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Pope Francis: Beatific Smile While Aretha Franklin Sings “Amazing Grace” in Philly

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Want to see a picture of a happy face? That would be Pope Francis listening to Aretha Franklin singing “Amazing Grace” last night in Philadelphia. The Pope sat forward in his chair and radiated a beatific smile while Aretha dug deep and performed her own version of the famed gospel song, giving it new soul and warmth. It was magic moment.

pope watching arethaA second magical moment came at the end of the show, after the Pope left, when Franklin was performing “Nessum Dorma” with the Philadelphia Symphony Orchestra. Unfortunately, the concert organizers were so dis-organized that the Pope not only missed this, but he also missed a little boy who’d been singing in the choir run up and throw his arms around Aretha while she performed Puccini.

“I thought, first, Who is this? And then, oh my. he really was moved,” Aretha told me of the little boy at the dinner thrown for her later at the Rittenhouse Hotel. Reverend Jesse Jackson and author Michael Dyson were among the guests, as well as family members, band members and Aretha’s pianist Richard Gibbs.

Franklin was disappointed that the concert organizers didn’t put her numbers back to back. But she was still overcome at meeting the Pope. She gave him a set of sermons by her late father, the famous Reverend C.L. Franklin. Rev. Jackson gave Pope Francis a book about Martin Luther King. As Aretha and her father were frequent hosts of Dr. King, and marched with him, she and Jackson were mightily impressed by Pope Francis including Dr. King in his speeches.

At dinner, Jesse Jackson– whose mother passed away last week at age 93– gave a stirring tribute to Aretha as a crusader as well as a singer. He recalled that at the height of the civil rights movement it was “hard to raise money” for Dr. King. “Aretha and Harry Belafonte went on an 11 city tour, for free, to get us funds. It was at the height of her popularity–“I Never Loved a Man” was on the top of the charts–but she did it.”

Aretha recalled how Dr. King used to come down for breakfast. Her father’s cook couldn’t pronounce the word ‘sausage.’ But when she mispronounced it, Dr. King would simply say that’s what he wanted, so as not to embarrass her. “He was that way,” she said.

What a night in Philadelphia! For one thing, the city was totally shut down, no cabs, no transportation, chaos for drivers. The people down there are very nice, but they over-reacted to the Pope’s visit. Nevertheless, I have never seen friendlier or more polite National Guardsmen or police. It was like they all took happy pills.

I ran into Mark Wahlberg at the Rittenhouse. He was dressed in jeans and a T shirt, but changed backstage into a suit. He was with his famous manager, Eric Weissman, the real “E.” On stage, Wahlberg make a joke about the movie “Ted” and invoked “Go Eagles.” But he was a patient emcee considering he had little stage direction as many people came and went. Among them: The Fray, Andrea Bocelli, choirs, Jackie Evancho and comedian Jim Gaffigan. There were also a dozen or speakers, mostly in foreign languages, delivering messages to the Pope. During his breaks, I assure you, Wahlberg was studying notes and a run down. This was no easy task.

Wahlberg, a seemingly happy married father, was glowing. He said, “I attribute all of my success to my Christian faith.” And he meant it.

Pope Francis was simply disarming and incredibly charismatic. He knew his audience– a group called the World Family Conference. He said, “The family is like a factory of hope.” He talked about grandparents, which made everyone well up with tears.

At the end, as if he were in a small church somewhere, he asked, “What time is mass tomorrow?” He looked tired.

As we left the backstage area of the Oval, the most beautiful fireworks suddenly launched behind the Museum of Fine Arts. All of us, Aretha, all the performers, looked up and marveled at the colors. The lights reflected on the glass skin of an office building across the way. A perfect ending.

Both pictures c2015 Showbiz411. All rights reserved.

Box Office: Cannibal Horror Movie Opens to Negative Reviews, $3.5 Mil Opening Weekend

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UPDATE Weekend total was $3.5 million. Not a great showing. But “Green Inferno” is headed to a video life a cult repulser.

