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Review: Indie Film “Once” Returns as Off Broadway Gem

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“Once”–do you remember this fine indie film from 2006? It went on to win the Academy Award for Best Song (“Falling Slowly”). The movie won the Indie Spirit Award for Best Foreign Film. (You know it was good because the Golden Globes ignored it.) Glen Hansard and Marketa Irglova, wrote the songs and starred in the film as an aspiring Dublin songwriter and a young Czech mother who meet, collaborate and fall in love. Now “Once” debuts on Tuesday night at New York Theater Workshop, the same place that once launched “Rent.” Watch on Wednesday morning, I am not kidding: the show’s stars, Steve Kazee and Cristin Milioti, are about to become overnight sensations. The musical, directed by John Tiffany, is a gem. Every part of it–from the actors and musicians to the tremendous set by Bob Crowley to the lighting, staging — all of it is simply sensation. In particular, Steve Kazee, who’s been in a few Broadway musicals, is on his way to big things.

Now the plan is to move “Once” to Broadway next spring in time for the Tony Awards. There are few new musicals coming, and “Once” will be the odds on Tony favorite. The question facing its creators is how to retain the intimacy of the New York Theater Workshop. Right now, they have a magical piece of theater with one set. So the goal will be to enlarge it but not too much. This is tricky.

Of course, “Once” really relies on the performances of its leads. Milioti is so appealing and cute, spunky even, as Girl. (The leads are just Guy and Girl.) She couldn’t be more winning. But Kazee is a standout. The show really makes him into a rock star. And what’s so overwhelming is that the actor, who comes from Kentucky in real life, has perfect his Irish accent. He reminded me of the great Irish singer songwriter Luka Bloom and was extremely authentic.

“Once” is also aided by its supporting cast of 10, all of whom are required to play instruments and to dance, to some degree. This is quite extraordinary, a la John Doyle‘s stagings of “Sweeney Todd” and “Company.” Bravo to all of them. While Tiffany’s direction is unique and elegant, some kudos must go to Steven Hoggett, who gets a credit for “Movement.” I guess that’s just a shade shy of choreography. But this ensemble does “move” almost like a ballet company. They are just terrific.

Hansard and Irglova’s characters and music from the movie remain intact, and beautifully reproduced. “Falling Slowly” is still the centerpiece number, but several of the other songs emerge here on their own including “When Your Mind’s Made Up” and “Say It to Me Now.”

When you think of all the bloated, overly expensive shows that have forced their way onto Broadway recently (hello “Bonnie and Clyde”), “Once”–like its movie– remains a refreshing, simple, elegant breath of fresh air.

http://www.youtube.com/watch?v=k8mtXwtapX4&ob=av3n

Angelina Jolie Accuser Made Previous Claims Against Another Filmmaker

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If Angelina Jolie had a press person or cared about the press she might not be in so much trouble today. She’s being sued by a Croatian named Josip J. Knezevic who claims Jolie made his book into her directing debut, “In the Land of Blood and Honey.” The complaint, filed by a Chicago law firm, claims that Jolie’s Bosnian producer, Edin Sarkic, had meetings and exchanged text messages with Knezevic establishing a chain that led to the alleged plagiarism.

But a Google search of Knezevic turns up an interesting exchange on You Tune from about four years ago. Knezevic got into a pissing match on the YouTube message board with another filmmaker, Robbie Wright. He claimed that Wright had stolen his work for a video about the Bosnian conflict set to Seal’s record, “Crazy.” But people on the board came to Wright’s defense, and Wright sent Knezevic copies of all his press passes from the Bosnian-Serbian war. He and his followers say all the footage from the video was shot by him.

Here’s the link to that page: http://www.youtube.com/all_comments?v=mUVJU3uWOuo&page=2

Knezevic has his own YouTube videos: http://www.youtube.com/watch?v=pDSi-sNLvKM

Knezevic’s lawyer tells me he knows about this exchange. “It isn’t material to our case.”

