Monday, December 22, 2025
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Bruce Springsteen Signed Guitar Sells for $280K At 10th Annual Charity Show for Vets

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A guitar signed by Bruce Springsteen sold for $280,000 last night at the 10th annual Stand Up for Heroes charity show for veterans. Stand Up for Heroes is the brainchild of ABC News correspondent Bob Woodruff and his wife Lee. Bob was nearly killed in 2006 when he was embedded with US forces in Iraq.

The guitar also came with a promise from Springsteen– who performed for the 10th year in a row– of all “the hot dogs and hamburgers” the winner could eat with him at his favorite New Jersey dive. Springsteen may have also thrown in his mother’s lasagna.

The two guys who bought the guitar don’t play the instrument. But one of them, Dan Rosensweig, is a tech multimillionaire from Silicon Valley. The other is his New York pal, Dan Benton, who just happened to be on a date with “Law and Order” actress Stephanie March.

The last time I saw a Springsteen guitar go for so much was at the 2013 MusiCares dinner. The winner was Steve Jobs’ widow Laurene Powell, who bought it for her sister for $250,000.

The other stars who performed at Stand Up for Heroes in the Theater at Madison Square Garden were the creme de la creme of comedians– Jerry Seinfeld, Jon Stewart, Jim Gaffigan and Louis C.K. The evening was created a decade ago and still produced with panache and passion by Caroline Hirsch and Andrew Fox of Caroline’s Comedy Club as the kick off to New York Comedy Week.

Springsteen used to be joined by Robin Williams, an early supporter of the group, when Stand Up for Heroes launched at New York’s Town Hall.

Last night Andrew Fox estimates over $6 million was raised in total for veterans.

Later in the evening, Springsteen and the four comics helped auction off a Harley Davidson motorcycle that had been donated by a local dealer. When the bidding seemed slow, each of the stars offered to donate $50,000 to the charity if someone would buy the bike for $150,000. That did the trick. The comics also promised to eat dinner with the winner, just to get things moving.

Springsteen performed acoustic versions of “Dancing in the Dark,” “Long Walk Home,” “Working on the Highway,” and a couple of others with his usual ferocity. He interspersed the songs with some of his best “dirty” jokes, a Stand for Heroes tradition.

The comedians were all at the top of their respective games. They’re the best of the best, and needless to say, hilarious. “American Idol” star Phillip Phillips opened the evening with the National Anthem, and spotted in the audience were actor Adam Driver, restaurateur Drew Nieporent, Springsteen managers Jon Landau and Barbara Carr.

More on Jon Stewart later today…

Bruno Mars in Pop Plagiarism Claim of the Week: “Uptown Funk” Came from 1983 Record

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If it’s Tuesday, it must be time for a new pop plagiarism claim: the writers and makers of a 1983 record called “Young Girls” by a group called Collage say Bruno Mars and Mark Ronson’s “Uptown Funk” comes from their record.

“Uptown Funk” was already acknowledged to be nicked from a Gap Band record.

There’s a weird coincidence here. The lead track from the last Bruno Mars album was also called “Young Girls.” That’s from the same album that had Bruno’s Police soundalike song “Locked Out of Heaven.” Hmmmm….

You be the judge. Does “Young Girls” sound like “Uptown Funk”? Has sampling and interpolating gotten completely out of hand?

 

In Netflix’s “The Crown,” Prince Philip Is A Stud Muffin Who Sleeps in the Nude (And Is Seen That Way Too)

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“Is it good to be the queen?” Showbiz411.com asked Claire Foy.

The 32-year-old actress plays Queen Elizabeth II in “The Crown,” the new lush and lavish Netflix series about the early years of the Monarch’s reign.

“It’s certainly good to be Peter Morgan’s queen,” Foy said.

The aforementioned Morgan knows a thing or two about the subject; he’s spent the past 20 years writing about Elizabeth II, notably “The Queen” and the hit West End and Broadway play, “The Audience,” starring Helen Mirren.

At a recent BAFTA screening, Morgan sheepishly said he was not obsessed with Queen Elizabeth but just found he had a natural affinity for writing dialogue for her.

Foy was the star attraction at the junket to promote the series at the Essex House in Manhattan recently, along with Matt Smith (Prince Philip), Vanessa Kirby (Princess Margaret), Jared Harris (King George VI) and John Lithgow (Winston Churchill).

