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Lionel Richie MusiCares Tribute Could Go “All Night Long” Adding Stevie Wonder, Rihanna, John Legend, Demi Lovato Etc

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Lionel Richie’s Person of the Year gala for MusiCares on February 13th is adding more performers. At this point, the stat studded show could go “All night long,” to quote a Lionel song.

Now joining in are Yolanda Adams, Dave Grohl, Lenny Kravitz, Lady Antebellum, John Legend, Rihanna, the Roots, Usher, Pharrell Williams, and Stevie Wonder; and singer/songwriters Leon Bridges, Luke Bryan, Ellie Goulding, Demi Lovato, Chris Stapleton and Florence Welch of Florence and the Machine.

Jimmy Kimmel is hosting the show, and our pal Rickey Minor is musical director.

The MusiCares Person of the Year is the most important night in the music industry’s year. The NARAS based charity provides emergency medical and living assistance to musicians in need. You can read all about them at Musicares.org. Remaining tickets can be asked about at NARAS or MusiCares.

PS Every year MusiCares has the best silent auction. I’m guessing this year’s will have some David Bowie memorabilia. I’d get there early, that’s all I’m sayin…

Oscars: Academy Announces First 11 Presenters-Performers, Including Lady Gaga and The Weeknd

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The Academy has just announced the first 11 presenters of a long list scheduled for the February 28th show.

Since I know you’re wondering, 4 of the 11 are black. It’s all good. Kevin Hart, Whoopi Goldberg, The Weeknd, and Pharrell Williamn. The rest are Tina Fey, Ryan Gosling, Lady Gaga, Sam Smith, Charlize Theron, and 8 year old Jacob Tremblay.

Gaga, Weeknd, and Pharrell are likely performers. So is Smith.

Chris Rock hosts. Reginald Hudlin and David Hill are producers. No word yet on who is coming out dressed as The Bear from “The Revenant.”

More to come…

Rihanna Drops New Album for Free, As Shill for Jay Z’s Streaming Service

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Rihanna’s new album, “Anti,” was leaked last night, pulled back, then released again. For free. Or not for free, since it involves a link back to Jay Z’s Tidal streaming service. Once there, you’re asked to sign up for a Tidal subscription.

It’s not worth it. “Anti” is not that great, so this convoluted marketing plan was invented to attract interest. The first single, “Work,” is awful but it’s gone to number 1 on iTunes. I don’t know why anyone’s still paying for it since it’s now “free” on Tidal.

Rihanna has some kind of investment in Tidal, so there’s a pay off for her somewhere in here. The “Anti” release is also supposed to be free for Samsung mobile users. (I’ve exhausted my interest in trying to get the thing onto my phone.)

Going this route excludes “Anti” from going up against Adele and Justin Bieber on the album charts. It’s on purpose. “Anti” is just not thought out properly, and not very exciting. As I wrote yesterday, I don’t know why Rihanna can’t find a good production team. And some guidance. Meanwhile, Jay Z will be the beneficiary of whatever happens here. Score.

Bruce Springsteen’s Amazing NY Show Draws Everyone from “Sopranos” Creator to Elliot “Client 9” Spitzer

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What can I say? Bruce Springsteen is 66 years old going on 67. He’s obviously made a pact with the devil. His three hour show with the famous E Street Band last night at Madison Square Garden was a total joy, an exercise in the fury and glory of rock and roll, unadorned, with no gimmickry and lots of Chuck Berry inspired riffs.

It was a total joy, as Springsteen et al played the whole 1980 album “The River,” which is full of little gems you’ve forgotten if you ever knew them– like “Fade Away” and “I Wanna Marry You” and “Crush on You” and “The Price You Pay.” They were lost but now they’ve been found, in addition to “Hungry Heart” and “Out in the Street,” and “Sherry Darling,” the album’s centerpieces.

But the real joy is the set that comes after “The River,” which last night included “Dancing in the Dark,” “Rosalita,” “Thunder Road,” “Born to Run,” and a cover of “Shout” that ended the show. They are the Bruce classics, and the band played them with the same freshness as if they were new. This is band full of commitment, like maybe it’s their last chance. Why? They’re all rich. Why bother? And yet, it’s a miracle. These men and women (Patti Scialfa, Soozie Tyrell) are devoted to their work. “Dancing in the Dark” is 30 years old, but it soars, with Bruce and Patti each pulling dance partners (a la Courteney Cox) from the audience (until Bruce finally kicked Patti’s guy off– enough).

