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Exclusive: Woody Allen Says in His Memoir That He Believes He– Not Frank Sinatra– is Ronan Farrow’s Dad, Claims Mia Farrow Had Child’s Legs Broken to Make Him Taller

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Woody Allen’s memoir is apropos of a lot of things. The book, available now, is a wonderful read on a lot of subjects. But I’ll start with this one”?

For one, Woody’s spent a lot of time being thrashed in the press by his one biological child, Ronan Farrow. Additionally, he’s had to suffer the slings and arrows of Mia Farrow, Woody’s ex girlfriend (with whom he did not live) that Ronan might be the son of Frank Sinatra, her ex husband.

Now Woody says in the book: “…one day Mia announced she was pregnant. I
naturally assumed it was by me and the wolfsbane had
finally kicked in; and despite her suggesting Satchel was
Frank Sinatra’s child, I think he’s mine, though I’ll never
really know. She may have still been sleeping with Frank,
as she hinted, and may have had any number of outside
affairs, for all I know. As I said, we lived apart.”

More shockingly, Woody reveals in the book something his adopted son, Moses Farrow, told him. That Ronan’s famous childhood story of spending months in a hospital with a leg infection– and having to use crutches for a long time– is not true.

Woody writes: “Listen to Moses, who was there and described things:
“After Ronan finished law school, Mia had him undergo
cosmetic surgery to extend his legs and gain a few inches in
height. I told her I couldn’t imagine putting someone through
the ordeal for cosmetic reasons. My mother’s response was
simple, ‘You need to be tall to have a career in politics.’
It was, of course, a long and painful process for Ronan,
who had his legs broken a few times and reconstructed to
lengthen them. The insurance company didn’t see the medical
necessity and refused to pay for it. Of course, Mia and
Ronan tell a different story but that’s what happened.” The
covering story handed out about Ronan’s knee problems,
his walker, and months of reconstruction was based on his
actual contracting of a disease while working abroad. This
was supposed to account for the surgery, but Moses was
present during much of the painful process. Meanwhile,
Mia might put Ronan through this leg-breaking barbarism
to satisfy her plans for his future, while I’m the one the
judge sticks with a monitor.”

The surgery, by the way, exists and is even more popular today apparently. It does sound barbaric.

Woody is held up now for ridicule by the Farrows as a parent. But Woody — who has raised two beautiful girls with Soon Yi, recalls of Mia’s parenting :

“When Satchel was born, things took an even darker
quantum leap. From his birth, Mia expropriated Satchel.
She took him into her bedroom, her bed, and insisted on
breast-feeding him. She kept telling me she intended to do it
for years, and that anthropological studies have shown positive
results from tribes where breast-feeding goes on much
longer than on the Upper West Side. Years later, two very
professional and perceptive women who worked in Mia’s
house, Sandy Boluch and Judy Hollister, the first as babysitter
and the second as housekeeper, described numerous
incidents. Sandy reports seeing Mia sometimes sleeping in
the nude with Satchel (now Ronan) a number of times till he
was eleven years old. I don’t know what the anthropologists
would say about that, but I can imagine what the guys in
the poolroom would say.”

Ronan, who was named Satchel at birth, was five when Woody and Mia’s split came.His sister, Dylan was 7. After the public scandal and custody hearings, Woody was separated from the children for good. He writes:

When she [Dylan] got a little older and
I imagined she would realize how she was being used, I
wrote her, just sweet, affectionate, brief letters asking how
she was doing. No commercials for me. The letters were all
intercepted by Ronan and I received curt, evasive answers
that began, “I told Dylan about your letter and she is not
interested.”

I finally wrote Satchel and said, “Do you always open
your sister’s mail and read it?” No answer except he wrote
back that if I really wanted to help out, I should send money.I already was supporting them generously by law, but if Mia
was right about Satchel being the son of Frank Sinatra, then I was really being bilked.”

Finally, Woody says that Ronan tried to interfere with Daphne Merkin’s New York Times profile of Allen.

“Daphne Merkin, who
wrote the story on Soon-Yi for New York magazine, relates
how Ronan phoned the magazine prior to the story coming
out and pressed them to drop it. They wouldn’t but he
pressured them, and so they softened it in a number of
places in ways that might not offend the Farrows. Example:
Daphne and I saw each other for a lunch perhaps once a
year if that, but the magazine made up that we were close
friends, so it appeared she could be prejudiced in my favor.
And I already gave you the watering-down of the being hit
with a telephone. They also had planned to put the story on
the cover but dropped it after the phone call from Ronan. Is
this not the quintessence of hypocrisy when Ronan writes a
book critical of NBC for trying to kill his story on Harvey
Weinstein? But, I guess whatever works.

