Friday, December 19, 2025
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Harrison Ford, Sharon Stone, Sam Moore, David Foster Raise Millions for 23rd Annual Celebrity Fight Night

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Last night in Phoenix: Celebrity Fight Night went on for the 23rd year without the late Muhammad Ali, but always in his honor and memory with lots of celebrities and no fights! Harrison Ford, Sharon Stone, “Soul Man” Sam Moore, Reba McEntire and more helped Lonnie Ali, the Champ’s widow, and Jimmie Walker raise millions for Parkinson’s research.

Rock and Roll Hall of Famer Moore roused the crowd with “Take Me to the River,” “God Bless America,” and “Soul Man” led by David Foster and the orchestra.

Other performers included Reba, Dennis Quaid, Brooks and Dunn, Colbie Caillat. Mike Love of the Beach Boys closed the night with a medley of the group’s Brian Wilson-penned hits.

Harrison Ford and Italian fashion designer Stefano Ricci were honored with the 2017 Muhammad Ali Celebrity Fight Night Awards.

Other celebs who attended the weekend events included Sharon Stone, Laila Ali, John Paul DeJoria, Bo Derek, Larry Fitzgerald, Kirk Gibson, Cale Hulse, Robert Kennedy Jr., Larry King, Nancy Lieberman, Gena Lee Nolin, Bob & Renee Parsons (he started GoDaddy, now runs a big foundation wth that co-sponsored), the very funny Melissa Peterman, and uber Olympian Michael Phelps.

Harvey Weinstein Ready for a Comeback as “Lion” Mauls “Moonlight,” Mogul Sets Dates for 2018 Oscar Films

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Best Picture nominee “Lion” crossed the $50 million mark in the US today. It’s made almost $125 million worldwide.

The Garth Davis directed hit represents a big comeback for The Weinstein Company, which is just shaking itself loose of a lot of films that didn’t work for one reason or another including “The Founder” and “Gold.”

“Lion” had less heat attached to it than “Manchester by the Sea” or “Moonlight.” But it wound up making more money than either of them including the latter, which won Best Picture. Among straight ahead quality dramas, “Lion” turned out to be the most popular. Both Nicole Kidman and Dev Patel reaped Oscar, Golden Globe, and SAG nominations. Eight year old Sunny Pawar became a worldwide sensation. (I just hope he’s settled down at home and going to school!)

Now— after a desultory couple of years– Harvey Weinstein seems to be re-energized. In fact, Harvey has just announced a fall slate of no fewer than FIVE films that sound Oscar worthy but also like hits.

The big one is “Lion” director Garth Davis’s “Mary Magdalene” starring Rooney Mara, Joaquin Phoenix, and Chiwetel Ejiofor. “MM” will hit screens around Thanksgiving.

That will be followed by “The Current War” directed by Alfonso Gomez-Rejon (“Me and Earl and the Dying Girl”). Benedict Cumberbatch and Michael Shannon, each past Oscar nominees, star as Thomas Edison and George Westinghouse. The ‘war’ is about electrical current, and who put Ben Franklin’s discovery to use first. If that’s not an Oscar movie, what is?

For a late summer release, TWC has “Wind River” a thriller with Jeremy Renner and Elizabeth Olsen set for August 4th. “Hell or High Water” writer Taylor Sheridan makes his directing debut.

TWC also two more Oscar lures awaiting release dates– Diane Keaton in “Hampstead” and the US remake of “The Intouchables” called “Untouchable” with Bryan Cranston, Kevin Hart, and Nicole Kidman.

There’s also the long held “Tulip Fever” on August 25th with a big all star cast Alicia Vikander, Christoph Waltz, Dane DeHaan, Holliday Grainger, Judi Dench, Matthew Morrison, Tom Hollander, Cara Delevingne.

But it’s those first three, and the undated pair, that indicate TWC may come roaring back. Studio fates are certainly cyclical. And it seems like the cycle has come back to Harvey. And you know that will be fun.

