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Aretha Franklin Scores 2.2 Mil YouTube Views of Her Adele Cover “Rolling in the Deep”

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Aretha Franklin is not much for social networking. YouTube is foreign to her. But as of late last night, the Queen of Soul has scored more than 2.2 million views of her cover of Adele’s “Rolling in the Deep.” This includes 1.5 mil of the lyric video and another 750,000 or more of her Letterman appearance from Monday night. Amazon.com has the paid digital download at number 58 and rising fast. And this is all in less than 48 hours.

To commemorate the surprise launch of the single and her new album, Aretha took the stage last night at the 92nd St. Y with record impresario Clive Davis. They were interviewed by the excellent moderator Anthony DeCurtis. In the audience: Valerie Simpson, who co-wrote with her late husband Nick Ashford “Ain’t No Mountain High Enough” and “I’m Every Woman”– both of which are on Aretha “Sings the Classic Diva Songs”– and R&B star Nona Hendryx of Labelle fame.

In front of a packed audience, Davis played cuts from the new album while DeCurtis questioned both of them about their long friendship and collaborations since 1979. Davis, the master showman, walked the audience through the album, explained its provenance, how the songs were chosen, etc. The cheering crowd, which applauded everything, was rapturous about the new songs. We got to hear “Rolling in the Deep,” “I’m Every Woman,” “I Will Survive,” “Midnight Train to Georgia,” and a totally reworked jazz version of Prince (and Sinead O’Connor’s) “Nothing Compares 2 U.”

The best quote of the night: Aretha said, “The music keeps you young.” She cited Adele, Beyonce and Destiny’s Child among her favorites. What makes a singer great? “A passion for the music.”

Adam Sandler: With Box Office Declining, He Moves from the Big Screen to Netflix

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Say goodbye to more moronic Adam Sandler movies in the cinemas. Sandler has wisely made a choice about his immediate future. He’s accepted a four picture deal with Netflix. This will take him out of movie theaters and into home theaters via TV and the internet.

Netflix, booming with “House of Cards” and “Orange is the New Black,” is smart. They probably see Sandler as a huge TV star who’s had steadily declining numbers at the movie box office. His last effort with Drew Barrymore, “Blended,” grossed $46 million with a $14 million opening. Not good. Two years ago, Sandler’s “That’s My Boy” did $37 million. In 2011, his just as awful “Jack and Jill” did a little better with $74 million.

Sandler offers a strange dichotomy to movie audiences. He occasionally tries to be in serious movies, like the upcoming “Men, Women and Children,” or James L. Brooks’s  “Spanglish.” But his meat and potatoes is a kind of junk in which he plays a man child who has long outgrown his cuteness. Some things still work– like “Grown Ups”– at the box office if not with critics.  None of his movies are in any danger of being in Oscar campaigns. They are solely about making money at the low end of filmmaking.

With Netflix, he’ll make that money and not have to deal with critics or filling seats in theaters. If Netflix moves beyond its model and takes up a position on cable boxes, so much better for Sandler. His core fans will probably be just as happy not to have to spend money on gas, tickets, and candy and popcorn.

Netflix only earlier this week took the sequel to “Crouching Tiger, Hidden Dragon” a premiere event. The movie will bypass theaters. For certain kinds of films– genre films, indies, movie stars who’ve lost some luster–Netflix is going to be a big deal. HBO and Showtime, among others, are on notice.

Rocker Dave Matthews to Star in Meg Tilly-Directed “Angels” (Exclusive)

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EXCLUSIVE: It does look like rocker Dave Matthews is getting more into his acting side of things. Matthews is set to star in a feature film called “Angels” directed by actress and children’s book author Meg Tilly. Meg, of course, made her indelible debut in 1982 in “The Big Chill” and is the sister of zany actress Jennifer Tilly. For several years Meg was also married to much older beloved Hollywood exec John Calley.

In “Angels,” Matthews would play a man with medical and financial problems struggling to get a liver transplant for his two year old daughter. It sounds like a Christmas miracle kind of movie, maybe perfect for the Hallmark Channel. Matthews’ business partner and manager Johnathan Dorfman is listed as executive producer. Filming would begin next March in either upstate New York or in Kentucky. Tilly wrote the script.

Tilly is currently starring in a Canadian TV series called “Bomb Girls” about women who worked in munitions factories in World War II. “Angels” would be her directing debut. Dave Matthews– who’s South African, by the way–has acted a lot, even in two Adam Sandler movies. But we won’t hold that against him.

PS I found the photo of Dave and Meg on line, I think taken by intrepid PR guy Henry Eshelman. Now I owe him lunch or an item about one of his clients.

