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New Trump Book Turns Washington Upside Down: Michael Wolff’s “Fire and Fury” Hits Number 1 Days Before Publication

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Wednesday was a wild day for Donald Trump. While he was busy tweeting inanities to distract the media, a ticking bomb went off that changed everything.

Excerpts from Michael Wolff’s forthcoming book, “The Fire and The Fury,” exploded like landmines everywhere Trump wasn’t looking: The Guardian, New York Magazine, and so on. In a matter of an hour, everyone knew what was going on. Steve Bannon, Trump’s former right hand man and political philosopher, had done him in interviews with Wolff.

The worst of it: Bannon had created a tagline no one would forget. The Line had to do with Donald Trump Jr.’s meeting with the Russians. Bannon said that when Junior was finally interrogated, he’d crack like an egg. Specifically: “They’re going to crack Don Junior like an egg on national TV.”

Bannon also called the meetings “treasonous.” He told Wolff: “You realize where this is going. This is all about money laundering. Mueller chose (senior prosecutor Andrew) Weissmann first and he is a money-laundering guy. Their path to f—ing Trump goes right through Paul Manafort, Don Jr and Jared Kushner … It’s as plain as a hair on your face.”

This sent the book to number 1 on Amazon, Barnes & Noble, and anywhere else books could be pre-ordered. When it’s released on January 9th, “The Fire the Fury” is going to send Sarah Huckabee Sanders and Kellyanne Conway into convulsions.

Plus, the Donald himself didn’t help matters as he disowned Bannon, claiming — as he’s done with Manafort, The Mooch, and Michael Flynn– that he never really knew him or worked with him– all lies,  as everyone, even the grandchildren know.

Trump tried to wiggle out of this mess with a statement that will haunt him:

Steve Bannon has nothing to do with me or my Presidency. When he was fired, he not only lost his job, he lost his mind. Steve was a staffer who worked for me after I had already won the nomination by defeating seventeen candidates, often described as the most talented field ever assembled in the Republican party.

Now that he is on his own, Steve is learning that winning isn’t as easy as I make it look. Steve had very little to do with our historic victory, which was delivered by the forgotten men and women of this country. Yet Steve had everything to do with the loss of a Senate seat in Alabama held for more than thirty years by Republicans. Steve doesn’t represent my base—he’s only in it for himself.

Steve pretends to be at war with the media, which he calls the opposition party, yet he spent his time at the White House leaking false information to the media to make himself seem far more important than he was. It is the only thing he does well. Steve was rarely in a one-on-one meeting with me and only pretends to have had influence to fool a few people with no access and no clue, whom he helped write phony books.

We have many great Republican members of Congress and candidates who are very supportive of the Make America Great Again agenda. Like me, they love the United States of America and are helping to finally take our country back and build it up, rather than simply seeking to burn it all down.

Justin Timberlake Update: Four Videos Will Drop Before Album Release, First One on Friday

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So here’s more on Justin Timberlake’s “Man of the Woods” album. A first single and video drop on Friday, they’re called “Filthy.” I don’t know if this is because you get filthy if you walk in the woods. Wipe your feet on the mat before coming inside…

Then starting January 18th, for three Fridays, there will be three more singles with videos. No titles yet. But in keeping with the woods theme, I hope JT has updated Fleetwood Mac’s “Bare Trees.”

Guests on the album include Alicia Keys, Timbaland, Pharrell and the Neptunes, and country superstar Chris Stapleton.

According to a press release: The colorful, futuristic music video for “Filthy” was directed by groundbreaking and multiple award-winning director Mark Romanek.  The dance heavy video features Timberlake as a modern day inventor presenting his latest creation to the world.  This is the second time Timberlake and Romanek have teamed up for a one-of-a-kind video.

I read one interesting take on JT’s announcement so far claiming that he was “rebranding as a white man.” This sounded good, and was clickbait, but with Alicia, Timbaland and Pharrell involved, I don’t think that’s going to stand up. We’ll see…

No word on whether “Can’t Stop the Feeling” will be an album extra, etc. But you can bet that will be a big part of JT’s Super Bowl show on February 4th– and should send that single right back to the top of the charts by the end of the evening!

