Friday, December 19, 2025
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Robin Thicke Admits He Didn’t Write “Blurred Lines,” Jealous That Pharrell Did

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The Hollywood Reporter refuses to credit this site for any stories. But I will ignore that this time. Eriq Gardner has gotten a copy of Robin Thicke‘s deposition in his Marvin Gaye copyright case. It’s devastating. For one thing, Thicke sounds either drunk or high during the deposition. He admits that he was stoned for every interview gave in 2013.

He also admits: “After making six albums that I wrote and produced myself, the biggest hit of my career was written and produced by somebody else and I was jealous and wanted some of the credit.”

“Blurred Lines” was in fact written by Pharrell Williams. Thicke wasn’t even in the room when it was being done. He lied through every interview he ever gave on the subject. Now it all comes out. He admits to Marvin Gaye being his hero, to owning Gaye’s greatest hits, “What’s Going On” and most interestingly, “Here My Dear,” the album Gaye wrote about his divorce from Anna Gordy.

“Blurred Lines,” says Marvin Gaye’s heirs, is a rip off of “Got to Give it Up.” I think they’re right. Indeed, I’ve found many Robin Thicke songs that are knock offs of Marvin Gaye’s work.

Thicke says of Pharrell: “He made it [Blurred Lines] without me. I was lucky to be in the room.”

Thicke told the lawyer in this deposition that basically he’s a liar, and lies a lot.

Question: “Do you pick and choose when to tell the truth?”

Answer: “Absolutely. That’s why my wife left me.”

Thicke says in the interview that he’s been sober for two months, but that his sobriety extends just to Vicodin. He’s still drinking but he says he’s not drunk in the deposition.

Mostly this is a sad story about an idiot who was raised in Hollywood and should have known better. About a lot of things. He now comes off as pathetic. Without Pharrell, Thicke’s current album stinks. With Pharrell, he managed to rip off Marvin Gaye. All he had to do was get a license for “Got to Give It Up” and say the song was sampled. Instead, he invented a story about how “Blurred Lines” was written. The whole thing has snowballed into a disaster.

 

EXCLUSIVE Backstage at The View: Nicole Wallace Says She Used to Read the Newspaper to Sarah Palin

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Backstage at the The View this morning: the show is back. Barbara Walters sits in the green room, although she did tape a piece right before the show aired. They showed it at the top– all the new hosts kissing her ring while Barbara sat on a red velvet throne. Very funny. But Walters is Emeritus now. After the show, she retreated, and let the new hosts meet the press.

The best part of Monday’s show was the stuff during commercials. Rosie O’Donnell did a lot of standup, very funny, and endearing. This group is not going to fight like the old days. They are almost too sensible. Republican Nicolle Wallace is lovely and smart, not cluess like Elisabeth Hasselbeck. One woman in the audience said: “She’s what Republicans used to be like.”

During a break, one audience member, maybe planted, asked: “Where is Bill Geddie (former exec producer)?” Official answer: he retired with Barbara. I thought it would have been funnier to cut to him drinking in front of the TV at home. No such luck. He’s probably playing golf, I hope, and living on a beach.

Wallace told me after the show that she’s published three novels! One of them, she said, her words, is about “mentally ill vice president.” Wallace clearly has no love for her old employer, Sarah Palin, who fired her right after the famous Katie Couric interview. That’s when Palin was stumped to name her daily reading material.

“I used to read the paper to her,” Wallace told me of Palin. “I read it to her that morning.”

They have not spoken since that day.

Whoopi Goldberg looks amazing. She lost her weight following Rocco DiSpirito’s cookbook. “He put on a lot of weight after his mother passed,” she told me. “So he figured out how to take it off. And wrote about it.” I am getting this book today. It’s called “The Pound a Day Diet.”

Rosie O’Donnell: she kicked off her black patent leather clogs when the show started and sat, legs crossed, in her chair. What happened, I asked? “They gave me these shoes, Alistair McQueen.” Alistair? Anyway. “Whatever. They were killing me. These are just from my closet at home.” The women had one rehearsal. This was the second time they’d all been together. Rosie is singing everyone’s praises. She also looks like a movie star. She’s lost 55 pounds since her gastric sleeve surgery.

“The doctor wants me to lose 30 more. It’s not easy,” she told me.