EARLIER Very quietly, “The Green Inferno” is here. Eli Roth’s ode to cannibal horror made $1.5 million on Friday night, averaging $955 per theater. The extremely graphic (reportedly, because you’re not getting me in there) has a 38 on Rotten Tomatoes, which is pretty bad but still seems generous. Most regular movie goers will never know about it or see it. It’s strictly genre, for people with very strong stomachs and inability to form short term memory.

Was there a premiere for this? It’s one time I’m glad my invite got lost in the mail. And no, the Rascals’ “I Ain’t Gonna Eat Out My Heart Anymore” is not on the soundtrack.

Meanwhile, Sony’s animated “Hotel Transylvania 2” did $13.2 million last night. It could set a record for September openings. Adam Sandler is one of the voices. Not sure if this counts as a “comeback.” But he does do great voices.

Robert DeNiro and Anne Hathaway in “The Intern” made $6.2 million. They’ll have a $17 million weekend. Then off to video and other worlds. Still, for a light comedy, mid September, not bad.

Going to the Global Citizen Concert in Central Park Saturday? Ask Them About $891,864 in Salaries

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Saturday brings another Global Citizen concert to Central Park. This week Global Citizen’s Hugh Evans joined Hugh Jackman on the Colbert show to promote the concert.

What does Global Citizen do? They advocate. They don’t give money to poor people. They get wealthy people together to discuss why there’s poverty.

In 2013, according to the most recent tax filing, Global Poverty spent $891,864 in salaries, $10 million in total expenses, $2 million for the physical production in Central Park.

That’s right– this is not Kumbaya. Big Whitey Productions from Sea Cliff, NY charged Global Citizen $805,000 for labor for the 2013 show.

Only $202,000 of Global Citizen’s expenses were listed for “grants.” Travel cost $300,000. Where are they going, and why aren’t they bringing money, food and supplies to poor people when they get there?

In 2013, Global Citizen paid outside consultants $1.3 million on consulting for fundraising. Listen, for free, I can tell you what to do with $1.3 million– don’t have a concert, take the money, buy food and supplies, go to Syria or half a dozen African countries, or help the homeless in New York and Los Angeles.

Can you waste $8 million on a rock concert that benefits no one except the staff of your charity? Yes. As far as they report, Global Citizen didn’t build any schools or hospitals, fly in medical supplies during emergencies, or bring food to the starving. They just let the world know that poverty exists.

Tomorrow, Joe Biden is supposedly showing up, as is Stephen Colbert and Hugh Jackman. A bunch of people will get airtime and free publicity because they’ve informed us that poverty exists.

Check the numbers. Ask these Global Citizens what they’ve actually done to help poor people. Then go on Kiva.org and give your money to microfinance small businesses in Third World countries and see the money make an actual difference.

Times They Are A-Changin’: Bob Dylan Offering $600 18 CD Set of Bootlegs, Outtakes

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Bob Dylan is not stupid. The poet laureate of rock sees gold in his archives. Now he’s releasing– through Columbia Records– a $600, 18 CD collection of bootlegs and outtakes from his three greatest albums: “Bringing it All Back Home.” “Blonde on Blonde,” and “Highway 61 Revisited.” They’re saying only 5000 copies are available, but if it takes off, who knows?

“The Cutting Edge” will come in all kinds of formats. There’s a 6CD set for $150. There are smaller versions, too, and they come as LPs, CDs, digital downloads. Maybe they even come as 78s.

An entire CD is devoted to 20 different takes of “Like a Rolling Stone,” Dylan’s masterpiece track from 1965.

“Normal” Dylan fans who don’t have a room devoted to him will probably be interested in the 2 CD set. That track list is as follows.

PS There’s an exciting all new edition of DA Pennebaker’s landmark film “Don’t Look Back,” also coming this fall on Blu Ray as part of the Criterion Collection.

