Tuesday, May 19, 2026

Hollywood Horror: Major Fall Film Festivals Pledge Allegiance to Each Other as COVID Panic Threatens Survival

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The major fall film festivals — Venice, Telluride, Toronto, New York — have banded together to battle COVID panic. The festivals sent out a letter this morning pledging allegiance to each other. They won’t be competitive, but share information and resources, they say. The fact is, they are in dire trouble. Awards season has been moved farther away from them. No one can travel anywhere, or wants to. All the festivals have to use digital platforms. And they are all trying to raise money via donations from fans. Toronto aka TIFF has laid off 130 employees. The others have made similar moves. For those who love and respect the festivals as forums of creativity, and places for business deals to be made, this year’s turn of events is shocking.

Here’s the letter signed by the heads of all the festivals:

This year, we saw the COVID-19 pandemic devastate communities all over the world, and bring life as we knew it to a halt. As supporters of global cinema, we watched as the work of film artists stopped in its tracks, and the culture of film itself was challenged. Films come alive with audiences, who could no longer gather in the ways we had for over a century.

The art form we love is in crisis. Our own organizations have seen unprecedented challenges to our work and our financial security. The pandemic caught each of us as we were preparing for the biggest event of our year in the fall of 2020. We knew we had to adapt. We decided to collaborate as we never have before.

Venice is the origin story for every film festival in the world. Telluride is one of the world’s most influential festivals. Toronto is home to the world’s largest public film festival. And the New York Film Festival curates for one of the world’s most storied, sophisticated film cities. Our four festivals share a love of cinema and a devotion to filmmakers. We also share a short span of six weeks each autumn.

This year, we’ve moved away from competing with our colleagues at autumn festivals and commit instead to collaboration. We are sharing ideas and information. We are offering our festivals as a united platform for the best cinema we can find. We’re here to serve the filmmakers, audiences, journalists and industry members who keep the film ecosystem thriving. We need to do that together.

We believe cinema has a unique power to illuminate both the world around us, and our innermost perceptions. In a crisis, films can transport us. They can enchant, inform, provoke and heal. As we work through challenging circumstances this summer to prepare our festivals, we will work together, in support of film.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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