Tuesday, December 16, 2025
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Michael Jackson Would Be Proud: Daughter Paris Reconnects with Macaulay Culkin, Son Prince Thanks Michael for “Values and Lessons”

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Paris-Michael_K._Jackson_(@parisjackson)_•_Instagram_photos_and_videos_-_2016-12-18_14.22.00Michael Jackson must be smiling in Heaven. Daughter Paris has obviously kept up with Michael’s pal Macaulay Culkin. She put a photo on Instagram during her current visit to New York. She’s painting Macaulay’s toes.

Meanwhile, brother Prince is doing charity work while going to college. He gave a great interview to the E! channel. He also posted to Instagram a lovely note thanking Michael: “To my dad, no one will eer know the values and lessons you’ve taught me in life.”

Nice kids, they’ve risen above the tragedy of losing their dad so young. They’re Michael’s greatest legacy.

Prince_Jackson_on_Instagram_“To_my_dad_no_one_will_ever_know_the_values_and_lessons_you_ve_taught_me_in_life.”_-_2016-12-18_14.30.16

Box Office Bonanza: “Rogue One” Kicks Off with $155 Mil US, Will Smith Worst Opening Weekend Ever

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Neither rain nor sleet nor snow kept “Star Wars” fans from “Rogue One” this weekend.

US total: $155 million.

International total: $290 million.

“Rogue One” is the 12 biggest debut of all time. And the 2nd biggest December opening of all time.

Meantime, Will Smith did have his worst opening ever with $7 million. “Collateral Beauty” couldn’t even get a loan from the audience.

Doing well among Oscar faves: “La La Land,” “Manchester.” Struggling: “Lion,” “Jackie.” “Lion” needs a wider release, an ad campaign and a PR blitz. Great movie but needs support. “Jackie” — surprised that it’s not doing better.

“Moonlight” is also stalling out. I think it’s a limited audience for an excellent movie. They will still get Best Picture, and Supporting Actor and Actress noms. I pray that A24 puts some muscle into “20th Century Women” and Annette Bening. This should be her year. I love Mike Mills’ movie!

Record Producer David Foster Turns Down Trump to Play at Inauguration And His Website is Knocked Offline

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David Foster is not playing at the Trump Inauguration. Despite a Page Six story that he would do it, Foster issued a statement yesterday that it’s not true. The statement is ‘un-presidented.’

“I was invited to participate and I politely declined,” Foster said in a statement. “I have no idea where this story came from. Neither me nor my manager was ever contacted by Page Six or any other media outlet.”

Foster is also not dating Christie Brinkley. They live on separate coasts and have many ex spouses between them. They’re just friends and had a nice time this week when Foster was in New York, a friend tells me.

But back to the inauguration. So far Trump has 16 year old Jackie Evancho singing the national anthem. Maybe Andrea Bocelli will sing, but he’s not even American. Otherwise, he’s only got access to Ted Nugent and Scott Baio. Even Kanye West turned him down. I told you weeks ago no one would want to play at this inauguration. It’s a bad look for any performer and could resonate negatively with their other business.

Ironically, the whole matter has crashed Foster’s website. It can’t be accessed.

Trump is now warring with the very clever Graydon Carter and Vanity Fair. It’s the best and most publicity Vanity Fair has received in a year. The funny thing is, the story about the Trump restaurant wasn’t even in the printed magazine. It’s online!

No one I’ve ever known has eaten in the Trump Grille in Trump Tower. It’s unheard of. The place is for tourists or foreign businessmen, I guess. But everyone has eaten in or wanted to in Graydon Carter’s three restaurants– the MonkeyBar, the Waverly Inn, and the Beatrice Inn. They are still hot spots with plenty of celebrities. But Trump Grill? Until Vanity Fair wrote about it, no one knew it existed.

Kate McKinnon’s Hillary Clinton Lampoons Andrew Lincoln’s Famous Sign Scene from “Love Actually”

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Kate McKinnon’s Hillary Clinton made a late appearance on “SNL” last night. She lampooned Andrew Lincoln’s sign scene from “Love Actually,” which actually was a descendant of DA Pennebaker’s signs from “Don’t Look Back.” Lincoln, of course, is now the star of “The Walking Dead.” Was there a subliminal message here that we are the Walking Dead because of the election?