DISC 1
1. Love Minus Zero/No Limit – Take 2 (1/13/1965) acoustic
2. I’ll Keep It with Mine – Take 1 (1/13/1965) piano demo
3. Bob Dylan’s 115th Dream – Take 2 (1/13/1965) solo acoustic
4. She Belongs to Me – Take 1 (1/13/1965) solo acoustic
5. Subterranean Homesick Blues – Take 1 (1/14/1965) alternate take
6. Outlaw Blues – Take 2 (1/13/1965) alternate take
7. On the Road Again – Take 4 (1/14/1965) alternate take
8. Farewell, Angelina – Take 1 (1/13/1965) solo acoustic
9. If You Gotta Go, Go Now – Take 2 (1/15/1965) alternate take
10. You Don’t Have to Do That – Take 1 (1/13/1965) solo acoustic
11. California – Take 1 (1/13/1965) solo acoustic
12. Mr. Tambourine Man – Take 3 (1/15/1965) with band, incomplete
13. It Takes a Lot to Laugh, It Takes a Train to Cry – Take 8 (6/15/1965) alternate take
14. Like a Rolling Stone – Take 5 (6/15/1965) rehearsal
15. Like a Rolling Stone – Take 11 (6/16/1965) alternate take
16. Sitting on a Barbed Wire Fence – Take 2 (6/15/1965) unreleased take
17. Medicine Sunday – Take 1 (10/5/1965) early version of Temporary Like Achilles
18. Desolation Row – Take 2 (8/4/1965) piano demo
19. Desolation Row – Take 1 (8/4/1965) alternate take

DISC 2
1. Tombstone Blues – Take 1 (7/29/1965) alternate take
2. Positively 4th Street – Take 5 (7/29/1965) alternate take
3. Can You Please Crawl Out Your Window – Take 1 (7/30/1965) alternate take
4. Just Like Tom Thumb’s Blues – Take 3 (8/2/1965) rehearsal
5. Highway 61 Revisited – Take 3 (8/2/1965) alternate take
6. Queen Jane Approximately – Take 5 (8/2/1965) alternate take
7. Visions of Johanna – Take 5 (11/30/1965) rehearsal
8. She’s Your Lover Now – Take 6 (1/21/1966) rehearsal
9. Lunatic Princess – Take 1 (1/27/1966)
10. Leopard-Skin Pill-Box Hat – Take 8 (2/14/1966) alternate take
11. One of Us Must Know (Sooner or Later) – Take 19 (1/25/1966) alternate take
12. Stuck Inside of Mobile with the Memphis Blues Again – Take 13 (2/17/1966) alternate take
13. Absolutely Sweet Marie – Take 1 (3/7/1966) alternate take
14. Just Like a Woman – Take 4 (3/8/1966) alternate take
15. Pledging My Time – Take 1 (3/8/1966) alternate take
16. I Want You – Take 4 (3/10/1966) alternate take
17. Highway 61 Revisited – Take 7 (8/2/1965) false start

(Listen) Sam Smith Couldn’t Work the Word “Spectre” Into His James Bond Theme Song

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Maybe it’s me. I really wanted to love Sam Smith’s theme song from the James Bond movie “Spectre.” But couldn’t Smith work the title in anywhere in his song “The Writing’s on the Wall.” His melodramatic and kind of wan theme doesn’t mention ‘spectre’ once. It’s one word! It sounds like he’s singing the theme from a movie called “Writing’s on the Wall.” Most great Bond songs at least have the movie’s title somewhere in the song– “Nobody Does it Better” fit in “The spy who loved me” perfectly, for example.

Didn’t Smith like the word “Spectre”? He didn’t have to rhyme it, he could have had the “spectre of”– something.

Maybe we’ve been spoiled by Adele. But Smith’s song perhaps should have been more upbeat and less like a sequel to the “Skyfall” song. Plenty of Bond songs have rocked or at least rolled, from Paul McCartney’s “Live and Let Die” to Shirley Bassey’s “Goldfinger.” Again, the Smith song feels melo-dramatic, not actually dramatic. Pulses will not be racing as the movie starts following this introduction.

