Friday, December 19, 2025
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Toronto: Bill Murray Gets a Huge Deserved Standing Ovation for “St. Vincent”

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After a very good screening for “Boychoir” with Dustin Hoffman– a lovely “Mr. Holland’s Opus” meets “Dead Poets Society” — and more on that later– the Toronto crowd braved pouring rain and headed over to Princess of Wales Theater for Theodore Melfi’s “St. Vincent.”

Bill Murray got such a thunderous standing ovation last night after the premiere of “St. Vincent” that he was still dazed and a little teary at the after party following at Patria (sponsored by Hudson Bay).

“St. Vincent” is evidently Harvey Weinstein’s surprise movie of the season, a “Silver Linings Playbook” style character study that is brilliant, weepy, poignant and unexpected. Bill Murray may actually win his Oscar at last for playing this sort of oddball outsider with a heart of gold because he manages to keep it from being saccharine. It’s Murray at his most endearing, sort of picking up signals from outer space while at the same communicating them to those around him warmly. Vincent may actually be the human version of “ET.”

Murray is totally aided in this effort by an exceptional cast starting with an 11 year old boy named Oliver played by Jaeden Lieberher who does his best to steal the movie from Murray but can’t quite. (We’ll see Jaeden next in Cameron Crowe’s new film.) But there are also Naomi Watts as Vincent’s paid Russian lady friend, Melissa McCarthy as Oliver’s mom, Chris O’Dowd as Oliver’s teacher and the local priest, and a talented group of New York actors in various other roles.

The movie is from first time film director Melfi, who’s done a lot of commercials. He is as sure with “St. Vincent” as a veteran. That he got this shot is a real tribute to Harvey Weinstein, who “got” this whole thing and went for it. Everyone in the press thought “Imitation Game” was Harvey’s Oscar card this season. Wrong! A nice surprise.

Bill Murray marches to his own drummer. They had “Bill Murray Day” here yesterday as a gimmick just to keep him interested in what’s going on. At the brief Q&A he joked that he only got the part “because they couldn’t get Jack Nicholson.” He asked, from the stage, “Where are we?” until audience members shouted back “Toronto.” It’s a role he’s assumed, and it’s a little real. But he knows what he’s doing. And now he’s got a good shot at his most major success.

At the party: “Mad Men” and “ER” star Linda Cardelini, who told me she became buddies with Bill because he just called her up one day to say how much he liked her. She’s here with “Welcome to Me,” which also stars Kristin Wiig– she was at the party, too, along with Josh Charles and a host of other actors who partied through the wet wet night.

PS Maybe they let that crazy mayor Rob Ford run this city after all. All the streets are blocked off around the film festival, traffic is a mess and access is impossible. Only Rob Ford could have thought of this. Being in Toronto is a frustrating experience. They’ve brought passive aggressive inconvenience to a high art!

Exclusive: Green Day’s Billie Joe Armstrong is the Next Justin Timberlake?

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Wake me up when tomorrow comes: Green Day rocker Billie Joe Armstrong is serious about his acting career. He’s following Justin Timberlake from the radio to the big screen. BJ has already finished his first film, “Like Sunday Like Rain” directed by our old Naked Angels pal Frank Whaley.

Now I’m told he’s signed to play a rocker (duh) in Lee Kirk’s “Geezer,” a comedy about an aging rocker whose family forgets his 40th birthday. Sounds like fun. Someone’s giving Billie Joe good advice. Both movies are combining music and acting. Plus, they’re indie enough to give him cred.

Soon enough we may see Billie Joe at the Indie Spirit Awards. Far from an American Idiot, he’s quite smart and talented. Can’t wait to see where this will lead,

Toronto: Al Pacino, Robert Duvall, Robert Downey Jr Claim Opening Night

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Two big films opened the Toronto Film Festival, with big crowds despite Toronto itself doing everything to make it difficult to move around. There are street closures everywhere, and the traffic rivals Los Angeles. But that’s another story…

Famed novelist Philip Roth really owes Oscar winning director Barry Levinson. The “Rain Man” director has made a stellar, quirky, and really hilarious film out of Roth’s novel “The Humbling.” I think it’s Levinson’s best work in years, hugely accomplished for its mixed tones of utter zaniness and comic beauty.