Knezevic has filed his suit under an Americanized name, Joseph J. Braddock, against Jolie, Sarkic, and Graham King’s FilmDistrict.

The lawsuit attempts to establish that contact was made between Braddock and Sarkic, as well as between Sarkic and Brad Pitt’s Make it Right Foundation. Emails and texts could be evidence that Jolie could have been made aware of Braddock’s novel. The suit goes on:

“The similarities between the Subject Work and the Motion Picture are obvious: the Motion Picture copies key plot elements, themes, characters, events, sequences and settings of the Subject Work, including without limitation, the following:
a. The Subject Work illustrates a love story that takes place in war-torn Bosnia and Herzegovina in the early 1990’s. The Motion Picture also depicts a love story that takes place in war-torn Bosnia and Herzegovina in the early 1990’s.
b. The Subject Work’s main female character is a Croatian (her mother is a Muslim), living near Sarajevo, who is captured and imprisoned in a Serbian-held concentration camp that was located in a village, which was highly unusual since most camps were located in abandoned industrial or agricultural complexes. The Motion Picture’s main female character is also a Muslim who is captured and imprisoned in a Serbian-held camp that was located in a village, not an abandoned complex.
c. The Subject Work’s main female character is subject to continuous abuse and rape by soldiers and officers in the camp. In addition to being raped continuously by soldiers and officers, she is forced to become a servant at the camp headquarters, a duty assumed by very few of the captives. The Motion Picture’s main female character is also subject to continuous rape by soldiers and officers Case: 1:11-cv-08597 Document #: 1 Filed: 12/02/11 Page 6 of 11 PageID #:6
in the camp and subsequently becomes a servant at camp headquarters.
d. The Subject Work’s main male character is the deputy camp commander. His father is a high-ranking “Greater Serbian” nationalist and important officer of the Yugoslav Peoples Army. The Motion Picture’s main male character is also a camp commander whose father is a high-ranking “Greater Serbian” nationalist and important officer of the Yugoslav Peoples Army.
e. In the Subject Work, the main male character struggles with the polarity of his emotions and his military duty; he loves the main female character but is expected to fulfill his duties as a high-ranking member in the army force. Amidst his struggle, he helps her escape from camp. In the Motion Picture, the main male character also struggles with his love for the main female character and his duties as a high-ranking member of the army force. Like in the Subject Work, the main male character in the Motion Picture helps the main female character escape from the camp.”

What’s interesting about this case: usually people who sue over plagiarism wait until a movie or book has made some money, then swoop in. In this case, the complainant isn’t waiting at all.

Meantime, Jolie’s movie has been mostly ignored in this awards season. Jolie hasn’t helped herself so much by banning press from tonight’s premiere and party–much the same way she had photographers tossed from Namibia years ago, and insisted on reporters signing agreements not to ask her certain questions during the release of “A Mighty Heart.” Oh, Angelina. For a woman who claims to be a diplomat, you’re not very diplomatic.

 

Sundance 2012: From Bruce Willis to Chis Rock, Sarandon, Gere, Spike Lee, Paul Simon

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The Sundance Film Festival has announced 13 premieres for this year’s festival, which begins January 19, 2012. Big stars like Bruce Willis, Susan Sarandon, Richard Gere. Chris Rock, and Spike Lee all figure prominently. Sundance regular Parker Posey, one of our favorite people is starring in a new film. A couple of films I knew were going–and had to sit on the news. “Arbitrage” is high on the must see list, especially because of director Nick Jarecki. And in documentaries, everyone’s excited to see Joe Berlinger‘s “Graceland” anniversary film with Paul Simon. Berlinger, however, is probably not thrilled to see Amy Berg’s Peter Jackson-funded West Memphis 3 film–and I’m surprised Sundance took it, given that Berlinger has already made three excellent films on the subject. But he’s already moved on to new things. Also Rory Kennedy has made a film about her mother, Ethel Kennedy. I’m sure this will be the topic of discussion at tonight’s Robert F. Kennedy Foundation dinner.