SNL

 

Love Actually:
and yes, that’s the same guy from “The Walking Dead” long before he was a zombie

Bad News for Studio Films with Big Stars like Cruise, Hanks, Pitt, Pratt: Reviews Stink, Audiences Missing

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It’s a great season for small movie companies and independent minded movies, that’s for sure. From “La La Land” to “Manchester by the Sea” to “Lion,” “Moonlight,” and so on, awards and nominations are piling up. It’s not just The Weinstein Company either, but A24, Open Road, Amazon, and so on are names appearing in logos before they great movies start.

But for studios and big movie stars, it’s mostly bad bad news, bad reviews, and small box office returns. Already we’ve seen Tom Hanks go down in flames in “Inferno.” Tom Cruise’s fans didn’t go back to “Jack Reacher.” Brad Pitt and Marion Cotillard have divided few opinions in the messy “Allied.” This weekend, half a dozen name actors led by Will Smith are sinking under their own weight in “Collateral Beauty.”

And there’s more to come: Ben Affleck’s “Live by Night” will be DOA soon enough. Oscar winner Jennifer Lawrence and golden boy Chris Pratt are about to go splat in the futuristic “Passengers.” Cotillard, who won an Oscar and should only be in the best films, will squander more good will with Michael Fassbender in “Assassins’ Creed.” (Which of her fans wants to see a movie with the word ‘assassins’ in the title?)

Here’s a thought: last night, Nicole Kidman in the lovely “Lion” and her ex, Tom Cruise, in the unbearable “Jack Reacher 2” made just about the same amount of money. “Lion” was in 16 theaters, “Jack Reacher” was in 233. One is on the way up, the other on the way down. Small movie, big movie.

Steve Gaydos, the very smart executive editor of Variety, Tweeted today: “They’re shooting deals, not scripts.”

That’s about the size of it. Three decades of “packaging” by agents has left the film business in peril. Even the stars (well, most of them) don’t understand what’s been done to them. Few, like Nicole Kidman, get it. She takes a lot of indie films and fights for good roles. But over the currency of movie stars has been diminished by flop after flop. “Allied” has made just $37 million. “Jack Reacher” $58 million. “Inferno” $34 million. “Collateral Beauty” will be lucky to hit any of those numbers.

I’ll tell you what: it’s a drag for those of us who write about Hollywood. We want stars. We want successes. But we also want, like the audience, the thrill of a great movie. It’s getting harder and harder to find. So go see “Silence” and “20th Century Women” when they come out this week. Catch up with “Paterson” and “Captain Fantastic” and “Jackie” and “Loving.” We’ve got to appreciate what we do have!

“Rogue One” Blasts Off to $71 Mil Thurs-Friday Opening, Will Smith Loses “Collateral” with Worst Ever Friday

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“Rogue One” has launched with wild success. The new “Star Wars” movie took in $71 million on Friday including Thursday previews of $29 million.

LucasFilm and Disney are now looking at a $150-$160 million opening weekend. It’s the second best December opening ever. The first best was last year’s “The Force Awakens” chapter of “Star Wars.”

Number 3 on the list– the final “Hobbit” movie– is far back in the pack at $85 million.

Meanwhile, Will Smith’s god awful “Collateral Beauty” made $2.4 million last night and might hit $7 million for the weekend. That will be Will’s lowest opening since 1993 and “Six Degrees of Separation.” This includes recent flops such as Focus, Concussion and Winter’s Tale.

I saw “Collateral Beauty” a few weeks ago and loathed it so much I couldn’t speak. But there was a review embargo until the last minute for obvious reasons. Manipulative and contrived, “CB” is the fake version of “Manchester by the Sea.” It feels like it’s written by a 7th grader. It’s so phony, such a studio concoction, and artless it’s hard to imagine how it happened.

“Collateral Beauty” should have been called “Payday.” So many fine actors and Oscar winners/nominees– Helen Mirren, Kate Winslet, Edward Norton, Keira Knightley, Smith himself, Ann Dowd, not to mention Scientologist Michael Pena, and they’re all wasted. Mirren comes off the best, Winslet the worst. And everything else is just ridiculous. Avoid this movie. You have Lion, Manchester, La La Land, Moonlight for starters. Why waste your money on this?

Why does Will Smith take these roles? Ever since “The Pursuit of Happyness” he’s felt like he’s a savior of some kind, self-righteous, earnestly phony, humorless and pushy. He went from being Mr. Fun to Gag Inducing. Remember “Seven Pounds”? But this one is the worst. “Suicide Squad” was a step forward and this is three steps back. He’s got to stop it. Carlton would be horrified.

Exclusive: Al Pacino, Judith Light Will Try Out Tennessee Williams Play Pre-Broadway Run

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I broke the news about Al Pacino and Judith Light in “God Looked Away” last June. Then I told you in August the production would go up in Los Angeles before coming to Broadway.