 

 

 

 

 

 

 

 

 

 

 

 

UPDATE: EXCLUSIVE Woody Allen Dedicates Book to Wife Soon Yi: “For Soon-Yi, the best. I had her eating out of my hand and then I noticed my arm was missing”

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UPDATE: Woody Allen dedicates his memoir to his wife and partner of 28 years. He writes: “For Soon-Yi, the best.
I had her eating out of my hand and then I noticed my arm was missing.” That is funny.

More to come shortly…

Apropos of Nothing, Woody Allen has released his memoir as a surprise.

After Hachette Publishing cancelled the book, called Apropos of Nothing, Woody found a new publisher, Arcade, which is part of Skyhorse, which is part of something else. It’s not Knopf, let me put it that way.

Bits and pieces of the book have come out in the last couple of hours. Page Six, his dreaded enemy, seems to have some of it. Other chunks are on the Associated Press.

I’m told that the surprise factor was created so that no one– meaning Woody’s very estranged son, Ronan Farrow, or his adopted daughter Dylan Farrow, could impede publication again.

It’s unclear if Woody got to keep his advance from Hachette, which is a big outfit and has insurance if something like this backfires. Skyhorse/Arcade doesn’t pay a lot for books by anyone. But the idea, says a source “was just to get the book out there so people can read Woody’s side of the story.”

So far, the book has not appeared on Amazon or anywhere else. And this may be because Amazon says it’s not accepting deliveries from vendors. So physical books may be an issue. The only way to read this thing may be as an ebook.

All publicists are hiding, no one’s at work, and it’s snowing like a bastard as they say in Boston. Stay tuned.

Tribute to Kenny Rogers: Country Great’s Record Sales Soar as “The Gambler” and “Islands in the Stream” Take Over iTunes Charts

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What a nice tribute to Kenny Rogers, who passed away this weekend at age 81.

The country great’s record sales are soaring. His hits are all over the iTunes and Amazon charts. “The Gambler” is currently number 1 and “Islands in the Stream,” his famed duet with Dolly Parton (and written by Barry Gibb) is number 2.

“Lady,” written by Lionel Richie, is number 5. Fourteen– 14!– more tracks take up the top 100 for a total of 17. He has a fifth of the singles chart.

Rogers also has seven albums on the iTunes album charts including a greatest hits package at number 1. It’s the same on the country music charts.

On Amazon, many of the physical albums are completely sold out. And they won’t be replenished any time soon since Jeff Bezos said the company is only accepting shipments from vendors of medical supplies and other necessary items. CDs and vinyl aren’t going to the warehouses.

Here’s my favorite:


 

Donald Glover Officially Releases His New Childish Gambino Album, Called “3.15.20,” to Streaming Services

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Back on the 15th of this month, Donald Glover released his newest Childish Gambino album on his own website. There were no breaks between the tracks, and no titles. And no information. Then he removed it.

Now, the album is back, on Spotify and presumably other streaming services. It’s called “3.15.20.” The tracks are not titled. They’re called by the length of time they take up. Or something.

The album is very Sly Stone-Prince-Marvin Gaye, and I’d say, it sounds great, like something that might be very enjoyable. But a little more information from his record label– called (this is hysterical)– Wolf & Rothstein/RCA Records. (Wolf and Rothstein are his managers. They couldn’t think of a name for the label that doesn’t sound like a law firm?)

Anyway here’s the album. I guess we have a lot of time to figure out what’s going on here.

 

Broadway: Tony Winner Gavin Creel Tells Rosie O’Donnell He’s “Pretty Sure” He Has Coronavirus After London Castmate Tests Positive

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Gavin Creel, Tony winner for “Hello, Dolly!” told Rosie O’Donnell last night on her YouTube special that he’s “pretty sure” he has coronavirus.

Creel has just returned from performing in “Waitress” in London with the show’s creator, Sara Bareilles. He was quick to say that Bareilles does not have it, and he didn’t get it from her. “It wasn’t Sara!” he declared.

Creel and Bareilles left the show on March 14th abruptly, citing travel restrictions back to the US.  They said on social media: “Given the recent international travel restrictions, we’ve made the very difficult decision, before any further measures are implemented, to return home. It was an agonizing choice as we have so loved our time here at the Adelphi diner. The warmth and generosity of the West End audiences has been unparalleled.”

But now Creel says he thinks he got it from another female cast member, who did test positive. He said they’d been spending all their time together.

He said, of the symptoms: “It’s like a cruddy flu. I lost my sense of smell and taste.” Creel said he’s been self-quarantined. Still, he sang and accompanied himself on piano without any trouble. Get well soon!