PREMIERES

2 Days in New York (France) – Directed by Julie Delpy, written by Delpy and Alexia Landeau. A Gotham-set sequel of sorts to “2 Days in Paris,” starring Delpy, Chris Rock, Albert Delpy, Alexia Landeau and Alex Nahon.

Arbitrage – Directed, written by Nicholas Jarecki. A hedge-fund magnate, desperately trying to unload his financial empire before his fraud is revealed, makes a fatal mistake. With Richard Gere, Susan Sarandon, Tim Roth, Brit Marling and Laetitia Casta.

Bachelorette – Directed, written by Leslye Headland. A woman becomes engaged to one of New York’s most eligible bachelors and asks three high-school friends to be her bridesmaids, bringing their issues to the surface. Features Kirsten Dunst, Isla Fisher, Lizzy Caplan, James Marsden, Adam Scott, Kyle Bornheimer.

California Solo – Directed by Marshall Lewy. A Britpop ex-rocker now living on a farm outside Los Angeles must deal with personal demons. Stars Robert Carlyle, Alexia Rasmussen, Kathleen Wilhoite, A Martinez and Danny Masterson.

Celeste and Jesse Forever – Directed by Lee Toland Krieger, written by Rashida Jones and Will McCormack. In which the titular high-school sweethearts decide to get divorced at 30 but remain best friends. Stars Jones, Andy Samberg, Ari Graynor, Chris Messina, Elijah Wood and Emma Roberts.

For a Good Time, Call … – Directed by Jamie Travis, written by Katie Anne Naylon and Lauren Anne Miller. Two new roommates embark on a highly unconventional business venture. With Ari Graynor, Lauren Anne Miller, Justin Long, Mark Webber and James Wolk.

Goats – Directed by Christopher Neil, written by Mark Jude Poirier. In which Ellis leaves his unconventional desert home to attend the rigorous Gates Academy, where he reconnects with his estranged father. Stars David Duchovny, Vera Farmiga, Graham Phillips, Justin Kirk and Ty Burrell.

Lay the Favorite – Directed by Stephen Frears, written by D.V. DeVincentis. A young woman gets involved with a group of geeky older men who have figured out how to get rich in Vegas. With Bruce Willis, Catherine Zeta-Jones, Rebecca Hall.

Liberal Arts – Directed by Josh Radnor. A thirtysomething guy falls for a 19-year-old student at his old alma mater. Stars Radnor, Elizabeth Olsen, Richard Jenkins, Allison Janney, John Magaro and Elizabeth Reaser.

Price Check – Directed, written by Michael Walker. A happy family man copes with rising debt and a job he hates. Features Parker Posey, Eric Mabius, Annie Parisse, Josh Pais and Cheyenne Jackson.

Red Hook Summer – Directed by Spike Lee, written by James McBride and Lee. A young Atlanta boy spends a summer in Brooklyn with the grandfather he’s never seen before. With Clarke Peters, Jules Brown, Toni Lysaith, James Ransone, Thomas Jefferson Byrd.

Red Lights – Directed by Rodrigo Cortes. A psychologist and her assistant with an interest in paranormal activity find themselves investigating a world-renowned psychic. With Cillian Murphy, Sigourney Weaver, Robert De Niro, Elizabeth Olsen and Toby Jones.

Robot and Frank – Directed by Jake Schreier, written by Christopher Ford. An old curmudgeon gets a robot for a caretaker. Stars Frank Langella, Susan Sarandon, James Marsden, Liv Tyler. Salt Lake City gala.

Shadow Dancer (U.K.) – Directed by James Marsh, written by Tom Bradby. Arrested in an aborted bomb plot, a widow must make hard choices to protect her son. With Andrea Riseborough, Aidan Gillen, Domhnall Gleeson, Gillian Anderson and Clive Owen.