Rosie Perez: I asked her how she’s going to do a Broadway show this winter, eight performances a week, with Larry David, and do “The View.” Her answer? “I don’t know!” Let me tell you about Rosie Perez. She is one of the brightest, funniest people in the world. She will shine on “The View.”

Funniest thing: warm up song to get the audience in the mood was a disco number called “I Don’t Care.” Not a good choice. These people care a lot.

Robert Redford, Clint Eastwood Daughters Each Directing New Movies

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Daughters of two veteran Hollywood superstars are directing new films. Both Amy Redford and Alison Eastwood, daughters respectively of Robert Redford and Clint Eastwood, have sent out casting notices for films they’re about to helm.

Redford’s film is called “Phoenix,” and already stars Justin Bartha. Constance Zimmer and Olivia Thirlby were attached to “Phoenix” at one time but they may not be anymore.

“Battlecreek” is Alison Eastwood’s film, and it’s written by Anthea Anka, daughter of famed singer and songwriter Paul Anka. This makes “Battlecreek” a double legacy film. “Battlecreek” takes place in a small economically depressed southern town, where “a gifted young painter with a rare skin disorder must live his life at night. When a tormented young woman being chased by her own demons stumbles into town, their relationship forces both to ultimately reconcile with their pasts, enabling them to finally move forward to start a new life…”

“Phoenix” is described as “a one-night-stand between two love-averse strangers threatens to disrupt their carefully constructed worlds and sends them on a headlong, spontaneous 4,000-mile journey from Brooklyn to the Grand Canyon and back.” It’s also written by playwright Scott Organ, based on his play.

Two smart women with good pedigrees– we can look forward to seeing these films maybe next fall or winter 2016– at Sundance, I hope.

 

Exclusive: Jennifer Aniston, Owen Wilson Star in Peter Bogdanovich’s LOL Comeback Comedy

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UPDATE Clarius Entertainment has bought “She’s Funny That Way for $4 million. They previously released the very bad “And So It Goes.” This one is much better.

EARLIER Film buffs revere Peter Bogdanovich for his dramatic epic classics “The Last Picture Show” and “Mask.” But I have a soft spot for his hilarious farce “What’s Up, Doc?” with Barbra Streisand, Ryan O’Neal and the magnificent Madeline Kahn. It’s a gem of slapstick French farce, with much hotel room door slamming and missed messages.

Now Bogdanovich has a comeback comedy he’s written with ex wife Louise Stratten. It’s called “She’s Funny That Way” but was filmed last year under the title “Squirrels to the Nuts.” Only Peter could have made this movie in which everyone turns out to related to everyone else, and the entire movie is based on each character making the wrong assumptions about each other. It’s hilarious.

The best part of “She’s Funny That Way” is Jennifer Aniston playing a shrink who tells anyone who asks the identity of her patients and what’s wrong with them. She’s sarcastic, snippy, self involved, and unaware of her behavior. This is what Aniston should play all the time, not these namby-pamby heroines in romcoms. She has wonderful comic timing that’s lost in those films. Bogdanovich saw this in her, and it works.

Owen Wilson is a theater director with a new Broadway play starring his wife (a great Kathryn Hahn) and a big British star (Rhys Ifans). The star has inadvertently caught Owen with a hooker in their hotel– this is a sublime Imogen Poots, who carries the film. Wilson builds on his “Midnight in Paris” work– he’s so watchable and pleasant here, so, shall I say, mature. Even though his character is basically bedding call girls, he actually seems sympathetic.

The movie is filled with cameos– Vanity Fair editor Graydon Carter plays a limo driver, there are cameos from Tatum O’Neal, Colleen Camp, Tovah Feldshuh and Lucy Punch. Cybill Shepherd, Richard Lewis, George Morfogen and Austin Pendleton are hilarious, as are Jake Hoffman, Illeana Douglas, Will Forte and Debi Mazar.

I’m told several distributors are vying for “She’s Funny That Way.” Whoever gets it will have a solid spring hit–the perfect movie after a long winter. How nice to see Peter Bogdanovich back in a big way!

Bono: There’s ANOTHER U2 Album Coming from Apple Called Songs of Experience

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Bono posted a letter on the U2 website on September 9th. In it, he announces a second album coming from Apple-iTunes, called Songs of Experience. So for those of you who didn’t like getting a free album, prepare yourselves. Another one is on its way. I’m so enjoying Songs of Innocence, that I think this is great news.