Broadway: Rosie O’Donnell Raises $500,000 for the Actors Fund Including Her Own Donation During Streaming You Tube Special Featuring Dozens of Top Name Stars

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Rosie O’Donnell’s three and a half hour YouTube special for the Actors Fund has just ended. O’Donnell herself donated $100,000 and raised another (at least) $400,000 from viewers. The money goes to all the out of work actors and crew currently suffering through the temporary closure of Broadway.

Rosie and producer Erich Bergen (actor from “Madame Secretary” among other productions) brought together dozens upon dozens of Broadway stars including anyone who’s anyone from the Great White Way. She even added Barry Manilow and Gloria Estefan.

What was so impressive is that all these people performed from home, many accompanying themselves on the piano or guitar. They didn’t wear make up. They had bad lighting and sound. The show was as homemade as it could have been. But it was a total delight.

Rosie herself hosted the show from the garage/art studio of her house in Saddle River, New Jersey. She wore no makeup herself, and the lighting was adequate, let’s say. But she was at her best, no politicizing, just talking her love of Broadway with all the stars. Behind her on the floor there seemed to be some detritus. It took Harvey Fierstein to finally say, “At least I cleaned up my crafts room!” Rosie replied: “It’s paint on the floor. It doesn’t come up!”

Where else, how else could we have seen so many top line stars, all talking off the cuff, singing out their hearts. This was pretty brave. The show, when the dust settles, has to be preserved for Broadway history. What a coup!

Of course, we got to hear two versions of Charlie Chaplin’s “Smile”– one from Patti Lupone and the other from Audra McDonald and Will Swenson. Kelli O’Hara sang, so did Adrienne Warren from her bathtub full of water! Stephen Sondheim and Andrew Lloyd Webber sang “Happy Birthday” to each other! Matthew Broderick and Sarah Jessica Parker did a rare interview together. It was pretty swell!

The show had echoes of Edward R. Murrow’s “You Are There” and Golden Age of Television. No artifice. And frankly, Rosie should have a daily show again.

Dip in anywhere, or watch it from beginning to end. Rosie and Erich made history tonight.

 

Opera Great Placido Domingo Says It’s His “Moral Duty” (Poor Choice of Words) to Tell us He’s Tested Positive for COVID 19

Opera great Placido Domingo has announced on Facebook that he has Trump Virus. In one post he says it’s his “moral duty” to report it, in another his “moral obligation.” Everyone wishes him well and hopes for a quick recovery. But “moral” anything might be a poor choice of words considering the recent #MeToo allegations against him. But you know, what can you do? It’s a strange time. He’s a great opera singer. When he gets better we can deal with the other stuff.

The main post:

“I feel it is my moral duty to announce to you that I have tested positive for COVID19, the Corona virus. My Family and I are all in self isolation for as long as it is deemed medically necessary. Currently we are all in good health but I experienced fever and cough symptoms therefore deciding to get tested and the result came back positive. I beg everyone to be extremely careful, follow the basic guidelines by washing your hands frequently, keeping at least a 6 feet distance from others, doing everything you can to stop the virus from spreading and please above all stay home if you can ! Together we can fight this virus and stop the current worldwide crisis, so we can hopefully return to our normal daily lives very soon. Please follow your local government’s guidelines and regulations for staying safe and protecting not just yourselves but our entire community.”

Flashback: Review of Michael Jackson’s 30th Anniversary Show at Madison Square Garden September 7, 2001

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FLASHBACK originally published September 8, 2001.

You have to hand it to Michael Jackson. When everything else is stripped away – the kitsch, the rabbi, the chimps, the lawsuits, the revolving door managers and disorganized concert promoter – his talent is still there. On Friday night at Madison Square Garden, when it looked like his 30th Anniversary Solo All-Star show was heading into the toilet, it was Michael who saved the day.

The Solo show, which had tickets up to $2,500, did not have a good start. In fact, the level of cheesiness was so high the audience looked like it was going to need a drycleaner to get out the Velveeta stains. Michael, dressed in a glittering silver sequined top, sat in kind of a royal viewing box at stage left, after entering with actress Elizabeth Taylor, former child star Macaulay Culkin, and Jackson’s parents. Taylor looked ominously like the Queen Mum throughout the proceedings, with Jackson, I suppose, as Princess Diana.

The show almost ground to a halt quickly though after a painfully thin but energetic Whitney Houston – who was mysteriously not joined by husband Bobby Brown, scheduled to perform with her – concluded a rousing opening with “Wanna Be Starting Something.” The reason was the appearance, at stage right and sitting in a strange office waiting room set, of the extremely corpulent former important actor Marlon Brando.

