Monday, December 22, 2025
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UPDATE Nate Parker Responds: “I Write to You All Devastated…I Cannot Change What Has Happened”

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Nate Parker has responded on Facebook to the stories about his rape trial, acquittal, and subsequent suicide of the victim. He says he didn’t know until recently that the young woman had taken her life in 2012. “I am filled with profound sorrow,” he says. I don’t doubt it. My dealings with him always showed him to be a fine fellow. But I’m not sure this ends here.

Nate’s posting:

These are my words. Written from my heart and not filtered through a third party gaze. Please read these separate from any platform I may have, but from me as a fellow human being.
I write to you all devastated…

Over the last several days, a part of my past – my arrest, trial and acquittal on charges of sexual assault – has become a focal point for media coverage, social media speculation and industry conversation. I understand why so many are concerned and rightfully have questions. These issues of a women’s right to be safe and of men and women engaging in healthy relationships are extremely important to talk about, however difficult. And more personally, as a father, a husband, a brother and man of deep faith, I understand how much confusion and pain this incident has had on so many, most importantly the young woman who was involved.

I myself just learned that the young woman ended her own life several years ago and I am filled with profound sorrow…I can’t tell you how hard it is to hear this news. I can’t help but think of all the implications this has for her family.

I cannot- nor do I want to ignore the pain she endured during and following our trial. While I maintain my innocence that the encounter was unambiguously consensual, there are things more important than the law. There is morality; no one who calls himself a man of faith should even be in that situation. As a 36-year-old father of daughters and person of faith, I look back on that time as a teenager and can say without hesitation that I should have used more wisdom.

I look back on that time, my indignant attitude and my heartfelt mission to prove my innocence with eyes that are more wise with time. I see now that I may not have shown enough empathy even as I fought to clear my name. Empathy for the young woman and empathy for the seriousness of the situation I put myself and others in.

I cannot change what has happened. I cannot bring this young woman who was someone else’s daughter, someone’s sister and someone’s mother back to life…

I have changed so much since nineteen. I’ve grown and matured in so many ways and still have more learning and growth to do. I have tried to conduct myself in a way that honors my entire community – and will continue to do this to the best of my ability.

All of this said, I also know there are wounds that neither time nor words can heal.
I have never run from this period in my life and I never ever will. Please don’t take this as an attempt to solve this with a statement. I urge you only to take accept this letter as my response to the moment.
Nate

“Birth of a Nation” Nate Parker Revelations Pose Dilemmas: How Does Studio Release Film? Will TIFF Still Want It?

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The revelations about actor-writer-director Nate Parker and his “Birth of a Nation” pose dilemmas unseen before in the film biz.

For one, how does Fox Searchlight release the film? Do they release it all? Can they claim fraud of some kind to recoup the millions they paid or have laid out?

And does the Toronto Film Festival still show the movie? It seems inconceivable that “Birth of a Nation” could be featured as a gala or special presentation with press involvement.

The revelations today from Variety that Parker’s 1999 rape accuser killed herself in 2012 more or less put an end to marketing “Birth of a Nation.” What’s worse is, I’m told when Variety (and perhaps Deadline also) interviewed Parker, they didn’t know the young woman was dead, and Parker didn’t volunteer the information.

That seems most egregious of all. In Ramin Setoodeh’s original Variety piece, he noted that Parker brought along his 6 year old daughter to the interview. For heaven’s sake, what purpose was that supposed to serve?

What’s mind blowing is that Parker’s story hadn’t come out in all the time he’d been acting. It’s been a decade since “The Great Debaters” brought him into the public eye. No one from Penn State raised their hand when Parker first started becoming famous, to mention the rape trial. And since Sundance, until now, there’s been no talk of this.

Even worse, I guess, for Fox Searchlight and the movie’s financiers will be questions of who knew what when? Because suddenly what seemed like a golden film headed for massive accolades, “Birth of a Nation” is headed into uncharted waters.

Univision Wrestles Gawker Media to the Ground at Auction for $135 Million

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Gawker, and all of its websites, have been sold to Univision for $135 million, according to reports.