But Smith has his fans. And he has a falsetto. He’s the first male singer to tackle Bond in years, but keeps this light, and a little weepy. Maybe “Writing’s on the Wall” will grow on me. But I do wish the theme from “Spectre” made me feel like a spectre of something, a foreboding, over the proceedings.

You can hear it on Spotify here:

https://player.spotify.com/album/50bQvrNAFsAaIbqCcfD7FT

 

Pop Music: Prince A Fatality with “HitNRun,” Gaga Ignores “Hunting Ground” Song, One Direction Hits “Infinity”

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Not sure what’s going on, why or wherefore…

Prince has struck out with his strangely released “HitNRun.” It’s number 13 on the iTunes R&B albums chart. It’s nowhere on the top 100. Prince put the album on Jay Z’s Tidal HiFi streaming service, which few have or know about. Then he put it on iTunes for downloading, but  no one’s really working it. The album will be remembered as an actual hit and run. Couldn’t he have just released it normally through Warner Music?

Lady Gaga has managed to ignore “Till It Happens to You” so that it’s doing nothing in the U.S. On the UK charts, the song from the documentary “The Hunting Ground ” is number 75. Great song. Why doesn’t Gaga go out and promote it, talk about it, the whole deal? This is a real potential Oscar nominee for Best Song. Go download it from iTunes. Proceeds go to charity.

One Direction is number 1 with their single “Infinity.” They knocked off Justin Bieber, who’s fallen to number 4 on iTunes. Elsewhere he’s around 8 or 9. One Direction’s new album is number 2 on iTunes as a pre-order for November 13th.

Sam Smith’s James Bond theme from “Spectre” imminent tonight…

John Kerry’s Producer Daughter Slips Subliminal Democratic Message into New Julianne Moore Movie

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Listen closely when you’re watching Rebecca Miller’s wonderful new comedy, “Maggie’s Plan.” The film was just bought by Sony Pictures Classics, and hopefully will get a release this year. Julianne Moore would be a cinch for Best Supporting Actress, and Greta Gerwig is terrific. Ethan Hawke is even better than he was in “Boyhood.”

But is there a subliminal Democratic message? One of the producers is Alexandra Kerry, daughter of Secretary of State John Kerry. And one of the (very minor) characters is named Debbie Wasserman, as in DNC Chairwoman and Florida Congress-person Debbie Wasserman-Schultz. It’s no coincidence. Characters in movies aren’t named Debbie Wasserman by chance.

Does Wasserman even know she’s been named a character?

“Maggie’s Plan” is written and directed by Rebecca Miller based on a short story by Karen Rinaldi. Miller, of course, directed “Personal Velocity” and “The Ballad of Jack and Rose,” which starred husband Daniel Day Lewis. She’s the daughter of the late, great American playwright Arthur Miller. She’s hit her stride with this film, which was beloved in Toronto two weeks ago and played like gangbusters.

What you need to know: Greta Gerwig is Maggie, who planned on having a baby solo until meets John (Hawke). They have an affair that ends his marriage to Julianne Moore (hilarious with a German accent). Only, after she has the baby, Maggie realizes maybe John isn’t all he’s cracked up to be, and she wants to give him back. That’s her plan. Bill Hader and Maya Rudolph (whose husband Paul Thomas Anderson directed DDL to acclaim in “There Will Be Blood”). Rachael Horovitz is the producer who shepherded the film along to completion.

I don’t know what Sony’s plan is yet for “Maggie’s Plan” but I do hope they don’t wait too long. This is one smart comedy, up there with Nora Ephron or Nancy Meyers or Nicole Holofcener’s best work.

PS It probably won’t happen, but Julianne Moore could be up for Best Supporting in this film and lead actress in “Freeheld.” She’s that good in everything. But of course, she just won the Oscar in “Still Alice.”