Jimmy Breslin, Legendary NY Newspaper Columnist, Reporter, Dies Age 86 or 88

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It’s almost fitting that no one can get Jimmy Breslin’s age right today. A reporter who lived on precision and fact, Breslin is pegged by the New York Times as 88, Wikipedia as 86, the Daily News (his longtime employer) at 87.

Jimmy Breslin was ageless. We flew on the same plane to the Democratic convention in Denver in 2008. Let’s say he was almost 78 years old. We arrived at the Denver Sheraton around 9pm and they’d sent all the porters home. It was two nights before the convention was going to begin, so they didn’t think they’d need any. (Denver– another story altogether.) I helped Jimmy carry in his and his wife’s bags. He was as raring to go as any young reporter. After all, I don’t think he’d missed a convention in 50 years. This one was probably his last.

I knew Jimmy a little from Elaine’s, and from various events I covered. He was larger than life, from all his reporting, and from Son of Sam in 1977. And from fighting with Norman Mailer but running with him for mayor against John Lindsay in 1969. Pretty much from the 60s into the 90s and almost up to 2008, Jimmy Breslin was the voice of New York. No one ever eclipsed him.

One of Robert DeNiro’s first movie roles was in “The Gang That Couldn’t Shoot Straight” adapted from Breslin’s 1969 novel about mobsters who couldn’t get anything right. The book was a hit, the movie was so-so, but the title outlasted everything. That title is used as headline or comment constantly for the last 40 years whenever any group of anything screws up. So Jimmy leaves that as a legacy as well as his Pulitzer, his other accolades, and all the regular people he wrote about. He illuminated our lives. I was happy– eager– and honored– to carry his bags that night.

Mick Jagger on Chuck Berry: “He blew life into our dreams of being musicians and performers”

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Mick Jagger on Twitter:

The Best Chuck Berry Covers: Johnny Rivers, The Beatles, Beach Boys, Led Zeppelin, Linda Ronstadt, ELO, Emmylou Harris, etc

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Chuck Berry, like every good inventor of something, borrowed from everywhere to create his sound. He had several forerunners including Dizzy Gillespie, from whom he ‘adapted’ his sound. Listen to Gillespie swing.

But here are some other covers of Berry songs that became well known following Berry’s advancing of the rock and roll sound. Ike Turner, separate from his domestic abuse issues, was also considered a precursor of Berry.

For the absolute in Chuck Berry check out Taylor Hackford and Keith Richards’s doc “Hail Hail Rock and Roll.”

1. THE BEATLES

2. THE BEACH BOYS

3. ELECTRIC LIGHT ORCHESTRA

4. EMMYLOU HARRIS

5. THE ROLLING STONES

6. JOHNNY RIVERS

7. LED ZEPPELIN

8. LINDA RONSTADT

9. JOHN PRINE

10. WAYLON JENNINGS

11. RORY GALLAGHER

12. AC/DC

13. PETER TOSH

14. GEORGE THOROGOOD

15. PAUL MCCARTNEY

Chuck Berry, the Founding Father of Rock and Roll, Dies at 90 But His Music Lives On

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The founding father of rock and roll, Chuck Berry, has died at 90. He laid the complete groundwork for anything you think of as rock and roll, or R&B even, from the guitar riffs to the look. He invented the duck walk. The Beach Boys owe their early career to him, so do the Beatles, to a great extent. Everyone copied Berry’s “Rock and Roll Music.” “Maybelline” and “Johnny B. Goode” were his signature songs, covered over and over. Ninety years is a long life. Berry was an inventor, a genius, a mad man, and just as difficult as he deserved to be. Just watch Taylor Hackford’s great documentary with Chuck, featuring Keith Richards– “Hail Hail Rock and Roll.” Chuck drove the two of them mad.

But watch these videos. Fresh as ever. The hair on the back of your neck still jumps up.