Al Pacino is simply outstanding as Simon Axler, a fading self obsessed famous theater actor who does a swan dive off a Broadway stage and announces his retirement. At a country house he falls into a relationship with Pegeen (luminous Greta Gerwig), daughter of his friends (Dianne Wiest and Dan Hedaya). Nina Arianda has a scene stealing recurring role as a super fan Simon meets in a psychiatric hospital.

The audience last night at the Elgin loved this film. No less a presence than Brian DePalma was in the theater. You know a movie’s good when the introductory speech is short– no horsing around, just “here’s the movie.” When Levinson and Pacino made quick remarks, I thought, wow, they know what they’ve got and they want us to see it. Not to be missed is a hilarious scene in a veterinarian’s waiting room. It recalls the tone of Levinson’s “Wag the Dog.”

Al Pacino is in two movies here. The other is “Manglehorn.” He’s headed to the Oscars in some capacity, certainly. As for Greta Gerwig, thank goodness that TV pilot for “How I Met You Dad” wasn’t picked up. She must stay in movies.

AND THEN A QUICK RUN TO ROY THOMSON HALL for David Dobkin’s well crafted Warner Bros. feature “The Judge” starring Robert Downey Jr and Robert Duvall in awards-possible performances. This is exactly the kind of big studio movie Warner Bros can excel at, just like “The Blind Side.”

Downey is the prodigal son who’s become a star lawyer in Chicago. He returns to Indiana to defend his own father, the local revered judge, on a murder charge. Ken Howard plays the judge who hears the case and it’s just too long since we’ve seen “The White Shadow” so prominent.

It’s a star turn for Downey who sheds “Iron Man” and returns to solid work as a leading man without gadgets, just his brain and wit. Duvall — who told me last night he’s 83!– is just miraculously affecting.

“The Judge” opens October 10th and it’s going to be a big big hit. It’s not perfect, but for a movie with so much going on, the successes outweigh the nitpicking. PS Vera Farmiga, on a break from “Bates Motel,” is sexy and knowing. She needs a great movie of her own already!

Joan Rivers Dead at 81 in Medical Mishap of the Worst Kind

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Joan Rivers was cheated out of a good ten years last week. The clinic where she technically “died” — and now thanks to them, is dead– is going to be investigated. Joan performed last Wednesday night, saw friends at dinner, and was in great shape. When she joked that she was 81 and “could go at any time” she was kidding. But did she have an inkling of something bad about to happen? We will never know. We’ve really lost a great voice, and one that has helped form American culture for the last 50 years.

I met Joan when she and Edgar started their late night show on Fox. People were afraid to cross Johnny Carson and bring them guests. But I had celebrity authors at the Atlantic Monthly Press in 1986, and Johnny wasn’t going to take them anyway. So I called Joan up, and she said, essentially, bring everyone. The two I recall most vividly were Paloma Picasso– they talked jewelry– and Peter Ustinov– very very funny with Joan.

Barry Diller was lurking around the hallways, and Edgar didn’t look well. His eyes were hollow. On one occasion we had dinner with them. Joan was also exhausted. But for a short time her ratings were good, and everyone was excited. It didn’t last long.

After Edgar’s suicide, Joan returned to New York. When she had her daytime show — this was circa 1989-90 — I was often a guest. Marlaine Selip was the producer. The show was a lot of fun and Joan won an Emmy. I was in the green room for a taped show when Angela Bowie, David Bowie’s ex wife, unmuzzled after 10 years, told Joan she found David and Mick Jagger in bed together. There were huge headlines the next day. It didn’t hurt that Howard Stern was on that day too.

Joan was a regular at Elaine’s. Barbara O’Connell, Elaine’s assistant, recalled today that Joan used to bring jewelry from her collections for the waiters to give to their wives as presents. Her best pals were Cindy Adams, and Judge Judy. They went to the theater together and out to dinner. A couple of years ago, at a party for Joan’s documentary (now so glad she did it) everyone turned out. There was a lot of reminiscing. It did feel like Joan had been part of our consciousness forever.

