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Barry Manilow Halloween Surprise: “I Sing with Dead People” Duets with the Deceased

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Oh my god. Hilarious. Barry Manilow has recorded an album of duets with dead people. They are all dead. Dead, dead, dead. And he’s releasing it a few days before Halloween on October 27th.

After all, Barbra Streisand and Tony Bennett have duets albums. Why not Barry? Of course, Barbra did resurrect Elvis for her album. Now it’s Barry’s turn to be the crypt keeper.

And what a group! Judy Garland, Marilyn Monroe and Jimmy Durante he got from one of those Hollywood Boulevard souvenir shops. Whitney Houston? Why not Michael Jackson? (Probably couldn’t get permission.) Barry’s also got Andy Williams, Louis Armstrong, “Mama” Cass Elliot, Sammy Davis Jr., Dusty Springfield, John Denver, and Frankie Lymon.

also check out http://www.showbiz411.com/2014/09/23/radio-serious-court-ruling-against-sirius-xm-over-playing-but-not-paying-for-pre-1972-music

“My Dream Duet” is the name of the album. Barry didn’t dream of singing with people who were alive– and breathing. No, it was a visit to the cemetery that turned him on.

One thing you can say about this– Barry won’t have to fight with the duet singers over interpretation.

Here’s the track list. Disappointed– no “Monster Mash.”

The Song’s Gotta Come from the Heart,” with Jimmy Durante
“Goody Goody,” with Frankie Lymon
“Dream a Little Dream of Me,” with Mama Cass
“I Believe In You and Me,” with Whitney Houston
“Sunshine on My Shoulders,” with John Denver
“Zing! Went the Strings of My Heart,” with Judy Garland
“Moon River,” with Andy Williams
“The Look of Love,” with Dusty Springfield
“The Candyman,” with Sammy Davis, Jr.
“I Wanna Be Loved by You,” with Marilyn Monroe
“What a Wonderful World”/”What a Wonderful Life,” with Louis Armstrong

Tony Bennett-Lady Gaga Album Will Give “Born this Way” Singer Tony’s Career Longevity

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Cheek to Cheek is here! Already getting great notices in the UK, where it came out yesterday, the Tony Bennett- Lady Gaga project is a winner for both singers and for us. More importantly, as I told you when the pair taped their PBS special (airing next month), Gaga turns out to a fabulous jazz singer with a rich, textured voice.

Indeed, even though Gaga sings perfectly well on her own rock songs, this form seems like it’s her metier. Jazz standards give her a chance for more emotional readings, whether comic or dramatic. There’s so much personality in her voice that suddenly she feels like the natural progression from Bette Midler than begins with Barbra Streisand. She’s their heir. Who’da thunk it?

Tony, of course, just keeps going. At 88, I guess he’s a tribute to bad living followed by a clean life. When you think that Tony Bennett sort of wandered around for about 20 years and then was rediscovered– well, thank goodness. His phrasing, reading, and intelligence are impeccable. You can tell that he’s mentored Gaga, too. She is damn lucky.

There are 11 duets on the album, and a pair of solos for each singer. Gaga excels on “Lush Life” by herself. Bennett takes a new crack at “Sophisticated Lady,” and “Don’t Wait Too Long,” both of which he’s done before. Let’s face it, he’s sung every standard over the last 60 plus years. But Tony never fails to bring new colors to songs each time he tries them.

You know, Tony labored under the shadow of Frank Sinatra for years. But since Sinatra’s death, we’ve had this extraordinary Bennett Renaissance that no one could have expected. Compare “Cheek to Cheek” to Sinatra’s late – career duets albums. Ol’ Blue Eyes couldn’t have pulled this off at 68, let alone 88. (He died at age 82.)

As for Gaga, this turn of events guarantees that she will be with us forever. Unlike Madonna, Gaga has about ten career possibilities. She’ll be able to do anything she wants, especially Broadway, when her fan base ages out. Movie musicals? Why not? We are stuck with her, but in a good way. If she takes care of that voice, Lady Gaga will be getting a Kennedy Center honor and lots of other things 30 and 40 years from now.