Quantum of Nudity: French Actor-Director Mathieu Amalric Paints the Town “Blue”

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Former Bond villain Mathieu Amalric, who is one of France’s most famous and busiest actors, is best known to Americans from Julian Schnabel’s “The Diving Bell and the Butterfly.” He is also a New York Film Festival favorite. Amalric is back this year with “The Blue Room,” an erotic noir thriller based on the George Simenon mystery novella. He directed the film and co-stars with his real-life girlfriend, Stephanie Cleau, who plays his mistress. They also co-wrote the script.

The movie begins with the couple having noisy and violent sex in a hotel room painted blue. There’s plenty of equal opportunity frontal nudity.

At the press screening Monday morning, an appreciative male reporter commented, “There’s a lot of nudity. Thank you very much for that.”

Then he asked Amalric if it was easier for him to direct himself clothed or naked?

“What is important to me is to work with the same bunch of friends so they can make jokes, especially when I’m nude,” he explained. “To do those scenes you have to laugh a lot, especially also because Stephanie is not at all an actress. She’s a very shy woman. She never thought she could do that nudity and we live together.”

As for directing himself, “I don’t direct myself,” he said. “Sometimes it happened that I forgot to go in front of the camera. His crew, he said, would have to push him into the frame.

As for casting his partner – sometimes he called her his wife, although they are not married – she is not an actress. He wanted to cast an unknown, especially since the actress who plays his wife (Lea Drucker) is famous in France.

“We wanted people to ask themselves questions after in the street or at the café if she’s bad, if she’s dangerous. Of course she did it. Look at the face she has! That’s why it’s interesting not to have an actress, not to have a young face,” Amalric explained. “No one knows her you can really project off her.”

Later in the evening I caught up with Amalric on the red carpet before the public screening.

What motivated him about the book to make it into a film?

“It was I think a sort of love for a genre and to do a small budget film quickly, a police film, with love as a theme. It is about this sexual attraction that we are all capable of falling into and the fact that those moments you are someone else but maybe you are in fact yourself in those moments and you’re not allowed to live that.”

Added the charming actor who looks a bit like an elf, “You have to restrain that inside you in every day life, the fact that the body just talks at your place and you have to listen to it and that’s, I don’t know…Oh God!” Amalric called out. He just spied famed director Brian De Palma on the other side of the barricades where no one else noticed him.

De Palma came racing over to the red carpet and hugged Amalric, who thanked him for coming.

mathieu.amalric.jpg“The film is not long,” Amalric told the “Dressed to Kill” director. They made plans to meet afterwards at a restaurant around the corner.

After De Palma went inside the theater, Amalric– who played the villain in “The Quantum of Solace” — pretended to bite his fingernails in nervousness.

What was it like to work with his wife?

“Well it was great because it was not like at home. You see what I mean? What was beautiful is she’s very shy. She’s not at all an actress and she put herself in danger by love and now I am playing in her play on stage. I never did that. I never played on stage and I do that for her, so it’s a sort of exchange trying to surprise each other, still surprise each other after ten years of life together and not to be dead.”

Before he went into the theater I asked him one final question. In the street did Americans recognize him more from the James Bond movie or “The Diving Bell and the Butterfly”?

“More the Julian Schnabel,” he laughed. “The New York public is very sharp. That’s why I’m very afraid now.”

Soap Opera: “Young & Restless” Loses 180,000 Viewers in 1 Week, Gains Unpopular Headwriter

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CBS’s former powerhouse soap opera “The Young and the Restless” is in trouble. For the week of Sept 15-19 the show lost 180,000 viewers from the prior week. That’s a huge drop considering 42,000 of those viewers were ages 18-49. In the same week, the ever-crazy but fun “General Hospital” was up 6,000 in 18-49.  And “GH” lost only 9,000 total viewers. That 180,000 drop is alarming. They were also down 94,000 from the same week in 2013. “GH” was up 219K.

“Y&R” has been destabilized for some time, with a parade of bad executive producers dictating crazy story lines to headwriters. Last year CBS and Sony brought in Jill Farren Phelps, known for taking shows to their deaths. She almost got “General Hospital” cancelled. Now she’s hired a new headwriter named Chuck Pratt, reviled among soap fans for destroying “All My Children.”

Is CBS setting the stage for a “Y&R” finale? They did the same thing to “As the World Turns” and “Guiding Light,” turning viewers off with unpopular stories until the audience was small enough to kill them. I know Les Moonves would have rather have cheap reality programming, talk shows or game shows. If  the combination of Pratt and Phelps  really murders “Y&R” ratings, we may be seeing “The Match Game” again.

Tony Bennett and Lady Gaga Are Number 1, Beating Chesney and Streisand

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Tony Bennett and Lady Gaga are number 1 with their “Cheek to Cheek” album. The pair finished first in a close three way race with Kenny Chesney at number 2 and Barbra Streisand at number 3. Bennett-Gaga sold 131,000 albums. Chesney had 129,000 and Streisand a very solid 128,000. Streisand’s “Partners” album has been a huge hit with legs to carry it on. She dropped only 35% from last week, the smallest drop for a number 1 album in eons. Marty Erlichman must be doing handstands. Jennifer Hudson’s “JHUD” did less well, with 22,000 copies in its first week. “JHUD” needs a break out single. There are few possible ones on the CD, which is excellent. Radio, tune in please.

Exclusive Barbara Walters 85th Birthday: Paul McCartney Sang While Her Guests Did the Twist

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EXCLUSIVE Barbara Walters threw herself quite an 85th birthday party at the newly refurbished Rainbow Room over the weekend fit for a queen. The star of the party, according to sources, was Paul McCartney, who came with wife Nancy, Barbara’s second cousin. The M’s were seated at Walters’ table along with venerated columnists Liz Smith and Cindy Adams, former Mayor Mike Bloomberg and gf Diana Taylor, and Henry and Nancy Kissinger. Yes, Barbara’s friendship with Kissinger from the 1970s persists to this day.

The hostesses for the party were Princess Firya of Jordan, Annette de la Renta (wife of Oscar), Marie Josee Kravis (wife of Henry), and Nicole Seligman (wife of former NY Schools Chancellor Joel Klein).

Guests included not only the Russian ambassador but the Israeli one too, as well as Frank Langella, Charlie Rose, Gayle King, David Geffen, Peggy Siegal, Mort and Linda Janklow, former ABC News chief David Westin and wife Sherry, super lawyer David Boies, Patricia Duff and Richard Cohen, and Allen and Debbie Grubman.

Not spotted: anyone from “The View” or Diane Sawyer or anyone from the current regime at ABC. (Or Richard Nixon, who was out of town.)

The big show stopper: the band– there was a band, ‘natch, it’s the Rainbow Room— played McCartney’s “I Saw Her Standing There.” The ex Beatle scooped Walters up onto the dance floor, took the mic from the bandleader, and sang his famous song to her! “Barbara was shaking she was so excited,” says a source. “One hundred fifty 6o to 80 years old got up and started Twisting and shrieking. Paul woke up his fan base.”

Barbara shares birthday — September 25th– with Michael Douglas and Catherine Zeta Jones, who’ve celebrated with her in the past but couldn’t make it. Their other 9/25 pal was the late Christopher Reeve.

 

Broadway: Helen Mirren vs. Carey Mulligan for Tony Award Best Actress, Different Plays, Same Director

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I don’t know how this is going to work, exactly. Much awarded and beloved director Stephen Daldry (The Reader, Billy Elliott, etc) is bringing two British productions to Broadway next spring. One is an original play by Peter Morgan– The Audience. The other is a revival– Skylight by David Hare. He directed both of them in the West End, at different times, and now he’s got them opening here at the same time.

Here’s the sticky wicket: each play has a lead actress who will compete against the other for the Tony Award for Best Actress. Helen Mirren plays Queen Elizabeth II in “The Audience.” Carey Mulligan plays an ex lover trying to get on with her life in “Skylight.” Each is a sensational performance. How awkward. What will Daldry do? What will Tony voters do?

“The Audience” also features Geoffrey Beevers, Michael Elwyn, Richard McCabe, and Rufus Wright as four of the 9 prime ministers who get audiences with the Queen. Five American actors will be hired for the other roles including a woman to play Margaret Thatcher. I wonder where Kate Nelligan is. She’d be perfect. John McMartin is likely practicing a British accent as we speak.

This Broadway season is turning into quite a drama. Jeremy Gerard says today that he thinks Jeremy Jordan won’t be playing the lead when “Finding Neverland” comes to the Lunt Fontanne next winter. I think he’s right– it will be a star. Neil Patrick Harris is probably over at Harvey Weinstein’s house right now, doing magic tricks for his kids.

Paul McCartney Tribute Album Features Eclectic Cast Including Bob Dylan, KISS, Def Leppard, Cat Stevens

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One day there had to be a Paul McCartney tribute album.  “The Art of McCartney” is here, with a very eclectic roster of artists contributing takes on McCartney or Lennon & McCartney songs. Alice Cooper sings “Eleanor Rigby.” Why? Why not? Some sound promising– Chrissie Hynde on “Let it Be” should be grand. But Bee Gee Barry Gibb is allowed to revisit “Sgt. Pepper” with “When I’m 64.” The Bee Gees mangled these songs once before in a terrible, forgotten movie.

Someone named Ralph Sall got the idea to find all kinds of people, many of whom have nothing to do with McCartney or the Beatles, in a kind of everything but the kitchen sink approach. He convinced McCartney to do this, and used his band to record the vocalists. Some we’ve never heard of. But Alice Cooper of all people has two tracks. Owl City? Yikes. Jamie Cullum?  But this is why cherry picking on digital services can be useful.