With Joan Rivers, there was a lot of bluster and loud noise if you only knew her from TV. I was lucky that I knew her a little, not like the inner circle but just someone she recognized and was happy to see. When she hosted the Johnny Carson show in the early 80s on Monday nights, no one was funnier or smarter, hands down. And what a great thing that Jimmy Fallon and Lorne Michaels brought her back twice this year after her falling out with Johnny in 1985.

If Melissa listened and learned, and I’ll bet she did, she’s ready to run her mother’s business and keep her flame burning. Joan devoted her whole life to Melissa. What a terrible thing she’s had to do. She’s lost not only her mother but her best friend.

Kennedy Center Goes Pop and Hip with Sting, Tom Hanks, Soul Singer Al Green–Who May or May Not Show Up

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The Kennedy Center has definitely decided to hip up its rep. This year’s honourees are the hippest group in a long time, a real nod to Baby Boomer tastes. Tom Hanks leads the list– a two time Oscar winner and much younger than many actors and actresses in their 60s and 70s who’ve been waiting to be tapped. But he deserves it, and Hanks is exactly the audience the Kennedy Center wants now. A very good choice.

Music stars Sting and Al Green are honoured. By the time of the Kennedy Center show, Sting will have opened his lovely and hit bound Broadway musical “The Last Ship.” Ironically, I’m told Sting got the news of the Kennedy Center honour while visiting his hometown of Newcastle, England. “The Last Ship” is loosely based on his childhood there.

Al Green is one of the great R&B stars of all time. His songs like “Let’s Stay Together” and “Tired of Being Alone” are classics. I don’t think he’s ever shown up to accept an award anywhere. It’s kind of an inside joke in the industry. Al likes to be paid for appearances. I hope someone can explain this to him. He really needs to be there.

Also nominated are two women of real genius: Lily Tomlin and ballerina Patricia McBride. I’ll leave ballet scholars to describe McBride’s achievements. But Lily Tomlin– wow. One of our greatest comic performers, actors, writers, thinkers. It’s about time she was bestowed with a great honour. Bravo!

Great choices from George Stevens and co. And as a bonus, don’t be surprised if Bruce Springsteen makes an appearance. Sting and Tom Hanks are two of his best friends.

The View Exclusive: Barbara Walters Will Be Backstage Only for First New Show with 2 Rosie’s

EXCLUSIVE: A Tale of Two Rosie’s– News is spreading that actress Rosie Perez and conservative speaker Nicolle Wallace are joining “The View” when it returns on September 15. Whoopi Goldberg and Rosie O’Donnell are already set as co-captains of the show. But I can tell you that when “The View” goes live on the 15th, Barbara Walters will definitely be there. Only she will be backstage in her role as executive producer.

“She will not appear on the set,” says a source. This is such a mistake, in my opinion. Barbara should be right there, at least once a week, as a guiding force. She still owns part of the show, although I’m told she sold part of her ownership to ABC and now has just 17%. Her controlling interest is gone. But ABC can’t completely ice her out, so Walters will be allowed to act as an executive.

Oh well, no one wants to see old people on the air, even if they know a lot. The Wallace deal is gone, I’m told. The Rosie Perez deal is taking more time because Perez had already agreed to star on Broadway in Larry David’s play “Fish in the Dark.” Can she do both jobs from mid January through May or June? She certainly won’t be able to be on “The View” on Wednesdays, when the play would have a matinee. I am assured that it can all be done.

Let me say this about Rosie Perez: she’s so smart and funny, and one of my favorite people. That she is now in such high demand is really terrific. Viva Rosie! Viva all Rosie’s!

Broadway: Carey Mulligan, Bill Nighy Bringing “Skylight” in Long Enough to Get Tony Awards

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I believe I told you a few weeks ago that David Hare’s hit production of “Skylight” would come from London to get some Tony Awards. Scott Rudin is bringing Carey Mulligan and Bill Nighy over in the Stephen Daldry-directed revival just long to get some Tonys and sell out a few weeks.