The Words – Directed and written by Brian Klugman and Lee Sternthal. An aspiring writer claims another man’s literary achievements as his own. Features Bradley Cooper, Jeremy Irons, Dennis Quaid, Olivia Wilde and Zoe Saldana. Closing-night film.

DOCUMENTARY PREMIERES

The eight world premieres in this section are from the U.S. unless otherwise noted.

About Face – Directed by Timothy Greenfield-Sanders. Explores issues of beauty and aging through supermodels’ stories.

Bones Brigade: An Autobiography – Directed by Stacy Peralta. Examines the lives off six teenage boys who formed a skateboarding team in the 1980s.

The D Word: Understanding Dyslexia – Directed by James Redford. Follows a dyslexic high school senior struggling to get into a competitive college.

Ethel – Directed by Rory Kennedy. An intimate portrait of Ethel Kennedy, specifically her years with and later without her husband, Robert F. Kennedy.

A Fierce Green Fire – Directed by Mark Kitchell. Etches a history of the environmental movement from the 1960s to the present.

Something From Nothing: The Art of Rap (U.K.) – Directed by Ice-T, co-directed by Andy Baybutt. Traces the roots and history of rap through interviews with some of its most influential practitioners.

Untitled Paul Simon Project – Directed by Joe Berlinger. Follows Simon back to South Africa to explore the musical and political legacy of his “Graceland” album.

West of Memphis – Directed by Amy Berg. Examines judicial, prosecutorial and jury misconduct in the widely publicized West Memphis Three trials.

Exclusive: Jane Fonda Comedy “Peace Love” Going to IFC Films

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Good news. Bruce Beresford‘s “Peace, Love and Misunderstanding,” which premiered at the Toronto Film Festival, has been picked up by IFC Films. The charming comedy about a hippie grandma in Woodstock, New York who takes in her divorcing straight laced daughter (Catherine Keener) and kids got terrific reviews when it played in September. I’m told IFC is releasing it in late April 2012 and may even try a Mother’s Day tie in. Adding to the movie’s value is that Keener’s daughter in the film is played by Elizabeth Olsen, so hot right now with “Martha Marcy May Marlene.”The film also stars Chace Crawford from “Gossip Girl” and Jeffrey Dean Morgan.

The word is that IFC — hot right now with Werner Herzog’s “Cave of Forgotten Dreams” and the documentary “Buck”– may also be circling a French film starring Fonda, called “And If We All Lived Together?” Fonda, who turns 74 this month, is hot as a pistol right now with a bestselling book about aging–“Prime Time”–and new workout DVDs for those of us who might otherwise collapse doing younger routines. Last week, she hosted a panel discussion at the TED conference with Gloria Steinem and Dr. Mehmet Oz, and also presented CBS’s Lara Logan with an award at the Women’s Media Center awards. Fonda and boyfriend Richard Perry–famed record producer of Rod Stewart, Carly Simon, etc–just blew through New York with dinner at Elio’s and Crown restaurants, and took in Hugh Jackman’s show on Broadway, and the play “Other Desert Cities.”

PS Here’s an idea for HBO: Why not make “Peace Love” into a series? It’s rife with possibilities for opening up.

Exclusive: Mariah Carey and Justin Bieber Set “X Factor” Date

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Exclusive: Mariah Carey and little Justin Bieber are set to perform on “X Factor.” Their December 15th performance will be of their new duet on Mariah’s classic hit, “All I Want for Christmas Is You.” Carey wrote the song and released it 17 years ago, in November 1994. (Wait! November 1994 was seventeen years ago? OMG.) Since then, “All I Want” has become a Christmas perennial. This year she re-recorded it with Justin Bieber, who sings back up in his new low register. He isn’t Perry Como or even Steven Tyler, but the keeps up with Miss 8 Octaves and doesn’t do too badly. Carey has said she will make a number of appearances on “X Factor” this season, largely because it’s controlled by her record company, Universal Music. Also, her former and future label chief, L.A. Reid, a is a judge. This is complicated because her unofficial manager and music director Randy Jackson is a judge and mainstay of “American Idol.” At any rate, set your DVRs to see the newly slimmed down Mariah sex up Justin on live TV. Let’s hope there’s no wardrobe malfunction…