 

Justin Timberlake Adds New Album “Man of the Woods” to Super Bowl Weekend February 2nd

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Justin Timberlake has announced his new album, called “Man of the Woods.” It’s coming February 2nd, a new single hits this Friday. Justin’s “Can’t Stop the Feeling” was the biggest chart hit of 2016. Timberlake’s timing is exceptional. He will headline the Super Bowl two days later, on February 4th. Last year, Lady Gaga’s Super Bowl performance sent all of her records onto the charts and radio. It made a hit of her “Joanne” album, which had languished for several weeks. So circle Monday February 5th, when all the news will be about Justin Timberlake (not to mentions something from Janet Jackson).

A Today Show First: Hoda Kotb Named Co-Anchor with Savannah Guthrie

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NBC News and the Today Show made a great decision this morning. It’s not a broadcast first but a first for the Today Show certainly. They named Hoda Kotb as co-anchor of the Today Show, with Savannah Guthrie. It’s the first time two women have anchored a morning show together since Robin Roberts and Diane Sawyer on “Good Morning America.”

Barbara Walters must be smiling. She was the first female co-anchor of Today or any show pretty much. She fought like crazy to get that distinction and gained it in 1974 after 13 years with the show. Other women followed Walters including Jane Pauley, Deborah Norville, Katie Couric, Meredith Vieira, and Savannah Guthrie. But two women, no male anchor? It took the firing of Matt Lauer for it to happen.

Hoda, who is wildly popular, will also continue to co-host the 10am hour with Kathie Lee Gifford. This means Kotb, 53, and a recent mother, is now the most powerful woman at NBC News. And that’s really good news for a change.

Unhappy New Years Day: “Last Jedi” Knocked Off Number 1 by “Jumanji” Reboot

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It seems like New Years Day was an unhappy one for “The Last Jedi.”

On its 18th day of release, the latest “Star Wars” movie was supplanted at number 1 on the box office chart by the reboot of “Jumanji.”

“Jedi” took in $15.7 million. “Jumanji” scored over $16.1 million. “Jumanji” is in its 13th day of release.

For “Jedi,” losing number 1 less than three weeks after release is a little surprising. But as I’ve told you right along, the new “Star Wars” movie hasn’t been keeping pace with its predecessor, “The Force Awakens.”

The older movie was at $750 million by its 18th day. “Jedi” is at $533,089,000.

Meanwhile, one Oscar-buzzed movie that’s booming is Steven Spielberg’s “The Post.” Still in limited release, “The Post” had made $2 million in 9 theaters in 11 days. It won’t go wide until after the Golden Globes this Sunday, when the Meryl Streep-Tom Hanks hit should do very well.

“Star Wars” Good News, Bad News: Crosses $1 Bil Mark Worldwide, But Still $225 Mil Behind “Force Awakens”

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A hard year at the box office ends tonight with good news and bad news for “Star Wars.”

“The Last Jedi” has crossed the $1 billion mark worldwide, divided evenly between US and international box office.

That’s the good news.

The bad news is that “The Last Jedi” is now $225 million off the mark of “The Force Awakens.” That’s a lot of money, the cost of a whole “Star Wars” movie really.

The gap will grow wider as January tickets slow, everyone goes back to school and work, and thoughts turn to saving the 2018 box office.

Of course, there’s still tomorrow, New Year’s Day, or tonight, in the frigid cold for most of the country for one last hurrah.

And then there will be the countdown of real disasters for the fall season: “The Greatest Showman,” “Pitch Perfect 3,” and so on. On the good news front: Fox’s “Murder on the Orient Express” crossed $100 million US today. That’s a total $313 million worldwide. Can “Death on the Nile” be far behind?

Seeing Bette Midler for $229 a Pop As She Finishes Her Run in “Hello, Bette”–er, “Hello, Dolly!”

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Bette Midler is winding up her run on Broadway as Dolly Levi in Hello Dolly!– or Dolly Levi as Bette Midler in Hello, Bette– so I finally coughed up the $229 and saw her on Friday night at the Shubert Theater. You know, she wows the crowd, getting a standing ovation in the second act for pulling off the famous theme number (parodied years later by Mel Brooks as “Springtime for Hitler”). Her voice is top notch, she’s smiling from ear to ear and giving it all she’s got– which is plenty at age 72, the oldest performer to play Dolly on Broadway.

Bette’s run looked like a cash grab from day one. She’s making about $100,000 a week or more as the show has grossed an average of $2.4 million weekly– except when she’s not there. Midler’s had not a few ten day vacations through her season. But there she is, Bette Midler, large as life, probably in her final big run on Broadway and the only time she’s been in a proper musical. (“Clams on the Half Shell” doesn’t count.)

