Wednesday, December 17, 2025
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Anne Hathaway Ready to Speed the Plow in Formerly Male Role?

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EXCLUSIVE Heard on the Croisette: interesting buzz that an updated film version of “Speed the Plow,” one of David Mamet’s most successful plays, may be coming to us with a surprise.

The word is that Oscar winner Anne Hathaway is talking to Mamet about playing one of the male roles, re-written for her. That would be Charlie, played so brilliantly eons ago on stage by Ron Silver.

There was talk about two months ago that Michael Polish would direct this new screen version. I’m told Hathaway would play Charlie to a big name star as Bobby Gould. How that would affect the third character, Karen, whom Bobby and Charlie each want to bed, is unknown. But you know these days, anything is possible.

Given how women’s roles have changed in Hollywood since “Speed the Plow” first appeared, this seems like a cool idea. I also like the idea of Mamet updating the script some to give it a slightly more contemporary feel.

So stay tuned because this could be interesting, it would certainly give the whole project a lot more edge.

 

REVIEW Jeff Nichols’ Loving Story of Racial Prejudice on 1958 Interracial Marriage

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In a moment when Donald Trump has brought the issue of race forward on a divisive way Jeff Nichols “Loving” comes just in time. Understated performances by Joel Edgerton and Ruth Negga make this narrative adaptation of Nancy Biurski’s documentary a powerful reminder how backwards the U.S. south and can still be when it comes to basic civil rights.

Rather than play out the Supreme Court case that finally allowed a mixed race couple in Virginia to be married, nichols uses the couples relationship and deep love for each other to depict their story.

Indeed when the lawyers appear it’s almost a shock to the film’s elegiac tone. (They sound like they’re in a film strip.) It will take lot to move “Loving” out of art houses. But I suspect on VOD and new platforms it will be captivating.

Cannes: Kendall Jenner Allowed at Vanity Fair A List Gala, Breaking “No Kardashian” Rule

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You know you’re at the Cannes Vanity Fair party when you turn around and a newsboy-capped Leonardo DiCaprio is in deep conversation about the environment, and Tobey Maguire is chatting up Kate Hudson, resplendent in a gorgeous red gown.

That’s what it was like last night at the famed Hotel du Cap, which Graydon Carter’s team took over with Chopard. It was very dramatic– they lit all the towering trees around the pool. With the waves of the Mediterranean splashing against the rocks, and yachts bobbing on the water, a smoky dark blue ink sky– and yes, Mick Jagger working all the rooms.

Trudie Styler, producer of Sunday’s premiere movie “American Honey” was getting the first press reviews– all good, even great– and hanging with old pal Russell Crowe. They were tucked into a corner with Hudson, Jodie Foster and her girlfriend, while Joel Edgerton, looking ever the the movie star in a tux, introduced me to a bunch of friends. Just the usual Saturday night!

Freed from the jury room, so to speak, Kirsten Dunst told me she had to see 21 films so she didn’t have time for “The BFG,” which isn’t in competition. We were lucky that the movie’s star, Mark Rylance, recent Oscar winner, didn’t overhear us. But he was busy accepting accolades from everyone who’d come up from Cannes and the Spielberg red carpet premiere. (Huge ovation, by the way, the biggest so far.)

Kendall Jenner was there– but I was told an exception was made for her because her father now-Caitlyn Jenner– had been on the Vanity Fair cover. “Otherwise no Kardashians are allowed here,” an observer said. “She’s a Jenner.” Well done. Kendall was busy inside the party posing model-like for a photographer as if she were on a shoot. Her hair blew in the breeze as she cocked her head back. I don’t think she knows any other activity, like cocktails and small talk.

I ran into Colin Firth and his smart, beautiful wife Livia– who couldn’t stay as long as they liked after dinner. “We’re double booked at another event in Cannes!” said the impeccable Colin. And just around that time there was a swirl of stars from Faye Dunaway to Salma Hayek, Chloe Sevigny, Petra Nemcova and so on.