…I told you a while ago –exclusively– that “Lord of the Rings” director Peter Jackson was funding a documentary on the West Memphis 3. This was despite the fact that Joe Berlinger, Bruce Sinofsky and their team have made three docs on the subject over the course of 15 years. Their latest, “Paradise Lost 3,” is on the short list for the Oscars. It should win, really. HBO will air it in January. But Jackson put up money for the WM3’s defense, so he figured he’d better get something out of it. He sent filmmaker Amy Berg to Arkansas, where she spread his money around to relatives of the WM3 and bought up their rights.

Now Jackson has announced that Damien Echols and his girlfriend, Lorrie Davis, are co-producers on the Berg film, and that it’s ready. They were hoping to get it into Sundance. But I think the Sundance people are too smart for that.  The Berlinger films are plenty, and tell the story sufficiently. It’s a shame that Jackson et al and Berg felt they had to barge in on a filmmaker’s long investment of energy, money and heart. I don’t understand why Jackson couldn’t have just supported Berlinger and co.

Note to Jackson and Echols: this column has not spoken to Berlinger or Sinofsky. But when the Jackson doc press release came out tonight, I had to say something. Real documentary filmmakers don’t purposely upset another’s work. And they certainly don’t go around a small town handing out cash so they can derail that other doc maker’s work. That’s a FAIL. Deliver us from greed and hubris.

Exclusive: Daldry Says “Extremely Loud” Is Finished and Screened for First Time

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Stephen Daldry has not only finished “Extremely Loud and Incredibly Close”–he’s screened it on Sunday evening for the Hollywood Foreign Press in New York. He finished the movie on Saturday night, he told me exclusively Sunday night at the swanky all out premiere for Steven Spielberg‘s “War Horse” at Avery Fisher Hall in Lincoln Center. “I’m done!” he cried as Daldry zoomed up to me at the after party. That’s where the likes of Tony Danza, Celeste Holm, Billy Connolly, Brian Cox, Eriq LaSalle and Michael Michele,  and dozens of A-listers swarmed around stars Emily Watson, Jeremy Irvine, and the terrific young actors who comprise Spielberg’s stunning, sentimental, and sensational film.

“I just finished last night,” said Daldry when I asked him what the heck was going on. “Extremely Loud” is late late late. “Everyone else just finished early,” Daldry said with his typical chuckle. He’s missed deadlines for many award presentations, and is just making it for the Academy Awards, Critics Choice and Golden Globe awards. The movie stars Tom Hanks and Sandra Bullock.

“We’re not going to win anyway,” he joked, which is a joke since the director of “The Reader,” “Billy Elliott,” and “The Hours” could well pull off a last minute ambush and find himself with lots of nominations. Daldry turned up at the “War Horse” party to support young David Kross, who appeared so vividly in Daldry’s “The Reader” with Kate Winslet. Kross has a key role in “War Horse” as a German soldier.

Meanwhile, Spielberg had to leave “War Horse” early and get back to Richmond, Virginia, where he’s shooting “Lincoln” with Daniel Day Lewis and Sally Field.

But the “War Horse” cast was overwhelmed and thrilled to stick around, and meet lots of New York actors like the amazing Lois Smith, who played doctor who explained what a ‘minority report’ was in the movie of the same name. Also meeting and greeting: Robert Wuhl, Anika Noni Rose, Mariska Hargitay, Vondie Curtis Hall and his teen age son (mom is Kasey Lemmons) and Kathie Lee Gifford who brought 18 year old daughter Cassidy. Guess what? Cassidy is a knockout, and has already been on the TV series “Blue Bloods” and an indie film. I’m afraid to tell you that she’s got “it’–it’s quite clear–that Cassidy Gifford is on the launch pad. I just wish she’d go to college first. What can I say about Kathie Lee? I’ve always liked her a lot. I can’t help it.