In 1972, when Chuck had been out of the mainstream for several years, he came back one last time with a huge number 1 hit, “My Ding a Ling.” Banned by a lot of radio stations, the record outsold everything he’d done before.

with John Lennon:

Who’s left? Jerry Lee Lewis, Little Richard, and Fats Domino. God bless them.

Mel Gibson Suddenly Wants to Help Holocaust Survivors, and He’s Publicizing It Like a Movie

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Mel Gibson knows no shame.

Ten years after his anti-Semitism was revealed in a DUI arrest, he’s still trying to figure out how to undo the massive damage he did to his career.

Let’s not forget that the DUI came AFTER we learned that his father was a Holocaust denier, that he wouldn’t dispute his father’s writings, that Mel funded a church that now has a $70 million value for parishioners who still blame Jews for Jesus’s death. The church more than anything is a reality.

Yet, Mel knows that he must do something to spin his past messages. So now he’s something gotten involved with a group called the Survivor Mitzvah Project. They’re a fine little organization in Los Angeles with a smallish budget run by a woman named Zane Buzby. They give away a little less than $500,000 a year to help Holocaust survivors. On their website, they feature celebrities who’ve helped them or lent their names. Gibson’s is not one of them.

But in the last two days, Gibson’s name has turned up on “Extra” and in People magazine as one of their secret benefactors. It’s a bit of remarkable public relations item planting that should fool no one. But it helped get Buzby’s name in the press– she’s being honored by the Anti Defamation League on March 30th so this has been the hook of her interviews. Buzby worked in TV from the mid 80s to the mid 90s as a sitcom director and writer.

In the decade or more since the reveal of Gibson’s anti-Semitism he’s never once had any association with a Holocaust group. Suddenly he’s “supporting eight Holocaust survivors” around the world. Has he mentioned to them his connection to the denial of the death of 6 million Jews? Has he mentioned his statement to Peggy Noonan that “the Holocaust is a numbers game”? Somehow I doubt it.

Remember: In that decade, as he built up a $70 million in his church’s war chest, he hasn’t given a penny to any Holocaust museum, to the Shoah Project, or to any number of groups associated with Holocaust education.

I’ve emailed Buzby and will report faithfully what she has to say.

Box Office: Disney Scores a Home Grown Rarity Monster Live Action Hit with “Beauty and the Beast” $63.7 Mil Friday

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Disney is celebrating this morning. “Beauty and the Beast” scored $63.7 million from Thursday to Friday. It’s heading to a $150 million plus weekend and a spot on the top 10 box office list of all time.

If Saturday and Sunday numbers are comparable, the total could be around $170 million.

That would put star Emma Watson in a rare category of being the guest in another block buster along the lines of “Harry Potter.” Of course, in this case, there is no sequel. (Please God.)

If “B&B” beats $179.1 million posted by “Captain America: Civil War” last year, the fanciful musical will be the fifth biggest opening weekend of all time. Disney already has most of the top 10 openings thanks to its acquisition of Star Wars and Marvel.

But with “B&B” this will be an actual Disney home grown movie, a rarity. They scored last year with “Jungle Book,” but Disney’s live action hits are not usually hits (See “Lone Ranger”) other than “Pirates of the Caribbean.”  With “The Lion King” next, Disney can turn all their cartoons into live action movies.

 

 

Soap Opera Cliffhanger: “All My Children” Creator Agnes Nixon’s Posthumous Memoir Has A Big Mistake In It and Many Glaring Omissions

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What a shame: my cursory reading of Agnes Nixon’s posthumous memoir “My Life to Live: How I Became the Queen of Soaps” has uncovered several important errors and omissions.

I really liked Agnes, and interviewed her back in the 90s for the New York Times about living in the tony Lombardy Hotel on West 56th St. which housed the famed French restaurant Laurent. She was then running two hit soap operas which she had created for ABC in the 1960s, “All My Children” and “One Life to Live.”

