Monday, May 25, 2026

“Annie” Remake is Going to Bomb, But Not Because of Sony Hack or Racist Emails

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Just a little FYI: “Annie” is going to bomb, and it won’ t be because of the Sony hacking or racist emails. I just saw an item somewhere that said Sony’s Amy Pascal is going to meet with Al Sharpton so that blacks won’t boycott “Annie.” Huh? Listen, “Annie” has a 13% on Rotten Tomatoes. The reviews are scorching. It’s supposed to be god-awful. If people stay away, it’s because they don’t want to sit through it.

Why is it so bad? They gave a musical to a writer-director who’s never made a musical and has no background in it. Will Gluck directed “Easy A,” a very good movie. Aline Brosh McKenna wrote “The Devil Wears Prada.” Neither of these people is Rob Marshall or Bill Condon. Hello?

Want to see a great movie version of “Annie”? Rob Marshall directed one for TV in 1999, written by Irene Mecchi (“The Lion King”). Kathy Bates, Victor Garber, Audra McDonald and Alan Cumming starred in it. That version was totally smart and enjoyable, and won a boatload of awards. It was far better than the original movie directed by John Huston. Check it out. Here.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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