Now I can tell you that the play written by Dotson Rader (based on his 1985 book) and directed Robert Allan Ackerman will open at the Pasadena Playhouse on February 8th and close March 19th. And if the reviews are glowing, “God Looked Away” will move immediately to Broadway in search of Tony Awards.

And why not? Pacino is a superstar, Light has two Tonys. Rader has been working on this most of his life; he had a relationship with Williams. Rader will be played on stage by Miles Villanueva, who was most recently a bad corporate guy on “The Young and the Restless.”

Pacino was badly bruised in David Mamet’s “China Doll” last season. But now he’s fresh off his Kennedy Center Honors award, and ready to take Broadway by storm. This could be the perfect way back. And in a season of many older stars circling the Tonys (think Sally Field and Bette Midler, for example) Pacino could be the one who jumps ahead.

 

 

Rapper J Cole Scores 3rd Biggest Hit of the Year with 500K Sales of “4 Your Eyez Only”

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Bemoaning the end of the record industry? Not so much today as J Cole, hip hopper and rapper, has scored the 3rd biggest hit of the year with his new album “4 Your Eyez Only.” (Only Drake and Beyonce had bigger debuts in 2016. And Adele dwarfed all of them last November 2015.)

The album debut  t0day with over 511,030 copies including streams. His total physical sale was 377,529. The numbers are from hitsdailydouble and BuzzAngle.

Cole beat out number 2, Pentatonix, which sold 150,000 copies of its new Christmas album and another 50,000 of last year’s Christmas album. The Weeknd and Bruno Mars rounded out the top 5 with or without streaming.

The Rolling Stones had a very decent second week for “Blue and Lonesome.” They only dropped 66% and sold 40,000 copies. These days, that’s cause for celebration!

The J Cole album comes from Universal Music and Roc Nation, Jay Z’s label (just in case you wondered what Jay Z did all day). The story is that J Cole — his name is Jermaine– was  a musical prodigy as a kid, started rapping, became a producer, made mixtapes, and really worked his way to the top. This is his fourth studio album in five years. “4 Your Eyez Only” is also on Cole’s own imprint, Dreamville Records.

Box Office: “Rogue One: A Star Wars Story” Thursday Previews Rack Up Over  $62 Mil Internationally

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“Rogue One: A Star Wars Story” took in over $29 million last night in Thursday previews. It also scored $33 million abtoad. The Star Wars film opens in the widest release ever today, and the Thursday take will be counted as part of Friday’s box office.

This new installment of the Star Wars saga has an 85 rating on Rotten Tomatoes, but that doesn’t mean anything. Fans are going to see it over and over, no matter what.

Still, “Rogue One” is going to be a big hit. Judging from Twitter responses last night, that final sequence– and final scene– are like a dream come true. The flourish which links “Rogue One” with “A New Hope” sends the audience out with huge smiles, and that’s going to make it a blockbuster.

So keep refreshing for the updated Thursday number…

Julia Roberts, Once Top Female Draw, Makes Move To Television as Box Office Declines

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It’s happened to many, many movie stars in the past. Time has caught up to Julia Roberts. Once the reigning star of the big screen, she’s heading to television.

Roberts has signed to make a limited TV series for Megan Ellison’s Annapurna Productions. It’s Roberts’ first test of getting into TV, and at least she’s signed with a hot company known for quality product. Annapurna will then field offers from HBO, Showtime, Amazon, Netflix and so on.

For Julia, it’s inevitable as she heads into her 50s that TV in some form is her future. Many actresses have made the transition a triumph. Candice Bergen is the best example, with “Murphy Brown.” Bergen won many Emmys and made a small fortune with her show. And she was never the box office draw that Roberts was in the 90s.

But now Roberts has had to face facts. Her last real ‘hit’ movies were in 2010– “Eat Pray Love” and “Valentine’s Day.” She had an enormous run of $100 million movies ending with “Erin Brockovich” in 2000 and an Oscar for Best Actress. After that her biggest successes were in ensemble pieces like the “Oceans’ Eleven” series. Her last film, “Money Monster,” with George Clooney, was a disaster at $41 million. (By the way– where is George Clooney? I kind of miss him. Your break is over, George!)

Lots of stars are signing up for TV shows and mini series including Robert DeNiro, Meryl Streep, and Julianne Moore. But for Roberts, this is a smart career move. If Viola Davis can be in a TV series and still get Oscar nominations, I say follow that example!