This show had been postponed from Sunday because of the blizzard. The group hadn’t played since the 19th– eight days– and plus, this is New York, hometown. The audience was very eclectic — from “Sopranos” creator David Chase to actress Jill Hennessy to Constantine Maroulis from “American Idol” to former New York Governor Elliot Spitzer aka Client 9. Also, the Garden was at its absolute fullest. Want to see what “sold out” looks like? Every seat in every box up to the roof was filled. Plus, the floor was almost all standing, and they stood, Bruce’s fans, like asparagus stalks. There was no blocked view seating. It was really theater in the round.

And it is theater. Three hours, a bunch of senior citizens don’t sit down, don’t go to the bathroom, take a break. They rock their little hearts out. There are mistakes. Three times Bruce tried to start “I Wanna Marry You,” and had to stop– either he or the band “f—ed up” and he laughed, and they finally got it. They don’t have backing track or backup singers filling in, or AutoTune. It’s just raw, real, genuine. After seeing younger acts recently, I fear it’s the end of an era, too. In 20 years, Bruce Springsteen and the E Street Band will seem quaint.

Shout outs to Steve van Zandt, more and more adding on vocals and sizzling guitar, and Nils Lofgren, who spins around on the stage while slicing chords. Jake Clemons honors his late uncle Clarence, with delicious horn re-enactments. Roy Bittan, Gary Tallent and Max Weinberg remain the heart of this insanely well oiled machine. PS Some nice duets with Bruce and Patti, and a little PDA at the end. Patti is the secret weapon of E Street, the MVP.

Michael Jackson to Be Played by White Actor, Joseph Fiennes, in TV Movie About Something that Never Happened

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Let’s call it a fantasy. After his two 30th anniversary concerts in September 2011, Michael Jackson was stuck on the East Coast because of the 9/11 attacks on the World Trade Center. So he a) got in a car with Elizabeth Taylor and Marlon Brando and drove cross country to Los Angeles or b) stayed in New York for a while and eventually took a private plane home?

The real answer is b. But some British TV filmmakers want to believe a). So they’re going to make a half hour “road trip movie” starring Stockard Channing as Taylor, Brian Cox as Brando, and Joseph Fiennes, as Jackson.

Yes, Joseph Fiennes is white. He’s the brother of Ralph Fiennes, and known mostly for playing Shakespeare in “Shakespeare in Love” in 1998.

Bad idea? Yeah, horrid. Maybe it will be like “Melvin and Howard,” an imagined film about Howard Hughes and a road mechanic. But I doubt it. And in this moment of talk about race, the idea of a white actor playing Michael Jackson is not very appealing.

Plus, of course, the incident never happened. It’s all made up.

There will be no Michael Jackson music, of course. His Estate won’t allow it. But otherwise, they will be able to depict three dead celebrities in as ghastly a situation as they want. I’m just sorry they didn’t cast Cedric the Entertainer as Brando and Caitlyn Jenner as Taylor. But wait, maybe that’s a possibility.

Pop: Rihanna’s Not Great New Single Goes Straight to #1, Adele’s “Hello” Says Goodbye to Top 5

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It’s the changing of the guard on the iTunes pop chart, but it may not be such a good thing.

Rihanna has finally released a single from what is going to be her “Anti” album. The single, “Work,” featuring Drake, is Anti. It’s anti- good. Anti- melody. Anti-lyrics. It’s pro-gobbledygook. Is this what passes for a song?

I just don’t get it. Maybe I’m too old. Rihanna is a beautiful girl with a gorgeous voice. Can’t she have decent songs? Also, Drake proves in his guest appearance that the sample he took of Timmy Thomas’s 1973 “Why Can’t We Live Together” for “Hotline Bling” was the biggest part of that record.

Meantime, Adele’s “Hello” finally got pushed out of the top 5 after eight or nine weeks. What a run, though!

Rihanna’s album, by the way, may or may not be a Samsung special for their mobile devices, or a chart record. Def Jam Records may feel that Adele is vulnerable to a take down now. If so, “Anti” had better have some actual songs.

Matthew Morrison Leaves “Finding Neverland” But the Show Has Plenty of “Glee” to Spare

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I wondered what was going on with “Finding Neverland” at the Lunt Fontanne. Last night I stopped in to see Broadway star Tony Yazbeck take over for “Glee” star Matthew Morrison in the lead role of J.M. Barrie. Plus, Kelsey Grammer has recently returned after several months away. So, what’s up?