People are going to be scrambling to see “Skylight” because it’s really great and all the accolades are really deserved. Previews begin April 2nd, and the runs ends June 14th, days after the Tonys. Maybe it can be extended, but this is what Tony season is now, in and out. No more lingering about…

ALSO Larry David’s “Fish in the Dark” starts on Broadway in February, with Anna D. Shapiro directing Larry. I told you some months ago that Larry was coming in with a play.  The cast includes Jayne Houdyshell, Rosie Perez, Jonny Orsini, Jake Cannavale , and Jerry Adler (“The Sopranos”).

What no one else told you: Jake Cannavale is the 19 year old son of Bobby Cannavale and Jenny Lumet. He’s also the grandson of Sidney Lumet. His great grandmother was Lena Horne. Got that? It’s in his freakin’ blood.

Official: Tarantino “Hateful Eight” is a Go for Weinstein Company

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After much sturm und drang, even a lawsuit and an exclusive from me in May–not to mention a staged reading– Quentin Tarantino’s “Hateful Eight” is a go for the Weinstein Company. We will see it in time for the 2016 Oscars. Everyone from the Tarantino ensemble company is in it except for Christoph Waltz, who is taking an (amicable) break after winning two Oscars. He’ll be back in the future. Tarantino and Weinstein go together like whiskey and bar stools. What fun! Can’t wait!

Here’s the press release:
The distribution of this post-Civil War western will be a major event for
theaters and something that only Quentin Tarantino could dream up. THE HATEFUL
EIGHT will be shot on 65mm film and have the widest 70mm film release in over
twenty years. This unique distribution plan will also feature 35mm and DCP
formats following the initial and exclusive 70mm release. Principal photography
will begin in January with a domestic release slated for the fall of 2015.
Richard Gladstein, Stacey Sher and Shannon McIntosh will produce the film and
the executive producers are Bob and Harvey Weinstein along with G. Mac Brown.
THE HATEFUL EIGHT marks a continuation of the long-standing relationship between
the celebrated filmmaker and the Weinsteins, who have collaborated on all of
Tarantino’s films, from RESERVOIR DOGS through DJANGO UNCHAINED.

Commented Bob and Harvey Weinstein, TWC Co-Chairmen: “We are incredibly excited
to begin production on THE HATEFUL EIGHT, as we know this picture will be as
innovative, brash and of course fun as all Quentin projects prior. There is,
quite simply, no other filmmaker like him, and we are as proud as ever to
continue this partnership that started over twenty years ago.”

Exclusive: Movie About Iconic Female Comic Phyllis Diller is Planned

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What an irony! Just as Joan Rivers fights for her life, a movie about her sort of mentor is being planned.

A film about Phyllis Diller, the iconic and ground breaking female comic, is being planned. Producers Shaun Redick and Ray Mansfield of the Movie Package Company are producing, also with manager Heidi Rothbart and Alan Gasmer. Playwright Jonathan Tolin and Seth Bass are writing the script. No director has been announced.

Diller died at age 95 in the summer of 2012. She was quite a legend, and easily recognized as Rivers’ if not mentor, the trailblazer who made Joan possible. Rivers would pick up the ball and run with it, herself becoming the reason so many female comics soon blossomed.

Right now, a casting call has gone out for an actress to play Diller from around age 35-60. The film concerns her heyday years from the mid 1950s to the 1970s. This was when Diller was a staple on every single TV variety show, regular with Bob Hope and Ed Sullivan, with her wild wigs and caftans.

If it’s done right, and not kitschy, the movie could be a real awards-buzzer for some actress. The producers are looking for a star to play Phyllis but what they really need is a very solid director. Penny Marshall, you should come out of retirement for this.

Adele Withdrawal Causes 2 Unreleased “21” Tracks to Surface on the Web

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It’s an illness called Adele withdrawal. And so to slake that thirst, Sony has unofficially released two unknown tracks from Adele’s “21” album. Originally they were pulled off the internet on Tuesday morning. But they’re back, and I guess Sony’s attitude is, why not? The wait for a new Adele album is excruciating. It’s also one of those dilemmas– how to follow up such a monster hit like “21”? Nothing will measure up. Really, she should just put an album covering other people’s songs, and get it over with. But here they are, in the meantime: