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Here’s Mariah Carey Hitting All the Right Notes on “Vision of Love” and “Infinity” Last Night

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Mariah Carey pulled off a home run version of “Vision of Love” and “Infinity” last night on Jimmy Kimmel. I read a quote from L.A. Reid, the head of her record label, that no legacy artist will get a number 1 single again because of their age and radio’s insistence on only playing “young” people. But Clear Channel-I Heart Radio should rethink that policy. “Infinity” is so catchy, and it would be fun to hear it on places like Z100 among the shrieking and babbling that accounts for 90% of today’s chart hits. I heard one guy on top 40 radio the other day who sounded like a goose honking before the foie gras man came.

Hollywood Journalist Nikki Finke Offers Photo, Starting Website for Tinseltown Fiction– Yes, Fiction

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Nikki Finke is starting a website called HollywoodDementia.com. It’s going to feature fiction. Yes, Fiction. Short stories, movie scripts, I don’t know. Isn’t everything in Hollywood fiction?

from the site

“Hollywood Dementia: noun. Deterioration of intellectual faculties, such as memory, concentration, and judgment, sometimes accompanied by emotional disturbance and personality changes, resulting from an organic disease or a disorder of the brain acquired while working in the entertainment industry that causes someone to be unable to think clearly or to understand what is real and what is not real.”

I’m told Nikki is prevented from writing journalism about Hollywood forever after her deal with Penske Media. We’ll see how this develops. She should have called the site Roman a Clef.
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Nikki Finke photo by Jen Rosenstein copyrighted 2015

Exclusive: Janet Jackson Has Had Talks with LiveNation for U2-Like Deal, Album Included

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Janet Jackson’s new album. We think it’s called “Conversations in a Cafe.” We know it’s produced by Jimmy Jam Harris and Terry Lewis of FlyteTime, her long time musical collaborators. We also know it’s NOT with L.A. Reid at Epic, or at Atlantic Records. It’s probably not ready for July 10th, I’ve heard. It’s still being worked on.

However: the word is that Janet may be making a 360 deal with LiveNation, a la Madonna or U2 or Nickelback. In that case, LiveNation would handle the tour and license “Conversations.” Janet’s tour is going to be key to the whole thing. I think it could be HUGE. She cooled off a few years ago, got married, took time off. People miss her. With the right music– no sex talk stuff, please, Janet– adult R&B, but the sexiness as part of the vibe– she can make a big comeback now.

Why LiveNation? Let’s be reasonable. Janet’s not doing a deal with AEGLive, after Michael’s death etc. Right? And after album crashes from JLO, Mariah, and others, someone has explained to her that albums by artists of a certain age are not going to sell 1 million copies. So a 360 deal is just right.

Harris and Jackson have been dropping clues for weeks, on Twitter.

And which label? I could see Warner Bros., which also brought back Prince this year. And you could see Janet’s catalogue going there since it’s spread out everywhere. But remember– Virgin EMI was where Janet made her biggest deal in 1996. Virgin is now part of Capitol Records, which is Universal Music. That would be a natural fit for the LiveNation deal. We’ll see.

“Mad Men” Finale: “People just come and go and no one says goodbye”

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My vote for best line from the “Mad Men” finale: “People just come and go and no one says goodbye.” Don says it to the girl at the desk at Esalen right before his breakdown outside by the phone booth. In an episode of many classic lines (the rich little bastard line, Joan’s boyfriend comparing her life to real estate, etc) this wasn’t just clever, it summed up the whole show.

It certainly embraced everything that had happened to Dick Whitman from childhood through Korea to the rat race of advertising and Don Draper’s parade of women. And the parade ends with Betty’s warning to him not to come back home.

At first I thought the end of the show– let’s cut to the chase– was a little cheesy. But it turns out it was Matt Weiner playing with us right through the episode. References to Don possibly being dead, in “a better place,” the Charlie Manson line, and then finally Don’s suicidal sounding call to Peggy, followed by him standing on the cliff at sunset– all of it little zetzes, little “pokes” at the fans who’d written reams about their theories concerning Don Draper’s fate. Stan said it: “He’s a survivor.”

Any man who can actually ignore his children even when their mother is dying is too egotistical to commit suicide, folks.

Just about everyone got a happy ending in “Mad Men” except Betty Draper Francis, who continued to smoke like a chimney even as she was dying of lung cancer. Inexplicably cold, Betty remains the enigma of all the characters. She thinks she learned something about life, but she learned nothing. Cancer made her no better a mother, no warmer a human being.

Weiner did the audience a favor by wrapping up most everything else. Yes, we wanted Roger and Joan to get together and raise the kid. At least he might have given Joan the rich husband. But Weiner did something so much better– he gave us Joan uniquely happy as a successful career woman. With those looks, Joan could have been married three times already to guys like Richard. But the fact was, she wanted something else. Richard was right when he said to her, “You act like this is happening to you. But it’s your choice.” So true.

By the way, if Christina Hendricks doesn’t get an Emmy for this episode, forget about it. Twice she burst out in laughter, and each time it was marvelous. First when Ken made a joke about his kid, second when Roger told her he was marrying Megan’s mother. They were the most spontaneous, warm laughs I’ve ever heard on a television set.

What happened to Harry? It was flashed in one scene: did you see the ridiculous coat he was wearing? He turned out to be a pretentious Bozo.

So that’s it. Don goes back to New York with the “I’d Like to Buy the World a Coke.” In real like McCann Erickson was the agency in 1971 that launched that ad via creative director Bill Backer. It was such a huge success it spawned a hit single on the radio– “I’d Like to Teach the World to Sing.” The singers on the hillside became iconic. It’s Coke’s biggest hit. In the penultimate episode, Don is asked to fix a Coke machine. Peggy asks him in the finale, “Don’t you want to work on Coke?” (Reference back several scenes to Joan and Richard doing coke.) It was the perfect end for a show about advertising– which, if you recall, was the point of this show.

My guess: a sweep at the Emmys this year, finally. If not, the Emmys are completely and irrevocably pointless.

MeetJohnDoeGaryCooperPS Jon Hamm, though much of the episode, looked so much like Gary Cooper in “Meet John Doe,” it was uncanny. And not a coincidence. Brav-oh.

Mariah Carey Knocks ‘Em Out at the Billboard Awards (Watch Video)

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I did tell you that Mariah would perform on the Billboard Music Awards, and that she’d sing a medley of “Vision of Love” and “Infinity.” And she did. She did a great job. Lowering the key is the answer to her problems.

Mad Men Ends with a Finale That Will Have Fans Complaining, of Course

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I will try to write around actual spoilers. “Mad Men” has ended. Fans will complain, but there will be no scuffle as there was with “The Sopranos.” It’s hard to get around Twitter. But basically, the final song is actually the perfect grace note to the show as a hole. If you’re Matthew Weiner, you can’t win.

Don happy, Don dead, Don what? Of all the characters his is the hardest to wrap up. Everyone else gets satisfying endings, although Betty’s final scene is so chilling I don’t know what people are going to say.

Stand out moments are “Person to Person” calls Don has with Sally and with Peggy. Kiernan Shipka should get an Emmy for this and last episode. Utterly amazing. She has quite a future. Don and Peggy also have an amazing moment.

Would I have chosen this ending for Don? No. But I accept it. Did I think time was wasted? Yes. But it’s the writer’s choice. He created the show.

Special guest star: Helen Slater, once known as Supergirl.

Not in the show: Henry Francis, Ted Chaough, Megan.

More later…

Mad Max Director Joins Twitter to Thank Fans, Hint at Sequels

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Here’s George Miller’s first Tweet. “More Max to come”:

10 Minute Standing Ovation: Cate Blanchett Goes for Rare 3rd Oscar in Lesbian Drama “Carol” as Cannes Swoons

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Cate Blanchett may be on her way to a rare third Oscar. The movie she opened at Cannes tonight, Todd Haynes’s “Carol,” just received a 10 minute standing ovation at its premiere. “A good ten minutes,” says a source. “Carol” co-stars Rooney Mara in a lesbian love affair that isn’t graphic but subtle and incredibly riveting according to reviews. Harvey Weinstein will release it in December. From the responses, it does seem that “Carol” is a sure Best Picture nominee, with Blanchett going for Best Actress. Mara may be put in Supporting so they don’t cross each other out. Haynes will get his second Best Director nomination. Bravo to Christine Vachon, who has toiled long and hard producing his films. She deserves an Oscar for being the unseen hand behind so much good art.

Box Office: “Pitch” Perfect With $70 Mil, Sings Loud Over “Mad Max”

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“Pitch Perfect 2” turned out to be more post-apocalyptic than “Mad Max: Fury Road” this weekend. Despite excellent reviews, the Charlize Theron-Tom Hardy “Max” finished third for the weekend behind the gleeful singers of “Pitch” and “The Avengers: Age of Ultron.”

“Pitch” did $70 million, while “Max” did $44.4 million.

I did see “Mad Max” last night, and loved it. It’s gorgeous, too– amazing cinematography, plus set design over the top. The actors make their characters– who don’t have much dialogue or back story per se, worth watching. Especially fun are the supermodels on the run as a Greek chorus including Zoe Kravitz, Rosie Huntington-Whiteley, Riley Keough (in real life daughter of Lisa Marie and granddaughter of Elvis and Priscilla Presley), Courtney Eaton, and Abby Lee. Nicholas Hoult is a stand out. He must have had a lot of fun shooting the film!

For director George Miller, “Fury Road” with $44 million is a total boffo success. He can easily make two more of these with Charlize Theron and Tom Hardy. Warner Bros. gets a nicely rebooted franchise out of it. Meanwhile, Elizabeth Banks scored with “PP2” and should have no trouble making a third one before this franchise goes to TV.

What a nice weekend for summer studio movies!

Box Office: “Pitch Perfect 2” Turns “Mad Max Fury Road” into Apocalypse with Stunning Victory

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Critics loved “Max Max: Fury Road.” It has a 98% on Rotten Tomatoes. Warner Bros. did a great marketing job with it. But fans didn’t pour into theaters last night to see it. Even putting Charlize Theron into the starring role and pitching the new Max as a more women-friendly action movie didn’t help. Last night’s take suggests a middling $40 million plus weekend. I’m surprised. Maybe they should have had a New York premiere.

Meantime, our old pal Elizabeth Banks has directed a huge hit. “Pitch Perfect 2” will finish the weekend in the 60 millions. Wow. Huge. Banks got a lot of good notices although the movie had a 67% from critics. Universal scored big time here. Elizabeth, gorgeous and smart, gets a whole second career. Brava!

Also happy to see “I’ll See You in My Dreams” with Blythe Danner and Sam Elliot scored a 88% on Rotten Tomatoes. Opened this weekend in New York and L.A., should expand to other citiies, wonderful gem of a film. See it!