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Broadway: Nine Stars Are Born in First Ever Revival of Lieber-Stoller “Smokey Joe’s Cafe”

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Jerry Lieber (now deceased) and Mike Stoller were the heavy hitters in the Brill Building. Alongside Carole King and Gerry Goffin, Neil Sedaka and Howard Greenfield, Neil Diamond, Cynthia Weil and Barry Man, Lieber and Stoller penned a huge catalog of hits with and for Ben E. King, the Drifters, Elvis, and so on.

Tonight their 24 year old Broadway revue, “Smokey Joe’s Cafe,” was revived in New York for the first time. This version is off Broadway, at what used to be called the Little Shubert, now Stage 42. It’s a big deal. Philip Smith, head of the Shubert Organization, was there. So was Stoller, 85 years young, and his singer-songwriter wife Corky Hale. Plus, people came who worked on the original show, like actor Michael Park, and many of the musical directors. I also finally got to meet a great Broadway performer, Christina Sajous.

The revival is a home run. Do not hesitate to see it right. The nine main performers are superb, each one a star waiting to happen. Jelani Remy, a former “Simba” in “The Lion King,” nearly steals the show with “Jailhouse Rock.” But Nicole Vanessa Ortiz is absolutely sensational on “Hound Dog” and “Fools Fall in Love.” Dionne D. Figgins makes Aretha Franklin proud with “Spanish Harlem.” You don’t want to miss John Edwards’ dramatic reading of “I Who Have Nothing.” Alysha Umphress is the group’s Adele. Dwayne Cooper has a magnificent bass baritone perfect for doo wop and R&B.

There is no “book” per se. Joshua Bergasse sets up little narratives in each song, so that Lieber and Stoller’s intent is realized whether it’s a hit or a rediscovered gem. What really comes across– just as in “Beautiful”– that these songs have stood the test of time. You needn’t be contemporaneous to them to enjoy their magnificent melodies and lyrics. Frankly, this show comes at the right time.  A little Love Potion Number 9 always works its magic.

Sacha Baron Cohen’s Showtime Series Fails to Dupe Ted Koppel, “Gets” Dick Cheney, Insults Regular People In Kingman, Arizona

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I felt bad for the people of Kingman, Arizona who were duped in episode 2 of Sacha Baron Cohen’s Showtime series, “Who is America?” They didn’t ask for the show to come and embarrass them. Somehow Cohen got a group of these rural rubes to come to a presentation in which Cohen’s heavily made up character told them they were going to get a $385 million mosque.

Look, the people are racists. They don’t have teeth. They admit to tolerating the black people in their town. But isn’t this shooting fish in a barrel? Don’t we know this already? Their spewing of hate is nothing new. Arizona wouldn’t allow the MLK Holiday at first. Rather than Muslims coming in, Cohen should have asked about Mexicans and immigration. Much more on point.

In this episode, Cohen tries to dupe journalist Ted Koppel, who won’t be had. Cohen does make mince meat of Dick Cheney, an old stupid war monger who is not relevant to what’s happening today. Cheney is so 2005.

Cohen is very funny, I do laugh at his stuff, but I also wonder: what is being accomplished here? A huge effort is being made to humiliate really sad people. He savages a Georgia state rep, gets him to pull down his pants and say terrible things. But the guy is already so pathetic, what’s the point? On top of that, Cohen money or a tax break from the Georgia Film Commission. Their logo comes at the end of the show. I’m sure they’re thrilled.

There’s also a lot of time spent setting up and savaging a “Bachelorette” contestant, Corinne Olympios. This girl has an IQ of 7. Why pick on her? Funny? Yes. But if “Who is America” is largely getting stupid people to read inane scripts, what’s the point there? I’m sure you could get her to read the ingredients on dog food.

Yes, it’s all fun. But in the current political climate, “Who is America?” is not helpful.

Denzel Snatches Victory from Jaws of Defeat! “Equalizer” Sequel Upsets “Mamma Mia” Sequel for the Win!

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Denzel Washington and Antoine Fuqua Jr. came from behind today and took the weekend from Cher, Meryl Streep, and ABBA.

“The Equalizer 2” was the surprise weekend winner over “Mamma Mia: Here We Go Again.” Nicely done for Denzel, he beat the ABBA musical $35.8 to $34.3 million. All week the good money was on “Mamma Mia” right through Friday night. But “Mamma Mia” had a little more fall off than expected on Saturday and Sunday.

The top six movies this weekend were sequels, by the way. Yawn!

Many indie films did great including “Sorry to  Bother You,” “Blindspotting,” “Leave No Trace,” and “RBG.” But the Whitney Houston doc took a big fall, from number 17 to 28. Roadkill Attractions pulled it from 291 theaters in its third week, ensuring its early death. Too bad. But it’s too to get into name calling again just yet.

Meantime the Beatles’ 50th anniversary edition of “Yellow Submarine” is up to $683,000 in its third week.

Former Fugees Star Lauryn Hill Angers Fans on Twitter After Showing Up Late to Shows, Playing Short Sets, Unrecognizable Songs

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Believe it or not this is the 20th anniversary year for “The Miseducation of Lauryn Hill.” It was the only commercially viable album by the Fugees star. She’s spent two decades squandering her talent.