Morrison did his time–a year– and earned his Broadway stripes. He had a huge following from “Glee.” Would his absence hurt the show? Yazbeck had a Tony nomination and several others for “On the Town” last year. He’s a real Broadway vet and not that old. He looks like he could be the star of “Chicago PD.” But he can sing and dance.

And boy can he sing and dance. Last night was his first “Neverland” in front of an audience. And guess who was there? Producer Harvey Weinstein, who didn’t tell anyone he was coming. Plus composer Gary Barlow was watching. Just as I guessed, Yazbeck stepped in as if he’d always been there. A smoother transition would be hard to recall. He’s just got “it,” that Broadway thing, like Andy Karl and Steve Kazee and a few other Broadway leading men who are more and more a rarity. What a pleasure. Numbers like “Circus of Your Mind” and “The Dinner Party” really had more zip than I remembered.

“Neverland” was not a hit with the critics, was snubbed by the Tony Awards, and shunted aside. But a year later, the show has warmed up nicely. I was surprised how much I liked it. Kelsey Grammer, Carolee Carmello, Laura Michael Kelly and Teal Wicks lead cast still working hard but making it look easy. It’s a family show– there were lots of kids in the audience, and a lot on stage. The latter group is precocious and winning without being cloying.

The songs have settled in, too, especially “When Your Feet Don’t Touch the Ground.” Barlow is not pretending to be Sondheim. He writes hits. The “Neverland” songs are on a par with “Matilda” or “Kinky Boots.” You find yourself whistling more of them than you’d guess.

Carolee Carmello leaves soon for “Tuck Everlasting” so I advise you to get over to the Lunt-Fontanne fast. She is really wonderful. I don’t know how long everyone else is staying. But Kelsey Grammer seems more invested than ever in the show– he really is perfectly officious as Barrie’s producer, Charles Frohman. Both Laura Michelle Kelly and Teal Wicks sing like birds.

But my money is on Tony Yazbeck. Give him a month to settle in if you want. Or see him right now. Morrison came in with a lot of fanfare, which is great, and he did a sensational job. Second timers, I think, will be very interested in Yazbeck’s take on the man who wrote “Peter Pan.” A new cult may develop in short order.

“X Files” Returns with Huge Ratings, These 6 Episodes Won’t Be The End

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“The X Files” came back on Sunday night at 10:30pm Eastern– after a long night of football. Were you still awake? A lot of people were, apparently. Like 16 million. And 6.1 percent of them were between the ages of 18 and 49. Sunday night’s delayed premiere of a six episode arc scored more viewers than anything except foot ball on Sunday night.

Last night the 2nd episode had a strong 9.7 million viewers and scored a 3.0 in the key demo. Those numbers may change as a lot of people may not have realized the second ep was the next night. Look for delayed viewing to increase the totals.

So the truth is out there, still. And we still have almost no info on the Mulder-Scully child, referred to coyly. Or Mulder’s missing years as a sex addicted screenwriter in California. My guess is we’re going to get more “X Files” sooner rather than later. But this new six-at-a-time mini run may be the way to go. Makes it special.

Sundance Record Set as “The Birth of a Nation” Sells to Fox Searchlight for $17.5 Mil

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When the dust — or mud– settled in Sundance today, a new sales record was set. Fox Searchlight has reportedly bought “The Birth of a Nation” for $17.5 million.

The movie tells the story of former slave Nat Turner, who led a liberation of slaves that turned violent in 1831. Nate Parker wrote, directed and stars in the film as Turner.

A fierce bidding war went on all night in Sundance with The Weinstein Company, Paramount and Netflix all vying for the rights.

But Fox Searchlight won the Oscar for “12 Years a Slave,” so this makes sense. “The Birth of a Nation” will be a big player in next year’s Oscars and at the box office next fall.

Jimmy Fallon Donates $10K to WaterforFlint, Asks 10 Friends to Join Him and Gets…

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Jimmy Fallon is on a roll. On Sunday he Tweeted that he was sending $10,000 to Flint, Michigan for bottled water. He asked 10 friends to join him.

Jimmy’s not the first celebrity to send water to Flint. Cher partnered up with Icelandic Glacial water for a 180,000 bottle donation. The water is already being delivered.

So far, Jimmy’s been joined in his efforts by Madonna, Rosie O’Donnell, Seth Meyers, and Jon Cryer. They’ve all chimed in on Twitter promising their own $10K. (Actually, Madonna– who was born near Flint– could send a million bucks, but all donations are welcome.)

So now let’s see who joins the group. People are dying in Flint, Michigan from poisoned water.