Anyway. “War Horse” has potential for well over a dozen Oscar nominations. Jeremy Irvine and Emily Watson will go into Supporting. Joey the horse should be in lead. He’s that good. Director, adapted screenplay, cinematography, editing, music, costumes, sets, etc. “War Horse” is a magnificent accomplishment. Is it schmaltzy? Sometimes it gets very drippy. John Williams’ memorable score is superb. Maybe it’s a little too much. But get out the hankies. Spielberg,  overall, has made a modern masterpiece. The war scenes alone are going to be talked about by film buffs forever. Spielberg stages a war without any blood or gore, and yet it’s searing. The sequence in which Joey makes his run through “no man’s land” and winds up entangled in  barbed wire is going to go into every time capsule for classic filmmaking.

One more thing about “War Horse” for now: why isn’t Tom Hiddleston a big star already? In “War Horse” he plays a young David Niven. Hollywood, let’s go.

Charlize Theron in “Young Adult” No Holiday Gift

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Director Jason Reitman‘s reunion with “Juno” screenwriter Diablo Cody, “Young Adult,” is a mixed bag–good acting, nicely made, but nothing that anyone will be racing to see. “Young Adult” is no “Juno.” These films are very far apart in their structure, tone, and texture. “Young Adult” is a tough film that offers its viewers no olive branches, while “Juno” was all about achieving peace. Indeed, I’m surprised that Paramount didn’t take “Young Adult” to Sundance first–it’s a Sundance film if ever there was one. It’s supremely edgy, kind of a downer, and struggling for hipness.

Charlize Theron, in an acting tour de force, is vincitive, selfish, manipulative, horrifying Mavis. Mavis is a lot like Mary Richards on steroids–single and attractive, successful career woman living in Minneapolis. She returns to her pokey hometown in suburban Minnesota–where they call their big city the “Mini-Apple”–with a plan. She wants to win back her high school sweetheart (Patrick Wilson), even though he’s married (Elizabeth Reaser) and has just had a baby. She picks up a buddy along the way, the loser gimp from their old school (Patton Oswalt), whom she still treats like dirt–and he still takes it.

Fun scenario, huh? The main character, Mavis, is incredibly unsympathetic and unlikable. She’s more Phyllis than Mary from “The Mary Tyler Moore Show”–Phyllis with no redeeming features, no husband, and no sweet best friend. Remember, “Phyllis” did not work as a sitcom because the character was so awful on her own. Mavis is like that. It takes a leap of faith to make a movie with that in mind, so Reitman and Cody deserve credit. They’ve tried something difficult here. Did I mention that Mavis is a hard, unrepentant drinker as well? That she’s cruel to her parents and condescending to everyone around her?

Theron, like I said, is exceptional. And Patton Oswalt, though he plays it a lot like he did in “Big Fan,” is very good. Wilson and Reaser are just fine, too. It was really nice to see Jill Eikenberry as Mavis’s mom, too. But “Young Adult” is a bitter pill to swallow at the end of the year, and in competition with “War Horse” or “Hugo.” Mavis is a loser who remains a loser; there’s no third act and no absolution. There’s not a ray of hope as the movie ends that she’s received a glimmer of insight into what’s gone wrong. Cody will hate comparisons to “Juno,” but it does seem odd that in that earlier film, the main character could be so wide, winning and sensible–and that in this film it’s like the inverse.

