Sharon Osbourne is probably known to most as a TV personality. But in the real world, she is a formidable, savvy rock manager who guided her husband, Ozzy Osbourne, and Black Sabbath, to incredible fame and wealth. She’s the power, really.
Sharon objected to being told which venues Ozzy had to play in– that’s the rock promoter game, if you didn’t know, and always has been. The competing companies– Live Nation, AEG, and Azoff/MSG– prevent artists from playing in competitor’s stadiums, arenas, and theaters.
Sharon wanted Ozzy to play London’s O2 Arena, which is run by AEG. She also wanted Ozzy not to play AEG’s Staples Center in Los Angeles, but Azoff/MSG’s Forum. That caused a commotion in the promoter universe. Most managers just go with the flow, but not Sharon. She is really great. She won’t let anyone tell her what to do. Read her statement below. The “Mr. Anshultz” she refers to Philip Anschutz, the A in AEG, a very nice man who I once watched the Oscars with when he owned the Kodak Theater. I doubt he knows what’s going on here. But kudos to Sharon!
Sharon Osbourne Statement re AEG Lawsuit
We know Mr. Anshultz (aka “Daddy Big Bucks”) is living in his billionaire bubble, but the fact is that Ozzy sued AEG for the right to perform at the O2 in London. We won the case and Ozzy’s show at the O2 went on sale on September 5 for a show next year (February 11, 2019)–so in my world that means we won the case. Ozzy is playing the O2 without having to play the Staples Center, which is all that mattered to us. From the start of this dialogue in February, this has been a battle about respect for the artists and their personal preferences. It wasn’t then and isn’t now a battle between promoters, which is how this is being portrayed by the recent statement from AEG claiming this as a “victory.”
To say that this “suit was instigated by Azoff and paid for by MSG and Live Nation,” and that “it was hatched on the back of an artist who we believe had no idea what he was biting off,” is untrue and disrespectful to Ozzy, myself and the entire team working on this tour. Whatever differences you have with Irving Azoff, don’t presume you know who instigated the lawsuit or you know anything about Ozzy Osbourne, because you obviously don’t know anything about Ozzy’s history or mine. So stop with your hubbildy, bubbuldy BULLSHIT and your little pissing contest with Live Nation and MSG.
Regarding the allegations in the AEG statement that this “suit was a transparent public relations ploy,” if that was indeed the case, why then did AEG rush out a statement of victory? While we, throughout this process, until now have only made one statement around the initial filing.
Ozzy’s preference was to perform at The Forum, a venue that has been a part of his music history for more than 46 years. From the start, this was not a battle solely for Ozzy, as much as one for other artists who were being forced to abide by these rules and regulations. Let’s not all forget why you’re here…the artists.
The only thing remotely interesting in your statement was your pitiful attempt at humor with your quote that Ozzy “had no idea what he was biting off.” If you’re interested, Ozzy and I have got something nice for you bite on…our assholes…see ya loser!
My ship has come in! I’ve inherited $13 billion from an unknown relative. This is according to an email I’ve received from James Walcott. I can’t tell you how excited I am. Read this letter! I will have to split the money with Mr. Walcott, but that’s ok! The internet is a wonderful place full of glorious surprises, isn’t it? The first thing I’m going to do when I get the money– seven billion dollars!!!– is build a zoo with talking animals. Then I’m going to become an independent film producer. So much to do! So little time! 