Here’s the letter:
‘Remember Us?’
A letter from Bono, on the arrival ‘of our new baby’ – Songs of Innocence.

‘Hello, bonjour, ciao, hola, hallo, zdravo, dobar dan, Dia duit, hæ, hej,hei, cześć, olá, ćao, namaste, sawatdee, jambo, pozdravi, Γεια σου, привіт, שלום, مرحبا, こんにちは, , سلام, 你好, Привет….

Remember us? Pleased to announce myself, Edge, Adam and Larry have finally given birth to our new baby… Songs of Innocence. It’s been a while. We wanted to get it right for you/us. We just finished it last week and thanks to Apple and iTunes it’s with you today. That’s already amazing to me as it normally takes a few months to turn this stuff around.

Part of the DNA of this band has always been the desire to get our music to as many people as possible. In the next 24 hours, over a half a billion people are going to have Songs of Innocence… should they choose to check it out. That is so exciting. People who haven’t heard our music, or weren’t remotely interested, might play us for the first time because we’re in their library. Country fans, hip hop afficionados from east LA, electro poppers from Seoul, Bhangra fans from New Delhi, Highlifers in Accra… might JUST be tempted to check us out, even for a moment. What a mind blowing, head scratching, 21st century situation. Over 500 million people… that’s a billion ears. And for the people out there who have no interest in checking us out, look at it this way… the blood, sweat and tears of some Irish guys are in your junk mail.

You’ll have noticed the album is free to U2.com’ers from the band. It’s also free to everyone on iTunes thanks to Apple. To celebrate the ten year anniversary of our iPod commercial, they bought it as a gift to give to all their music customers. Free, but paid for. Because if no-one’s paying anything for it, we’re not sure “free” music is really that free. It usually comes at a cost to the art form and the artist… which has big implications, not for us in U2, but for future musicians and their music… all the songs that have yet to be written by the talents of the future… who need to make a living to write them.

We’re collaborating with Apple on some cool stuff over the next couple of years, innovations that will transform the way music is listened to and viewed. We’ll keep you posted. If you like Songs of Innocence, stay with us for Songs of Experience. It should be ready soon enough… although I know I’ve said that before…

I hope after listening to our new long player a few times, you’ll understand why it took so long. We really went there… it’s a very, very personal album. Apologies if that gets excruciating… actually, I take that back. No apologies if it gets excruciating. What’s the point in being in U2 if you can’t go there?
There is no end to LOVE.’
BONO

Nicole Kidman’s Father Dies Unexpectedly in Singapore Hotel: Heart Attack

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Nicole Kidman and her family are mourning the loss of her father. Dr. Antony Kidman reportedly died of a heart attack after a workout at a Singapore hotel. Dr. Kidman was visiting his other daughter, Antonia, and her children. It’s unclear if Nicole’s mom was with him. Dr. Kidman was in his 70s and fairly well known in Australia. Nicole’s husband, singer Keith Urban, cancelled a gig and flew off to join the family in Australia. Nicole’s publicist issued a statement saying she and the family are in shock and request privacy. I met Dr. Kidman a few times over the years with Nicole. The family is very close, and this has to be devastating. Sending prayers and good wishes to the Kidmans at this terrible time…

Roy Orbison “Pretty Woman” Celebrates 50 Years Since it was Number 1

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We are in the middle of the three week period, 50 years later, of Roy Orbison’s great number 1 run with “Oh, Pretty Woman.” Along the years the “Oh” has dropped off ( I never understood it anyway). The song was written with Orbison’s friend Bill Dees in honor of Roy’s first wife Claudette. (I know this because the indefatigable Bob Merlis sent me a nice press release.)

Dees said once in an NPR interview: “[Claudette] came bopping down the stairs and said, ‘Give me some money’. ‘What do you need money for?’ [Roy] said. She said ‘Well, I’ve got to go to the store’, and as she walked away they were whispering and kissing bye bye, away from me. I stood up at the table, and he came back to the table, and I said ‘Does this sound funny? [singing] Pretty woman, don’t need no money’. He laughed, and he said ‘There’s nothing funny about pretty woman’. He right away started, [singing] ‘Pretty woman, walking down the street’. By the time she got back, we had it written.”