Brando, at first wearing sunglasses, proceeded to expound, from his chair, for a ghastly ten minutes on subjects of little or no interest to the pumped-up audience. He said, “You may be thinking, who is that old fat fart sitting there?” At one point he actually removed his wristwatch and said, “In the last minute, 100,000 children have been hacked to death with a machete.” He concluded by instructing the audience to go to michaeljackson.com and donate money. The audience – many of whom came from Los Angeles in wheelchairs or on walkers – booed and booed, loudly, and with good cause.

Things did not get much better, as a series of acts shuffled on and off the stage with little purpose. Shaggy, the contemporary rap group, sang their two hits, and Shaggy himself did kind of a pelvic thrust for Jackson, which seemed to shake the guest of honor from his stupor. There was a duet by James Ingram and Gloria Estefan on “I Just Can’t Stop Loving You,” a medley from The Wiz, a little boy singer named Billy Gilman did “Ben,” and so on. There were interminable breaks between sets, which caused more booing, and it seemed as though no one had rehearsed or timed the show in advance.

The pièce de resistance came almost toward the end of this section, when Liza Minnelli appeared on stage. Minnelli has either had the worst facelift since Jocelyn Wildenstein or was wearing makeup for the show Cats. Or both. She was frightening, and, to drive home the point, sported a fright wig. The effect was a Judy Garland drag queen impersonator and sent a chill through the room. After performing “You Are Not Alone,” a Jackson song, Minnelli launched into an uninspired version of “Never Never Land.” As it ended, a million soap bubbles started pouring over the stage, and Minnelli, without prompting, broke into the last two lines of her mother’s most famous song, “Over the Rainbow.” She said, “I love you, Michael” and the bubbles swept her away. This was just about the time Elizabeth Taylor hobbled out of her seat and went to the bathroom.

But all was not lost. Dame Elizabeth went on stage and introduced the reunion of the Jackson 5, which saved the day. For then, promoter David Gest’s turn at channeling late producer Alan Carr was over, and Jackson was in charge. The audience roared with approval as Michael took the stage with his brothers. Their short set included a medley of hits from “ABC” to “I Want You Back.” Altogether their much-vaunted reunion lasted about 20 minutes, with a nearly full length version of “Shake Your Body.” Michael actually seemed happy and relaxed as he and the brothers went through their old Motown dance steps together. The person who’d been sitting on the sidelines like a zombie suddenly seemed rejuvenated.

There were more surprises to come, including Michael performing “The Way You Make Me Feel” with Britney Spears (she struts, doesn’t dance, and doesn’t seem to sing, but the effect is very Sami Jo from Dynasty). Finally settling into an onstage rhythm, Michael then gave the audience what they wanted: moonwalking and his silver lamé glove in “Billie Jean,”; the great Jerome Robbins-like choreography in “Beat It,” and guitarist Slash on both “Beat It” and “Black and White.”

In between, Jackson, who looked winded most of the time, but exhilarated, shouted “I love you” to the audience many times. He said little else. He concluded the show with his new single, “You Rock My World,” and gathered all of the guest stars on stage, with Quincy Jones conducting, for “We Are the World.” Not satisfied with leaving the stage at that, Jackson re-started “Rock My World,” getting people on stage to dance with each other. The absolute best pairing was Yoko Ono, who shimmied around with Petula Clark. Yoko, symbol of death in the movie Let it Be, grinned from ear to ear and boogied around the stage with, believe it or not, Kenny Rogers. It was an extraordinary ending to a strange, magical, but often schizophrenic night.

Broadway’s Tony Winner Ruthie Ann Miles Expecting a Child After Losing Daughter and Unborn Baby in Horrific Disaster

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Some good news for a change, make that great news. Ruthie Ann Miles, the great Broadway musical performer and Tony winner, is expecting a new baby.

Ruthie and her husband Jonathan Blumenstein suffered a horrific tragedy on March 5, 2018. She was crossing the street when she was hit by a truck. Her four year old daughter was killed, and so was the baby she by then was pregnant with for seven months.

I met her when she played Imelda Marcos in David Byrne’s brilliant “Here Lies Love” at the Public Theater. She won the Tony in 2015 for “The King and I” musical at Lincoln Center. Ruthie Ann turns 37 in April. She is so talented and lovely. What a wonderful turn of events.

Many many congrats to Ruthie Ann and Jonathan.

Announcing our very happy news :) pic.twitter.com/bLP8t96X4V

— Ruthie Ann Miles (@RuthieAnnMiles) March 21, 2020