“The Crown” keeps it sexy among the Royals, casting them in a new light. Prince Philip in particular gets a major makeover and comes across as a doting dad and devoted husband. Also he comes off as a bit of a stud muffin and sleeps in the nude. (You can Google it.)

One scene that takes place in Africa while he and Elizabeth are on an official visit – and before she is Queen – shows Philip naked, sleeping on his stomach, showing off a shapely derriere.

Showbiz411.com asked Smith, who’s best known as the youngest Dr. Who in the long-running popular Brit series, what he thought Philip would say if he happened to catch that on his telly?

“Is that my bum?” Smith said laughing. “That’s the best bit of acting I did in the whole series. That’s my most truthful moment.”

As to why he felt the nudity was important in the telling of events, Smith laughed, “Stephen Daldry wanted them.”

“There’s like five or six of those shots,” Foy said. “There are quite a lot of bum shots of you,” she turned to Smith. “A crucial thing is that Philip sleeps naked. That was in the research. It’s just the fact that there are bed scenes and what do you do, put Philip in a pair of pajamas? That’s not right for the character.”

Smith added, “Would it have been the same if he’d have got up in a pair of pajamas? Is it not better this way?” (Yes we agree.)

Smith said of his character, “He was a very different man when he was young and even the man he is now. I think he’s completely misread.”

Another Royal who was often misread was Princess Margaret, played by 28-year-old English actress Vanessa Kirby, who said of her character, “Margaret died from several strokes from drinking and smoking too much and had lots of affairs and lived a full, crazy, brilliant and vibrant life but also for me, one that was tainted with so much sadness and pain and internal conflicts,” which the actress said was juicy and challenging stuff “to explore.”

Jared Harris is terrific as George VI, a man who never really wanted to be king. He dies in the second episode, but here’s hoping Harris comes back as an apparition.

Asked what he learned about the Royals that surprised him the most, Harris said that what “struck hardest home for me on this is Prince Philip, who’s probably been subject to the worst character assassination and ridicule and when you look and you see who he was back then, who he was in the beginning. I mean, what a magnificent man! He’s like a movie man. He’s a Greek god or something. He was absolutely fantastic! Also, we have a cynical attitude towards them in that we think that it’s an arranged marriage and that it’s not a sincere relationship. And then again when you look back you see that they were absolutely smitten with each other.”

Kirby asked, “Was it daunting when he jumps out of the bed in front of you starkers?”

She was referring to a scene where King George goes into Philip’s bedroom in the morning to make sure he’s properly attired to go duck hunting.

“No, I knew it was going to happen,” Harris said.

“He’s completely naked. We go straight into a room and there are two dressers there and we throw all the hunting clothes on him. It was a game. You look straight in the eye and although you know he’s completely naked you don’t say anything, and it’s about the embarrassment of it.”

“There was another scene after that,” Harris said, where King George walks into the corridor with the valet and eventually they look at each other and go, “Bloody hell!’ – We give an idea of Philip’s being well endowed.”

The most unconventional casting in the series is John Lithgow, the only American in a key role. Showbiz411 asked the two-time Tony winner if it always his dream to play Winston Churchill?

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“Never occurred to me,” he laughed. “I was astonished when I was offered the part. I’ve played FDR in my day with Bob Hoskins playing Churchill and Michael Caine playing Joseph Stalin in a television series in the early 90’s and even then it never occurred to me that I would play Winston Churchill. For one thing, Bob came up to here on me,” he pointed to his chest, “which seemed quite right and proper, even when I was in a wheelchair.”

It was casting director Nina Gold’s “bright idea” to cast him as Churchill Lithgow said. “Peter Morgan describes a certain Churchill fatigue that had kicked in. We’ve seen so many of the knights play Churchill by now. For some reason they thought this would shake up people’s expectations.”

Asked by a Brit journalist if he was apprehensive about talking on the ole of such a revered and iconic historical figure, Lithgow said, “Somewhat yeah. Not at first but when I started a couple of my British friends I could tell they were a little skeptical.”

Lithgow said Churchill helped prepare Elizabeth to be Queen. “His job was to give her confidence and make her feel like the Queen. And that’s a very general thing, the specifics are you never ask me to sit down and you never offer me tea,” lines the actor said came from “The Audience.”