Destroyed by wrestler Hulk Hogan, Gawker was sold off today completely including the Gawker.com website. Gizmodo will join The Onion and other sites recently purchased by Univision as they move more into the digital world.

It seems like that’s the end for Nick Denton and his Gawker world. They were victims of themselves, and victims of a conspiracy by Peter Thiel to do them in.

All that’s left now is Denton’s book, which should be good. And maybe a documentary.

Oscars: UPDATE “Birth of a Nation” Director Nate Parker’s Assault Accuser Committed Suicide

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Here’s an update on the Nate Parker story. Variety is reporting that the young woman who Parker and his college friends were accused of assaulting in 1999 committed suicide in 2012. It’s good reporting and it’s a tragic story for everyone.

Parker was acquitted in 2001, his friend (and co-writer of “The Birth of a Nation”) was found guilty but that was overturned on appeal. The young woman tried to commit suicide twice after the trial. Now it turns out via her brother that she succeeded at killing herself in 2012. She left behind a child.

I questioned why all this came up the other day. It’s obvious that after so many years it was dug up to kill the Oscar campaign and release of “Birth of a Nation.” That’s a separate subject.

But this new piece of information will likely do in “Birth of a Nation.” What a shame for everyone because the movie is obviously important. The tragedy of the woman’s death, the brother’s interview, the fact that she left a child– this seems insurmountable to deal with in real life terms, forget the Academy Awards. Can the movie still be judged on its own? And how would anyone do publicity?

This must come as a shock on the movie side to everyone involved. It doesn’t help that none of this was addressed when Variety and Deadline did their original stories. Didn’t they know? (I think they did.)

to be continued…

Caitlyn Jenner “I Am Cait” TV Show Cancelled by E!: Back to the Kardashians

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The E! Channel has canceled “I Am Cait.” What will we do? Seems the public’s interest in Caitlyn formerly Bruce Jenner has expired. Can Cait return to the Kardashians? Or is it time for a new plot twist? This one wasn’t so compelling after all, in a world of Pokemon Go.

Johnny Depp’s Divorce from Amber Heard Cost Him $7 Mil Plus A Whole $170 Mil Movie

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Johnny Depp and Amber Heard have settled their divorce. Reports are it cost Depp $7 million and a fingertip.

But the divorce, timed impeccably by Heard, also cost Depp a $170 million movie called “Through the Looking Glass.” Released as the divorce allegations flew, “Looking Glass” made just $76 million in the U.S.

Including foreign countries, the total take was $292 million. But most of that was in foreign countries where a) a movie star in almost anything will sell, and b) those people hadn’t “HEARD’ all the bad things Amber said about Johnny.

Depp has now gone 5 years without starring in a movie that’s gotten close to $100 million at the box office. And the last one was “Pirates of the Caribbean: Who Cares?” back in 2011. The Lone Ranger, Black Mass, Transcendence, Mortdecai, Dark Shadows, Rum Diary– all flops. “Into the Woods” did ok, but it was an ensemble piece and Depp was barely in it.

Is he still a movie star? Or did Amber Heard finish him off? You tell me.

 

Kirk Kerkorian-Backed “The Promise” with Christian Bale, Oscar Isaac Set for Toronto Film Fest

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I told you a year and a half ago exclusively that 97 year old billionaire Kirk Kerkorian was backing a major movie about the Armenian genocide.

And so it has to come pass: Terry George’s “The Promise” will debut next month as a gala at the Toronto Film Festival. Christian Bale and Oscar Isaac vie for the attentions of Charlotte LeBon in a love story set against the genocide. The movie was shot in Spain, filling in for Turkey.

George is the director of “Hotel Rwanda,” one of the great films of all time, and writer of Jim Sheridan’s classics “In the Name of the Father” and “The Boxer.” We’re crossing our fingers on this one. “The Promise” should be catnip for studios in search of a big Oscar release at Christmas.

Kerkorian died 13 months ago, but his vision has been fulfilled.

The other gala announced by TIFF today is “Norman,” directed by Joseph Cedar, and starring Richard Gere and Steve Buscemi.