Now a blow out show in Toronto has backfired on her on Twitters. Fans are fuming that she showed up late, played a short set, and the songs were unrecognizable. She’s done it in other cities, too.

(Watch) Sacha Baron Cohen Fake Artist Sends Surprise Gift to Ambushed Art Dealer Christy Cones

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Ambushed Laguna Beach art dealer Christy Cones posted this Tweet today: Sacha Baron Cohen, under his character’s name Rick Sherman, sent her a surprise gift– the “art” he created from his bodily fluids while duping her during a taping for Episode 1 on “Who is America?”

The show airs again tomorrow night, but there are no previews. Last week they scored just 327,000 viewers.

Cones is a sport. She’s trying to keep her 15 minutes of fame while still smiling. Good for her. But she’s also not going to be embarrassed easily. She writes:

“This is just the beginning. The original emails used by Sacha and crew to lure gullible Christy into a trap will be made public, as well as the video used to create the fraudulent artwork. Other vids too”

Pop: Drake Adds Another 265K In Sales, Mostly from Streaming, and Another $2 Million

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The summer of Drake continues unabated.

His “Scorpion” album added another 265,000 in sales, almost all from streaming. Drake’s album sales– CDs and downloads– is minimal at this point.

But it’s all good. According to hitsdailydouble’s Song Revenue Chart, Drake made about $2 million last week from streaming all the songs on the album in the top 20.

His breakout hit from the album is the single “In My Feelings.” It’s way ahead of the track that samples Michael Jackson’s voice from an unreleased track.

There are just 4,350 people left in the U.S. They bought John Coltrane’s unreleased, recently discovered “Both Directions at Once.” You know who you are.

Eleven of the top 50 albums this week are from “legacy” artists. The Columbia Records name appears just twice. Warner Bros. doesn’t show up at all.

The Winner Takes it All: ABBA Cleans up as “Mamma Mia” Sequel Equalizes Denzel Washington

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As predicted, “Mamma Mia” took the Friday night box office by storm. Using a Cher and Meryl Streep “Silkwood” reunion, the ABBA musical raked in $14,277,000 and was number for the night and weekend.

Denzel Washington’s “Equalizer” sequel– the only sequel Denzel has ever been in — came in 2nd, with $13,555,000. Denzel  may consider not doing a third installment after this one is met with some antipathy. He has more important things to do.

In less fraught news, Annpurna Pictures’ “Sorry to Both You” will flirt with the $10 million mark this weekend– it will take to Tuesday maybe to get there. Boots Riley’s nutty little film could turn out to be the “Get Out” of the summer. We’ll wait and see how that plays out.

Kimberly Guilfoyle Makes First Move on Sarah Sanders Job, Leaving Fox News to Join Trump World

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Kimberly Guilfoyle wants Sarah Huckabee Sanders’ job. This is how she will get it.

Guilfoyle is leaving Fox News, as first reported by VanityFair.com’s Gabriel Sherman on Twitter. She will join a pro-Trump PAC according to other reports. Guilfoyle has been dating Donald Trump Jr. for the last couple of months.

Trump Jr. is divorcing his wife of 18 years, mother of his five children, Vanessa. Guilfoyle is 49, Donnie is 40.

On another track, Sanders may be leaving her role as Chief Liar for the Trump Administration at the end of the year. She’s denied it, but NBC reported this last month. Since Sanders rarely tells the truth, who knows what’s happening? But if Guilfoyle smells blood in the water, she’s swimming in that direction. Plus, her new boss would be her old boss, Bill Shine of Fox News, now installed as Trump’s communications director at the behest of Rupert Murdoch, our real president.

And so it goes. How long before she’s Kimberly Trump? Wedding next June?

 

“Mamma Mia” Sequel Set to Thwart Denzel’s “Equalizer 2,” ABBA Has Three Albums in Top 10, Cher May Release Covers Collection

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Here we go again!

I swear, back in 1974 when “Waterloo” was on the radio, we thought it was just silliness. Now 45 years later, ABBA remains everywhere.

“Mamma Mia: Here We Go Again,” is set to beat “Equalizer 2” at the box office this weekend. Last night in previews, the ABBA sequel beat the Denzel Washington sequel by $300,000 and made $1.4 million.

Meantime, ABBA has three CD’s in the iTunes top 10– the soundtracks to both movies, plus their ABBA old greatest hits. Really? Who doesn’t have this music by now?

And then there seems to be a chance Cher will release an ABBA covers album if the movie is really a big hit. She’s alluded to it in interviews. I think they’re waiting to see if there’s a demand. Cher appears at the end of the sequel and sings “Fernando.” A whole album? Well, that would be weird.

 

 

Roseanne Snaps, Mocks Valerie Jarrett Tweet Scandal on You Tube: “I thought the b*tch was white!”

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Roseanne, looking drunk, smoking a cigarette, is clearly mocking her Valerie Jarrett Tweet. She shrieks on You Tube: “I thought the bitch was white.” The person filming her says something about “the president f–king a hooker on his desk.” Is this supposed to be funny? It’s not. Barr looks a wreck, not ironic. Roseanne has lost her whole career, her income from her show, everything, from this incident. It’s jaw dropping to think she chose to publish this video– or make it at all. This should give ABC some pause. I told you she would not retire from social media– when “The Conners” appears again on the air, this is what the network can expect.