 

 

 

Cannes Review: Steven Spielberg’s “BFG” is a “BFD”

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Steven Spielberg’s adaptation of Roald Dahl’s The BFG recaptures the spirit of “ET” some 36 years later. It’s not a huge coincidence since both screenplays were written by the late Melissa Mathison. And as part of a continuum The BFG is set in 1982 when Dahl published his book and ET was released.

This film may begin more slowly and dream like than “ET” but soars in its second half in every way. Mark Rylance and Penelope Wilton are just wonderful respectively as the big friendly giant and Queen Elizabeth. Ruby Barnhill makes an impressive debut as Sophie based on Dahl ‘s real life granddaughter.

What a treat this film is. And the production values, special effects, animation are some of the most exquisite ever. This is not just a family or children’s film. But like ET or Fantasia may capture the hearts of several generations.

UPDATE Just a little more at 12:06PM Eastern from Cannes– Spielberg does not make sequels really (aside from Indiana Jones, which was supposed to a satire of afternoon movie serials). “The BFG” is not a sequel to “ET” at all but Spielberg, so prolific with an amazing canon of work includes a few nods to the 1982 movie. At one point Sophie and the Giant touch fingers much like Elliot and ET, and it’s simply an acknowledgment.

I have always been of the opinion that the original Spielberg movies– not the biographies like “Lincoln” or “Schindler” or “Bridge of Spies”– has a very distinctive style that is very much auteur like. He has always been a commercially successful but he isn’t a “commercial” director. He said today in his press conference that making an original he felt “free”– his imagination run wild.

“The BFG” is such a compassionate movie, and very much an American one too. It’s also got something in common with “AI: Artificial Intelligence” in that it’s two movies — very Sondheim-Sunday in the Park with George. And while the first half is very artful, the second half is what makes the whole piece work. Rylance is great but I think we’ll see Penelope Wilton get acclaim in the supporting actress category too.

Movie opens July 1st from Amblin-Disney for July 4th weekend. It will set a record for an original non sequel film. Just wait.

Mick Jagger Says Possibility of Performing “Like a Rolling Stone” with Bob Dylan at Mega Concert

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Mick Jagger was the star of the show last night in Antibes at Charles Finch’s annual swanky A list dinner at the Hotel du Cap’s Eden Roc restaurant. It’s the hardest ticket in town, and the best insider party at the Cannes Film Festival every year. Finch–publisher, producer, raconteur, tummler, impresario–has a single classy sponsor, Jaeger LeCoultre watches– and they turn the Eden Roc magically in four hours time after lunch and before cocktails into a throwback of glamorous Cannes Film Festivals from long ago.

Jagger was the biggest star– he always is, because he’s Mick Jagger. But there were plenty of famous people in the room including filmmaker Nick Broomfield (who was honored and given a gorgeous J-LeC watch) Clive Owen, “Mad Max” director George Miller, Gael Garcia Bernal, Trudie Styler, Harvey Weinstein, “Black Mass” director Scott Cooper, model mogul Heidi Klum, Mads Mikkelsen, Rebecca Hall, Dominic West, and so on.

(There was also a big photo display Finch curated of famous filmmakers. One of the photographers was Philip Caruso, who also happens to be the son-in-law of “Ironweed” author and Pulitzer Prize winner William Kennedy. Caruso came with his beautiful wife, Bill and Dana Kennedy’s daughter, Kathy.)

What a swell night, chowing down on foie gras on the Mediterranean amid the likes of these folks. (If you’re young, think Cake by the Ocean.) So I did tell Mick Jagger that this column broke the story about the big mega Coachella concert next October and he was thrilled. (He really lit up like a Christmas tree.) I asked him if he and Bob Dylan, who playing are on the same night, might duet on Dylan’s “Like a Rolling Stone.” The Rolling Stones are known for a remarkable live version of that song.

“We could, we might,” Mick said. “We’ve done it at least once before, in Argentina. But never in the US. I have to ask him if we can.” Jagger said he’s incredibly excited about the shows, by the way. And then he headed to the sumptous buffet— yes, he served himself because as Dylan says you gotta serve some-body.

Broomfield, Charles Finch’s oldest friend, was the honoree of the night for his 3o plus documentaries. He told the crowd (after Finch’s introductory remarks– read hilariously behind dark glasses because Finch had lost his actual reading specs) about their wild times together getting into trouble and Broomfield almost being killed on three separate occasions) about his upcoming Whitney Houston film for Showtime.