Congrats to Tony’s sons, Danny– his manager, and Dae–his producer on “Cheek to Cheek.” They nailed this thing.

Cinema 101: “Raiders of the Lost Ark” in Black & White, Taught by Steven Soderbergh

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Steven Soderbergh is so enamored of Steven Spielberg that he’s teaching it now on his blog. The Oscar winning director of “Traffic” has put “Raiders of the Lost Ark” into black and white, and added a new soundtrack. This is all so he can show how well the movie is composed in the first place.

“I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot—whether short or long—held for that exact length of time and placed in that order?”
See more at: http://extension765.com/sdr/18-raiders#sthash.FrERvfo1.dpuf

Denzel Washington Skips Movie Premiere Party, Misses Pals Like Ethan Hawke, Spike Lee

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Denzel Washington is over it. He skipped the premiere after party for his own movie, “The Equalizer,” last night at the Stone Rose Lounge. It was like deja vu all over again: he did the exact same thing for “Flight,” same venue, a couple of years ago. Oh well. He had a better invitation, I guess.

So Denzel missed pals like Ethan Hawke, Spike Lee, “Sopranos” star Aida Turturro, Benjamin Walker, “Equalizer” director Antoine Fuqua, the director’s wife Lela Rochon, “Les Miz” star and Tony winner Nikki James, “Equalizer” producer Steve Tisch, members of the Tisch family, and cast members from the movie like Haley Bennett.

Denzel, everyone praised your performance at the party. Ethan Hawke compared you to John Wayne. Just like at the “Flight” party, everyone wanted to say something nice to you. But you weren’t there. Where were you?

“The Equalizer” has little to do with the old TV series. It was shot in Boston, although I don’t know why since you see nothing of the city. Also, the Boston accents are either nil or kinda bad. David Harbour, an excellent actor, tries it and gets it, almost.

The movie’s main villain, played by Martin Csokas, looks oddly like Kevin Spacey, and even sounds like him sometimes. The rest of the cast is hard to follow, but Melissa Leo and Bill Pullman show up in the middle and kind of help explain what’s going on. They could be spun off into their own film.

Denzel does share the name Robert McCall from the TV show. He’s been working at a Home Depot type place, placidly selling sheet rock, until one day a girl he knows slightly from a diner is beaten up her pimp. That’s when Robert decides to kill a lot of people, violently, leaving a trail of bodies and gore. This is because he’s really a good guy who’s righting wrongs against the weak.

The movie is moody and dark, shot like it’s “The Dark Knight.” Some of it is ridiculous, and obvious. It is also humorless to the point of exasperation. But this is a pop corn pleaser, and I suspect “The Equalizer” will be a big hit. Also the use of a Home Depot-style set gives Denzel a chance to avenge himself using nail guns and other interesting hardware store weapons.

There are some Sony product plugs: Denzel has a Vaio computer, which is plausible only because I still have one. But everyone has a Sony cellphone, and that’s a little absurd. Kudos to Fuqua for use of Gladys Knight and the Pips’ “Midnight Train to Georgia” and for reference to the Pips with a video clip.

Theme from the old show by Stewart Copeland, of the Police:

Radio Rocked: Serious Court Ruling Against Sirius XM Over Playing But Not Paying for Pre-1972 Music

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EXCLUSIVE This may be a lightning strike for all time: the Central District Court of California has ruled against Sirius XM and for Flo & Eddie, aka The Turtles, over not paying for playing pre-1972 music on the satellite radio station.

Sirius up til now has not paid royalties for any music prior to 1972, claiming that it was exempt by law. This means for the Turtles, for example, that every time “Happy Together” or “Elenore” were heard on a Sirius channel, it was free.

And this pertains just about to every track heard on Sirius that was a hit before February 1972, from Elvis to the Beatles to most of Motown, etc. Everything.

Judge Philip Guitierrez has done something that was unthinkable, and is certain to cause tidal waves through the radio and music industries today.