She’s splendiferous in the costumes, and knows when to chew scenes a la Carol Channing, Pearl Bailey, Ethel Merman. In the second act she can kibbitz and carry on just enough to make it look ad-libbed, but it’s clear she’s having some fun at least. And again, the voice– the voice was in rare form on Friday night, none of the hoarseness I’d heard about. Dolly has to shoulder some big numbers– “Put on Your Sunday Clothes,” “Before the Parade Passes By” and the big title sequence. To her credit, Bette not only survived those but knocked out a home run on her final number, a total solo called “So Long, Dearie.” She actually seemed to relish the solo.

The whole cast is top notch, especially Gavin Creel (from “Hair”) as the 33 year old virgin Cornelius, and the sensational Kate Baldwin as Irene Molloy, the young widow who gets with the program fast. Luckily, I think those two are sticking around when Midler is succeeded by Bernadette Peters in late January. David Hyde Pierce is a little miscast as Horace Vandergelder, but he pulls off the role with aplomb. The producers added a cut number from the original production to give DHP’s Horace some more substance– and it works.

Still, as a “Hello, Dolly!” expert (we saw it a lot as children and young adults), I kept getting the feeling that we were seeing “Hello, Bette!” Midler wasn’t convincing conveying Dolly’s grief for her dead husband, or Dolly’s sensible acknowledgment that it was time to move on. I do think Bernadette Peters is going to bring Carol Channing’s sensibility and maybe a little gravity to the role– she is no less a superstar. But for now, to wrap up 2017, Bette Midler got the last word: boffo.

The Amazing Life She Lived: Raising a 2017 Glass to Liz Smith, the Greatest of the Greatests

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Today’s NY Times Magazine honors great people who passed away in 2017. It’s a lovely issue (particularly the Mary Tyler Moore piece). But there’s no mention of Liz Smith, who was more important to New York than any of the others.

So here’s a re-post of the two pieces I wrote when Liz passed away in early November. What a life she lived!

Liz Smith, the great gossip columnist and writer, my friend and in a sense mentor of any columns I’ve written since the 1980s, was a champion of literacy, a bon vivant, swell old Texas girl and a great person. Sure, there were people she crossed swords and paths with, but it didn’t matter. If you knew Liz, if she was your friend, she was loyal as the day was long.

When someone is 94 it should be enough. But you know, there have been so many phone calls and lunches over the years, so many margharitas and laughs — it’s never enough. COndolences to her family– the family she chose– Iris Love, Cynthia McFadden, Cynthia’s son Spencer who had such a loving relationship with her. Denis Ferrara, stalwart who has written her column for years with her input, Liz’s old assistant Mary Jo, as well as Diane Judge.

Liz was gay, she wrote about it in her memoir, Natural Blonde. But did you know she was married? Twice? The second husband, she told us once, just disappeared. “Honey he got on a train to Long Island and we never saw him again,” she said. She had to have him declared dead.

Liz bounced between the New York Daily News and the New York Post with her column over a 30 year run. She also wrote for New York Newsday, syndicated by the LA Times. She was the first gossip columnnist to get a million dollars a year. She deserved it.

In the early 80s, when I was a book publicist, I sneaked into her Daily News column through Harry Haun, who was filling in for her. Shortly thereafter Liz started taking my items. We got friendly even though her attack dog assistant of the time, Saint Clair Pugh, barely let me speak to her. I also became great friends with her item planter, Mike Hall, a legend who’d worked for Walter Winchell.

You know Liz coined the phrase, “Gossip is just news running ahead of itself in a red satin dress.” Donald Trump once tried to get her fired from the Daily News. It didn’t work. She’s had the last laugh on everyone. We stand, applauding.

Liz had her favorite celebs, and her good word carried a lot of importance in their careers. It’s hard to imagine now, but Liz at her zenith, at her apex, was like the Word of God. If you could “get into Liz Smith” you had it made. Not only did everyone in New York and Hollywood wait for her every sentence, but she was also syndicated to hundreds of newspapers. There was no internet, no social media, there was barely even cable TV. What Liz said mattered in a huge way.