Later he and I spoke about the Houston doc- I broke the story here about the Houston estate trying to block him.

“The harder they come at me I’ll come right back at them,” he assured me. What about rights to Whitney’s recordings I asked? “I have them,” Broomfield said without more explanation. But there’s more to come. And that’s when were interrupted by reasonable distractions: a strolling band playing the Beatles’ “Love Me Do” and the arrival of stunning Heidi Klum. And homemade ice cream was being served.

PS No sign of Leonardo DiCaprio who had had lunch on the Eden Roc patio hours earlier with pals including Tobey Maguire and Lukas Haas– eight guys, no women Leo’s posse or an outtake from “Entourage.”

 

Kate Hudson, Downton Abbey’s Dan Stevens Will Join “Marshall” Movie Set in 1940

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EXCLUSIVE That movie about a young Thurgood Marshall helping in the defense of a wrongly accused black man of rape in 1940? “Marshall” already features Chadwick Boseman, Josh Gad, and James Cromwell.

But now I can tell you I’ve heard two more names added to director Reginald Hudlin’s cast: Kate Hudson and Dan Stevens, the former Matthew Crawley of Downton Abbey fame.

I thought I’d have a personal inside route to this film because Gad is playing my own real life great uncle Samuel Friedman when he was in his late thirties. Alas, this film is like any other– getting casting scoops is actually harder than ever!

I’m excited that Hudson, who has an Oscar nomination from “Almost Famous” in 2000, finally has a substantial role. She’s an excellent actress. This could be a big deal for her. Stevens has also looked for a major part since leaving “Downton Abbey.”

Paula Wagner is producing, and I’m told a pair of brothers– Hunter Ryan and David Ryan– have joined the team as producers.

The story is true– a wealthy socialite named Eleanor Strubing (Hudson) accused her black chauffeur Joseph Spell (Sterling K. Brown) of rape. Sam Friedman (Gad) took the case to defend Spell. The NAACP sent a young Thurgood Marshall (Boseman) to help with the case. Stevens will play the prosecutor.

You can read about the case here. Filming begins next month in Buffalo, New York.

(Watch) Justin Timberlake, Anna Kendrick Sing “True Colors” in Cannes for Fall Movie “Trolls”

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Cannes: on Wednesday, Justin Timberlake and Anna Kendrick performed Cyndi Lauper’s “True Colors” for screaming fans — unplugged and acoustic. They were promoting the new Dreamworks film “Trolls” set for a fall release. Dreamworks chief Jeffrey Katzenberg introduced them, and there was quite a bit of “Trolls” footage shown.

Not interested because it’s for kids? The movie seems to overcome that problem– it’s quite ingenious. The animation is very, very complex and clever. Justin wrote new songs, too, including his current hit “Can’t Stop the Feeling,” which the deejay played when Timberlake and co walked the opening night red carpet.

Justin, of course, is a rock star. But Anna Kendrick remains an enigma. She has a great voice and has already had a chart hit with “Cups.” She sings a lot in “Trolls” and is terrific. She needs to make an album already!

Cannes: “Money Monster” a Middling Effort, Star George Clooney Skips Starry Dinner

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Jodie Foster’s “Money Monster” is a middling movie with great ambitions that aren’t fully realized. The George Clooney-Julia Roberts effort which opens today in the US was shown in Cannes last to a lot of fanfare. But it’s a commercial studio film from Sony, and it was brought to Cannes to gain international marketing renown. Because you know, if “Money Monster” were going to be a big hit, Foster, Clooney and Roberts would have been all over the US media this week promoting it. Instead, they are here in Cannes.

That doesn’t mean it isn’t interesting, or doesn’t have a couple of surprise performances of note from newcomers Jack O’Connell and Caitriona Balfe. It’s also great to see Giancarlo Esposito as the captain of the New York police.