This may be the line from the judge’s decree that echoes all over the place: “On undisputed facts, Sirius XM publicly performs Flo & Eddie’s sound recordings without authorization to do so…At minimum, Flo & Eddie was injured by Sirius XM’s conduct in the form of foregone licensing or royalty payments that Sirius XM should have paid
before publicly performing Flo & Eddie’s recordings.”

When lawyers get hold of this, the consequences could be enormous. This ruling could apply to all of the pre-1972 recordings for which Sirius has no authorization. Like, all of them. If you’re a fan of the 50s, 60s, or 70s stations, or Soul Town, there may be a problem soon enough. “The Court found that such public performance constitutes a violation of Cal. Civ. Code § 980(a)(2).”

The kicker: “There was wrongful disposition of that property right every time Sirius XM publicly performed the recordings without Flo & Eddie’s permission, in violation of California copyright law.”

“Sirius XM’s unauthorized performances alone establish conversion damages in the form of license fees that Sirius XM should have paid Flo & Eddie in order to publicly perform its recordings.”

What will happen, and how will this affect Sirius–as well as other digital broadcasters not paying pre-1972 royalties? Plenty. It will depend on who owns the master recordings–and this is something that has been a point of contention for artists like Prince (who is not pre-1972). Record labels that own the masters to hit recordings may be lobbied by artists who are not paid by Sirius, et al to take a stand.

So hold on, Sirius, because they’re coming.

Broadway: Nathan Lane-Matthew Broderick Play Beats “Aladdin,” “Motown,” Sells Like a Hit Musical

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I wonder if the people who are buying tickets to “It’s Only a Play” realize that it’s only a play. It is not a musical and is not the sequel to “The Producers.” But the combination of Nathan Lane and Matthew Broderick has sent sales for Terrence McNally’s revival of his comedy into the stratosphere. Last week, according to numbers just released, “It’s Only a Play” nosed ahead of the hit musical “Aladdin with $1.27 million. Amazing. Remember, the “Play” hasn’t even opened yet!

The Lane-Broderick combo finished in fifth place overall, behind The Lion King, Book of Mormon, Wicked, and Kinky Boots. It was ahead of not only “Aladdin” but also “Motown: the Musical.” Let’s not forget the other cast members, all stars: Oscar winner F. Murray Abraham, Tony and Emmy winner (and Oscar nominee) Stockard Channing, Emmy winner Megan Mullally, and Harry Potter’s Rupert Grint in his first Broadway show.

Quite feat for a new show, especially in this difficult year. Finding it harder to get an audience is “This Is Our Youth,” with Michael Cera and Kieran Culkin. They managed to get the gross up this week to $418K over $372K the prior week. But that was because the ticket price went up. The actual audience decreased by a whopping 18%. I haven’t seen this play, so have no idea if it’s good or bad or whatever. Reviews were pretty good, though. Something must be missing in the marketing.

I am looking forward to Sunday’s opening of “You Can’t Take it With You.” The Kaufman-Hart comedy is a classic. James Earl Jones leads a terrific cast. Somehow their attendance went down this week from the prior week also, by 7%. Maybe a big opening and good notices will reverse the trend.

Beatles: Paul Asks for Meat-Free Monday, Plus It’s George Harrison Week

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I dutifully report all Beatle news: Paul McCartney beseeches us to honor Meat Free Monday. Paul is a vegetarian (as was his devoted wife Linda). You don’t have to be a vegetarian to do Meat Free Monday. Actually, we’d all be better off with Meat Free Monday, Wednesday, and Friday.
Here’s his video explaining the urgency:

Also, it’s George Harrison week. Apple/Capitol has boxed up George’s Apple albums including “All Things Must Pass” and “Living in the Material World.” They’re all remastered with lots of cool art. This week on Conan O’Brien, Paul Simon, Dhani Harrison and others sing George’s best songs as a tribute to him. “All Things Must Pass” is one of the great classic albums of all time, so it’s worth it. A nice holiday or birthday gift for any Beatle fan!