I don’t know how “My Life to Live” came to be considering that once ABC sold Mrs. Nixon out to Prospect Park Productions and killed her shows in 2010, she went into decline. She died last year at age 92 from Alzheimer’s and Parkinson’s– a cruel ending for such a talented and imaginative writer. But no one fact checked this book, and whoever put it together didn’t know the early history of her shows.

al freeman and ellen hollyKey to Nixon’s success was her launch of “One of Life to Live” in 1968. The show addressed social and racial issues that had never been dealt with on soaps and rarely on nighttime TV. She created a character called Carla Gray, played by Ellen Holly, who was black but passed for white. That much the book gets right. But from there, the story is lost and there is a huge mistake. The book says Carla fell for a “white police lieutenant” named Ed Hall. But as everyone knows, Ed Hall was black, and he was played by the great Al Freeman, Jr. This was a hot story at the time. Maybe Nixon was unaware that Laurence Fishburne, who played Ed and Carla’s son, became a big star.

The book also gives zero attention to Judith Light who got her start on “One Life to Live” and won an Emmy award for playing Karen Wolek. Strange. Light went on to become an esteemed theater actress who’s won two Tony Awards in the last decade. There’s also nary a nod to Erika Slezak, who won three Emmys over 30 plus years playing the lead character on that show. Tommy Lee Jones also started on “One Life to Live,” but he’s omitted as are several others who went on to greater fame like Tom Berenger. It might have been interesting to hear Nixon’s thoughts about her original “AMC” heroine played by Karen Lynn Gorney– who was written off the soap and then had a surprise success in “Saturday Night Fever.” So there.

How did Agnes Nixon feel about all these actors who she launched to great success? We’ll never know. Nixon looked very patrician, but she was a savvy businesswoman in her day. She lured stars from her early shows, As the World Turns and Another World, to her newer shows to kick up ratings and get publicity. But there’s no insight about how that worked.

And as for Al Freeman, Jr., he’s dead now so he probably won’t mind that Nixon forgot him. Freeman– who isn’t mentioned at all in the book– was a big deal. Too bad. Al Freeman played Ed Hall for 25 years on “One Life to Live” and was the first black man to win the Daytime Emmy for Lead Actor.

It’s a shame that Nixon’s one shot at a memoir that could have been comprehensive– and factually correct– has been squandered. (PS There are also a lot of typos. Or just mistakes.)

 

In the Lady Gaga-Bradley Cooper “Star is Born” No One Will Say “My Name is Mrs. Norman Maine”

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Bradley Cooper and Lady Gaga are casting now for their version of “A Star is Born.”

There have been three movies with that title. In all of them, the main characters are Esther Hoffman (known as Vicky Lester in the Janet Gaynor and Judy Garland versions) and Norman Maine (redubbed John Norman Howard in the Kris Kristofferson incarnation).

In the Barbra Streisand-Kristofferson version, Babs was called Esther.

Famously, at the end of the earlier versions, Esther greets a Hollywood crowd and says “Hello, My name is Mrs. Norman Maine.”

Alas, Norman and Esther are too old school for the new generation. The main characters are now called Jack and Ally. I guess young people will only relate to the same names they hear on TV on every freaking show. Norman and Esther? God forbid. In the new version, at the end, Gaga will probably come out and say.
“I’m Mrs. Jack whatever, or I’m Ms. Ally so-and-so.” It sounds like the main characters from Lost and Ally McBeal finally get together.

And the funny thing is, Norman Maine would be a great name for an actor or movie star now. Gaga saying “Hello My name is Mrs. Norman Maine!” hands in the air before playing a big final number in a stadium would be a cool way to the end film. But it ain’t gonna be.

Production begins April 17th. In the meantime, they’re also casting for a Middle Eastern type who’s a savvy producer in his late 20s, early 30s. Guys, hire Kal Penn. That’s all I’m sayin’.

Meantime, Bill Condon– celebrating today with a monster hit in “Beauty and the Beast”– is the latest director announced attached to “A Star is Born” the play, set for Broadway.