But “Money Monster” doesn’t know if it’s anti-Wall Street or pro, and in its short 90 minutes the theme is abandoned and the movie becomes a thriller. The plot: a Jim Cramer like TV financial advisor played by Clooney is held hostage in his studio by O’Connell, who’s lost money on an investment Clooney touted. Roberts is Clooney’s TV producer. Much more we don’t learn about the characters — they are all surface, there to fill a purpose in the plot.

All the actors do their best but this is a talky movie. Roberts, I think, only stands up twice. Mostly she sits. (Contrast this with the way Helen Mirren moves around in “Eye in the Sky.”) Foster doesn’t have a great visual style– see “The Beaver”– and I’d rather have seen her act in a film anyway.

The cast (well the stars) hit the Cannes red carpet with a vengeance. Clooney was the only one to include a spouse– Amal — in the processional. Later the Clooneys skipped the big private dinner at Michelangelo in Antibes (set for 90 people) and went to dine at another locale with friends. Very weird. Roberts went barefoot on the red carpet because she thought she towered over Foster. (For days all I’ve heard around town are horror stories about her repellent publicist.)

Also on the red carpet: Vanessa Redgrave with son Carlo, famed director James Ivory, Julianne Moore, and the mayor of Cannes.

Only Balfe turned up for an after party at the Hotel du Cap bar, but there were plenty of other stars hobnobbing until the wee hours including Mick Jagger, Brett Ratner, Naomi Watts, and so on. Roberts and her very bearded husband, Danny Moder, sailed through the bar to their rooms at one point without stopping.

What will happen with “Money Monster”? The box office depends solely on Clooney and Roberts drawing an audience. There’s no love story, and no one to root for. These will be problems. But O’Connell, of them all, who we met in Angelina Jolie’s “Unbroken,” is going to soar after this.

Cannes: Dionne Warwick, Courtney Love Announce Film Projects

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Cannes is full of announcements today.

I can tell you that tomorrow legendary singer Dionne Warwick, one of the greats, will be here to announce she’s made a deal for biopic. AMBI Pictures is producing. Tomorrow we’ll know more after we see Dionne walk on by at the Carlton. Her story is amazing, rising up from her family’s church and gospel group in New Jersey to international fame and fortune. And oh– those hits– from Bacharach and David to Dionne’s later hits like “Heartbreaker” and how she created “That’s What Friends Are For.” Her sister Dee Dee was a famous singer, as was her cousin Whitney Houston. Should be good…

Other side of music world– Courtney Love will star with Joey King in “The Possibility of Fireflies.” Dominique Paul will write the script based on her novel. Deborah Chow is directing. Courtney is better known as a rocker, but she’s had some great moments on screen.

Woody Allen Goes Digital and Uses “Green Screen” Technology for First Time

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Forget all this crap about Woody Allen that you see in today’s tabloids. He has an easily manipulated son. And a stupid French comic embarrassed him by accident. Woody’s over it.

He’s so over it that Woody came to lunch today with the American press at the beautiful Hotel Carlton’s Nikki Beach restaurant. He came with “Cafe Society” cast members Jesse Eisenberg, Cory Stoll, Kristen Stewart and Blake Lively. Woody, dressed like Woody, was a in very good mood and answered all questions.

But the most surprising revelation about Woody came from Jesse Eisenberg, who turns out to Allen’s best ever on screen surrogate. Jesse plays the romantic lead in “Cafe Society,” a young man who suffers from unrequited love in a triangle with Stewart and her older lover (played beautifully by Steve Carell).

Eisenberg, asked what it’s like to work with an 80 year old director, responded with all kinds of salutations about Woody’s high energy. But then he blurted out a good scoop: “He shot this in digital for the first time, and it’s the first time Woody ever had a green screen in a movie.”

A green screen is used for special effects. You act in front of a blue or green screen, and the shot is added later. In “Cafe Society,” Eisenberg and Stewart drive to the famed Hollywood sign. The sign was added in later.
“He looked at the [empty] screen and he said, where’s the picture?” Jesse chuckled. “It was very sweet.”

Woody told us his Amazon six part TV series with Miley Cyrus and Elaine May is all wrapped and ready to go this fall. “Cafe Society” is released on July 15th. And this week in New York, Allen starts work on his 47th feature, an untitled comedy set in a carnival type playland like Coney Island.