As for what he thinks Buckingham Palace’s reaction to the show will be, Lithgow said, “You know it is a matter of such policy for them just never to say a thing in every area, including this. But I think this is going to be so good and so popular at a certain point somebody’s going to let slip how much they love it. And who wouldn’t want Clare Foy playing you as a young woman.”

Churchill doesn’t come off nearly as flattering. Lithgow plays him in his decline, when he was a doddering old man. He’s seems like a dirty old man in one scene. In another he stands up among his cabinet members and puts his hands down his pants for everyone to see. You can only imagine what the Queen would say to that although she’s probably wondering if Peter Morgan will ever let her alone.

“The Crown” debuts Friday, November 4 on Netflix.

Zayn Malik Leaves One Direction Bandmates Out of Book, Says He Has ADHD and Suffers from Anxiety

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One Direction’s Zayn Malik has published a book. Well, it’s like a book. It’s called “Zayn.” It’s also a souvenir, something for his fans to spend fifteen bucks on. It’s more like a press release, in long form, with photos.

Not mentioned: the names of any of his band members from One Direction, no Harry Styles, or Liam or Niall or Louis. Did he like them? Did they help him? Was there camaraderie or fighting? Were there resentments? Was he closer to one of the other? You won’t find out here.

There’s also no mention of Simon Cowell, who packaged the group from its appearances on his UK talent show. Zayn refrains from mentioning his girlfriend, the model Gigi Hadid, or any of her extended reality TV show model family. He does refer a couple of times to his former girlfriend, singer Perrie Edwards, only to say their relationship broke up.

Zayn does reveal that he was diagnosed with ADHD when he was younger.  He also suffers from anxiety, a word that appears 31 times in this very slim volume. That’s admirable, and quite an admission from a young man trying to make a big career on his own.

He writes: “Probably one of the worst experiences of anxiety I had pre-Wembley was in the lead-up to the iHeartRadio Music Awards in LA, not long after the album was released. I’d got myself into this headspace where I was just like, ‘No way. I can’t do it. I’m not doing it.’ Out of nowhere, I felt totally paralysed. My whole team came around to the house. They were trying to shake me out of it, but, for the longest time, I just couldn’t see how I was going to do it.

Then something clicked, and about thirty minutes before the show I managed to break through that wall, or whatever it was, and I did it. I felt sick. I was vomiting backstage before the performance, but I remember coming off after singing feeling so elated. It was so awesome playing that gig, the crowd was so supportive and it was like a huge victory for me: I hadn’t let my anxiety get the better of me; I’d done it.”

“Zayn,” the book, offers no insights into any of Malik’s experiences with the members of One Direction, or much about the band except that he didn’t like their songs in general. He was raised, he says, on Biggie Smalls, and Tupac.

One thing is for certain: Zayn’s book will find itself included in the hilarious “Celebrity Biography” readings off Broadway. And, maybe sooner, Stephen Colbert can do a dramatic reading from it.

Pop Chart Update: Lady Gaga’s “Joanne” in Sales Struggle Eleven Days After Release

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I think my neighbors three houses away just heard my audible gasp!

Lady Gaga’s “Joanne” album is in a chart free fall. It’s now number 4 back to number 2 on iTunes eleven days after it debuted at number 1.

On amazon.com, the physical CD has dropped to number 5 for the deluxe edition and 17 for the regular one..

The first week sales for “Joanne” were weak, with 161K copies sold, and another 40K streams. But it seemed like it was holding its own, and Gaga was doing lots of publicity. What wasn’t there was buzz, and a hit single on the radio.

All in all, “Joanne” has been a botched job. I can only think that the usual elements weren’t in place to make the album a hit. And now things are unraveling fast.

On iTunes, Gaga has been replaced by Kenny Chesney and two rap stars. And today is only Monday.

I still say her biggest issue is that she doesn’t have one single on the top 50 streaming singles chart put out by hitsdailydouble.com. That chart is full of today’s hitmakers and, like the radio top 40, it’s fueled by marketing money. You get the feeling that Interscope has no one working on “Joanne.”

This is in no way Lady Gaga’s fault. The album is very, very good. She’s a huge talent. But when there’s no internal support, albums die. That’s the brutal reality of the record business. It always has been.