 

Adele: New Album, Called “25,” Set for November 20th– A Week After Bieber, One Direction

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Adele’s long awaited third album, “25,” is scheduled for November 20th. It’s made the release list on hitsdailydouble.com without any other fanfare.

That will make almost four years since her second album, “21.”

“25” will come a week after a teeny bopper war between One Direction and Justin Bieber. That means those two acts have a week to make their cases before Adele’s sales avalanche occurs.

More to come…

Listen to the outstanding new single from the great Gladys Knight

Gladys Knight Takes the Midnight Train to Hip with Outstanding New Single “Just a Little” (Listen)

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Gladys Knight is back, with a vengeance. I’ve already seen the video for her new single “Just a Little,” due October 5th. The audio single is released on Friday. You can hear it right here. If I Heart Music and I Heart Radio really love music, they’ll start spinning this without any fuss. The song is written and produced by Kanye West associate Symbolyc “S1” and Gladys’s protege Avhere. Gladys’s husband William McDowell is quarterbacking the whole deal. Buy this single on Friday. You can pre-order it everywhere now.


Video By Singersroom.com

Recalling Yogi Berra, Gone at 90: It Ain’t Over til It’s Over, And Now It’s Over

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April 28, 2006: Yogi Berra and his wife, Carmen, came to a pre-screening cocktail for the documentary “Toots,” about the famed restaurateur Toots Shor .

Shor’s granddaughter, Kristi Jacobson made the film, and her producers had invited a select few to join them before the movie was shown as part of the Tribeca Film Festival.

And so to The Beekman Pub, a hidden gem in existence since the mid-1950s, came Walter Cronkite, with his lady friend Joanna Simon; Andy Rooney, baseball legend Yogi Berra and wife Carmen, Kathie Lee and Frank Gifford, famed sportswriter Maury Allen, movie producer David Brown and wife Helen Gurley Brown, and longtime Toots Shor and 21 Club greeter Harry Lavin, who for 27 years was the most powerful man in New York.

Almost all of these people are gone now, with the exceptions of Kathie Lee, Joanna Simon. Harry Lavin retired from “21” last February.

I did talk to Yogi, of course, who was in fine form.

Here is part of what I wrote, a little goodbye to Yogi and to Frank Gifford:

Yogi Berra, who just turned 81, told me he’ll be at Yankee Stadium today and tries to make one game per series at home stands.

“But it interferes with my golf,” he said. “I love my golf.”

Yogi’s memories of Toots Shor’s?

“Lots of sports players all the time,” he said with a grin. “I went there with Mickey, Billy and Whitey. DiMag” — that’s what he called Joltin’ Joe. “Those were the days.”

Boy, were they ever! His favorite celebrity he ever met there? Marilyn Monroe, maybe? Nope. “Jackie Gleason.”

And as long as we’re on the subject, did he really say all those famous Yogi-isms, like “It ain’t over ’til it’s over,” and “It’s déjà vu, all over again”?

“My wife tells me I keep saying them now,” he laughed. And grinned. Yogi has the widest grin I’ve ever seen. “I don’t hear it.”

And here’s something weird: Yogi got introduced to Cronkite. If their paths met before, neither one recalled. Joanna Simon said, “Walter, it’s Yogi Berra.” Cronkite shook his hand. “How did that baseball thing work out for you?” he asked. Yogi laughed.

Frank Gifford, looking especially well, approached Cronkite. “It’s Frank Gifford,” Simon said. (Explanation for this announcing: Cronkite, who has all his marbles at nearly 90, is stone deaf. Getting his attention takes a minute.) Gifford extended his hand to Cronkite, who cracked, “Whatever happened to Frank Gifford?”

In fact, the Giffords made a date with Cronkite and Simon to meet up with them on Martha’s Vineyard this summer. Then the Browns, who are up there in the age department, shouted to Cronkite, “See you Sunday!” They were on their way to another event.

Cronkite looked worried. Most of the guests had left for the screening. “We’d better go,” he said, “or they’ll start without us.”

Fat chance.