This is the best part: there are at least five different versions of this thing including a box setwith vinyl and CDs that seems like it retails for around $300. There are gatefolds, illustrated books, and all kinds of extras including a USB in the shape of a Hofner guitar. No one said “no” once during this project.

Meantime, there is no properly curated McCartney box set of his own material, or hit covers of Beatle songs, or a good re-release of “Red Rose Speedway.” But for some reason “Venus and Mars” and “Wings at the Speed of Sound” are coming out, separately, as remastered gift sets. The former I’ll gladly pick up for fun. The latter features “Silly Love Songs,” which I am surprised Ralph Sall restrained himself from including on “The Art of McCartney.”

1. Maybe I’m Amazed – Billy Joel

2. Things We Said Today – Bob Dylan

3. Band On The Run – Heart

4. Junior’s Farm – Steve Miller

5. The Long and Winding Road – Yusuf / Cat Stevens

6. My Love – Harry Connick, Jr.

7. Wanderlust – Brian Wilson

8. Bluebird – Corinne Bailey Rae

9. Yesterday – Willie Nelson

10. Junk – Jeff Lynne

11. When I’m 64 – Barry Gibb

12. Every Night – Jamie Cullum

13. Venus and Mars/ Rock Show – KISS

14. Let Me Roll It – Paul Rodgers

15. Helter Skelter – Roger Daltrey

16. Helen Wheels – Def Leppard

17. Hello Goodbye – The Cure ft James McCartney

18. Live And Let Die – Billy Joel

19. Let It Be – Chrissie Hynde

20. Jet – Robin Zander & Rick Nielsen of Cheap Trick

21. Hi Hi Hi – Joe Elliott

22. Letting Go – Heart

23. Hey Jude – Steve Miller

24. Listen To What The Man Said – Owl City

25. Got To Get You Into My Life – Perry Farrell

26. Drive My Car – Dion

27. Lady Madonna – Allen Toussaint

28. Let ‘Em In – Dr. John

29. So Bad – Smokey Robinson

30. No More Lonely Nights – The Airborne Toxic Event

31. Eleanor Rigby – Alice Cooper

32. Come And Get It – Toots Hibbert with Sly & Robbie

33. On The Way – B. B. King

34. Birthday – Sammy Hagar 

The limited edition vinyl boxset and deluxe boxset features the following eight extra tracks; 

1. C Moon – Robert Smith

2. Can’t Buy Me Love – Booker T. Jones

3. P.S. I Love You – Ronnie Spector

4. All My Loving – Darlene Love

5. For No One – Ian McCulloch

6. Put It There – Peter, Bjorn & John

7. Run Devil Run – Wanda Jackson

8. Smile Away – Alice Cooper

 

Watch: Aretha Franklin Gets Standing Ovation from Letterman Audience With Knockout Performance

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Aretha Franklin, Queen of Soul to all of us, knocked out David Letterman and his audience tonight. She got a standing ovation after the audience literally clapped in time through her soaring rendition of “Rolling in the Deep.” I was lucky to be invited there, all afternoon, from soundcheck til the taping. It was quite the experience hearing Aretha Franklin sing live twice in the Ed Sullivan Theater. And contrary to some nutjob blogger looking for clickbait at the Washington Post, Ms. Franklin does not use Auto Tune. (She is not Britney Spears or JLO, you twit.) I wish the Letterman people would let me post the soundcheck, which was as good if not better than the air performance.

Franklin’s back up singers were historic too. She had Cissy Houston with her, 81 years old, the original Sweet Inspiration. Cissy sang back up on all of Aretha’s hits in the 1966-69 Jerry Wexler era, especially on “Ain’t No Way.” Then there was Vaneese Thomas, daughter of Rufus, sister of Carla, a recording artist in her own right. Rev. C. L. Franklin married Vaneese’s parents to each other. Let’s not leave out Fonzie Thornton, premiere singer, originally with Chic and Luther Vandross, of the great “unsung” singers in the world.

It’s so cold in Letterman’s studio that Aretha wore a hooded sweatshirt to rehearsal. She went through “Rolling in the Deep” twice, astonishing everyone in the room. The single is available today on amazon, and iTunes. She swoops and dives and climbs through her still amazing range wringing sounds out of that song no one has heard before. Auto Tune, my ass. To have watched Aretha Franklin sing live all these years is to know she does nothing the same way twice, she is totally spontaneous. and sort of magical.

For Letterman, by the way, Aretha called in her famous conductor H. B. Barnum, as well as many famed musicians including bass player extraordinaire Jerry Jermott aka The Groovemaster. After the show, Letterman guitarist Felicia Collins had a moment of nirvana with Aretha and with Jerry. Everything was live, it was just brilliant.

Aretha’s new album, “Classic Diva Songs,” is available today on vinyl, and will drop as a CD on October 21st. Start the soul clapping now!