 

Mariah Carey Engagement to James Packer 86d by (Maybe Former) Scientology Celebrity Wrangler

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In the end, Mariah Carey was not going to be a Scientologist. But her engagement to billionaire James Packer seems to have hinged on getting along with Packer’s right hand man, Tommy Davis, whom he hired earlier this year.

Many people, including TMZ, think Davis, the son of actress Anne Archer, is out of Scientology. But that’s inherently ridiculous. His mother and stepfather, Terry Jastrow, are embedded in the cult. His wife, Jessica Feshbach, comes from a family that’s donated millions to the cause of L. Ron Hubbard.

A few years ago, Davis was demoted by Scientology’s Napoleon, David Miscavige, and sent into the woods, so to speak. But this year, Davis re-emerged as Packer’s lackey, indicating that Packer was still connected to the group of nuts depicted in “Going Clear.” The conventional wisdom is that Miscavige sent Davis on a mission to make sure that Packer and his money wouldn’t be lost to Scientology by marrying Carey.

Now TMZ is saying that Davis clamped down on Packer’s spending regarding Carey, which may be correct. No one knows how to waste money like Mariah Carey. Still, the constant barrage of anti-Carey publicity that’s suddenly emerged has all the earmarks of a Scientology campaign. In the end, Mariah should be grateful she’s out of this mess.

It is kind of laughable to think that Mariah is ‘demanding’ $50 million from Packer for anything. I rather doubt it. Mariah has lots of money. If she wanted to stay in California, she’d buy a house. My guess is, she’ll return to New York. She’s a New Yorker through and through.

Also, Mariah and Packer still share a mutual friend in movie director Brett Ratner. Ratner, Packer, and Trump finance chair Steven Mnuchin run RatPac, a film financier that is underwriting a lot of Warner Bros. movies. Ratner has probably refereed an ending to this romance gone bad that doesn’t include payouts.

But Davis’s involvement with Packer should be more worrisome to those around him than anything to do with Carey.

Adele’s Favorite Singers are Bette Midler and Stevie Nicks, She’s Also Terrified of Drugs and Drinking

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In an excellent new interview– cover story of Vanity Fair by Lisa Robinson, Adele talks and talks and what she has to say is pretty interesting.

Her two favorite singers are Stevie Nicks and Bette Midler. She tells Robinson: “Stevie Nicks—”I can’t find the words to describe how much I love her”… About Bette, she says, “I’ve obviously loved her for years. I like her humor, but she’s a fucking great singer, a really amazing singer. When I watched her show, I felt like I was really watching the last legend. No one’s made like that anymore.”

Adele is also terrified of drugs and drinking since she had her son.

She says: “I’m too scared to ever take drugs. I used to love to be drunk, but as I got more famous I would wake up the next morning and think, What the fuck did I say and who the fuck did I say it to? I never had blackouts, but when you’re drunk and you go to a party, you’ll talk to anyone. I can see from an outsider’s perspective that I will never write songs as good as the ones that are on 21, but I’m not as indulgent as I was then, and I don’t have time to fall apart like I did then. I was completely off my face writing that album, and a drunk tongue is an honest one. I would drink two bottles of wine, and I would chain-smoke. Then I’d write the lyrics down and the next morning think, Fuck, that’s quite good.”Baby Angelo changed all that: “But since I’ve had my baby, I’m not as carefree as I used to be. I’m scared of a lot of things now because I don’t want to die; I want to be around for my kid. I’m very cautious, whereas I was never cautious before. I would never have done anything before that would make me die, but now I go out of my way to avoid anything that is remotely dangerous—like walking along a sidewalk. I’d rather walk on the grass or a lawn, rather than the pavement, in case a car crashes into me. Also, I don’t go out as much as I used to. I go to very civilized dinners, and I’ll go to work things when I have to, but you have to literally drag me onto a fuckin’ red carpet.”

Janet McTeer, Liev Schreiber Tear Up Broadway with New “Liaisons”: “It’s a beast of a play,” says Liev

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Maybe you know Liev Schreiber from “Ray Donovan.” In New York we know him as a killer stage actor. Janet McTeer is probably best known to movie audiences from “Tumbleweeds.” But we know her from Broadway, where her “A Doll’s House” is remembered by a lot of people as “the best thing I ever saw.”