Roy died much too young, at age 52, of a heart attack in 1988. I must admit when I hear his voice I still get goosebumps. He was one of the founding fathers of rock and roll at a very young age. I never knew him, but for many years I was close friends with his smart and beautiful second wife Barbara. She passed away a three years ago after a short bout with cancer. “Pretty Woman” could easily have been about her. She was devoted to Roy, and made sure his legacy lies on.

If you’re not sure who Roy Orbison was, look him up. “Pretty Woman” was just one of many great songs including “Crying,” and “Blue Bayou.” Everyone has a favorite. I love “In Dreams.”

Roy and Barbara, and Claudette, this is for you:

 

Jessica Chastain, James McAvoy Make “Eleanor Rigby” A Must See Right Now

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A year ago I sat through Ned Benson’s three hour two film project, “The Disappearance of Eleanor Rigby” in awe. Benson had made two films about a marriage breaking up, each one told from the wife and husband’s perspectives. It was like something from 1977. You were just grateful that anyone cared enough at this point to try it.

Harvey Weinstein bought the movies and had a great idea– why not make a third movie that combined the two? That’s what’s out this weekend, with Jessica Chastain and James McAvoy leading an exceptional cast that includes Ciaran Hinds, Nina Arianda, and Bill Hader. The single film is adventurous, comedic and very sexy. It also has one of the most romantic endings in movies.

The single “Eleanor Rigby” actually works very well. Benson now combines the best of all his worlds, and comes to his original point. I think real fans will go back and watch the two movies when they’re released next. But to miss this two hour version would be a shame. Also, with nothing but praise for McAvoy, I must say that Chastain is even more luminous than I remembered. She is certainly on the short list for an Oscar nomination.

Benson is to be commended and encouraged. He’s a fine new filmmaker. He has a lot of sophistication and maturity. “Eleanor Rigby” is full of air and space in the right places.  We forget that movies used to have places where we just looked around, or listened, not in a hurry. Don’t bring a smart phone with you to this movie. Just concentrate.

 

Jennifer Hudson May Have Pharrell’s Next Big Hit on Her New Album

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Attention Pharrell fans: you liked “Happy,” “Blurred Lines,” and “Get Lucky.” Now Mr. Williams with the hat– the Cat in the Hat–has written and produced a new hit for Jennifer Hudson. “Just That Type of Girl” is one of 10 tracks on “JHUD,” Hudson’s new, succinct, and excellent R&B offering on RCA.

“JHUD” drops September 23rd. Pharrell worked on three tracks, but “Girl” seems so radio and dance friendly, I wouldn’t be surprised if it takes off on its own. It’s original, too, with a little bass line nod to Stevie Wonder’s “Do I Do” added for good measure.

“JHUD” also contains three contributions from Kourtney J. Pollard including the final track, “Moan,” a six minute gospel tinged ballad that’s a bit of a tour de force.

Ten tracks, forty minutes? Yup. But no filler, so that’s cool. And absent of its dreadful video, “Dangerous” turns out to be a pretty great song.

Hudson is young, and wants to record young music. But she’s also an Oscar winner. And she may just be the great voice of her generation. Next time, it would be great to hear some covers of amazing classics, some off beat choices. When she’s done Neil Diamond’s “Holly Holy” and Michael Jackson’s “Will You Be There,” live, roofs have exploded. Next time perhaps.

Theatre: “American Psycho” Musical Pulled from Scheduled Off Broadway Run

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I was really looking forward to Patrick Bateman tap dancing while he chopped up various sex partners on stage this year. But Carole Rothman’s Second Stage Theater has announced that “American Psycho” is a no-go.

“We are disappointed that we will not be producing American Psycho this season, but the rights holders, Act 4 Entertainment, have decided to not move forward with the production at Second Stage,” said Artistic Director Carole Rothman in a statment.   “We will be announcing a new production in its place in the coming weeks.”

Duncan Sheik wrote the music– “I Am Barely Breathing” would have been a perfect funny nod in the show.  The book was by Roberto Aguirre-Sacasa, the guy the “Spider Man: Turn off the Dark” producers tried to replace Julie Taymor with.

This was a much anticipated show. The Max Factor red blood alone would have been spurting everywhere and worth the price of admission. So funny, but if you look back, “American Psycho” — the novel by Brett Easton Ellis– was prescient. I hope the producers can figure this out.