Pop Music: No Surprise Album Coming from Adele This Week

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Between now and next Tuesday, September 30th, around 30 albums are going to be released in time for the Grammy deadline. One of them, from Aretha Franklin, is a surprise that I announced last week. The Queen of Soul is releasing a transcendent version of Adele’s “Rolling in the Deep,” in keeping with her history of extraordinary covers (think Aretha on “Bridge Over Troubled Water,” “Let it Be,” or “I Say a Little Prayer”).

But one surprise that won’t be happening from Adele herself. Even though internet is buzzing with rumors of a “25” album from Adele on September 25th, it’s not in the works. I am assured by those who know that Adele has no “Beyonce” strategy up her sleeve.

There still could be a “25” album before the end of the year. But my guess is that if she has the tracks together, Sony would launch Adele in mid January. That’s the time when “21” took off, and it didn’t do so badly (10 million copies or more). That will also be exactly four years since “21” was released.

Adele may have stoked the rumors in May when she posted this Tweet. But as she says, “later in the year.” Not this week.

Oscars Status Report: Best Picture Possibles Starting to Generate Buzz, Take Slots

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So much Oscar talk! It’s only September 22nd, but the 9 slots for the 10 Best picture nominees (don’t ask) are starting to take slots and take shape. In no order of any kind, here are more than 10 films that could find themselves in the Oscar mix. These are films with release dates and/or definite intentions of opening (or have already opened) in 2014:

1. The Grand Budapest Hotel – directed by Wes Anderson

2. Boyhood — directed by Richard Linklaker

3. The Theory of Everything — directed by James Marsh

4. The Imitation Game – directed by Morten Tyldum

5. St. Vincent — directed by Theodore Melfi

6. Wild — Jean Marc Vallee

7. Birdman — directed by Alejandro González Iñárritu

8. Foxcatcher — directed by Bennett Miller

9. Whiplash– directed by Damien Chazelle

10. Belle — directed by Amma Asante

11. Men, Women, and Children — directed by Jason Reitman

12. Mr. Turner — directed by Mike Leigh

There are  a few additional films no one’s seen yet. They are are all major players: Inherent Vice, Gone Girl, Unbroken, Into the Woods, American Sniper, Big Eyes, Interstellar. We’ll see three of them at the New York Film Festival– Gone Girl, Inherent Vice, and Birdman. (Technically, Birdman has been played at Telluride and Venice, so that’s why I’m including it above.) The others will come later. But already there are polarizing opinions about which film deserves what prize, and which actor is yada, yada, yada. Everyone involved would like to see a surprise entry, a dark horse, something to stir the pot. But these will be the group of films we’re working with now, give or take one or two.

The Rolling Stones Don’t Want to Be Honored by MusiCares for their Humanitarian Work

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Scratch the Rolling Stones as MusiCares’ Person of the Year. Mick, Keith, Ronnie, and Charlie et al have declined the chance to be honored for their humanitarian or charitable work. Sources tell me that as the Stones have scooped up hundreds of millions for their 50th anniversary tour, they’re not interested in seeing fellow stars sing their songs next February in tribute to them at the record industry’s most prestigious event.

Well, humbug to them. There are plenty of stars who’d be honored to be honored by MusiCares, my favorite annual charity. So far Persons of the Year have included Sting, Bono, Carole King, Paul McCartney, Brian Wilson, Neil Young, Neil Diamond, Aretha Franklin, Don Henley, Stevie Wonder, Billy Joel, Paul Simon, Bruce Springsteen, Bonnie Raitt, and David Crosby.

The names I hear bandied about include, of course, Bob Dylan, plus Ringo Starr, Rod Stewart, Garth Brooks, Roger Daltrey and Pete Townsend of The Who, Led Zeppelin, Smokey Robinson, and so on. Madonna could be honored for her work with Kabbalah (that would be a weird night). Seriously: why not a Berry Gordy tribute to Motown? Or a memorial celebration of Michael Jackson with Diana Ross? Or what about Diana Ross herself? Or Lionel Richie?

I’m told the Stones turn down didn’t leave MusiCares “shattered.” They’ll get “satisfaction” elsewhere, believe me. MusiCares is bigger than the Rolling Stones. It helps hundreds of musicians with financial and life problems, many of whom have no health insurance or are in trouble after years of entertaining us.