The pair opened last night in a revival of Christopher Hampton’s “Les Liaisons Dangereuses,” the 1987 play that launched the late Alan Rickman into the stratosphere and for which Lindsay Duncan is revered. It’s hard to top an iconic production. But Schreiber and McTeer are perfectly matched, two of the strongest actors on the planet, and their pas de deux as two romantic schemers is not to be missed.

Really, I will go back and see it again before it closes in January. But in the meantime, “LLD” is a hot ticket as these two, plus the whole supporting cast, bring Hampton’s perfect adaptation of Pierre Choderlos de Laclos’s 1782 novel to life brilliantly. Even if you know the movie– which starred Glenn Close, John Malkovich and Uma Thurman– the stage version is a stunner, and certainly in its way much sexier.

In the opening night audience — a surprise– Naomi Watts, mother of Schreiber’s two sons, and recently separated from him, as well as “Ray Donovan” actor Steven Bauer (who came with the great character actor and restaurateur Paulie Herman), plus Tony winner Cynthia Erivo, designer Zac Posen, Bernadette Peters, and Pierce Brosnan, who had trouble finding his car outside the theater when the show was over.

At the after party at the Gotham Ballroom, Liev told me: “It’s a beast of a play. We’ve worked very hard on it.” When he’s done in January, Schreiber returns to “Ray Donovan,” which will now– as I broke a while back– shoot in New York so he can be at home.

PS Erivo– Tony winning star of “The Color Purple”– stays with her show until it closes in January. She still hasn’t found the time to sign a recording contract. Clive Davis? LA Reid? Where are you?

NFL’s Final Public Filing Shows Roger Goodell’s Disappearing Salary, Severe Drops in Revenue

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National Football League: Where has all the money gone? The final public filing for the NFL– they’re going private next year, taking all transparency with them– tells a strange story. The highly overpaid commissioner Roger Goodell is now “down” to just $15 million in compensation for 2015. (He made $35 million the year before, and $44 mil the year before that.) Goodell’s recent years of huge numbers brought a lot of criticism. Now there’s a suggestion that he’s deferring reported compensation until the NFL doesn’t have to file public reports as a foundation. And you know, he’s doing such a great job anyway!

The rest of the 2015 Form 990 report is a mystery, too. All the huge numbers from 2014 are severely reduced in 2015. Did revenue really fall from $619 million to $82 million? And did they really cut grants from $30 million to $2 million? NFL Foundation numbers seem to have deflated faster than Tom Brady’s balls!

nfl foundation

Still, the staff seems to be soldiering on. I give them credit. (I do love the way there are no commas in Goodell’s salary, but commas in all the others.)

Meanwhile TV ratings for the NFL are down by 11% this year.

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Box Office: Tom Hanks Goes 1 for 3 in 2016 as “Sully” Scores, “Inferno” and “Hologram” Wipe Out

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Tom Hanks swung for the fences in 2016 and came back with one home run, a miserable strike out and a long fly ball. They would be “Sully,” “A Hologram for the King,” and “Inferno.”

The latter made $15 million in its opening weekend, if that (the real count may be lower tomorrow). If “Inferno” hadn’t been released internationally before its US debut, it might have counted as a strike out too. But that worldwide audience saved it with over $130 million in early receipts.

“Inferno” was beaten at the box office by “Boo! A Madea Halloween,” which has triumphed over Toms Hanks and Cruise. Cruise’s “Jack Reacher” meanwhile has taken a beating, with a scant $39 million in the till so far. “Never go back” has proven to be a prescient subtitle.

Hanks was so good as Sully Sullenberger just six weeks ago that there was talk of an Oscar nomination. I still think that’s possible. He’d be wise to let “Inferno” burn out quickly and turn to a “Sully” campaign.

Meanwhile, the other sort of big loser seems to be “The Magnificent Seven” remake. The Antoine Fuqua-Denzel Washington ensemble has stalled at $90 million for the U.S. and a paltry $60 million abroad. With a cost of $100 million, “M7” is a drag. I don’t think sequels will be forthcoming. Too bad. The guys did a very good job.

As for Hanks, the way he’s choosing projects might be up for reconsideration. “Hologram” was a weird one. His upcoming “The Circle” looks even stranger. “Toy Story 4” is a long way off in 2019. We need Tom back in something light and smart, if there is such a thing or a person who can still do that with Nora Ephron gone.