Box Office: “Hugo,” “The Artist” Prove Smart Audience Exists

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Just when you thought the world had gone to hell, there are flickers of hope: “The Artist,” “Hugo,” and “My Week with Marilyn”– movies in which no vampires appear–did great over the weekend. Michel Hazanavicius’s “The Artist,” which just won Best Picture and Director from the New York Film Critics–is in very limited release and a total hit. It sold out on every one of its six screens, and took in a daily average of $12,000 per screen. “My Week with Marilyn,” directed by Simon Curtis, was a hot ticket as well. People are clamoring to see Michelle Williams in her raved about performance. The movie is playing on just 244 screens and has made a total of $3.8 million through today. This is just the beginning for both of these, as well as Martin Scorsese’s “Hugo” in 3D. Scorsese must be at the jaw drop stage. “Hugo” will finish the weekend with a total of $25 million. It’s only on 1,800 screens, and is number three at the box office following “Twilight: Everyone Pouts, Part 6” and “The Muppets.”

“The Help” Star Viola Davis on Competing with Meryl Streep and Beating Up Co-Star

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Considering how serious “The Help” really is, it’s nice to see the Oscar buzzed actresses from it have a sense of humor. At a lunch/screening on Friday for the terrific Disney film, I asked stars Viola Davis and Octavia Spencer how they dealt with co-star Bryce Dallas Howard off camera. After all, Howard plays a nasty, racist socialite who causes a lot of misery for the local maids. “We just took Bryce out back and gave her a beating,” laughed Davis. She and Spencer held forth at the lunch, at Desmond’s on East 60th St., with a room full of admirers.

“Bryce is like the sweetest person. When we met her, I thought, how’s that going to work?” Davis said. “Then the cameras rolled and she went right into the character.” Spencer talked me about her relationship with co-star Jessica Chastain. “We’ve become great friends. I’m having dinner with her in LA right before Christmas. That’s the way it was from the beginning.” Davis is a cinch for a Best Actress nod, while Spencer and Howard should be locks in Best Supporting Actress. (Chastain will be covered in that category for “The Tree of Life.”)

Meanwhile, Davis told me to send a message to “Iron Lady” star Meryl Streep, with whom she will likely be in the Best Actress race. “You tell Meryl Streep it’s not about competition,” she said, with great gravity. Remember, the two had quite an on screen showdown in “Doubt.”

“I mean, she’s Meryl Streep. She is amazing. I’m in awe of her.”

Got that, Meryl?

As for Octavia Spencer, her next film is Diablo Cody‘s directing debut. Like the upcoming “Young Adult,” which Cody also wrote, “it’s not a lot of laughs,” says Spencer. “But we’ll try and get a few in.”

Michael Jackson’s Father Will Release Self-Immortalizing Documentary

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Michael Jackson’s charming father, Joe Jackson, won’t stop ’til he gets enough. He’s just announced that he’s released a documentary about himself, come February. “Confessions of a Father: The Words of Joe Jackson” will likely not detail all of Joe Jackson’s business mistakes, his abuse of his children, or the story of his illegitimate daughter. According to the press release, “Confessions” “will offer a fascinating and chilling look at one of the most controversial fathers in show business history.

“Told from Joe Jackson’s unique perspective, the film will cover the Jackson family history from the formation of the Jackson 5 through Michael’s tragic death and the subsequent trial and sentencing of his physician, Dr. Conrad Murray. Principal photography is almost completed and GPA is currently meeting with distributors. The film’s release is planned for 2012, as is the publication of “The Architect,” Joe Jackson’s autobiography from Atria Books, a division of Simon and Schuster.”

The press release all says Joe will “break his silence.” Has he ever actually been silent?

Yes, that’s right: he’s also “written” a “book.’ It’s unclear if that offering is simply a translation from the German book Jackson “published” a few years ago. Frankly, they’d be better off leaving it in the German.

All of this is told from Joe’s “unique perspective.”

The documentary, they say, is produced by “award winner”  (his words) George Paige, who has mostly credits for re-releasing Jerry Lewis videos. The “director” is someone named Johnny West.