Robin Swicord wrote the screenplay with George, but Swicord also has a movie he directed debuting in Toronto. It’s called “Wakefield,” starring Bryan Cranston and Jennifer Garner. I have to concentrate on Swicord. He’s not Robin Colcord, from “Cheers.” And “Wakefield” is not about Dan Wakefield.

TIFF looks very promising this fall.

 

“Make A Wish” Gets New Meaning as Title of Film About Dying 14 Year Old’s Search for First Time Sex

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The Make-A-Wish Foundation gives dying kids all kinds of wonderful opportunities, from trips around the world to meetings with celebrities, adventures in unusual places.

But “Make a Wish” is about to have yet again a new meaning in the lexicon. A new movie called “Make A Wish” is about one we don’t hear about on the Today Show or “Ellen.”

The Paramount film is about a 14 year old boy who blackmails a recently disgraced (arrested for DUI) NFL player into helping him, er, “get laid.” Indeed. (I would bet this title is not sanctioned by that illustrious organization.)

The player will be played by the great Anthony Mackie. The kid is being cast right now, age 14 to 18, “a man trapped in a boy’s body…who knows his time is running out…”

There should be a lot of double entendres in this film– along the lines of scoring. The kid is described as terminally ill, so we know he’s going to die at the end of the film, having discovered friendship is more important than after glow. (So many jokes here– he’ll be able to have a post-coital cigarette since he’s already on the way out, etc.)

One of the best “mentoring” films in this mode was “Rodger Dodger” with Campbell Scott and introducing Jesse Eisenberg. Of course, no one died in that film.

Director is Justin Simien, who made the Sundance hit “Dear White People.” Unclear so far if the NFL will put up some dough for branding. Kids may start faking being sick just to get into this program. (That’s the sequel.)

Broadway: Tony Shalhoub, John Turturro, Jessica Hecht Coming in Arthur Miller’s “The Price”

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We’re going to have a busy Broadway winter season, with lots of stars, that’s for sure.

Emmy winner Tony Shalhoub is starring in Arthur Miller’s “The Price,” directed by Terry Kinney and co-starring John Turturro and Jessica Hecht. Whew! Performances begin Feburary 17th and the play opens March 17th. That’s three Tony nominations right there.

Kinney, a Steppenwolf alum, directed Neil Labute’s hit “Reasons to be Pretty,” plus many other shows. He’s also a well regarded actor, from “thirtysomething” right up through “Billions.”

Shalhoub, Turturro, and Hecht are all A listers. Hecht will be wrapping up her run as Golde in the “Fiddler on the Roof” revival. Turturro is involved in HBO’s hit drama “The Night Of.” Shalhoub is coming from the weird CBS summer dramedy “BrainDead.”

Also announced: Julie Taymor directing a revival of “M. Butterfly.” The original hit play starred John Lithgow and B.D. Wong. They’re casting now for the two principals.

Books: “Powerhouse,” the Untold Story of CAA Lands With a Thud in Bookstores, Etc

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You think the public wants Hollywood gossip. But they want it in a straightforward way, not mixed with bland recollections of Hollywood agents.

And so “Powerhouse: The Untold Story of Creative Artists Agency” is a hit at dinner, and broken up into news bits. But as a book, it’s a dud. It’s number 209 at Amazon, 408 on Barnes and Noble in hardcover, and number 1,001 on Amazon Kindle.

The public, it seems, isn’t so interested in a long Premiere magazine type oral history of a talent agency. Mike Ovitz’s memories and critiques were not clamored for summer reading.

In Malibu and East Hampton? Maybe. But in the summer of Trump, and police demonstrations, and Pokemon Go, not so much in 48 states.

Perhaps a version of “Powerhouse” just with anecdotes from movie stars, or about them. The ones I extracted about Cher and David Letterman were very readable. There was one I didn’t even use about Goldie Hawn wanting to be in “Thelma and Louise.” But otherwise, the machinations of Ovitz, and who liked who and who hated who, and whose mansion was built on what property– didn’t strike a note in the homeland. Or the Bread Basket.

But for entertainment press, and people who work in showbiz, or knew Jay Moloney, the tragic prince of CAA, “Powerhouse” is still a great read.