts.

On iTunes, which is a better bellwether, “Xscape” is number 5. “Slave,” the song that was showcased on the awards, is in the 40s. The Justin Timberlake duet on “Love Never Felt So Good” is in the 20s.

Apparently, the gimmick of Jackson re-animated didn’t have the effect Jackson’s estate was hoping for. The core Jackson fans may be buying multiples of the CD on amazon to keep it afloat chartwise, but in the digital world the larger music audience did not rush to their devices.

And some may be mixing it up with Grace Jones’s 1985 hit “Slave to the Rhythm.” On amazon, the more popular search for a song with that title is Jones’s, not Jackson’s.

 

Cannes: Huge Ovation for “Foxcatcher” with Steve Carell, Now on Oscar Fast Track

It’s not like Steve Carell hasn’t been good in things other than “The Office.” He’s had very nice performances in “Little Miss Sunshine” and “The Way Way Back,” even “Date Night.” But he plays psychopath John DuPont III in Bennett Miller’s “Foxcatcher” so brilliantly that he’s destined for an Oscar nomination.

Carell’s will be one of many for “Foxcatcher,” which doesn’t open until November. In the meantime, it’s the only film to open at Cannes this year with robust applause at the press screening, calls of “Bravo!” at the press conference, and a 20 minute standing ovation tonight in the Lumiere theater at the Palais.

The audience really went wild for “Foxcatcher” tonight and with good reason. First of all, Cannes has been bereft of really good films. Second, “Foxcatcher” is the real thing. If only Tommy Lee Jones had re-conceptualized “The Homesman” from a novel into a movie. Oh what could have been…

Carell is blown away. He look stunned all day. At the party at the Baoli Beach club on the Croisette, Carell genuinely was having trouble taking it all in. How did he make the transition from comedy to this heavy role? “They– the producers, Bennett Miller– just had this idea I’d be right for it. They called me up. That was that.”

Cannes has been a blur. “I’m standing in a lot of places not knowing what to do,” he told me. “I’m trying to remember specific moments. But it’s all happening so fast.”

The whole cast came to the party, including Channing Tatum and Mark Ruffalo, as well as Jessica Chastain, Sofia Coppola, Willem Dafoe, and Oscar winning director of “The Artist” Michel Hazanavicius. On Wednesday, he premieres “The Search,” shot last year in Georgia (Russia) which filled in for Chechnya. Everyone is begging to see the film early, he told me. Only Harvey Weinstein, who turned “The Artist” into Oscar gold, may have the inside track.

 

Cannes: DuPont Murder Mystery Foxcatcher Wows Press Screening

0

Brace yourselves: Steve Carell, Channing Tatum, and Mark Ruffalo are mind blowingly good in Bennett Miller’s “Foxcatcher.” Postponed from last year this tautly told true murder tale will be a big  awards pleaser this fall.

This is the second real Oscar movie of 2013, after Wes Anderson’s “Grand Budapest Hotel” and possibly Mike Leigh’s “Mr. Turner.” We’ll see.

What a relief though that “Foxcatcher” was worth the wait. Tatum and Ruffalo are so good, but Steve Carell has the last laugh, making a transition from comedy and “The Office” to this substantial piece of acting.

Director Bennett Miller now makes it three in a row with “Capote,” “Moneyball,” and “Foxcatcher.” He will have to stick to one word titles for good luck! Miller presents a very deliberate, meticulous character study of a situation that still causes arguments: the murder of wrestling coach Dave Schultz by DuPont heir John DuPont III. The latter went to prison and died there in 2010.

Tatum and Ruffalo play the wrestling Schultz brothers with an easy rapport. Ruffalo is always good, but Tatum still surprises. He’s not just “Magic Mike.” As Mark Schultz, the younger of the two wrestling brothers, he carries his end of the movie with remarkable aplomb.

Cut down from their original roles are Sienna Miller as Dave’s wife, and Vanessa Redgrave as DuPont’s mother. I suppose something had to be cut. But these are memorable nevertheless.

At the press conference this afternoon, Miller deftly handled questions about the murder and the movie’s steady peeling away of the layers of the case. He also choked up and teared up when Philip Seymour Hoffman was mentioned. Miller directed Hoffman to an Oscar in “Capote” and cast him as the baseball manager in “Moneyball.”

“Foxcatcher” will come this fall, and then watch out. Along with Angelina Jolie’s “Unbroken,” it’s going to be a big contender.

 

ToldYa: Ghoulish Michael Jackson Hologram Performs on Music TV Show

Here it is, from last night’s Billboard Music Awards. He didn’t want to work when he was alive. Now he’s five years dead and his executors have found a way to make him do it without discussion. You can’t tell me this in good taste. If I were a core fan, the ones who argue and debate, I’d be horrified. But I told you this was coming.

Exclusive: Jon Stewart Sneaks into Cannes for Screening of Directorial Debut

Saturday, 4pm, Cannes, the grim little Olympia theater complex: standing outside, suddenly, Jon Stewart, host of the Daily Show. LionsGate/Open Road scheduled a sneak screening for film buyers of Stewart’s directorial debut “Rosewater.” Stewart shot the movie in the summer of 2013, taking 12 weeks off. His replacement, John Oliver, did so well that he has his own HBO show now.

“Rosewater” was not screened for press and no one knew that the screening was even taking place. But the turnout. I’m told, was huge, and the movie was well received. Stewart said he’d never been to Cannes before, and had to get back to the Daily Show.

In “Rosewater,” Gael Garcia Bernal plays Iranian-Canadian journalist Maziar Bahari. Also a filmmaker, Bahari was arrested in June 2009 and held until October, tortured until he admitted that American journalists in Iran were actually spies. The Iranians thought this because they’d seen a parody news segment about this on The Daily Show.

“Rosewater” will likely debut at the Toronto Film Festival, where press will get to see it. Garcia-Bernal is already getting Oscar buzz.