The biggest beneficiaries of Liz’s largesse started with Barbara Walters. The truth is, Liz made Barbara’s career. She touted her constantly. If only there were a way to go back and digitize Liz’s columns to see how often she supported Barbara and ballyhooed her. From Barbara on Today, to her debacle with Harry Reasoner, to all her ABC specials and so on. Liz treated Barbara like gold. Sadly, when Liz lost her column in the New York Post she felt Barbara cast her aside. It was mostly true.

Liz also loved the actress Elaine Stritch. More mentions than any other actress, I think, although Holland Taylor was a great pal and always got love from Liz. Director Joel Schumacher–even Joel was shocked how much Liz promoted his films. But they were great friends, and in return Liz got great scoops about Joel’s films, Joel Silver’s films, Warner Bros releases, etc.

Mike Wallace– Liz was once his assistant. It was almost her first job in New York, booking guests for Mike’s radio show in 1953. Shortly after she’d mastered that job she headed to NBC and the very early “Today” show. Everyone she met became a lifelong friend and it kept them all in good stead. As Mike soared through CBS News, his adventures became chronicled in Liz’s columns. The advent of “60 Minutes” in the late 60s came at a perfect time– Liz’s rise as a columnist and freelance writer. The stars were aligned.

A lot of Liz’s passions about celebrities came from her associates. Diane Judge loved theater, wrote about it, so naturally Liz embraced it. The Theater Wing should lower the lights on Broadway this week. There wasn’t a new show that Diane and Liz didn’t promote or even save. There were a lot of rescue missions especially for shows Clive Barnes panned in the Times. The Liz Smith column plug could buy a show extra time.

Denis Ferrara loved Marilyn Monroe and Madonna. They each got a lot of coverage in the Liz Smith column over the years. Denis was smart to be right on the cutting edge with Madonna– she should send him bouquets of flowers, Champagne and cash, frankly. Denis also had a keen sense of nostalgia for the great Hollywood icons. He wove them into Liz’s columns, giving it a sense of history even as they were breaking stories about the Trumps, or the Murdochs or whomever.

And how about Rupert Murdoch? Liz was loyal to him. When his first wife, Anna, started writing bad novels, Liz plugged them over and over. It was partly because he was the boss, and partly because they were all on the same team. She fawned over Anna. Later when the loutish hard drinking Col Allan decided he wanted to get rid of Liz, Rupert just rolled over. So here’s a shock: when it happened, Roger Ailes put her on his payroll as a contributor. And she was on until he died.

So many people owe their careers to Liz, it’s kind of mind blowing. She knew how to make an actor into a star into a celebrity. And as they got bigger it gave her something to write about– and exclusives. (No one knows the grind of a daily column.) She knew the give and take to keep everyone in business for another day. In that sense, I learned so much from her. Liz played the long game, and that’s why she lasted for decades.

Right now, please pour some whiskey, some Tequila, raise a glass to Liz. She was simply the best. There will never be anyone like her again.

You Can Call Them “Sir Ringo” Starr and “Sir Barry” Gibb Thanks to Her Majesty (A Pretty Nice Girl)

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The Queen of England has bestowed knighthoods on two rock stars in her New Year’s list of honours: Ringo Starr of the Beatles and Barry Gibb of the Bee Gees. All four Beatles received regular citations back in 1965. Twenty years later, Paul McCartney was knighted. John Lennon and George Harrison’s deaths precluded the honor

Barry Gibb– all those hits, amazing he wasn’t knighted sooner. Sadly, his brothers didn’t live to see the day.

The Beatles sang a little ditty about the Queen back in 1969. Here it is:

Box Office: Gap Between “Last Jedi” and “Force Awakens” Nearing $200 Mil as Day-to-Days Sales Slow

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Yes, yes, The Last Jedi is a big big hit.

But it’s never going to be as big a hit as “The Force Awakens.”

And even though Disney can now see its surpassed earnings of $4 billion with LucasFilms since buying it from George Lucas for $4 billion…

“Last Jedi” is now running $187 million day to day behind “The Force Awakens.”

The Christmas holiday week has helped but not enough to make up the huge disparity between the two films.

By its 14th day, “Force Awakens” had made $652 million. “Jedi” has earned $464.5 million domestically. That’s a difference of about $187 million, up — or down 10 million– from last week. The $200 million mark is nearing. You could make a damn good “Star Wars” movie for $200 million. Maybe that one will be called “The Return of the Profit.”

And now, with the three principle stars of “Star Wars” gone, the new chapters may behave more like “Rogue One,” which only had $375 million socked away on its 14th day.